CHAPTER VI.

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THE WIFE OF THE GREAT CONDÉ.

Among so many heroines of beauty, glory, and gallantry, who achieved celebrity at this stirring epoch of French history, there is one whose name ought not to be effaced from, nor placed lowest on the list, although a humble—we were going to say, a humiliated, disdained, and sacrificed wife; a martyr to conjugal faith, but who, perhaps, can scarcely be called a “political” woman.

Mademoiselle de BrÉzÉ, as already intimated, had entered into the CondÉ family through the detestable influence of authority and politics. The Duke d’Enghien, therefore, unhappily held his wife in aversion; her mother-in-law, Charlotte de Montmorency, despised her; Madame de Longueville, her sister-in-law, did not esteem her; Mademoiselle de Montpensier declares that “she felt pity for her,” and that was the gentlest phrase she could find to apply to a person who had so signally crossed her views and inclination.

Married at thirteen to the future hero of Rocroy and Lens, both before marriage and again more strongly after, the young Duke had protested by a formal act that he yielded only to compulsion and his respect for paternal authority in giving her his hand. Henry (II.), Prince de CondÉ, who thus exacted his son’s compliance, merely followed his usual instincts as a greedy and ambitious courtier in seeking an alliance with Cardinal Richelieu, whose niece Mademoiselle de BrÉzÉ was, through her mother, Nicole du Plessis. Mademoiselle de Montpensier, who thought that she had more reason than any one else to be indignant at the match, tells us plainly that the Prince threw himself at the feet of his eminence to solicit from him both Mademoiselle de BrÉzÉ for the Duke d’Enghien, and M. de BrÉzÉ, her brother, for Mademoiselle de Bourbon, and that he only escaped from the disgrace of a double mÉsalliance through the Cardinal’s clemency, who, in reply, told him that “he was quite willing to give untitled young ladies to princes, but not princesses to untitled young gentlemen.”

Did the young Duchess personally merit that aversion and contempt? Mademoiselle has told us, indeed, that she was awkward, and that, “on the score of wit and beauty, she had nothing above the common run.” But Madame de Motteville, less passionate and more disinterested in her judgments, recognises certain advantages possessed by her. “She was not plain,” she tells us, “but had fine eyes, a good complexion, and a pretty figure. She spoke well when she was in the humour to talk.” The discerning court lady adds that, “if Madame de CondÉ did not always display a talent for pleasing in the ball-room or in conversation, the fidelity with which she clung to her husband during adversity, and the zeal she showed for his interests and for those of her son during the Guienne campaign, ought to compensate for the misfortune of not having been able to merit, by more eminent virtues, a more brilliant and widely celebrated reputation.”

Here, then, it seems incumbent upon us to divine, from the faÇon de parler of that day, what were the eminent virtues which the Princess de CondÉ needed to deserve the esteem of her husband; or to ask whether tried fidelity, courage, devotedness, were not then ranked among the eminent virtues. They were so, no doubt; and it is probable that what Madame de Motteville understands by those words, was the eminence of qualities peculiar to the women, who more than ever in her day derived from them a species of celebrity which closely resembled glory—the Éclat of beauty, wit, grace, intrepidity, and power of charming; in a word, that which was possessed in so high a degree by a Madame de Longueville, a Madame de Chevreuse, a Marie de Hautefort, and a Mademoiselle du Vigean.

Whatever might have been the personal merit of the wife of the great CondÉ, did the little she had justify the wretchedness of her destiny? No: some beauty, wit, virtue, courage, a timid disposition perhaps, an unpretending virtue, a courage even mediocre, easily overthrown, and which needed the pressure of circumstances and danger for its development,—in all this there was nothing to invoke the ire of the implacable sisters.

In contemplating her truly deplorable existence, afflicted from its beginning to its end by every kind of grief and humiliation, one can scarcely resist the idea of the ascendency of an invincible fatality, making her a victim of the irresistible force of events and destiny. The woes of Claire de BrÉzÉ commenced in her earliest childhood. At the time of her marriage to the Duke d’Enghien she had lost her mother some six years, that parent having died in 1635. What befell her infancy, abandoned to the neglect of a fantastic and libertine father, ruled even before his widowhood by a mistress, the wife of one of his lacqueys, whom he killed one day during a hunting match in order to get him out of the way; of a father who, Tallemant tells us, carelessly remarked, when his daughter’s marriage was agreed upon—as though she belonged to some one else—“They are going to make a princess of that little girl!”

