INDEX

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For Index of Works, see Chronological Catalogue, P. 293.

A B C D E F G H I J K L M N O P R S T V W Y Z

A.

Abel, II. 50, 51.
Aegidi, I. 259.
Ahle, J. H., II. 130.
Ahna, de, II. 204.
Ahsen, Jenny v., I. 239.
Albers, I. 73.
Albert, Eugen d', II. 232, 267, 270.
Albrechtsberger, I. 64, 67.
Allgeyer, Julius, I. 166; II. 29, 42, 44, 90, 93, 104, 120, 159, 176, 185.
Arien, d', I. 84.
Arnim, Bettina v., I. 144.
" Gisela v., I. 195.
ArtÔt, I. 83.
Asmus, Christiana, I. 46.
Astor, II. 134.
Austria, Francis Joseph, Emperor of, II. 242.

B.

Bach, Friedemann, II. 71.
" Philipp Emanuel, I. 113, 188.
" Johann Sebastian, I. 12, 13, 17, 18, 63, 65, 146, 188, 216, 234, 244; II. 20, 23, 115, 116, 119, 120, 130, 136, 141, 148, 155, 168, 172, 180, 182, 218, 267, 269, 277.
" Works of, played by Brahms on the pianoforte, I. 15, 16, 185, 199, 201, 209, 215, 221, 235, 272; II. 13, 39, 40, 54, 60, 71, 86, 102.
Bachrich, II. 143, 246.
BÄchthold, II. 229, 262.
Backhaus, I. 73.
Bade, Carl, I. 54; II. 57, 80, 175.
Baden, Frederick, Grand-Duke of, II. 29.
Bagge, Selmar, II. 4, 26.
Baglehole, II. 102.
Balcke, I. 98.
Barbi, Alice, II. 270.
Bargheer, Carl, I. 208-210, 214, 215, 217, 245, 247; II. 41, 137, 171, 204.
Bargiel, Woldemar, I. 126, 218, 275; II. 187, 275.
Barth, Heinrich, II. 200, 204.
" Richard, II. 73, 183, 276.
Baumeyer, Marie, II. 201.
Baumgarten and Heins, I. 68, 88, 192.
Bavaria, Ludwig II., King of, I. 127, 131.
Bechstein, II. 195.
Becker, Dr., I. 257.
" Frau, I. 36.
" Hugo, II. 230, 282.
Beckerath, Alwyn v., II. 183, 213, 275.
Beethoven, Ludwig van, I. 104, 180, 197, 267, 283, 285, 289; II. 1, 20, 23, 119, 123, 130, 139, 140, 148, 152, 155, 164, 168, 171, 172, 177, 181, 189, 198, 200, 212, 217, 218, 267, 287.
" Works played by Brahms, I. 59, 84, 96, 98, 186, 191, 199, 206, 209, 215, 263, 272; II. 13, 40, 54, 60, 70, 71, 86, 139.
Begas, I. 92.
Bellini, I. 180.
Bennet, John, II. 25.
Bennett, W. Sterndale, I. 128, 197; II. 155.
Bergmann, Carl, I. 163.
Berlioz, Hector, I. 100, 124, 135, 136, 138, 139, 147, 286, 288; II. 139.
Bernhard de TrÈves, I. 290.
Berninger, II. 73.
Bernsdorf, Edward, I. 227, 228, 229; II. 134, 154, 178.
Bernstorff, Countess, I. 107.
Bernuth, Julius v., II. 70, 166, 176, 183, 210.
Bibl, Rudolf, II. 4, 20, 117, 119.
Billroth, Theodor, II. 46, 47, 60, 62, 84, 90, 115, 119, 124, 137, 140, 142, 149, 150, 163, 169, 184, 199, 201, 203, 207, 237, 239, 240, 247, 248, 256, 258, 259.
Birgfeld, I. 59, 79.
Bismarck, Otto v., II. 137, 240, 283.
Bizet, G., II. 242.
Blagrove, Henry, II. 53.
Blume, Amtsvogt, I. 78, 80, 94, 117, 164.
" Calculator, I. 97.
" " Frau, I. 98.
Bocklet, C. M. v., I. 64.
BÖhm, Josef, I. 92, 102.
BÖhme, F. M., II. 262.
BÖie, John, I. 261, 268, 270, 277; II. 143, 175.
BÖie, Marie, I. 123, 266.
See also under VÖlckers.
Boieldieu, F. A., I. 236, 255; II. 71.
BÖlling, Bertha, I. 176, 184.
Boni, II. 94.
Borrisow, Rev. L., II. 103.
BÖrs, I. 84.
BÖrsendorfer, II. 9, 10.
Borwick, Leonard, II. 201.
Bosshard, II. 196.
Boston Symphony Orchestra, I. 273.
Brahms, Caroline, II. 45, 49, 79, 109, 110, 142, 175, 201, 253-255, 278, 284, 290.
" Elise, I. 51, 74, 142, 205, 218; II. 22, 27, 34, 35, 110, 175, 176.
See also under Grund.
" Fritz, I. 53, 70, 81; II. 10, 27, 109-111, 175.
" Johann, I. 46.
" Johann Jakob, I. 48-60, 87, 130, 142; II. 27, 35, 37, 38, 45, 49, 57-59, 73, 78, 79, 80, 108, 109, 175, 176.
" Johanna Christiana, I. 51-54, 75, 81, 95, 121, 142; II. 9, 34, 35.
See also under Nissen.
" Peter, I. 45, 46.
" Peter Hinrich, I. 47.
BrahmÜller, II. 51.
Brandes, Emma, See Engelmann.
Brandt, Auguste, I. 239.
Branscheidt, II. 187.
Brassin, Louis, II. 88.
Breitkopf and HÄrtel, I. 123, 124, C.
Calderon, II. 91, 159.
Candidus, Carl, II. 162.
Carlyle, Thomas, I. 276.
Chamisso, Adalbert v., I. 89.
Chappell, S. Arthur, II. 53, 103.
Cherubini M. Luigi, I. 228; II. 172.
Chopin, Frederic, I. 109; II. 256.
Chorley, Henry, I. 180.
Chrysander, Friedrich, I. 283.
Cicero, I. 89.
Clasing, Heinrich, I. 63, 150.
Claus, Wilhelmine, I. 177.
Clementi, Muzio, I. 10, 21, 58.
Cobb, Gerard F., II. 103.
Conrat, Frau, II. 260.
" Hugo, II. 233, 234, 251, 260, 279, 282, 284.
" Ilse, II. 260, 261, 291.
Cordes, August, I. 215.
Cornelius, Peter, I. 103, 124; II. 4, 14.
Cornet, Madame, I. 83, 84, 85, 90.
" FrÄulein, I. 83, 84. 85.
See also under Passy-Cornet.
Cossel, Frau, I. 69; II. 34, 175.
" Johanna, II. 34, 35.
" Marie, II. 175.
See also under Janssen.
" Otto Friedrich Willibald, I. 56-62, 66, 118, 143; II. 175, 244.
Cossmann, Bernhard, I. 103, 140; II. 31.
Couperin, FranÇois, I. 283; II. 86.
Cramer, John, I. 58.
Cranz, August, I. 86; II. 26, 83.
Cusins, G. W., II. 87, 103, 136, 156, 179.
Czartoriska, Prince Constantin, II. 18.
Czerny, Carl, I. 12, 58; II. 290.

