BY James Whitcomb Riley This is the simple character sketch in which there is romance treated with a fine reserve. It employs the local color so characteristic of Mr. Riley’s poems of Indiana. A NEST-EGG But a few miles from the city here, and on the sloping banks of the stream noted more for its plenitude of “chubs” and “shiners” than the gamier two- and four-pound bass for which, in season, so many credulous anglers flock and lie in wait, stands a country residence, so convenient to the stream, and so inviting in its pleasant exterior and comfortable surroundings—barn, dairy, and spring-house—that the weary, sunburnt, and disheartened fisherman, out from the dusty town for a day of recreation, is often wont to seek its hospitality. The house in style of architecture is something of a departure from the typical farmhouse, being designed and fashioned with no regard to symmetry or proportion, but rather, as is suggested, built to conform to the matter-of-fact and most sensible ideas of its owner, who, if it pleased him, would have small windows where large ones ought to be, and vice versa, whether they balanced properly to the eye or not. And chimneys—he would have as many as he wanted, and no two alike, in either height or size. And if he wanted the front of the house turned from all possible view, as though abashed at any chance of public scrutiny, why, that was his affair and not the public’s; and, with like perverseness, if he chose to thrust his kitchen under the public’s very nose, what should the generally fagged-out, half-famished representative I am more than glad that I was hungry enough, and weary enough, and wise enough to take the house at its first suggestion; for, putting away my fishing-tackle for the morning, at least, I went up the sloping bank, crossed the dusty road, and confidently clambered over the fence. Not even a growling dog to intimate that I was trespassing. All was open—gracious-looking—pastoral. The sward beneath my feet was velvet-like in elasticity, and the scarce visible path I followed through it led promptly to the open kitchen door. From within I heard a woman singing some old ballad in an undertone, while at the threshold a trim, white-spurred rooster stood poised on one foot, curving his glossy neck and cocking his wattled head as though to catch the meaning of the words. I paused. It was a scene I felt restrained from breaking in upon, nor would I, but for the sound of a strong male voice coming around the corner of the house: “Sir. Howdy!” Turning, I saw a rough-looking but kindly featured man of sixty-five, the evident owner of the place. I returned his salutation with some confusion and much deference. “I must really beg your pardon for this “Want a drink, I reckon,” said the old man, turning abruptly toward the kitchen door, then pausing as suddenly, with a backward motion of his thumb—“jest foller the path here down to the little brick—that’s the spring—and you’ll find ’at you’ve come to the right place fer drinkin’-worter! Hold on a minute tel I git you a tumbler—there’re nothin’ down there but a tin.” “Then don’t trouble yourself any further,” I said, heartily, “for I’d rather drink from a tin cup than a goblet of pure gold.” “And so’d I,” said the old man, reflectively, turning mechanically, and following me down the path. “‘Druther drink out of a tin—er jest a fruit-can with the top knocked off—er—er—er a gourd,” he added in a zestful, reminiscent tone of voice, that so heightened my impatient thirst that I reached the spring-house fairly in a run. “Well-sir!” exclaimed my host, in evident delight, as I stood dipping my nose in the second cupful of the cool, revivifying liquid, and peering in a congratulatory kind of way at the blurred and rubicund reflection of my features in the bottom of the cup, “well-sir, blame-don! ef it don’t do a feller good to see you enjoyin’ of it that-a-way! But don’t you drink too much o’ the worter!—’cause there’re some sweet milk over there in one o’ them crocks, maybe; and ef you’ll jest, kindo’ keerful-like, lift off the led of that third one, say, over there to yer left, and dip you out a tinful er two o’ that, w’y, it’ll do you good to drink it, and it’ll do me good to see you at it——But hold up!—hold up!” he called, abruptly, as, nowise loath, I bent above the vessel designated. “Hold yer hosses fer a second! Here’s Marthy; let her If I was at first surprised and confused, meeting the master of the house, I was wholly startled and chagrined in my present position before its mistress. But as I arose, and stammered, in my confusion, some incoherent apology, I was again reassured and put at greater ease by the comprehensive and forgiving smile the woman gave me, as I yielded her my place, and, with lifted hat, awaited her further kindness. “I came just in time, sir,” she said, half laughingly, as with strong, bare arms she reached across the gurgling trough and replaced the lid that I had partially removed.