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CHILLIANWALLAH, Chillianwallah, Chillianwallah! | 1 |
THE DOE: A FRAGMENT, And—‘Yonder look! yoho! yoho! | 3 |
BEAUTY ROHTRAUT, What is the name of King Ringang’s daughter? | 9 |
THE OLIVE BRANCH, A dove flew with an Olive Branch; | 11 |
SONG, Love within the lover’s breast | 16 |
THE WILD ROSE AND THE SNOWDROP, The Snowdrop is the prophet of the flowers; | 17 |
THE DEATH OF WINTER, When April with her wild blue eye | 19 |
SONG, The moon is alone in the sky | 21 |
JOHN LACKLAND, A wicked man is bad enough on earth; | 21 |
THE SLEEPING CITY, A Princess in the eastern tale | 22 |
THE POETRY OF CHAUCER, Grey with all honours of age! but fresh-featured and ruddy | 27 |
THE POETRY OF SPENSER, Lakes where the sunsheen is mystic with splendour and softness; | 27 |
THE POETRY OF SHAKESPEARE, Picture some Isle smiling green ’mid the white-foaming ocean;— | 28 |
THE POETRY OF MILTON, Like to some deep-chested organ whose grand inspiration, | 28 |
THE POETRY OF SOUTHEY, Keen as an eagle whose flight towards the dim empyrÉan | 29 |
THE POETRY OF COLERIDGE, A brook glancing under green leaves, self-delighting, exulting, | 29 |
THE POETRY OF SHELLEY, See’st thou a Skylark whose glistening winglets ascending | 30 |
THE POETRY OF WORDSWORTH, A breath of the mountains, fresh born in the regions majestic, | 30 |
THE POETRY OF KEATS, The song of a nightingale sent thro’ a slumbrous valley, | 31 |
VIOLETS, Violets, shy violets! | 31 |
ANGELIC LOVE, Angelic love that stoops with heavenly lips | 32 |
TWILIGHT MUSIC, Know you the low pervading breeze | 34 |
REQUIEM, Where faces are hueless, where eyelids are dewless, | 36 |
THE FLOWER OF THE RUINS, Take thy lute and sing | 37 |
THE RAPE OF AURORA, Never, O never, | 40 |
SOUTH-WEST WIND IN THE WOODLAND, The silence of preluded song— | 42 |
WILL O’ THE WISP, Follow me, follow me, | 46 |
SONG, Fair and false! No dawn will greet | 49 |
SONG, Two wedded lovers watched the rising moon, | 50 |
SONG, I cannot lose thee for a day, | 51 |
DAPHNE, Musing on the fate of Daphne, | 52 |
LONDON BY LAMPLIGHT, There stands a singer in the street, | 68 |
SONG, Under boughs of breathing May, | 73 |
PASTORALS, How sweet on sunny afternoons, | 74 |
TO A SKYLARK, O skylark! I see thee and call thee joy! | 74 |
SONG—SPRING, When buds of palm do burst and spread | 85 |
SONG—AUTUMN, When nuts behind the hazel-leaf | 85 |
SORROWS AND JOYS, Bury thy sorrows, and they shall rise | 86 |
SONG, The Flower unfolds its dawning cup, | 88 |
SONG, Thou to me art such a spring | 89 |
ANTIGONE, The buried voice bespake Antigone. | 90 |
‘SWATHED ROUND IN MIST AND CROWN’D WITH CLOUD,’ | 92 |
SONG, No, no, the falling blossom is no sign | 93 |
THE TWO BLACKBIRDS, A Blackbird in a wicker cage, | 94 |
JULY, Blue July, bright July, | 96 |
SONG, I would I were the drop of rain | 98 |
SONG, Come to me in any shape! | 99 |
THE SHIPWRECK OF IDOMENEUS, Swept from his fleet upon that fatal night | 100 |
THE LONGEST DAY, On yonder hills soft twilight dwells | 112 |
TO ROBIN REDBREAST, Merrily ’mid the faded leaves, | 114 |
SONG, The daisy now is out upon the green; | 115 |
SUNRISE, The clouds are withdrawn | 117 |
PICTURES OF THE RHINE, The spirit of Romance dies not to those | 120 |
TO A NIGHTINGALE, O nightingale! how hast thou learnt | 123 |
INVITATION TO THE COUNTRY, Now ’tis Spring on wood and wold, | 124 |
THE SWEET O’ THE YEAR, Now the frog, all lean and weak, | 126 |
AUTUMN EVEN-SONG, The long cloud edged with streaming grey | 128 |
THE SONG OF COURTESY, When Sir Gawain was led to his bridal-bed, | 129 |
THE THREE MAIDENS, There were three maidens met on the highway; | 131 |
OVER THE HILLS, The old hound wags his shaggy tail, | 132 |
JUGGLING JERRY, Pitch here the tent, while the old horse grazes: | 134 |
THE CROWN OF LOVE, O might I load my arms with thee, | 139 |
THE HEAD OF BRAN THE BLEST, When the Head of Bran | 141 |
THE MEETING, The old coach-road through a common of furze, | 145 |
THE BEGGAR’S SOLILOQUY, Now, this, to my notion, is pleasant cheer, | 146 |
