Gebir; a Poem, in Seven Books. 12mo. 74 pp. Rivingtons. 1798. How this Poem, which appears to issue from the same publishers as our own work, so long escaped our notice, we cannot say. Still less are we able to guess at the author, or his meaning. In a copy lately lent to us, as a matter we had overlooked, we observe the following very apposite quotation, inscribed on the title-page, by some unknown hand: Some love the verse—— Which read, and read, you raise your eyes in doubt, And gravely wonder what it is about. Among persons of that turn of mind, the author must look for the ten admirers who, as he says, would satisfy his ambition; but whether they could have the qualities of taste and genius, which he requires, is with us a matter of doubt. Turgid obscurity is the general character of the composition, with now and then a gleam of genuine poetry, irradiating the dark profound. The effect of the perusal is to give a kind of whirl to the brain, more like distraction than pleasure; and something analogous to the sensation produced, when the end of the finger is rubbed against the parchment of the tambourine.—The British Critic. Gebir; a Poem, in Seven Books. 8vo. pp. 74. 2s. 6d. Rivingtons. 1798. An unpractised author has attempted, in this poem, the difficult task of relating a romantic story in blank-verse. His performance betrays all the incorrectness and abruptness of inexperience, but it manifests occasionally some talent for description. He has fallen into the common error of those who aspire to the composition of blank-verse, by borrowing too many phrases and epithets from our incomparable Milton. We give the following extract, as affording a fair specimen: [Quotes about 60 lines from the beginning of the fifth and sixth books of Gebir.] We must observe that the story is told very obscurely, and should have been assisted by an Argument in prose. Young writers are often astonished to find that passages, which seem very clear to their own heated imaginations, appear very dark to their readers.—The author of the poem before us may produce something worthy of more approbation, if he will labour hard, and delay for a few years the publication of his next performance.—The Monthly Review. |