D.

Dalfy, II. 20.
Dalwigk, Reinhard v., II. 10.
Dante, I. 89.
Danzer, II. 20.
Daumer, G. F., II. 93, 106.
David, Ferdinand, I. 140, 179, 180, 256, 263, 270; II. 133, 135.
Davidoff, C., I. 263, 270.
Davies, Fanny, II. 233, 238, 250, 266.
Davison, J. W., I. 227.
Deichmann, I. 115-117.
Deiters, Hermann, I. 201; II. 4, 77, 78, 81, 94, 122, 154, 162, 189, 272.
Denninghoff-Giesemann, I. 263-265.
See also under Giesemann.
Derenberg, See under EibenschÜtz.
Dessoff, Otto, II. 2, 15, 128, 142, 147.
Detmering, I. 61.
Detmold, Lippe—
Leopold II., Prince of, I. 182, 216, 221, 246; II. 41.
Dowager Princess of, I. 183.
Friederike, Princess of, I. 183, 208, 216, 233, 244.
Luise, Princess of, I. 183.
Pauline, Princess of, I. 183.
Devrient, Edward, II. 29, 30, 90.
Diabelli, Anton, II. 5, 14.
Dietrich, Albert, I. 93, 119, 120, 124, 126, 142, 145, 156, 158, 188, 201, 203, 255, 256, 265, 267, 277, 278, 280; II. 15, 38, 39, 42, 50, 54, 55, 59, 68, 73, 79, 93, 97, 101, 114, 131, 136, 142, 187, 259.
" Clara, I. 255.
Dobyhal, II. 6.
Doetsch, II. 188.
DÖhler, Theodor, I. 83.
DÖmpke, II. 217.
Donizetti, I. 84.
Donnhorf, II. 186, 188.
Doppler, Franz, II. 16.
Door, Anton, I. 185; II. 103, 202, 217, 237.
" Frau, II. 284.
DÖrffel, A., II. 134, 152, 164, 165, 178, 179, 217.
DrÄseke, Felix, I. 252.
Dumba, II. 282.
Dunkl, II. 98.
Dustmann, Louise, I. 277; II. 128.
DvorÁk, Anton, II. 143, 185, 280, 282, 288.

E.

Eberhard, G., II. 137.
Eccard, J., II. 22, 116.
Eckert, Carl Anton, II. 2.
Ehlert, Louis, II. 153.
Ehrbar, Friedrich, II. 153, 163, 207, 208, 217, 237, 252, 253.
Ehrlich, Heinrich, I. 107, 122.
EibenschÜtz, Ilona, II. 258.
Eichendorff, J. v., I. 89, 137.
Eldering, II. 276.
Ella, John, I. 197; II. 102.
Engel, I. 272; II. 42.
Engelmann, Dr. and Frau, II. 121, 138, 145, 154, 191.
" Dr., II. 274, 276.
EÖtoos, Baroness, II. 191.
Epstein, Julius, II. 4, 6, 16, 202, 214, 217, 236, 259, 282.
Erard, I. 197.
Erk, II. 262.
Ernst, I. 96.
Essen, II. 142.
Eschmann, II. 46, 47.
Ettlinger, Anna, II. 31, 159.
Eyrich, II. 85, 162.

F.

