Descent from an ancestry whose members built and sailed ships from Salem, Newburyport, and Nantucket two hundred years ago, and even down to the early days of the nineteenth century, ought to give an hereditary bias toward a sailor's life, on waters either salt or fresh. A score-and-a-half of men of my name have "died with their boots on" at sea, from the port of Nantucket alone. They went for whales, and the whales got them. Perhaps their fate should have discouraged the sea-going instinct, but perversely it had the opposite effect. A hundred men are lost out of Gloucester every year, yet their boys are on the "Banks" before they are fairly weaned. I was born at Niles, Michigan, on the historic St. Joseph River, which in those days was of considerable importance commercially. Scores of keel boats plied between South Bend and the mouth of the river at St. Joseph, on Lake Michigan. Keel boats drifted down the river, and after unloading were towed back by little steamboats, about eighty feet long by eighteen feet beam. These were propelled by side wheels attached to a single shaft, driven by a horizontal engine of indifferent power. These steamers towed four "keels" upstream at the rate of five or six miles an hour. The former had no upper cabin answering to the "boiler deck" of the Mississippi River boats—only a roof covering the main deck, with the passenger cabin aft, and the quarters of the crew forward of the boiler and engine. It was, I suppose, a quarter of a mile from my birthplace to the river bank where we boys of the neighborhood went to My teacher in these matters was a man whom I greatly envied. Kimball Lyon lived in a house three times as large as that in which I was born. His father had left a big farm and a bank account of fabulous dimensions. We knew it was large, because "Kim" never worked as other young men of twenty-five or thirty years did in those days. His mother always kept a "hired man", while Kim toiled not; but he spun. It was not his riches, however, nor his immunity from toil, that common lot of other men, which excited the envy of the six-year-olds. He could, and did, play on the accordion. Lying on his back in the shade and resting one corner of his instrument upon his bosom, with irresistible power and pathos he sang and played "A life on the ocean wave, A home on the rolling deep." It appealed to all the natural impulses of our being, and the dormant instincts inherited from generations of whale-hunting ancestors were aroused by the power of music, reinforced by the suggestive words of the song itself; and then and there we vowed that when we were men like Kimball Lyon, we too would own and play upon accordions, and do all else that he had done; for marvelous tales he told, of his experiences in great storms at sea and of deeds of aquatic prowess. We learned in after years that "Kim" once sailed from St. Joseph to Chicago in a sawed-off lumber hooker, when the wind was west nor'west, down the lake, and that he did actually lie on the deck, but not on his back, and that it was not music which he emitted, and that the sailors railed at him, and that he came back from Chicago by stage coach "Kim" Lyon knew all about steamboats, as well as about deep sea ships, and when we asked questions he could answer out of the fullness of his knowledge. We wondered what made the wheels go 'round, and he told us. I have forgotten what made them go 'round, but my recollection is that it was a peculiar mechanical process of which I have never seen the like in any other service on river, lake or ocean. His answer to the query as to "what is the man in the little house on top of the boat doing?" I have never forgotten, as it afterward came more in my line of business. The man was twisting the wheel as all pilots before and since that time twist it, a spoke or two to port, a half dozen to starboard, hard up and hard down, there being a shallow piece of river just there, beset with big boulders and reefs of gravel, through which he was cautiously worming his boat and its kite-tail of keels. "That man," said Kimball, "is drawing water from a well in the bottom of the boat and emptying it into the boiler, just as your father draws water from his well with a rope, a bucket and a crank. If he should stop for a minute the boiler would burst for want of water, the boat would blow up, and we should all be killed by the explosion." This definition at once gave us a personal interest in the work of the man at the wheel; we all felt that our lives depended upon this man's devotion to his duty. Had he struck a piece of "easy water" at that time, and centred his wheel, there is no doubt that we would have scurried for home before the inevitable explosion should occur. That was my first lesson in piloting. Perhaps this childish concern that the man "drawing water for the boilers" should faithfully perform his duty, was but a prefigurement of the interest with which the writer, and hundreds of others, in later years, have watched the pilot work his boat through a tangled piece of river, knowing that the safety of all depended upon the knowledge and faithfulness of the "man at the wheel." The steamboats plying on the St. Joe were crude little affairs, and there were but four or five of them, all alike. I A few years later I saw the Mississippi River for the first time, at Rock Island, Illinois; and through the kindness of another well-posted bystander to whom the then twelve-year-old boy appealed, I received my first impressions of a stern-wheel boat. There were two steamboats lying at the levee—the "Minnesota Belle", a side-wheeler, upon which we had taken passage, while just above lay the "Luella", a stern-wheeler. I knew about the former variety from observation on the St. Joe, but I had never seen even a picture of one of the latter sort, so it was a novelty. I wasn't certain that it was a steamboat at all, and after referring the matter to my stranger friend, I learned definitely that it wasn't. The "Luella's" wheel was slowly turning over as she lay at the levee, and as I did not comprehend the mechanical details of that kind of craft I began asking questions. My mentor assured me that the "Luella" was not a steamboat at all, but a water power sawmill. The big wheel then moving was driven by the current, and it in turn operated the sawmill machinery on the inside of the boat. As I could not figure any other use for a wheel out in the open, at the end of the boat, instead of on the side where it ought to be, and as I had no reason to doubt the statement of my informant, I readily accepted the sawmill explanation, and hastened to confide my newly-acquired knowledge to my brother and other members of the family. A few hours later both boats pulled out for St. Paul. After she had rounded the first point, ahead of us, we saw nothing more of the "Luella" until we met her coming down the river on her return trip. She was a heavily-powered boat, and showed her heels to the larger and slower "Minnesota Belle". The sight of the "Luella" kicking her way upstream at the rate of two miles to our one, not only dissipated the sawmill impression, but taught me not to That steamboat trip from Rock Island to Prescott was one long holiday excursion for us two small and lively boys from Michigan. There was so much to see and in so many different directions at once, that it was impossible to grasp it all, although we scampered over the deck to get differing view points. We met dozens of boats, going back to St. Louis or Galena after further loads of immigrants and freight; and there were other boats which came up behind us, gaining slowly but surely, and finally passing the deeply-laden "Belle". There were landings to be made, and freight and passengers to be disembarked. There were strange Indians to be seen—we were familiar enough with Michigan tribesmen, having been born within a mile or two of old Pokagon's tribal village. There were boys with fish for sale, fish larger than any inhabiting the waters of Michigan streams, sturgeons only excepted, and this promised well for the fun in store when we should reach our journey's end. Finally, on a bright June day in the year 1854, the writer, then a boy of twelve, with his brother, three years younger, were fully transplanted from their Michigan birthplace to the row of stores and warehouses which fronted on the "levee" at Prescott, Wisconsin, where the waters of St. Croix River and Lake join the Mississippi. The town was then a typical frontier settlement. Two hundred white people were planted among five hundred Chippewa Indians; with as many more Sioux, of the Red Wing band, across the river in Minnesota, a few miles lower down the river. The not infrequent outbreaks of the hereditary enmity existing between these ancient foes, would expend itself on the streets of the town in war whoops, gunpowder, and scalping knives, enlivening the experience of the average citizen as he dodged behind the nearest cover to avoid stray bullets; while the city marshal was given an opportunity to earn his salary, by driving out both bands of hostiles at the point of his revolver. |