She was destined, nevertheless, to have her hour of fame and distinction, and that hour dawned amidst disasters of every sort, and upon the captivity of her husband. At the moment of the arrest of the Prince, whilst the Princess-dowager was conferring with her adherents upon the best measures to be adopted for the deliverance of the Princes and for the safety of her little grandson, the young Princess, overcoming her timidity, interrupted Lenet, who was proposing a plan for their flight, and another for a campaign, and, after the humblest tokens of respect and deference for her mother-in-law, entreated her not to separate her from her son, protesting that she would follow him everywhere joyfully, whatsoever might be the peril, and that she would expose herself to any risk to aid her husband.[8]

From that moment, we trace, almost from day to day as it were, in the MÉmoires of Lenet proofs of the zeal and constancy of the Princess de CondÉ. She escapes from Chantilly on foot, with her son and a small band of faithful followers, traverses Paris, whence she reaches, in three days and by devious roads, Montrond, the place pointed out by Lenet as the safest retreat and the most advantageous to defend. Her letters to the Queen and ministers, to the magistrates, to her relatives, are stamped with nobility and firmness. Threatened in Montrond by La Meilleraye, who was advancing in force, she again made her escape under cover of a hunting party, after having provided for the safety of the place and others which depended on it, and went in search of, amid a host of difficulties, sometimes on horseback, at others in a litter or by boat, the Dukes de Bouillon and La Rochefoucauld, who escorted her to Bordeaux. One must turn to Lenet for all the details of that toilsome journey and of the insurrection at Bordeaux, which he has related with all the minutiÆ and animation of an eye-witness and an actor who more than once figured in the front rank. No longer timid, no longer awkward, in presence of danger the daughter of Marshal de BrÉzÉ became the amazon and almost the heroine. She held reviews, councils of war, negotiated, and issued orders. Scarcely had she reached Bordeaux, her entry into which was quite an ovation, than she besieged the Parliament chamber to procure the registration of her requests and protestations against the unjust detention of her husband. “She solicited the judges on their way out of court, representing to them with tears in her eyes the unhappy condition of all her oppressed house.... The young Duke, whom a gentleman (Vialas) carried in his arms, caught the counsellors round the neck as they passed, and weepingly besought at their hands the liberation of his father, in so tender a manner that those gentlemen wept also as bitterly as he and his mother, and gave them both good hopes.” She harangued the magistrates, supplicated them, urged them; she even protected them, on one occasion that the populace of Bordeaux, finding them not so bold as they could have wished, endeavoured by clamour to obtain a decree contrary to the views of the party of the Princes. She repaired to the palace, and from the top of the steps conjured the furious rabble and made them lay down their arms. “And it must be owned,” says Lenet, “that she had a particular talent for speaking in public, and that nothing could be better, more appropriate, nor more conformable to her position than what she said.” On that day, the Princess de CondÉ, upon the steps of the HÔtel de Ville of Bordeaux, appeared no longer unworthy of being ranked with Madame de Longueville at the town-hall at Paris, or with Mademoiselle d’OrlÉans at the Porte St. Antoine. Brienne adds that she worked, with her own hands, with the ladies of the city, at the fortifications, and that she was anxious herself to embroider, upon the banners of her army, the emblem and device of the revolt—a grenade exploding, with the word coacta!

We have already seen the result of that three months’ resistance—the peace concluded at Bordeaux, the amnesty accorded to all those who had taken up arms in Guienne, in a word, all the conditions proposed by the Princess and the Dukes conceded, with the exception of one only—the principal, that which had been the prime cause of all that insurrection—the deliverance of the Prince de CondÉ, whom Mazarin persisted in retaining prisoner, whilst at the same time promising to do everything towards abridging his captivity.

The Princess was sent back to Montrond with her son, vexed no doubt at not having conquered, but proud of having dared so much, and satisfied at having deserved for that once to share his imprisonment. That day came, however,—the day of gratitude and justice. On one occasion already, whilst yet at Vincennes, the Prince, as he watered the tulips celebrated by Mademoiselle de ScudÉry in song, remarked to some one, “Who would have thought that I should be watering tulips whilst Madame la Princesse was making war in the south!

But later, when the campaign at Bordeaux had ended, the Prince still a prisoner at Havre, forwarding a communication in cypher to Lenet, added thereto a short note for the Princess, couched in terms so tender that Lenet, fearing lest in the exuberance of her delight the Princess might betray the secret of that correspondence, hesitated for some moments to communicate it to her. That note, the first and sole recompense of her devotion, courage, and constancy, we must here transcribe, as the tardy and begrudging compensation for such long-continued ingratitude, such long-continued disdain, for so many cruel and unmerited outrages.