Faber, Arthur, II. 5, 16, 22, 202, 207, 217, 279, 283, 284, 285, 288.
" Bertha, II. 5, 22, 82, 279, 283.
See also under Porubszky.
Falk, Clementina, I. 14.
Farmer, John, II. 73, 75.
Fellinger, Dr. and Frau, II. 202, 203, 215, 244-246, 276, 279, 280, 281, 286.
" Dr., II. 285, 288.
" Frau, II. 223, 226-228, 283, 291.
Ferrari, Frau, II. 20.
" Sophie, II. 87.
Feuerbach, Anselm, II. 29, 124-127.
" Henriette, II. 29, 197, 198.
Fichtelberger, II. 21, 39.
Fischer, Georg, I. 226.
Flatz, Franz, II. 18.
Fleming, Paul, II. 26.
Flotow, II. 173.
Folkes, II. 103.
Formes, I. 80.
Frank, Ernst, II. 146, 156.
Franz, Frau, II. 202.
" Robert, I. 126.
FrÄsch, I. 85.
Frege, I. 228.
Freund, Robert, II. 251.
Fribberg, Franz, II. 15.
FriedlÄnder, Theka, II. 103.
Froude, J., I. 276.
Fuchs, II. 202, 217, 288.
FÜrchtgott, II. 9.

G.

Gabrielli, Giovanni, II. 22.
Garcia, Manuel, I. 198.
Garibaldi, II. 243.
Gehring, Franz, II. 111.
Geibel, Emanuel, II. 33, 91.
Gericke, W., II. 205.
Gernsheim, Friedrich, II. 173.
Giesemann, Adolph, I. 71, 74, 78, 80, 81, 90, 94, 95, 113.
" Elise, I. 71-77, 80, 81, 90-92.
See also under Denninghoff.
Gille, II. 95.
Glade, I. 84.
Gleich, Ferdinand, I. 227, 229, 230, 231.
Gluck, C. W. v., I. 5, 201; II. 86, 116.
Goethe, Wolfgang v., I. 16, 89, 180; II. 24, 84, 94, 95, 96, 154, 202.
Goldmark, Carl, II. 4, 131, 143, 163, 202, 217, 239, 240, 259, 283.
Goldschmidt, Otto, I. 87, 180-182, 183, 184; II. 200.
" Lind-, Jenny, I. 179-182, 183, 184.
Goltermann, C. E., I. 59.
" Louis, I. 59.
Gompertz-Betteheim, II. 233.
Gompertz, Richard, II. 183.
Gotha, Friedrich, Prince of, II. 84.
GÖtz, Hermann, II. 138, 156.
GÖtze, I. 138.
Gouvy, Theodor, I. 136, 180.
Gozzi, II. 92, 159.
GrÄdener, I. 207, 239; II. 5, 173.
Graun, II. 98.
Grimm, Hermann, II. 92.
" Julius Otto, I. 134, 135, 142, 146, 154, 155, 188, 191, 207, 211, 219, 223, 246, 251, 270; II. 95, 146, 154, 166, 173, 176, 187, 190, 259.
" Marie, I. 142, 188, 211.
" Philippine, I. 207, 219.
Groth, Claus, I. 46, 49, 198, 201; II. 71, 72, 91, 106, 122, 126, 127, 128, 173, 176, 229, 234, 235.
Grove, George, I. 198.
GrÜber, II. 262, 273, 283.
GrÜnberger, II. 279.
Grund, Elise, II. 286, 290.
See also under Brahms.
" Wilhelm, I. 88, 235, 268, 277; II. 170, 172.

H.

Hafner, Carl, I. 260, 261, 263.
HallÉ, Charles, II. 103.
" Lady, See Norman-NÉruda.
Hallier, I. 258, 259, 262; II. 175.
" Julie, I. 268, 269.
Handel, G. F., I. 113, 216, 244; II. 98, 115, 116, 117, 136, 172.
Handel's 'Saul', I. 280; II. 118.
Hanover, George V., King of, I. 107; II. 48, 120, 238.
" Queen of, II. 238, 287.
" Marie, Princess of, II. 287.
Hanslick, Edward, I. 168, 180, 190, 230; II. 4, 8, 12, 14, 15, 16, 19, 23, 61, 68, 69, 113, 142, 143, 150, 151, 170, 171, 173, 174, 202, 208, 212, 213, 217, 229, 237, 240, 242, 247, 259, 272, 278, 279, 282, 283.
Hare, I. 276.
Hauptmann, Moritz, I. 136, 187.
Hauser, II. 31.
" Frau, II. 94.
Hausmann, FrÄulein, II. 94.
" Robert, I. 40; II. 204, 222, 223, 230, 231, 280.
Heermann, II. 102, 204.
Hegar, Friedrich, II. 39, 47, 78, 95, 137, 138, 196, 229, 251, 252, 270.
Heldburg, Helene, Baroness v., II. 194, 195, 287.
Heller, Stephen, I. 126, 180.
Hellmesberger, Josef, II. 3, 6, 7, 14, 15, 23, 52, 68, 122, 140, 143, 146, 156, 181, 204, 222, 250.
Henschel, Georg, II. 137, 152, 231, 233.
" Lilian, II. 233.
Hensel, Fanny, II. 91.
Henselt, Adolf, II. 95.
Herbeck, Johann, II. 2, 108, 141, 142.
Herder, I. 166; II. 84.
Hermann, I. 270.
Herz, Henri, I. 59, 84.
Herzog, I. 84.
Herzogenberg, Heinrich v., II. 134, 154, 274, 275.
" Elisabeth v., II. 134, 154.
Hesse, Anna, LandgrÄfin of, II. 32.
" Alexander Friedrich, Landgraf of, II. 32, 33, 146, 216, 229, 230, 236, 271.
Heuberger, Richard, I. 99; II. 42, 89, 158, 162, 163, 186, 276, 288.
Hildebrant, II. 291.
Hille, I. 154.
Hiller, Ferdinand, I. 101, 118, 179, 203; II. 40, 118, 173, 187, 203.
Himmelstoss, II. 104, 183.
Hirsch, R., II. 16, 53, 62, 151.
Hirschfeld, II. 74.
Hoch, II. 122.
Hoffmann, E. T. A., I. 89, 93, 116, 121, 164.
" J. F., I. 66, 188.
HÖlderlin, F., II. 77, 104, 105, 205.
Hohenemser, II. 82.
Hohenlohe, II. 195.
Hohenthal, Ida, GrÄfin v., I. 135, 144.
Holmes, Henry, II. 103.
" W. H., II. 102.
Holstein, Franz and Hedwig v., I. 136; II. 134, 154.
See also under Salamon.
Honnef, I. 83.
Honroth, I. 261.
Hopfer, Bernhard, II. 138.
Hoplit, See Pohl, R.
Hornbostel, v., II. 279.
Hubay, Eugen, II. 222.
HÜbbe, Walter, I. 241, 258.
Hullah, John, II. 56, 87.
Hummel, J. N., II. 95.
Hummer, II. 246.
Hunger, I. 270.

