II THE COMING OF THE KING

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When the last gleam of the fool’s parti-colored habit had disappeared in the sanctuary of the wood, Perpetua took her hands from her ears and seated herself on a fragment of a fallen column that had formerly made part of the colonnade of the Temple of Venus. Here she sat for a while with her hands listlessly clasped, trying to disentangle the puzzling web of her thoughts. Her most immediate sensation was delight at the departure of Diogenes. The warm, fair day seemed to have grown old and cold with his world wisdom, a wisdom so different from all that she had ever been taught to venerate as wise.

“If I were a bird,” she sighed aloud, “I could not sing while he was near. If I were a flower, I should fade at his coming.”

She rose from her throne and blew kisses on her finger-tips to the birds that sang about her, to the flowers that flamed beneath her feet. “Be happy, birds,” she whispered; “be happy, flowers, for the withered fool has gone.”

She spoke to the birds, she spoke to the flowers as she would have spoken to human friends if she had any; they were her friends, and she loved them dearly, and she believed with all her heart that they understood her speech. She bent tenderly over one tall plant and touched its golden crest. Diogenes had passed from her thoughts as she stooped and made the flower her confidant. “I wonder when the hunter will come again.”

She turned and stretched out her hands in pretty appeal towards the woodland.

“Dear forest beasts,” she whispered, “forgive me, for I think I shall rejoice at his coming.”

She drew her hand across her forehead, as if she sought to banish distracting thoughts, thoughts that had no place before in the simple order of her life. Then, as one who seeks distraction in the fulfilment of an appointed task, she moved to take the great sword and dedicate herself to its service. Holding it surely and firmly in her strong grasp, she carried it to where the grindstone stood, and carefully laid the edge of the blade to the shoulder of the stone wheel, while she worked the treadle with her foot. As the wheel spun and the sword hissed on the stone, she sang to herself the old, old sword-song that her father had taught her, the song that men who made swords had sung in some form or other from the dawn of war:

“Out of the red earth The sword of sharpness; Blue as the moonlight, Bright as the lightning.”

The song wavered on her lips to the merest thread of music and then faded into silence. Her body was still busy with the sword, but her mind had drifted away from the place where she was to the place where she had been a week ago, to that cool, green hollow in the wood where she had met the tired hunter. He came upon her through the cracking brush, through the parting leaves; he stood before her, the sunlight touching him through the branches, with a smile on his young, fair face; he saluted her with simplicity and grace, and as she gazed at him dim legends of Greek heroes crowded upon her and she could well have believed that she beheld Perseus the dragon-slayer or Theseus the redresser of mortal wrongs. Their speech had been scanty, but it still sounded sweet to her ears. He had said he was thirsty, and she gave him to drink from a familiar spring; he had asked for guidance, and she had shown him the way out of the forest.

That was all, or almost all. He had said he would come again; and, of course, he would come again. In her simple philosophy a given word was given, a promise ever redeemed. There was no trouble in her thought of him; she had been glad to meet this wonderful, joyous being; she would be glad to see him again; in the mean time there was pleasure in meditation. How bright his hair was and how kind his smile! and his eyes were like a mountain lake.

Perpetua was so absorbed by her thoughts and her task that she did not hear the soft sound of quiet footsteps on the grass as a man crested the hill, an old man, tall and gray and sturdy, dressed in a jerkin and leggings of faded scarlet leather, who stood upon the open space, silently watching her.

Once again the clear voice of Perpetua floated into the air:

“Arising, falling, The sword of sharpness, Weapon of Godhead, Baffles the Devil.”

The song ended; the sword lay motionless upon the motionless stone; the girl’s thoughts were in the green heart of the wood.

“I wonder what sweet name he carries. I wonder who was his mother. She must have been a happy woman. I wonder who will be his happy wife.”

A tear fell upon the bright blade and startled Perpetua.

“I am too big a girl,” she said to herself, “to be such a baby—and tears will rust on a sword.”

As she wiped the sword clean with her sleeve, the new-comer advanced and touched her gently on the shoulder. The girl swung round with a cry of joy. She leaned the sword against a tree, and, running to the man, clasped him in her arms, the strong young girl clinging to the strong elder like some beautiful creeper encircling an ancient, stalwart tree.

“Oh, father!” she cried. “I am so glad you have come! I have been so lonely.”

Theron’s brown hand rested gently on the girl’s head, and his brown face smiled love. There was trouble in his eyes, there was trouble in the lines of his forehead, but the sight of his daughter softened them, and she read nothing but greeting.

“Lonely, little eagle?” he asked, with surprise in his voice. The girl noted the surprise and laughed a little as she answered.

“I never knew what it was to be lonely before. You and I and the sword, and our songs, and the holy men, and the trees and the flowers and the furred and feathered woodlanders”—she ran through the sum of her companionships—“they seemed to make a perfect world of peace.”

Theron heard the change in the child’s voice, Theron saw the change in the child’s eyes.

“Who has disturbed this world of peace?” he asked, and a frown grew on his face.

