  We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Title: Sandra Belloni by George Meredith, v4 Author: George Meredith Release Date: September, 2003 [Etext #4416] Edition: 10 Language: English This etext was produced by Pat Castevans <patcat@ctnet.net> and David Widger <widger@cecomet.net> We are now trying to release all our etexts one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date. Most people start at our sites at: https://gutenberg.org or http://promo.net/pg http://www.ibiblio.org/gutenberg/etext03 or Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2001 as we release over 50 new Etext files per month, or 500 more Etexts in 2000 for a total of 4000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end. At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 4,000 Etexts. We need funding, as well as continued efforts by volunteers, to maintain or increase our production and reach our goals. We need your donations more than ever! As of November, 2001, contributions are being solicited from people We have filed in about 45 states now, but these are the only ones that have responded. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state. In answer to various questions we have received on this: We are constantly working on finishing the paperwork to legally request donations in all 50 states. If your state is not listed and you would like to know if we have added it since the list you have, just ask. While we cannot solicit donations from people in states where we are not yet registered, we know of no prohibition against accepting donations from donors in these states who approach us with an offer to donate. All donations should be made to: Contact us if you want to arrange for a wire transfer or payment method other than by check or money order. We need your donations more than ever! You can get up to date donation information at: /donation.html *** Michael S. Hart <hart@pobox.com> Prof. Hart will answer or forward your message. We would prefer to send you information by email. **The Legal Small Print** (Three Pages) ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this etext if you want to. To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment. If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically. THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*: [*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR [*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR [*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form). [2] Honor the etext refund and replacement provisions of this "Small Print!" statement. If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com *END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END* This etext was produced by Pat Castevans <patcat@ctnet.net> and David Widger <widger@cecomet.net> SANDRA BELLONIBy George Meredith BOOK 4XXVI. SUGGESTS THAT THE COMIC MASK HAS SOME KINSHIP WITH A SKULL XXVII. SMALL LIFE AT BROOKFIELD XXVIII. GEORGIANA FORD XXIX. FIRST SCOURGING OF THE FINE SHADES XXX. OF THE DOUBLE-MAN IN US, AND THE GREAT FIGHT WHEN THESE ARE FULL-GROWN XXXI. BESWORTH LAWN XXXII. THE SUPPER XXXIII. DEFEAT AND FLIGHT OF MRS. CHUMPCHAPTER XXVIIt was midnight. Mr. Pole had appeased his imagination with a chop, and was trying to revive the memory of his old after-theatre night carouses by listening to a song which Emilia sang to him, while he sipped at a smoking mixture, and beat time on the table, rejoiced that he was warm from head to foot at last. "That's a pretty song, my dear," he said. "A very pretty song. It does for an old fellow; and so did my supper: light and wholesome. I'm an old fellow; I ought to know I've got a grown-up son and grown-up daughters. I shall be a grandpa, soon, I dare say. It's not the thing for me to go about hearing glees. I had an idea of it. I'm better here. All I want is to see my children happy, married and settled, and comfortable!" Emilia stole up to him, and dropped on one knee: "You love them?" "I do. I love my girls and my boy. And my brandy-and-water, do you mean to say, you rogue?" "And me?" Emilia looked up at him beseechingly. "Yes, and you. I do. I haven't known you long, my dear, but I shall be glad to do what I can for you. You shall make my house your home as long as you live; and if I say, make haste and get married, it's only just this: girls ought to marry young, and not be in an uncertain position." "Am I worth having?" "To be sure you are! I should think so. You haven't got a penny; but, then, you're not for spending one. And"—Mr. Pole nodded to right and left like a man who silenced a host of invisible logicians, urging this and that—"you're a pleasant companion, thrifty, pretty, musical: by Jingo! what more do they want? They'll have their song and chop at home." "Yes; but suppose it depends upon their fathers?" "Well, if their fathers will be fools, my dear, I can't help 'em. We needn't take 'em in a lump: how about the doctor? I'll see him to-morrow morning, and hear what he has to say. Shall I?" Mr. Pole winked shrewdly. "You will not make my heart break?" Emilia's voice sounded one low chord as she neared the thing she had to say. "Bless her soul!" the old merchant patted her; "I'm not the sort of man for that." "Nor