I.

Isaak, Heinrich, II. 20, 116.

J.

Jacobsen, II. 79.
Jaell, Alfred, I. 217; II. 102.
Jahn, Otto, I. 180, 195, 198, 201, 249, 257.
Janetschek, II. 278.
Janovitch, I. 93.
Japha, Louise, I. 67, 88-90, 93, 113, 119, 121, 125, 144, 145; II. 76.
" Minna, I. 90, 93, 121, 144.
Jansen, Gustav, I. 123.
Janssen, Marie, II. 243, 244.
See also under Cossel.
Jenek, II. 246.
Jenner, II. 186, 234-236.
Joachim, Amalie, II. 17, 26, 33, 73, 95, 117, 121, 135.
" Joseph, I. 39, 40, 65, 95, 100, 102-108, 112-114, 123-126, 139, 144, 147, 154-158, 172-175, 182, 183, 186, 187, 200, 203, 204-207, 211-213, 221-223, 225, 226, 232-236, 245, 247, 249-252, 255-260, 262, 263, 267, 268, 271, 277; II. 10, 11, 15, 48, 50, 51, 53, 59, 60, 69, 71, 73, 92, 101, 102, 103, 116, 121, 122, 124, 134, 141, 146, 147, 148, 154, 155, 166, 167, 170, 171, 174, 175, 177-179, 182, 187-189, 190, 198, 204, 209, 210, 223, 230, 231, 233, 234, 236, 238, 246, 249, 250, 259, 265, 269, 270, 275, 279, 280, 281, 289.

K.

Kahnt, II. 50.
Kalbeck, Max, I. 49, 87, 148, 280; II. 144, 217, 229, 288.
Karpath, Ludwig, II. 277.
Kayser, I. 261.
Keiser, Reinhard, I. 113.
Keller, Gottfried, II. 46, 137, 162, 222, 229.
Kemp, Stephen, II. 201.
Kiel, Friedrich, II. 51.
" Capellmeister, I. 183, 209, 222, 247.
Kirchner, Theodor, I. 120, 126, 157, 275; II. 39, 45-47, 50, 134, 154, 173, 229, 259.
Kleinecke, II. 68.
Kleist, Heinrich v., II. 155.
Klems, I. 168.
Klindworth, Carl, I. 109, 111, 112, 144.
Klinger, Max, II. 273.
Klopstock, I. 89, 113.
Knaus, II. 207.
Kneisel, I. 273.
Koch, Town-musician, I. 91.
" Sophie, I. 91.
" General-Secretary, II. 285.
" Ludwig, II. 288.
KÖhler, Louis, I. 227.
" Dr., I. 96.
" Rector, I. 73, 78; II. 32.
KÖnigslow, Otto v., I. 256, 277; II. 40.
Koning, II. 203.
KÖppelhÖfer, I. 85.
KÖstlin, Professor, II. 203.
" Josephine Lang, II. 203.
Krause (Pianist), I. 138.
Krause, (Singer), II. 38.
" Emil, I. 192.
Krauss, Dr., II. 87, 94, 116.
Krebs, Marie, II. 103.
Kreisler, Johannes (Pseudonym for Joh. Brahms), I. 93, 122, 146.
Kreisler, Fritz, II. 179.
Kremser, Edward, II. 177.
Krenn, Franz, II. 18.
Krziwanek, II. 264.
Krolop, Franz, II. 76.
Kufferath, Professor, II. 268.
" Antonia, II. 183, 205.
See also under Speyer.
Kuhnau, Johann, II. 80.
Krummholtz, I. 270.
Kundemann, II. 285.
KÜrner, II. 94.
Kyllmann, I. 256, 257; II. 187.

L.

