CONTENTS

Previous

PAGE

CHILLIANWALLAH,

Chillianwallah, Chillianwallah!

1

THE DOE: A FRAGMENT,

And—‘Yonder look! yoho! yoho!

3

BEAUTY ROHTRAUT,

What is the name of King Ringang’s daughter?

9

THE OLIVE BRANCH,

A dove flew with an Olive Branch;

11

SONG,

Love within the lover’s breast

16

THE WILD ROSE AND THE SNOWDROP,

The Snowdrop is the prophet of the flowers;

17

THE DEATH OF WINTER,

When April with her wild blue eye

19

SONG,

The moon is alone in the sky

21

JOHN LACKLAND,

A wicked man is bad enough on earth;

21

THE SLEEPING CITY,

A Princess in the eastern tale

22

THE POETRY OF CHAUCER,

Grey with all honours of age! but fresh-featured and ruddy

27

THE POETRY OF SPENSER,

Lakes where the sunsheen is mystic with splendour and softness;

27

THE POETRY OF SHAKESPEARE,

Picture some Isle smiling green ’mid the white-foaming ocean;—

28

THE POETRY OF MILTON,

Like to some deep-chested organ whose grand inspiration,

28

THE POETRY OF SOUTHEY,

Keen as an eagle whose flight towards the dim empyrÉan

29

THE POETRY OF COLERIDGE,

A brook glancing under green leaves, self-delighting, exulting,

29

THE POETRY OF SHELLEY,

See’st thou a Skylark whose glistening winglets ascending

30

THE POETRY OF WORDSWORTH,

A breath of the mountains, fresh born in the regions majestic,

30

THE POETRY OF KEATS,

The song of a nightingale sent thro’ a slumbrous valley,

31

VIOLETS,

Violets, shy violets!

31

ANGELIC LOVE,

Angelic love that stoops with heavenly lips

32

TWILIGHT MUSIC,

Know you the low pervading breeze

34

REQUIEM,

Where faces are hueless, where eyelids are dewless,

36

THE FLOWER OF THE RUINS,

Take thy lute and sing

37

THE RAPE OF AURORA,

Never, O never,

40

SOUTH-WEST WIND IN THE WOODLAND,

The silence of preluded song—

42

WILL O’ THE WISP,

Follow me, follow me,

46

SONG,

Fair and false! No dawn will greet

49

SONG,

Two wedded lovers watched the rising moon,

50

SONG,

I cannot lose thee for a day,

51

DAPHNE,

Musing on the fate of Daphne,

52

LONDON BY LAMPLIGHT,

There stands a singer in the street,

68

SONG,

Under boughs of breathing May,

73

PASTORALS,

How sweet on sunny afternoons,

74

TO A SKYLARK,

O skylark! I see thee and call thee joy!

74

SONG—SPRING,

When buds of palm do burst and spread

85

SONG—AUTUMN,

When nuts behind the hazel-leaf

85

SORROWS AND JOYS,

Bury thy sorrows, and they shall rise

86

SONG,

The Flower unfolds its dawning cup,

88

SONG,

Thou to me art such a spring

89

ANTIGONE,

The buried voice bespake Antigone.

90

‘SWATHED ROUND IN MIST AND CROWN’D WITH CLOUD,’

92

SONG,

No, no, the falling blossom is no sign

93

THE TWO BLACKBIRDS,

A Blackbird in a wicker cage,

94

JULY,

Blue July, bright July,

96

SONG,

I would I were the drop of rain

98

SONG,

Come to me in any shape!

99

THE SHIPWRECK OF IDOMENEUS,

Swept from his fleet upon that fatal night

100

THE LONGEST DAY,

On yonder hills soft twilight dwells

112

TO ROBIN REDBREAST,

Merrily ’mid the faded leaves,

114

SONG,

The daisy now is out upon the green;

115

SUNRISE,

The clouds are withdrawn

117

PICTURES OF THE RHINE,

The spirit of Romance dies not to those

120

TO A NIGHTINGALE,

O nightingale! how hast thou learnt

123

INVITATION TO THE COUNTRY,

Now ’tis Spring on wood and wold,

124

THE SWEET O’ THE YEAR,

Now the frog, all lean and weak,

126

AUTUMN EVEN-SONG,

The long cloud edged with streaming grey

128

THE SONG OF COURTESY,

When Sir Gawain was led to his bridal-bed,

129

THE THREE MAIDENS,

There were three maidens met on the highway;

131

OVER THE HILLS,

The old hound wags his shaggy tail,

132

JUGGLING JERRY,

Pitch here the tent, while the old horse grazes:

134

THE CROWN OF LOVE,

O might I load my arms with thee,

139

THE HEAD OF BRAN THE BLEST,

When the Head of Bran

141

THE MEETING,

The old coach-road through a common of furze,

145

THE BEGGAR’S SOLILOQUY,

Now, this, to my notion, is pleasant cheer,

146

BY THE ROSANNA TO F. M.,

The old grey Alp has caught the cloud,

151

PHANTASY,

Within a Temple of the Toes,

152

THE OLD CHARTIST,

Whate’er I be, old England is my dam!