his?" "His?" Mr. Pole's nerves became uneasy in a minute, at the scent of a mystification. He dashed his handkerchief over his forehead, repeating: "His? Break a man's heart! I? What's the meaning of that? For God's sake, don't bother me!" Emilia was still kneeling before him, eyeing him with a shadowed steadfast air. "I say his, because his heart is in mine. He has any pain that hurts me." "He may be tremendously in love," observed Mr. Pole; "but he seems a deuced soft sort of a doctor! What's his name?" "I love Wilfrid." The merchant appeared to be giving ear to her, long after the words had been uttered, while there was silence in the room. "Wilfrid? my son?" he cried with a start. "He is my lover." "Damned rascal!" Mr. Pole jumped from his chair. "Going and playing with an unprotected girl. I can pardon a young man's folly, but this is infamous. My dear child," he turned to Emilia, "if you've got any notion about my son Wilfrid, you must root it up as quick as you can. If he's been behaving like a villain, leave him to me. I detest, I hate, I loathe, I would kick, a young man who deceives a girl. Even if he's my son!—more's the reason!" Mr. Pole was walking up and down the room, fuming as he spoke. Emilia tried to hold his hand, as he was passing, but he said: "There, my child! I'm very sorry for you, and I'm damned angry with him. Let me go." "Can you, can you be angry with him for loving me?" "Deceiving you," returned Mr. Pole; "that's what it is. And I tell you, I'd rather fifty times the fellow had deceived me. Anything rather than that he should take advantage of a girl." "Wilfrid loves me and would die for me," said Emilia. "Now, let me tell you the fact," Mr. Pole came to a halt, fronting her. "My son Wilfrid Pole may be in love, as he says, here and there, but he is engaged to be married to a lady of title. I have his word—his oath. He got near a thousand pounds out of my pocket the other day on that understanding. I don't speak about the money, but—now—it's a lump— others would have made a nice row about it—but is he a liar? Is he a seducing, idling, vagabond dog? Is he a contemptible scoundrel?" "He is my lover," said Emilia. She stood without changing a feature; as in a darkness, holding to the one thing she was sure of. Then, with a sudden track of light in her brain: "I know the mistake," she said. "Pardon him. He feared to offend you, because you are his father, and he thought I might not quite please you. For, he loves me. He has loved me from the first moment he saw me. He cannot be engaged to another. I could bring him from any woman's side. I have only to say to myself—he must come to me. For he loves me! It is not a thing to doubt." Mr. Pole turned and recommenced his pacing with hasty steps. All the indications of a nervous tempest were on him. Interjecting half-formed phrases, and now and then staring at Emilia, as at an incomprehensible object, he worked at his hair till it lent him the look of one in horror at an apparition. "The fellow's going to marry Lady Charlotte Chillingworth, I tell you. Emilia received this statement with a most perplexing smile. She shook her head. "He cannot." "Cannot? I say he shall, and must, and in a couple of months, too!" The gravely sceptical smile on Emilia's face changed to a blank pallor. "Then, you make him, sir—you?" "He'll be a beggar, if he don't." "You will keep him without money?" Mr. Pole felt that he gazed on strange deeps in that girl's face. Her voice had the wire-like hum of a rising wind. There was no menace in her eyes: the lashes of them drooped almost tenderly, and the lips were but softly closed. The heaving of the bosom, though weighty, was regular: the hands hung straight down, and were open. She looked harmless; but his physical apprehensiveness was sharpened by his nervous condition, and he read power in her: the capacity to concentrate all animal and mental vigour into one feeling—this being the power of the soul. So she stood, breathing quietly, steadily eyeing him. "No, no;" went on Mr. Pole. "Come, come. We'll sit down, and see, and talk—see what can be done. You know I always meant kindly by you." "Oh, yes!" Emilia musically murmured, and it cost her nothing to smile again. "Now, tell me how this began." Mr. Pole settled himself comfortably to listen, all irritation having apparently left him, under the influence of the dominant nature. "You need not be ashamed to talk it over to me." "I am not ashamed," Emilia led off, and told her tale simply, with here and there one of her peculiar illustrations. She had not thought of love till it came to life suddenly, she said; and then all the world looked different. The relation of Wilfrid's bravery in fighting for her, varied for a single instant the low monotony of her voice. At the close of the confession, Mr. Pole wore an aspect of distress. This creature's utter unlikeness to the girls he was accustomed to, corroborated his personal view of the case, that Wilfrid certainly could not have been serious, and that she was deluded. But he pitied her, for he had sufficient imagination to prevent him from despising what he did not altogether comprehend. So, to fortify the damsel, he gave her a lecture: first, on young men—their selfish inconsiderateness, their