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A MADRIGAL

How can I choose but love you,
Maid of the witching smile?
Your eyes are as blue as the skies above you;
How can I choose but love you, love you,
You and your witching smile?
For the red of your lips is the red of the rose,
And the white of your brows is the white of the snows,
And the gold of your hair is the splendor that glows
When the sun gilds the east at morn.
And the blue of your eyes
Is the blue of the skies
Of an orient day new-born;
And your smile has a charm that is balm to the soul,
And your pa has a bar'l and a many-plunk roll,
So how can I choose but love you, love you,
Love you, love you, love you?

A BALLAD OF LOOKING

He looked into her eyes, and there he saw
No trace of that bright gleam which poets say
Comes from the faery orb of love's sweet day,
No blushing coyness causes her to withdraw
Her gaze from his. He looked and yet he knew
No joy, no whirling numbness of the brain,
No quickening heart-beat. Then he looked again,
And once again, unblushing, she looked too.
He looked into her eyes—with interest he
Stared at them through a magnifying prism.
For he was but an oculist, and she
Was being treated for astigmatism.

WHEN THE PIPE GOES OUT

A maiden's heart,
And sighs profuse,
A father's foot,
And—what's the use?

A PARADOX

Dan Cupyd drewe hys lyttle bowe,
And strayght ye arrowe from it flewe,
Although its course was rather lowe,
I thought 'twould pass above my heade—
In stature I am shorte, you knowe.
But soone upon my breast a stayne
Of blood appeared, and showed ye marke
Whereat ye boy god tooke hys aime;
I staggered, groaned and then—I smyled!
Egad! it was a pleasante payne!

THE SONG OF THE SLAPSTICK

Why is a hen? (Kerflop!) Haw, haw!
Toot, goes the slide trombone;
Why is a hen? (And a swat in the jaw!)
And the ushers laugh alone.
Why is a—(Bang!)—is a—(Biff!) Ho, ho!
Boom! goes the sad French horn;
Why is a hen? (Kerflop!) Do you know?—
And the paid admissions mourn!
Vhy iss a hen? Yes? No? (Kerflop?)
Bang! goes the man at the drum;
Vhy iss a hen? (And a knock at the top!)
And the press agent's stricken dumb;
Vhy iss a—(Thud!)—iss a—(Flop!)—iss a hen?
Hark! how the supers laugh!
Vhy iss a—(Bing! Bang! Boom!)—and then
The slapstick's bust in half!
(Curtain)

IL PENSEROSO

Love's song is sung in ragtime now
And kisses sweet are syncopated joys,
The tender sign, the melancholy moan,
The soft reproach and yearning up-turned gaze
Have passed into the caves without the gates
And in their place, to serve love's purposes,
Bold profanations from the music halls
Are working overtime.
In days of old the amorous swain would sigh
And say unto his lady love the while
He pressed her to his heaving low-cut vest,
“Dost love me, sweet?” And she, with many a blush,
Would softly answer, “Yes, my cavalier!”
Now to his girl the ragtime lover says,
The while he strums his marked-down mandolin
“Is you ma lady love?” and she, his girl,
Makes answer thus: “Ah is!”
Gadzooks! it makes me sad! I see the doom
Of Cupid, and upon the battered air
I hear a rumor floating. It is this:
That when the boy god shuffles to the grave
'Tis Syncopated Sambo that will get
His job!
? ? * ? ? * ? ? * ? ? * ? ? *
Ah, me! What sadness resteth on my soul!

FINIS

There was a man that delved in the earth
For glittering gems and gold,
And whatever lay hidden that seemed of worth
He carefully seized and sold;
So his days were long and his store was great,
And ever for more he sighed,
'Till kings bowed down and he ruled in state—
And after awhile he died.
Oh, blithesome and shrill the wails resound!
Oh, gaily his children moan!
And the end of it all was a hole in the ground
And a scratch on a crumbling stone.
There was a man that fought for the right,
And never a friend had he,
'Till after the dark there dawned the light
And the world could know and see;
Oh, long was the fight and comfortless,
But great was the fighter's pride,
And a victor he rose from the storm and stress—
And after awhile he died.
Oh, great was the fame but newly found
Of the man that fought alone!
And the end of it all was a hole in the ground
And a scratch on a crumbling stone.
There was a man that dreamed a dream,
And his pen it served his brain;
And great was his art and great his theme
And long was his laurelled reign;
But after awhile the world forgot
And his work was pushed aside,
(For to serve and wait is the mortal lot)
And then, in the end, he died.
Oh! brown on his brow were the bays that bound
And far was his glory flown!
And the end of it all was a hole in the ground
And a scratch on a crumbling stone.

DONE INTO TYPE AND PRINTED BY MARSHALL, BEEK & GORDON IN THE CITY OF BALTIMORE AND ON THE THIRD FLOOR OF THE TELEGRAM BUILDING, NORTH AND BALTIMORE STREET CROSSING ANNO DOMINI MCMIII

250
Copies Of This
Facsimile Edition Of
Ventures Into Verse
Have Been Printed For
Smith's Book Store
Baltimore 1, Maryland
This Is Copy No.
247
                                                                                                                                                                                                                                                                                                           

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