“Strangers,” the girl answered, turning a little away, while the old man caught at the word and echoed it in fear and anger, while his hand went to the hilt of his knife.

“Strangers?”

“There was one here but now,” Perpetua answered, “a fugitive from the city, whose coming troubled me. He said the world was as wicked as a sick dream, and my heart grew cold in the sunshine.”

The lines on Theron’s face deepened dangerously. “Had I been by I would have twitched his tongue out,” he said, fiercely. Perpetua pressed her hand upon his lips.

“No, father, you could not have touched him, for he was deformed and twisted—a hideous, helpless thing.”

Theron stamped his foot upon the ground. “I set my heel upon a scorpion!” he cried. Perpetua shook her head.

“I am sorry for the things that are made to bite and sting. Let us think no more of it. Tell me of the Golden Age, father, when heroes roamed through the world, beautiful youths with eyes like mountain lakes.”

Theron turned moodily from his daughter, and, going to the edge of the hill, looked down upon the distant city.

“The Golden Age is over long ago,” he said, gloomily, “and we have come to the end of time.”

Perpetua saw that her father was agitated, and wondered why the passing of Diogenes should move him so much. She yearned to tell him her sweet secret of the other comer, the beautiful hunter with the bright eyes and the bright hair, yet when she strove to speak words seemed to be denied her. In all the years of her young life, in all the years of love for her father, and of a friendship, a comradeship wellnigh more wonderful than love, there had been no secret shut in her heart from him. Now there was, and it seemed as if she could not set it free. While she hesitated, Theron turned to her again, and asked, abruptly, “Was this the only intruder to-day?”

Perpetua felt her cheeks burn as she answered, “Ay,” but Theron did not notice her confusion, for he was again gazing down upon the city, and, though he questioned anew, his voice was listless.

“I thought you said strangers?”

“There has been no one else to-day,” Perpetua answered. She purposely set some stress on the last word, that her father might, if he chose, make further question, but he seemed to be absorbed in heavy thoughts. He turned from his view of the city and came to her with a grave face.

“There will be others,” he said. “The new King—”

“Robert the Bad?” Perpetua interrupted.

Theron stared at her. “Where did you learn that?”

“The withered fool called the King so.”

“The fool yelped wisdom,” Theron said, bitterly.

Perpetua came up to him and touched him on the arm. “Father,” she said. “You did not tell me that there was a new king in Sicily.”

The executioner looked down upon his daughter’s face with a smile of grim pity. Putting his arm around her shoulders, he led her to the fallen column, and they sat there side by side.

“Ill news comes too soon, whenever it comes,” he said. “I had hoped against hope for so long. I never told you that our good King had a son, the pride and anguish of his life, the beautiful youth for whose restoration to health yonder church was set on the highest pinnacle of these mountains. Sometimes we get our wish and find it a weapon that wounds our flesh. ‘Any price,’ King Robert prayed—‘any price for my son’s life.’ And life came back to the dying child, but it seemed like a new life, selfish and vain and cruel. Weary of his father’s simple rule and quiet court, he went oversea to his duchy of Naples and lived there an evil life. The King’s ministers tried to keep knowledge of this from the good King’s ears, but such news flies in through the chinks of palace doors. Still he did not know the worst, and to the day of his sudden death he hoped that his heir might yet prove worthy to wear the crown of Sicily. How vain that hope was Sicily now knows.”

Theron was silent, staring sullenly at the ground. Perpetua plucked softly at his sleeve.

“Why did you never tell me this?” she whispered.

Theron shook his head.

“Dear child, for the sake of your mother’s memory, who died to give you life, you have lived here in the holy woods away from an unholy world. As a man shelters a little, flickering flame, hollowing his hands around it to keep it from the wind, as a man screens a flower from the cold, so I have striven to shelter and to screen your life, so that you might come to womanhood in such a fashion—so simple, so pure, so holy—as that in which girls grew to womanhood in the Golden Age. Therefore I did not tell you that Robert the Good was dead; therefore I did not tell you that this Italianate Prince of Naples reigned in his stead. So much you have learned from a stranger, but you shall learn no more. Men seldom come to these windy pinnacles; the King and the King’s men and the King’s women never, in all likelihood, again.”

The girl listened lovingly to the well-loved voice. “Father,” she asked, “why does the King come to these heights? His father never came here.”

“Robert the Good never came here in your life-time, child,” Theron answered, “for his heart was sad within him at the thought of all the hope and joy that had gone to the building of this temple and all the disappointment that came after. But his son comes in ostentation. Since his accession, he has visited in turn every church in his kingdom, and given to every altar some glorious gift, that Heaven, so he boasts, impiously, may be in debt to him. He comes to-day to this, the least and last.”

Perpetua crossed herself as her father spoke of the King’s impious boast.

“Then I shall see the King?” she said.

Theron shook his head.

“No, Perpetua, you will not see the King. You and I will keep close in-doors to-day, talking of the old gods and the old heroes, till the King has come and gone, and then we will try to forget that there is such a king in Sicily.”