Lachner, Franz, I. 180; II. 88, 230.
Lallement, AvÉ, I. 207, 232, 233, 258, 268, 277; II. 10, 11.
Lamond, Frederic, II. 201, 216.
Lange, S. de, II. 116.
Langhans-Japha, Louise, See under Japha.
Lasserre, II. 102.
Lasso, Orlando di, I. 188.
Laub, Ferdinand, I. 136; II. 15.
Laurens, de, I. 122, 169.
Lee, Louis, I. 260, 261, 268, 270; II. 143.
Lehmann, II. 75.
Lemke, Carl, II. 162.
Le Roy, Guillaume, I. 290.
Leser, I. 169, 255.
Lessing, Gotth. Eph., I. 89, 113.
" C. F., I. 120.
Levi, Hermann, II. 30, 38, 90, 93, 94, 104, 111, 120, 129, 133, 136, 137, 147, 159, 184, 185.
" (Publisher), II. 10.
Levin, II. 143.
Leyen, Rudolf v. der, II. 183, 275.
Lind, Jenny, See under Goldschmidt.
Liszt, Franz, I. 100, 101, 103, 108-112, 124, 128, 135, 136, 139, 144, 147, 180, 181, 211-213, 249-252; II. 46, 95, 132, 191, 271, 290.
Litolff, Henry, I. 90.
Little, Lena, II. 233.
Lohfeldt, Rudolph, I. 86.
Lorscheidt, II. 187.
LÖwe, I. 74.
" J. C. G., II. 70.
" Sophie, II. 103.
LÖwenherz, Aaron, I. 76, 77, 264.
LÜkbe, II. 46.
Luther, Martin, II. 63.

M.

Maier, II. 26.
Mangold, C. F., I. 126.
Manns, August, II. 102, 179.
MannstÄdt, II. 207, 216.
Mara, La, I. 59, 67, 85, 131, 140, 147.
Marks, G. W. (ps. Joh. Brahms), I. 86.
Martucci, II. 229.
Marxsen, Edward, I. 57-61, 63-68, 74, 79, 84, 85, 89, 90, 97, 113, 118, 143, 147-152, 161, 187; II. 9, 10, 28, 62, 175, 200, 230, 231.
Mason, William, I. 108, 109, 111, 128, 163, 273; II. 53.
Mattheson, Johann, I. 113.
May, Florence, II. 103, 200.
Meinhardus, Ludwig, II. 174.
Mendelssohn, Felix, I. 21, 99, 100, 101, 180, 216, 226, 227, 238; II. 22, 91, 118, 132, 141, 174, 177, 191, 198, 268, 288.
Menzel, Adolph v., II. 270.
Meyer, I. 73.
" C., I. 85.
" David, I. 79.
Meyerbeer, II. 18.
Meysenbug, Carl v., I. 204, 205, 208-210, 214, 223, 243, 246; II. 41, 68, 121, 190.
" Hermann v., I. 214, 217, 240.
" Hofmarschall v., I. 208, 246.
" Frau v., I. 214, 216.
" FrÄulein v., I. 204, 208, 240.
Michalek, II. 285.
Miller, Christian, I. 69, 90.
" Victor v. zu Aichholz, II. 202, 239, 279, 283, 284, 285, 288, 291.
Mollenhauer, I. 85.
Moltke, v., II. 240.
Morley, John, II. 25.
Moscheles, Ignaz, I. 216.
Moser, Andreas, I. 107, 155, 249.
Mozart, Wolfgang A., I. 17, 18, 70, 220, 238, 267; II. 116, 117, 141, 148, 171, 172, 177, 199, 200, 202, 217, 270, 287.
Mozart's works played by Brahms, I. 59, 192, 215, 216, 262.
" 'Figaro's Hochzeit', I. 80, 81, 83, 84, 180; II. 90.
MÜhlfeld, Richard, I. 39, 40; II. 248-251, 265-267, 283.
MÜller, II. 203, 204.

N.

Nagy, Zoltan, II. 233.
Naumann, Ernst, I. 120, 126, 157, 158; II. 94, 95.
NÉruda, Franz, II. 147.
Neumann, Carl, I. 167; II. 197.
Niebuhr, I. 46.
Nissen, the sisters, I. 54.
" Johanna H. Christiana, See under Brahms.
Norman, Ludwig, I. 126.
Norman-NÉruda, Wilhelmine, II. 103, 147, 183, 204.
Nottebohm, M. G., II. 3, 16, 22.
Novello, Clara, I. 104.

O.

Oldenburg, Grand-Duke of, I. 267; II. 10.
" Grand-Duchess of, II. 68.
OphÜls, G., II. 276.
Oser, Dr. and Frau, II. 163, 202.
Ossian, II. 84.
Otten, G. D., I. 186, 192, 206, 253.
Otterer, Christian, I. 59, 68; II. 175.
Ould, C., II. 103.

P.