weakness, the wanton lives they led, their trick of lying for any sugar-plum, and how they laughed at their dupes. Secondly, as to the conduct consequently to be prescribed to girls, who were weaker, frailer, by disposition more confiding, and who must believe nothing but what they heard their elders say. Emilia gave patient heed to the lecture. "But I am safe," she remarked, when he had finished; "for my lover is not as those young men are." To speak at all, and arrange his ideas, was a vexation to the poor merchant. He was here like an irritable traveller, who knocks at a gate, which makes as if it opens, without letting him in. Emilia's naive confidence he read as stupidity. It brought on a fresh access of the nervous fever lurking in him, and he cried, jumping from his seat: "Well, you can't have him, and there's an end. You must give up—confound! why! do you expect to have everything you want at starting? There, my child— but, upon my honour! a man loses his temper at having to talk for an hour or so, and no result. You must go to bed; and—do you say your prayers? Well! that's one way of getting out of it—pray that you may forget all about what's not good for you. Why, you're almost like a young man, when you set your mind on a thing. Bad! won't do! Say your prayers regularly. And, please, pour me out a mouthful of brandy. My hand trembles—I don't know what's the matter with it;—just like those rushes on the Thames I used to see when out fishing. No wind, and yet there they shake away. I wish it was daylight on the old river now! It's night, and no mistake. I feel as if I had a fellow twirling a stick over my head. The rascal's been at it for the last month. There, stop where you are, my dear. Don't begin to dance!" He pressed at his misty eyes, half under the impression that she was taking a succession of dazzling leaps in air. Terror of an impending blow, which he associated with Emilia's voice, made him entreat her to be silent. After a space, he breathed a long breath of relief, saying: "No, no; you're firm enough on your feet. I don't think I ever saw you dance. My girls have given it up. What led me to think…but, let's to bed, and say our prayers. I want a kiss." Emilia kissed him on the forehead. The symptoms of illness were strange to her, and passed unheeded. She was too full of her own burning passion to take evidence from her sight. The sun of her world was threatened with extinction. She felt herself already a wanderer in a land of tombs, where none could say whether morning had come or gone. Intensely she looked her misery in the face; and it was as a voice that said, "No sun: never sun any more," to her. But a blue-hued moon slipped from among the clouds, and hung in the black outstretched fingers of the tree of darkness, fronting troubled waters. "This is thy light for ever! thou shalt live in thy dream." So, as in a prison-house, did her soul now recall the blissful hours by Wilming Weir. She sickened but an instant. The blood in her veins was too strong a tide for her to crouch in that imagined corpse-like universe which alternates with an irradiated Eden in the brain of the passionate young. "Why should I lose him!" The dry sob choked her. She struggled with the emotion in her throat, and Mr. Pole, who had previously dreaded supplication and appeals for pity, caressed her. Instantly the flood poured out. "You are not cruel. I knew it. I should have died, if you had come between us. Oh, Wilfrid's father, I love you!—I have never had a very angry word on my mouth. Think! think! if you had made me curse you. For, I could! You would have stopped my life, and Wilfrid's. What would our last thoughts have been? We could not have forgiven you. Take up dead birds killed by frost. You cry: Cruel winter! murdering cold! But I knew better. You are Wilfrid's father, whom I can kneel to. My lover's father! my own father! my friend next to heaven! Oh! bless my love, for him. You have only to know what my love for him is! The thought of losing him goes like perishing cold through my bones;—my heart jerks, as if it had to pull up my body from the grave every time it beats…." "God in heaven!" cried the horrified merchant, on whose susceptible nerves these images wrought with such a force that he absolutely had dread of her. He gasped, and felt at his heart, and then at his pulse; rubbed the moisture from his forehead, and throwing a fixedly wild look on her eyes, he jumped up and left her kneeling. His caress had implied mercy to Emilia: for she could not reconcile it with the rejection of the petition of her soul. She was now a little bewildered to see him trotting the room, frowning and blinking, and feeling at one wrist, at momentary pauses, all his words being: "Let's be quiet. Let's be good. Let's go to bed, and say our prayers;" mingled with short ejaculations. "I may say," she intercepted him, "I may tell my dear lover that you bless us both, and that we are to live. Oh, speak! sir! let me hear you!" "Let's go to bed," iterated Mr. Pole. "Come, candles! do light them. In "You consent, sir?" "What's that your heart does?" Mr. Pole stopped to enquire; adding: "There, don't tell me. You've played the devil with mine. Who'd ever have made me believe that I should feel more at ease running up and down the room, than seated in my arm-chair! Among the wonders of the world, that!" Emilia put up her lips to kiss him, as he passed her. There was something deliciously soothing and haven-like to him in the aspect of her calmness. "Now, you'll be a good girl," said he, when he had taken her salute. "And you," she rejoined, "will be happier!" His voice dropped. "If you go on like this, you've done for me!" But she could make no guess at any tragic meaning in his words. "My father—let me call you so!" "Will you see that you can't have him?" he stamped the syllables into her ears: and, with a notion of there being a foreign element about her, repeated:—"No!