The name of Mme. SÉvignÉ rings through the ages. VitrÉ is full of it. Inhabitants will point out, close to the ruined ramparts, the winter palace where the spirituelle Marquise received the Breton nobility and sometimes the Kings of Brittany. To the south they will show you the ChÂteau des Rochers, the princely country residence maintained by this famous woman. She was a Breton of the Bretons, building and planting, often working in the fields with her farm hands. She loved her ChÂteau des Rochers. It was a joy to leave the town and the gaieties of Court for the freshness of the fields and the woods. She especially liked to be there for the 'Triomphe du mois de Mai'—to hear the nightingale and the cuckoo saluting spring with song. With Lafontaine, she found inspiration in the fields; but, as she preserved a solid fund of Gaelic humour, she laughed also, and the country did not often make her melancholy. She felt the sadness of autumn in her woods; but she never became morose. She never wearied of her garden. She had always some new idea with regard to it—some new plan to lure her from a letter begun or a book opened. Before reading the memoirs of Mme. SÉvignÉ it is almost impossible to realize this side of her nature. Who would have imagined that this woman of the salons, fÊted in Paris, and known everywhere, would be always longing for her country home? It is only when you visit the famous ChÂteau des Rochers that you realize to the full that she was a lover of nature and country habits. Wandering through the old-world garden, you find individual touches which bring back the dainty Marquise vividly to mind. There are the venerable trees, under which you may wander and imagine yourself back in the time of Louis XIV. There are the deep and shady avenues planted by Mme. SÉvignÉ, and beautiful to this day. The names come back to you as you walk—'La Solitaire,' 'L'Infini,' 'L'honneur de ma fille'—avenues in which madame sat to see the sun setting behind the trees. Very quiet is this garden, with its broad shady paths, its wide spaces of green, its huge cedars growing in the grass, and its stiff flower-beds. There is Mme. SÉvignÉ's sundial, on which she inscribed with her own hand a Latin verse. There are the stiff rows of poplars, like Noah's Ark trees, symmetrical, interlacing one with the other, unnatural but dainty in design. There is her rose garden, a rounded and terraced walk planted with roses. There, too, are the sunny 'Place Madame,' the 'Place Coulanges,' and 'L'Écho,' where two people, standing on stones placed a certain distance apart, can hear the echo plainly. This garden, with its stiff little rows of trees, its sunny open squares surrounded by low walls, and its stone vases overgrown with flowers, brings back the past so vividly that one asks one's self whether indeed Mme. SÉvignÉ is there no longer, and glances involuntarily down the avenues and the by-ways, half expecting to distinguish the rapid passage of a majestic skirt. What a splendid life this woman of the seventeenth century led! She knew well how to regulate mind and body. The routine of the day at Les Rochers was never varied, and was designed so perfectly that there was rarely a jar or a hitch. She rose at eight, and enjoyed the freshness of the woods until the hour for matins struck. After that there were the 'Good-mornings' to be said to everyone on her estate. She must pick flowers for the table, and read and work. When her son was no longer with her she read aloud to broaden the mind of his wife. At five o'clock her time became her own; and on fine days, a lacquey following, she wandered down the pleasant avenues, dreaming visions of the future, of God and of His providence, sometimes reading a book of devotions, sometimes a book of history. On days of storm, when the trees dripped and the slates fell from the roof,—on days so wet and gray and wild that you would not turn a dog out of doors—you would suppose the Marquise to become morbid and miserable. Not at all. She realized that she must kill time, and she did so by a hundred ingenious devices. She deplored the weather which kept her indoors, but fixed her thoughts on the morrow. Ladies and gentlemen often invaded her; all the nobility came to present their compliments. They assailed her from all sides. When she resisted them, and strove to shut herself away from the world, the Duke would come and carry her away in his carriage.

She always longed to return to her solitude—to her dear Rochers, where her good priest waited, at once her administrator, her man of affairs, her architect, and her friend. Her pride of property was great, and she was constantly beautifying and embellishing her country home. Each year saw some new change. On one occasion six years passed without her visiting Les Rochers. All her trees had become big and beautiful; some of them were forty or fifty feet high. Her joy when she beheld them gives one an insight into her youthfulness.

How young she was in some things! She often asked herself whence came this exuberance. She drew caricatures of the affectations of her neighbours, and the anxious inquiries of her friends as to her happiness during her voluntary exile amused her immensely. In a letter written to her daughter she said:

'I laugh sometimes at what they call "spending the winter in the woods." Mme. de C—— said to me the other day, "Leave your damp Rochers." I answered her, "Damp yourself—it is your country that is damp; but we are on a height." It is as though I said, Your damp Montmartre. These woods are at present penetrated by the sun whenever it shines. On the Place Madame when the sun is at its height, and at the end of the great avenue when the sun is setting, it is marvellous. When it rains there is a good room with my people here, who do not trouble me. I do what I want, and when there is no one here we are still better off, for we read with a pleasure which we prefer above everything.'

The prospect of spending a winter at Les Rochers did not frighten her in the least. She wrote to her daughter, saying, 'My purpose to spend the winter at Les Rochers frightens you. Alas! my daughter, it is the sweetest thing in the world.'

Mme. SÉvignÉ was always thinking of her daughter, and of Provence, where she lived. Her heart went out to her daughter. Everything about Les Rochers helped her to remember her beloved child. Even the country itself seemed to bring back memories, for the nights of July were so perfumed with orange-blossoms that one might imagine one's self to be really in Provence. Mme. SÉvignÉ wrote in a letter to one of her friends:

'I have established a home in the most beautiful place in the world, where no one keeps me company, because they would die of cold. The abbÉ goes backwards and forwards over his affairs. I am there thinking of Provence, for that thought never leaves me.'

The chÂteau in which this wonderful woman lived, whence started so many couriers to Provence, is an important building, gray, a little heavy with towers, with high turrets of slate and great windows. Resembling most houses built in the Louis XIV. style, it is rather sad in design. At the side is a chapel surmounted by a cross, a rotund hexagonal building constructed in 1671 by the Abbot of Coulanges. Inside it is gorgeous with old rose and gold. One can imagine the gentle Marquise kneeling here at her devotions.

Visitors are shown the bedroom of Mme. SÉvignÉ, now transformed into a historical little sanctuary. The furniture consists of a large four-post bed, with a covering of gold and blue, embroidered, it is said, by the Countess of Grignan. Under a glass case have been treasured all the accessories of her toilet—an arsenal of feminine coquetry: brushes, powder-boxes, patch-boxes, autograph letters, account-books, her own ink-stand, books written in the clear, delicate, legible handwriting of the Marquise herself.

The walls are hung with pictures of the family and intimate friends, some of which are very remarkable. This room was called by Mme. SÉvignÉ the 'green room.' It still has a dainty atmosphere. Here Mme. SÉvignÉ passed a great part of her life. Under a large window is a marble table where she is supposed to have written those letters which one knows almost as well as the fables of Lafontaine. Mme. SÉvignÉ coloured the somewhat cold though pure language of the seventeenth century, but not artificially. She animated it, conveyed warmth into it, by putting into her writings much that was feminine, never descending to the 'precious' or to be a blue-stocking. The books that she loved, and her correspondence, did not take up so much of her time that she had to overlook the details of her domain. Sometimes she had a little fracas with her cook; often she would be called away to listen to the complaints of Pilois, her gardener, a philosopher. She knew how to feel strongly among people who could feel only their own misfortunes and disgraces. She had a true and thoughtful soul. This one can tell by her letters from Les Rochers, which come to us in all their freshness, as if they had been written yesterday.