Paganini, Nicolo, II. 60.
Palestrina, G. P. da, I. 188, 250; II. 292.
PÄnzer, II. 60.
Paque, W., II. 53.
Passy-Cornet, II. 5, 9, 13.
See also under Cornet.
Paul, Jean (F. Richter), I. 89, 116, 170, 173.
" Jeanette, I. 138.
Perger, Richard v., II. 288, 289.
Peroni-Glasbrenner, I. 154.
Peters, II. 138.
Petersen, II. 241, 242.
Pezze, II. 103.
Pfund, I. 228.
Piatti, Alfredo, II. 53, 103, 147, 204, 250.
Piening, II. 276.
Pohl, C. F., II. 4, 202, 259.
" Richard (Hoplit), I. 140, 189, 190, 193; II. 31.
Pope, Alexander, I. 89.
Popper, David, II. 143, 222.
Porubszky, Bertha, I. 239, 258.
See also under Faber.
Possart, Ernst v., II. 188.
Potter, Cipriani, II. 87.
PrÜckner, Dionys, I. 108, 124.
Pyatt, G., II. 103.
Pyllemann, Franz, II. 117.

R.

Radicati di Marmorito—
Count, II. 93.
Countess, II. 93.
See also under Julie Schumann.
Raff, Joachim, I. 100, 103, 108, 136; II. 51.
Rameau, J. P., I. 38.
Raphael, I. 140.
Redeker, II. 103.
Regan, Anna, II. 87.
Reichhardt, J. F., II. 94, 95.
Reimann, Heinrich, I. 234; II. 9, 142, 278, 284.
Reimers, Christian, I. 116, 256.
Reinecke, Carl, I. 118, 259; II. 87, 132, 173.
Reinhold, II. 143.
Reinthaler, Carl Martin, II. 55, 56, 59, 60, 73-76, 91, 98, 112, 173.
" Henriette, II. 76, 211, 212.
Reuter, I. 266; II. 72.
Rheinberger, II. 131.
Richarz, I. 157.
Richter, Hans, II. 51, 163, 208, 217.
Rieckmann, I. 73, 82.
Riedel, II. 133.
Ries, Louis, II. 53, 103, 147.
Rieter-Biedermann, I. 257, 265, 278; II. 26, 35, 43, 73, 81, 83.
Rietz, Julius, I. 180, 259; II. 132, 136.
Risch, I. 83.
Ritter, I. 113.
Ritterhaus, II. 188.
RittermÜller, Philippine, See under Grimm.
Roeger-Soldat, Marie, II. 179, 283.
RÖntgen, I. 270.
Rosa, Carl, I. 55.
RosÉ, Arnold, II. 22, 246, 250, 266.
Rosegger, II. 215, 216.
Rosenhain, J., I. 83; II. 28, 230.
RÖsing, Elisabeth, I. 265, 276; II. 10.
Rossini, G. A., I. 83.
Rottenberg, v., II. 186, 237, 240.
RÖver, II. 6.
Rovetta, Giovanni, I. 188; II. 22.
Rubinstein, Anton, I. 3, 65, 191, 192, 217; II. 28, 108, 133, 139.
RÜckert, Friedrich, II. 211.

S.

S..., Agathe, I. 223, 224.
Sahr, Heinrich v., I. 134, 137, 256.
Salamon, Hedwig, I. 136-138.
See also under Holstein.
Sallet, Friedrich v., II. 161, 162.
Santley, Charles, II. 87.
Saxe-Meiningen—
George, Duke of, II. 194-196, 207, 248, 287.
Marie, Princess of, II. 287.
Sayn-Wittgenstein, Princess Caroline v., I. 108.
Scarlatti, D., I. 5, 6, 18, 38, 197; II. 54, 71, 102.
Schaafhausen, II. 188.
SchÄfer, Julius, I. 126.
Schelle, II. 52, 54, 62, 119.
Schelper, II. 99.
Schiller, Friedrich, I. 89, 137, 138, 289; II. 91, 92, 193, 197, 206.
Schirmer, J. W., I. 120.
Schleinitz, I. 136.
Schloenbach, I. 136, 138, 139.
Schmall, II. 143.
Schmidt, Julius, I. 209, 214-217, 245.
" Professor, II. 213.
Schnack, Caroline, II. 40, 41.
See also under Brahms.
" Fritz, II. 40, 45, 108, 109, 175, 254, 278, 290.
Scholz, Bernhard, I. 251; II. 103, 104, 140, 166, 183, 275.
" Dr., II. 18.
SchrÖder, I. 73, 74, 90, 96.
SchrÖder-Devrient, I. 177.
Schubert, Franz, I. 21, 84, 235, 238, 267; II. 5, 15, 116, 119, 130, 136, 162, 174, 212, 274, 287.
" Works played by Brahms, I. 5, 186, 199, 205, 209, 215, 236, 263, 268; II. 42, 54, 60, 70, 71, 86.
SchÜbring, A., I. 118, 274, 275; II. 73.
Schultz, A., II. 18.
Schulze, I. 209, 245.
Schumann, Clara, I. 1-9, 13, 15, 22, 23, 65, 89, 104, 119, 125, 144, 155, 159, 160, 163-178, 181-185, 192, 193, 194-198, 201-206, 210, 211, 218-220, 222, 259, 260, 262, 267-271, 273, 278; II. 48, 68, 73, 79, 80, 94, 101, 102, 103, 111, 121, 122, 154, 167, 171, 187, 188, 203, 204, 230, 255, 258, 259, 268, 269, 275.
" Robert, I. 65, 89, 101, 102, 113, 116, 118-132, 133, 134, 143, 154-158, 167-178, 179, 186, 187, 189, 190, 194, 195, 198, 201-203, 255, 256; II. 3, 20, 25, 26, 74, 113, 116, 121, 132, 136, 141, 148, 166, 171, 172, 186-189, 190, 191, 198, 255, 256, 275.
" Works played by Brahms, I. 186, 191, 206, 215, 216, 246, 247, 253, 263; II. 7, 13, 39, 42, 54, 60, 70, 86, 102, 189.
" Elise, I. 168, 173.
" EugÉnie, I. 220; II. 268.
" Felix, I. 219.
" Julie, I. 169, 279; II. 93.
" Marie, I. 168, 173, 252, 262; II. 48, 73, 268.
SchÜtz, Heinrich, II. 22.
Schwarz, Johanna, II. 106.
Schwenke, I. 63.
Sechter, Simon, II. 3.
Seebach, Elizabeth v., I. 137.
Seebohm, II. 72.
Segisser, II. 31.
Seling, Emil, II. 278.
Sell, II. 275.
Senff, I. 141, 144; II. 98.
Sengelmann, I. 239.
Seyfried, Ignaz v., I. 64, 67.
Seyfrix, II. 194.
Shakespeare, I. 258.
Shakespeare, W., II. 203, 233.
Siebert, II. 246.
Simrock, Fritz, I. 257; II. 154, 202, 229, 271, 286.
" N., I. 257; II. 10, 43, 81, 94, 98, 106, 124, 138, 203, 289.
Sittard, Josef, I. 151, 152; II. 62, 218, 231, 241.
Smetansky, II. 130.
Sohn, Carl, I. 93, 120.
" Clara, See under Dietrich.
Sommerhoff, II. 265.
Sophocles, I. 89.
Speidel, II. 11, 12.
Spengel, Julius, I. 188; II. 207, 234, 241.
Speratus, Paul, II. 26.
Speyer, II. 268.
See also under Antonia Kufferath.
Spiess, Hermine, II. 213, 229.
Spina, II. 5, 10, 15, 17, 26.
Spitta, Friedrich, II. 274.
" Philipp, I. 246; II. 83, 134, 181, 219.
Spohr, L., I. 183, 208; II. 171.
Stanford, C. V., II. 87, 103,