—not have him!—not yours!—somebody else's!" This was clear enough. "Only you can separate us," said Emilia, with a brow levelled intently. "Well, and I"—Mr. Pole was pursuing in the gusty energy of his previous explanation. His eyes met Emilia's, gravely widening. "I—I'm very sorry," he broke down: "upon my soul, I am!" The old man went to the mantel-piece and leaned his elbow before the glass. Emilia's bosom began to rise again. She was startled to hear him laugh. A slight melancholy little burst; and then a louder one, followed by a full-toned laughter that fell short and showed the heart was not in it. "That boy Braintop! What fun it was!" he said, looking all the while into the glass. "Why can't we live in peace, and without bother! Is your candle alight, my dear?" Emilia now thought that he was practising evasion. "I will light it," she said. Mr. Pole gave a wearied sigh. His head being still turned to the glass, he listened with a shrouded face for her movements: saying, "Good night; good night; I'll light my own. There's a dear!" A shouting was in his ears, which seemed to syllable distinctly: "If she goes at once, I'm safe." The sight of pain at all was intolerable to him; but he had a prophetic physical warning now that to witness pain inflicted by himself would be more than he could endure. Emilia breathed a low, "Good night." "Good night, my love—all right to-morrow!" he replied briskly; and remorse touching his kind heart as the music of her 'good night' penetrated to it by thrilling avenues, he added injudiciously: "Don't fret. We'll see what we can do. Soon make matters comfortable." "I love you, and I know you will not stab me," she answered. "No; certainly not," said Mr. Pole, still keeping his back to her. Struck with a sudden anticipating fear of having to go through this scene on the morrow, he continued: "No misunderstands, mind! Wilfrid's done with." There was a silence. He trusted she might be gone. Turning round, he faced her; the light of the candle throwing her pale visage into ghostly relief. "Where is sleep for you if you part us?" Mr. Pole flung up his arms. "I insist upon your going to bed. Why shouldn't I sleep? Child's folly!" Though he spoke so, his brain was in strings to his timorous ticking nerves; and he thought that it would be well to propitiate her and get her to utter some words that would not haunt his pillow. "My dear girl! it's not my doing. I like you. I wish you well and happy. Very fond of you;—blame circumstances, not me." Then he murmured: "Are black spots on the eyelids a bad sign? I see big flakes of soot falling in a dark room." Emilia's mated look fleeted. "You come between us, sir, because I have no money?" "I tell you it's the boy's only chance to make his hit now." Mr. Pole stamped his foot angrily. "And you make my Cornelia marry, though she loves another, as Wilfrid loves me, and if they do not obey you they are to be beggars! Is it you who can pray? Can you ever have good dreams? I saved my father from the sin, by leaving him. He wished to sell me. But my poor father had no money at all, and I can pardon him. Money was a bright thing to him: like other things to us. Mr. Pole! What will any one say for you!" The unhappy merchant had made vehement efforts to perplex his hearing, that her words might be empty and not future dragons round his couch. He was looking forward to a night of sleep as a cure for the evil sensations besetting him—his only chance. The chance was going; and with the knowledge that it was unjustly torn from him—this one gleam of clear reason in his brain undimmed by the irritable storm which plucked him down—he cried out, to clear himself:— "They are beggars, both, and all, if they don't marry before two months are out. I'm a beggar then. I'm ruined. I shan't have a penny. I'm in a workhouse. They are in good homes. They are safe, and thank their old father. Now, then; now. Shall I sleep?" Emilia caught his staggering arm. The glazed light of his eyes went out. He sank into a chair; white as if life had issued with the secret of his life. Wonderful varying expressions had marked his features and the tones of his voice, while he was uttering that sharp, succinct confession; so that, strange as it sounded, every sentence fixed itself on her with incontrovertible force, and the meaning of the whole flashed through her mind. It struck her too awfully for speech. She held fast to his nerveless hand, and kneeling before him, listened for his long reluctant breathing. The 'Shall I sleep?' seemed answered. |
|