—“I came just in time, I see, to prevent father from having you dip into the ’morning’s-milk,’ which, of course, has scarcely a veil of cream over the face of it as yet. But men, as you are doubtless willing to admit,” she went on jocularly, “don’t know about these things. You must pardon father, as much for his well-meaning ignorance of such matters, as for this cup of cream, which I am sure you will better relish.” She arose, still smiling, with her eyes turned frankly on my own. And I must be excused when I confess that as I bowed my thanks, taking the proffered cup and lifting it to my lips, I stared with an uncommon interest and pleasure at the donor’s face. She was a woman of certainly not less than forty years of age. But the figure, and the rounded grace and fulness of it, together with the features and the eyes, completed as fine a specimen of physical and mental health as ever it has been my fortune to meet; there was something so full of purpose and resolve—something so wholesome, too, about the character—something so womanly—I might almost say manly, and would, but for the petty prejudice maybe occasioned by the trivial fact of a locket having dropped from her bosom as she knelt; and “There’re no better girl ‘n Marthy!” he said, mechanically answering some ingenious allusion to her worth. “And yit,” he went on reflectively, stooping from his seat in the barn door and with his open jack-knife picking up a little chip with the point of the blade—“and yit—you wouldn’t believe it—but Marthy was the oldest o’ three daughters, and hed—I may say—hed more advantages o’ marryin’—and yit, as I was jest goin’ to say, she’s the very one ’at didn’t marry. Hed every advantage—Marthy did. W’y, we even hed her educated—her mother was a-livin’ then—and we was well enough fixed to afford the educatin’ of her, mother allus contended—and we was—besides, it was Marthy’s notion, too, and you know how women is thataway when they git their head set. So we sent Marthy down to Indianop’lus, and got her books and putt her in school there, and paid fer her keepin’ and ever’thing; and she jest—well, you may say, lived there stiddy fer better’n four year. O’ course she’d git back ever’ once-an-a-while, but her visits was allus, some-way-another, onsatisfactory-like, ’cause, you see, Marthy was allus my favorite, and I’d allus laughed and told her ’at the other girls could git married if they wanted, but she was goin’ to be the ‘nest-egg’ “‘W’y, what’s pleased you so?’ she says, laughin’, as she druv through slow-like and a-ticklin’ my nose with the cracker of the buggy-whip.—’What’s pleased you?’ “‘Guess,’ says I, jerkin’ the gate to, and turnin’ to lift her out. “‘The new peanner’s come?’ says she, eager-like. “‘Yer new peanner’s come,’ says I; ’but that’s not it.’ “‘Strawberries fer supper?’ says she. “‘Strawberries fer supper,’ says I; ’but that ain’t it.’ “Jest then Morris’s hoss whinnied in the barn, and she glanced up quick and smilin’ and says, ’Somebody come to see somebody?’ “‘You’re a-gittin’ warm,’ says I. “‘Somebody come to see me?’ she says, anxious-like. “Marthy had riz up in the buggy by this time, but as I helt up my hands to her, she sorto’ drawed back a minute, and says, all serious-like and kindo’ whisperin’: “‘Is it Annie?’ “I nodded. ’Yes,’ says I, ’a’nd what’s more, I’ve give my consent, and mother’s give hern—the thing’s all settled. Come, jump out and run in and be happy with the rest of us!’ and I helt out my hands ag’in, but she didn’t ’pear to take no heed. She was kindo’ pale, too, I thought, and swallered a time er two like as ef she couldn’t speak plain. “‘Who is the man?’ she ast. “‘Who—who’s the man?’ I says, a-gittin’ kindo’ out o’ patience with the girl.—’W’y, you know who it is, o’ course.—It’s Morris,’ says I. ’Come, jump down! Don’t you see I’m waitin’ fer ye?’ “‘Then take me,’ she says; and blame-don! ef the girl didn’t keel right over in my arms as limber as a rag! Clean fainted away! Honest! Jest the excitement, I reckon, o’ breakin’ it to her so suddent-like—’cause she liked Annie, I’ve sometimes thought, better’n even she did her own mother. Didn’t go half so hard with her when her other sister married. Yes-sir!” said the old man, by way of sweeping conclusion, as he rose to his feet—“Marthy’s the on’y one of ’em ’a’t never married—both the others is gone—Morris went all through the army and got back safe and sound—’s livin’ in Idyho, and doin’ fust-rate. Sends me a letter ever’ now and then. Got three little chunks o’ grandchildren out there, and I’ never laid eyes on one of ’em. You I am always thinking that I never tasted coffee till that day; I am always thinking of the crisp and steaming rolls, ored over with the molten gold that hinted of the clover-fields, and the bees that had not yet permitted the honey of the bloom and the white blood of the stalk to be divorced; I am always thinking that the young and tender pullet we happy three discussed was a near and dear relative of the gay patrician rooster that I first caught peering so inquisitively in at the kitchen door; and I am always—always thinking of “The Nest-egg.” |