T.

Tartini, I. 235, 247; II. 60, 73.
Tasso, Torquato, I. 89; II. 84.
Tausig, Carl, II. 4, 14, 23.
Taylor, Franklin, II. 103.
Telemann, G. P., I. 113.
Thalberg, Sigismund, I. 85, 87.
Thomas, Theodor, I. 163.
Thompson, II. 87, 102.
Thorwaldsen, II. 71.
Tieck, Ludwig, I. 265, 275, 276, 291, 303.
Tourgenieff, II. 31, 91.
Truxa, Celestine, II. 226-228, 246, 259, 285, 290.

V.

Vega, Loppe de, II. 33.
Verhulst, I. 180; II. 173, 191.
Versan, Raoul de, II. 103.
Vesque v. PÜttlingen, Helene, I. 136, 137.
Viardot-Garcia, Pauline, II. 31, 94, 95, 102.
Vienna Singakademie concerts under Brahms, II. 20, 22, 23, 25, 26.
Vienna Gesellschaft concerts under Brahms, II. 116-120, 129-131, 136, 139-141.
Vieuxtemps, Henry, I. 96, 98.
Vinci, Leonardo da, I. 218.
Viotti, II. 177.
Vogel, II. 107.
VÖgl, Bernhard, II. 217.
Vogler, II. 18.
VÖlckers, Herr, I. 258, 265, 266.
" Betty, I. 255, 265, 266; II. 175.
" Marie, I. 255, 265, 266; II. 72, 82, 175.
See also under BÖie.
" Minna, I. 266; II. 73.
Volkland, Alfred, II. 134.
Volkmann, R., II. 130.
Voss, J. Heinrich, II. 91.

W.

Wachtel, Theodor, I. 84.
WÄfelghem, II. 102.
Wagner, Friedchen, I. 192, 218, 219, 238, 239, 240, 241, 269; II. 175.
" Thusnelda, I. 239.
" Richard, I. 100, 101, 103, 105, 252, 287-290; II. 14, 30, 95, 141, 157-159, 184, 185, 186.
Wahrendorf, Fritz, I. 88.
Waiz, I. 113.
Wallace, Lady, II. 91.
Walter, Gustav, II. 85, 94, 233.
" FrÄulein, II. 233.
Wasielewsky, Josef v., I. 114-116, 118, 132, 195; II. 121.
Webbe, Septimus, II. 201.
Weber, C. M. v., I. 67, 288; II. 18, 174, 249, 283.
Wehermann, II. 275.
Wehner, I. 118, 137.
Weigand, II. 133.
Weiglein, II. 233.
Weiss, Amalie, See under Joachim.
Weitzmann, I. 251
Wendt, Gustav, I. 148; II. 31, 229, 230, 264.
Wenzel, Ernst F., I. 134, 144.
Wesendonck, II. 46.
Westermann, II. 42.
Widmann, J. V., I. 67, 86; II. 39, 89, 138, 156-161, 193, 194, 221-225, 229, 230, 238, 239, 243, 251-253, 258, 269, 270, 272.
Wieck, Friedrich, I. 134.
" Marie, I. 134.
Wiedemann, II. 94.
Wiemann, I. 261.
Wiesemann, I. 203.
Wildenbruch, Ernst v., II. 222.
William I., German Emperor, II. 69, 116, 137.
William II., German Emperor, II. 69.
Wilsing, E. F., I. 126.
Wilt, II. 13, 20, 87, 99, 116.
Winter, II. 84.
Wittgenstein, II. 202, 283.
Wolf, Hugo, II. 220.
Wolff-Homersee, Baroness, See under Barbi.
Woronzow, I. 56.
Wrede, II. 187.
WÜllner, Franz, I. 116; II. 117, 166.