BY THE ROSANNA TO F. M., The old grey Alp has caught the cloud, | 151 |
PHANTASY, Within a Temple of the Toes, | 152 |
THE OLD CHARTIST, Whate’er I be, old England is my dam! | 158 |
SONG, Should thy love die; | 163 |
TO ALEX. SMITH, THE ‘GLASGOW POET,’ Not vainly doth the earnest voice of man | 164 |
GRANDFATHER BRIDGEMAN, ‘Heigh, boys!’ cried Grandfather Bridgeman, ‘it’s time before dinner to-day.’ | 165 |
THE PROMISE IN DISTURBANCE, How low when angels fall their black descent, | 180 |
MODERN LOVE, | 181 |
I. | By this he knew she wept with waking eyes: | |
II. | It ended, and the morrow brought the task. | |
III. | This was the woman; what now of the man? | |
IV. | All other joys of life he strove to warm, | |
V. | A message from her set his brain aflame. | |
VI. | It chanced his lips did meet her forehead cool. | |
VII. | She issues radiant from her dressing-room, | |
VIII. | Yet it was plain she struggled, and that salt | |
IX. | He felt the wild beast in him betweenwhiles | |
X. | But where began the change; and what’s my crime? | |
XI. | Out in the yellow meadows, where the bee | |
XII. | Not solely that the Future she destroys, | |
XIII. | ‘I play for Seasons; not Eternities!’ | |
XIV. | What soul would bargain for a cure that brings | |
XV. | I think she sleeps: it must be sleep, when low | |
XVI. | In our old shipwrecked days there was an hour, | |
XVII. | At dinner, she is hostess, I am host. | |
XVIII. | Here Jack and Tom are paired with Moll and Meg. | |
XIX. | No state is enviable. To the luck alone | |
XX. | I am not of those miserable males | |
XXI. | We three are on the cedar-shadowed lawn; | |
XXII. | What may the woman labour to confess? | |
XXIII. | ’Tis Christmas weather, and a country house | |
XXIV. | The misery is greater, as I live! | |
XXV. | You like not that French novel? Tell me why. | |
XXVI. | Love ere he bleeds, an eagle in high skies, | |
XXVII. | Distraction is the panacea, Sir! | |
XXVIII. | I must be flattered. The imperious | |
XXIX. | Am I failing? For no longer can I cast | |
XXX. | What are we first? First, animals; and next | |
XXXI. | This golden head has wit in it. I live | |
XXXII. | Full faith I have she holds that rarest gift | |
XXXIII. | ‘In Paris, at the Louvre, there have I seen | |
XXXIV. | Madam would speak with me. So, now it comes: | |
XXXV. | It is no vulgar nature I have wived. | |
XXXVI. | My Lady unto Madam makes her bow. | |
XXXVII. | Along the garden terrace, under which | |
XXXVIII. | Give to imagination some pure light | |
XXXIX. | She yields: my Lady in her noblest mood | |
XL. | I bade my Lady think what she might mean. | |
XLI. | How many a thing which we cast to the ground, | |
XLII. | I am to follow her. There is much grace | |
XLIII. | Mark where the pressing wind shoots javelin-like | |
XLIV. | They say, that Pity in Love’s service dwells, | |
XLV. | It is the season of the sweet wild rose, | |
XLVI. | At last we parley: we so strangely dumb | |
XLVII. | We saw the swallows gathering in the sky, | |
XLVIII. | Their sense is with their senses all mixed in, | |
XLIX. | He found her by the ocean’s moaning verge, | |
L. | Thus piteously Love closed what he begat: | |
THE PATRIOT ENGINEER, ‘Sirs! may I shake your hands? | 231 |
CASSANDRA, Captive on a foreign shore, | 236 |
THE YOUNG USURPER, On my darling’s bosom | 240 |
MARGARET’S BRIDAL EVE, The old grey mother she thrummed on her knee: | 241 |
MARIAN, She can be as wise as we, | 248 |
BY MORNING TWILIGHT, Night, like a dying mother, | 249 |
UNKNOWN FAIR FACES, Though I am faithful to my loves lived through, | 249 |
SHEMSELNIHAR, O my lover! the night like a broad smooth wave | 250 |
A ROAR THROUGH THE TALL TWIN ELM-TREES, A roar thro’ the tall twin elm-trees | 252 |
WHEN I WOULD IMAGE, When I would image her features, | 252 |
THE SPIRIT OF SHAKESPEARE, Thy greatest knew thee, Mother Earth; unsoured | 253 |
CONTINUED, How smiles he at a generation ranked | 253 |
ODE TO THE SPIRIT OF EARTH IN AUTUMN, Fair Mother Earth lay on her back last night, | 254 |
MARTIN’S PUZZLE, There she goes up the street with her book in her hand, | 261 |