“Il me tard, Madame, que je sois en État de vous embrasser mil fois pour toute l’amitiÉ que vous m’avez temoignÉ, qui m’est d’autant plus sensible que ma conduite envers vous l’avoit peu mÉritÉe; mais je sÇauray si bien vivre avec vous À l’advenir, que vous ne vous repentirÉs pas de tout ce que vous avÉs faict to me pour moy, qui fera que je seray toute ma vie tout À vous et de tout mon coeur.”

Poor ClÉmence de MaillÉ! how, at that first testimony of an affection which she had despaired of ever gaining, did her heart, so long pent up, burst forth with ecstatic delight! And how must Lenet, on witnessing that touching effusion of irrepressible rapture, have congratulated himself at not having persevered in his diplomatic prudence! She took the letter, shed tears over it, kissed it, read it over and over again, and tried to get it by heart—for she might lose it. Then she selected from her toilette her finest ribbon (a bright flame-coloured one), and sewed that precious missive to it, in order to carry it always upon her person, beneath her dress—upon her chemise, Lenet bluntly tells us, and who adds that that gush of delirious delight lasted until the morrow.

Alas! that warm ray was the only one that CondÉ, in his glory, let fall upon her, and it was but evanescent. The danger over, the prison opened, CondÉ restored to his honours and his power, she became once more the despised, alienated, humiliated wife. Mademoiselle, on meeting her again, asked whether it were true that she had taken part in that which was done in her name? On her return from Montrond (after the letter), she found her, it is true, plus habile; but she was shocked at the delight manifested by the Princess on seeing all the great world flock to visit her, so wholly forsaken as she had previously been, and she concluded that, being carried out of her normal condition, she thought too much of herself.

Then came humiliations the most cutting, and the deepest grief. Twice was she attacked by dangerous illness, from which it was asserted she could not recover. And each time that report was welcomed at Court as the joyous announcement of a marriage or a succession. Everybody busied themselves with finding another wife for the Prince; and some thought once more of Mademoiselle: “that rumour reached my ears,” says she, “and I mused upon it.” Unfortunately for her, the poor Princess recovered, and Mademoiselle had to wait for Lauzun. In another place she remarks somewhat spitefully, “Madame la Princesse arrived in better health than could have been anticipated; no one could have imagined that she would so soon recover.”

At length a tragic event, the consequences of which exhibit in a sinister light the perseverance of ill-feeling that had always been shown towards her in the family of which she had become a member, came to add itself to that almost unbroken chain of tribulations, outrages, and troubles amid which no sort of calamity seemed wanting. Two officers of her household took it into their heads to quarrel and draw swords upon each other. The Princess (she was then in her forty-third year—1671) placed herself between the angry combatants with the intention of separating them, and by so doing received a stab in her side. The individual who inflicted the wound was brought to trial. As for her,

“When she was cured, the Prince had her conducted to ChÂteauroux, one of his country-houses. She has been there kept for a long time imprisoned, and at present permission is only given her to walk in the court-yard, always strictly watched by the people whom the Prince always keeps about her. The Duke is accused of having suggested to the Prince the treatment to which his mother is subjected: he was very glad, it is said, to find a pretext for putting her in a place where she would spend less than in society.”[9]

Was it the hereditary avarice of the house of CondÉ which thus revealed itself in the odious sentiment of that unworthy son? Poor woman! Her only crime was that of being too liberal. She had, it is true, foolishly placed her diamonds in pledge at Bordeaux to support the cost of the war. But had she not, as a set-off to her prodigality, brought to the Duke d’Enghien and his father her share of Richelieu’s wealth? That prudent advice of the excellent son was followed: the Princess was still a prisoner at ChÂteauroux, when the Prince her husband died, in 1686; and by way of a precaution—which cannot be thought of without a shudder, giving as it does the measure of an implacable hatred—he recommended that she should be so kept after his decease. This once, Mademoiselle did find a word of pity for the persecuted wife and mother. “I could have wished,” says she, when speaking of the last moments of the Prince, “that he had not prayed the King to let his wife always be kept at ChÂteauroux, and I was very sorry for it....”

And it was there, doubtless, that she died in 1694, at the age of sixty-six. The collections of funeral orations and sermons of celebrated preachers of that day will be searched in vain for any funeral tribute to her memory. And a feeling of disappointment arises that Bossuet, in his panegyric of the hero, could not find a word of praise, of consolation, or even of pity for the ill-fated shadow he left sorrowful and abandoned by all, to bear his name in pitiless obscurity to the grave.

Mysterious destiny! strange fatality! which neither personal demerits, wrongs, nor faults justified, which neither love, devotedness, nor unfailing virtue, approved and respected even by the calumnious, could avert.

FOOTNOTES:

[8] Lenet.

[9] MÉmoires of Mademoiselle de Montpensier, 4th part.


                                                                                                                                                                                                                                                                                                           

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