158

SONG,

Should thy love die;

163

TO ALEX. SMITH, THE ‘GLASGOW POET,’

Not vainly doth the earnest voice of man

164

GRANDFATHER BRIDGEMAN,

‘Heigh, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’

165

THE PROMISE IN DISTURBANCE,

How low when angels fall their black descent,

180

MODERN LOVE,

181

I.

By this he knew she wept with waking eyes:

II.

It ended, and the morrow brought the task.

III.

This was the woman; what now of the man?

IV.

All other joys of life he strove to warm,

V.

A message from her set his brain aflame.

VI.

It chanced his lips did meet her forehead cool.

VII.

She issues radiant from her dressing-room,

VIII.

Yet it was plain she struggled, and that salt

IX.

He felt the wild beast in him betweenwhiles

X.

But where began the change; and what’s my crime?

XI.

Out in the yellow meadows, where the bee

XII.

Not solely that the Future she destroys,

XIII.

‘I play for Seasons; not Eternities!’

XIV.

What soul would bargain for a cure that brings

XV.

I think she sleeps: it must be sleep, when low

XVI.

In our old shipwrecked days there was an hour,

XVII.

At dinner, she is hostess, I am host.

XVIII.

Here Jack and Tom are paired with Moll and Meg.

XIX.

No state is enviable. To the luck alone

XX.

I am not of those miserable males

XXI.

We three are on the cedar-shadowed lawn;

XXII.

What may the woman labour to confess?

XXIII.

’Tis Christmas weather, and a country house

XXIV.

The misery is greater, as I live!

XXV.

You like not that French novel? Tell me why.

XXVI.

Love ere he bleeds, an eagle in high skies,

XXVII.

Distraction is the panacea, Sir!

XXVIII.

I must be flattered. The imperious

XXIX.

Am I failing? For no longer can I cast

XXX.

What are we first? First, animals; and next

XXXI.

This golden head has wit in it. I live

XXXII.

Full faith I have she holds that rarest gift

XXXIII.

‘In Paris, at the Louvre, there have I seen

XXXIV.

Madam would speak with me. So, now it comes:

XXXV.

It is no vulgar nature I have wived.

XXXVI.

My Lady unto Madam makes her bow.

XXXVII.

Along the garden terrace, under which

XXXVIII.

Give to imagination some pure light

XXXIX.

She yields: my Lady in her noblest mood

XL.

I bade my Lady think what she might mean.

XLI.

How many a thing which we cast to the ground,

XLII.

I am to follow her. There is much grace

XLIII.

Mark where the pressing wind shoots javelin-like

XLIV.

They say, that Pity in Love’s service dwells,

XLV.

It is the season of the sweet wild rose,

XLVI.

At last we parley: we so strangely dumb

XLVII.

We saw the swallows gathering in the sky,

XLVIII.

Their sense is with their senses all mixed in,

XLIX.

He found her by the ocean’s moaning verge,

L.

Thus piteously Love closed what he begat:

THE PATRIOT ENGINEER,

‘Sirs! may I shake your hands?

231

CASSANDRA,

Captive on a foreign shore,

236

THE YOUNG USURPER,

On my darling’s bosom

240

MARGARET’S BRIDAL EVE,

The old grey mother she thrummed on her knee:

241

MARIAN,

She can be as wise as we,

248

BY MORNING TWILIGHT,

Night, like a dying mother,

249

UNKNOWN FAIR FACES,

Though I am faithful to my loves lived through,

249

SHEMSELNIHAR,

O my lover! the night like a broad smooth wave

250

A ROAR THROUGH THE TALL TWIN ELM-TREES,

A roar thro’ the tall twin elm-trees

252

WHEN I WOULD IMAGE,

When I would image her features,

252

THE SPIRIT OF SHAKESPEARE,

Thy greatest knew thee, Mother Earth; unsoured

253

CONTINUED,

How smiles he at a generation ranked

253

ODE TO THE SPIRIT OF EARTH IN AUTUMN,

Fair Mother Earth lay on her back last night,

254

MARTIN’S PUZZLE,

There she goes up the street with her book in her hand,

261

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page