Perpetua sat silently for a few moments, with her hands clasped across her knees, gazing with wide eyes at the golden air, quivering with heat. Then she turned to Theron.

“Father,” she said, “if the world be not all peace and sweetness, are we wise to shut our eyes to the worse part of God’s handiwork? Are we wise to hide from life, like a lizard in a cranny of a wall? You say the Golden Age is dead and gone. Can we bring it back by make-believe? Can we hold the summer back by saying it is still summer while the snow is on the ground?”

Theron turned and looked at her thoughtful face with some wonder. Never before had it happened that she had questioned his judgment. They had been happy together in their mountain nest; he had shut out the world for so long; he hated to think that he could not shut it out forever. And now some knowledge had come to the so jealously guarded girl, creeping into the unreal world he had created for her, and the thought of it vexed him. But there was no vexation in his voice as he answered her, smiling.

“You talk as glibly as the Seven Sages, little eagle, but I will not argue with you. We must make the best of a bad world, and the best way is to shut it out.”

Perpetua leaned forward and kissed him. “Dear father,” she said, with infinite reverence and affection in her voice. From far below there came to her ears a sound of distant music. She read in Theron’s face that he heard it, too, and, hearing, he shuddered.

“Hark!” he said. “Do you hear that music?”

He rose and moved to the brow of the hill, and Perpetua, rising, followed him. Standing by his side she looked down the slope of the mountain, and saw, far away, on the long, white road, a moving mass and the gleam of gold and steel.

“It is the King’s company,” Theron said, sadly. “In-doors with you, sword and singer.”

Instantly obedient, Perpetua turned, took the sword from the tree against which she had propped it when Theron arrived, and entered the dwelling, murmuring as she went another verse of the sword-song:

“The gods of Hellas Blessed it with beauty; The gods of Norland Filled it with fury.”

As she passed, singing, out of sight beneath the turquoise-tinted dome, Theron looked after her sadly. Then he went again to the brow of the hill and looked down the green slope, clothed thickly with venerable trees, cypress and pine and pepper tree, tamarisk and prickly pear, to the fair city beyond, nestling amid her groves of gray-leaved olive and green-leaved almond, her vineyards, her orchards of peach and apple and fig.

“Unhappy Syracuse!” he sighed. “Evil hours are gathering about you as the vultures gather around the dead body that is cast into the Barathron. It was whispered within your walls this morning that one had died of the plague, but this proud prince is worse than any plague.”

He sighed again as he watched the distant procession moving slowly onward. His keen sight could distinguish horsemen and litters, golden trappings, many-colored banners; his keen ears caught, with no pleasure, the triumphant swell of the royal music. It would be a long while yet before the new King and his people could reach the shrine of the archangel. There was a point on the steep hill-side where horseman must dismount, where lady must leave litter and continue the ascent on foot.

Theron still seemed to gaze at the slowly advancing cortÈge, but his mind was far away from the glittering, tinkling company. He was turning in fancy the pages of his past, as he might have turned the pages of some painted manuscript, and reading therein the record of his strange life. He saw himself in his boyhood, the son of the hereditary executioner, aiding his father’s task, learning his father’s trade, patient and unashamed. He saw himself in his young manhood loving beyond his star, and his heart quickened as he thought of youth and beauty. He saw himself in his prime, and his eyes filled as he thought of youth and beauty wronged, betrayed, and abandoned. He saw himself clasping in his arms the injured idol of his youth; he saw again the strange scene in the forest, the captured wronger, the rude, lawless trial, and the stroke of the great sword which avenged dishonor. He saw again his sad, sweet nuptials; he lived anew through that brief spring and summer and autumn of belated happiness; he saw again the dead woman and the living child. He recalled his vow that the girl Heaven had given him should live apart from the world, sequestered in the holy solitude of the hills, cloistered in the pine woods. Year by year he seemed to see again the growth of the girl’s life, the patient care, the mutual love—saw at the last the fairest flower of Sicilian maidenhood, Perpetua. All these memories belonged to the reign of the good king Robert, the days when the executioner’s sword never swung in the sunlight over a victim, when it was almost possible for the executioner to credit the ancient tales that he told to his beautiful child, and to believe that the Golden Age, indeed, had come again. And now King Robert the Good was dead and the Golden Age was as far off as those little, golden clouds above the sea.

The executioner clasped his hands together in a despairing prayer for Syracuse. For himself he must ply his trade, for that was his duty as it had been that of his father before him, and his father before him. As for Perpetua, he would make a home for her still deeper in the heart of the mountain woods, and still tell her marvellous stories of the Age of Gold.

He turned away from the prospect of the city and walked slowly towards his dwelling. Clearer and clearer now came the sound of the advancing music. He paused for a moment on his threshold.

“I shall be brighter when the King has come and gone,” he said. Then he entered his dwelling and drew the door to after him.

And for a while there was quiet on the summit of the mountain.


                                                                                                                                                                                                                                                                                                           

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