Z.

Zelter, II. 94.
Zerbini, II. 53, 147.
Zimmermann, Agnes, II. 103.

THE END

———————————————
BILLING AND SONS, LTD., PRINTERS, GUILDFORD.

[1] Head of the celebrated Vienna firm of pianoforte-makers.

[2] The Deutsche Musikzeitung of November 29, the very day of the concert, announces vocal duets and choruses by Brahms as part of the programme. The review of the concert in the same paper concludes: 'Frau Passy-Cornet and Herr FÜrchtgott assisted the concert-giver, whose programme was altered, by performing songs and ballads.'

[3] Egg-punch was a birthday institution in the family. The Wednesday in question was probably the birthday of Brahms' mother.

[4] Reimann's 'Johannes Brahms.' Published in facsimile opposite p. 28.

[5] Moser's 'Joseph Joachim,' p. 177.

[6] 'Aus meinem Leben.'

[7] Probably a private performance. Hellmesberger's published programmes give the first concert performance of the work by his quartet party as on December 27, 1863.

[8] 'Brahms Erinnerungen,' by Franz Fribberg (Berliner Tagblatt, December 18, 1898).

N.B.—Fribberg was a member of the Philharmonic orchestra of Vienna at the period in question.

[9] The collection is now in the Imperial Gallery on the Burg Ring.

[10] This and the extract immediately following are from some letters first published by Hanslick in the Neue Freie Presse of July 1, 1897, and republished in Am Ende des Jahrhunderts ('Der Modernen Oper,' Part VIII.): 'Johannes Brahms.'

[11]

'Josef lieber, Josef mein,
hilf mir wieg'n mein Kindlein fein.
Gott der wird dein Lohner sein
in Himmelreich der Jungfrau Sohn, Maria.'

(Joseph dearest, Joseph mine,
Help me rock the babe divine.
Heaven's blessing shall be thine
In th' kingdom of the Virgin's Son, MariÈ.)

[12] Personally communicated to the author by Herr Hofcapellmeister Dietrich.

[13] From a letter published by Richard Heuberger (Beilage zur Allg. Musikzeitung, 1899, No. 260).

[14] Brahms, by giving to the variations the second title of Studies for the Pianoforte, has sufficiently indicated the intention with which he placed them before the world.

[15] The date of the publication of the Horn Trio is given in Simrock's Thematic Catalogue as 1868.

[16] See Vol. I., p. 167.

[17] 'Briefe von Theodor Billroth' (sixth enlarged edition).

[18] 'Neujahrsblatt der Allgemeinen Musikgesellschaft in ZÜrich,' 1898.

[19] The author is indebted for this and a few other extracts from Frau Schumann's diary to the kindness of FrÄulein Marie Schumann.

[20] The date assigned to this letter in Dietrich's 'Recollections' is one amongst several similar mistakes that occur in the volume. They are to be explained by the circumstances that Brahms rarely put dates to his letters, and that those in question were supplied from memory.

[21] 'Briefe u. Schriften von Hans von BÜlow.' Published by Marie von BÜlow.

[22] Dietrich.

[23] A pedal point is a sound sustained, according to conditions prescribed by the rules of art, during a succession of varying harmonies of which it need not form an essential part.

[24] Matt. v. 4; Ps. cxxvi. 5, 6; 1 Pet. i. 24; James v. 7; 1 Pet. i. 25; Isa. xxxv. 10; Ps. xxxix. 4-7; Wisd. iii. 1; Ps. lxxxiv. 1, 2, 4; John xvi. 22; Ecclus. li. 27; Isa. lxvi. 13; Heb. xiii. 14; 1 Cor. xv 51-55; Rev. iv. 11; Rev. xiv. 13.

[25] The cadences of music are somewhat analogous to the punctuation of literature. A 'final cadence' has the effect of closing a musical period.

[26] Dated April 4 in Dietrich's 'Recollections.'

[27] Schumann.

[28] Communicated in a letter to the author by Dr. Deiters.

[29] See Vol. I., p. 207.

[30] Cf. Dietrich, p. 54 et seq. The dates in the text are given on the authority of Frau Schumann's diary.

[31] The strict strophic form is that in which voice-melody and accompaniment are the same in each verse. It admits, however, of several kinds of modification, as by varied accompaniment, slight variation of voice-melody, and so forth. The 'durchcomponirtes' Lied, for which there is no technical English term, is that of which the text is set throughout to fresh musical thoughts and developments.

[32] Those who wish to study Brahms' treatment of folk-music in detail are referred to Hohenemser's articles, 'Brahms und die Volksmusik,' in Die Musik, Nos. 15 and 18, 1903.

[33] Dated 1866 in the Thematic Catalogue.

[34] Sir C. Villiers Stanford remembers being present at a public performance of the German Requiem in London earlier than that of the Philharmonic Society. This was at a students' concert of the Royal Academy of Music under John Hullah, the then conductor of the orchestra, the date of which, however, the author has not succeeded in ascertaining.

[35] 'Johannes Brahms in Erinnerung,' p. 37.

[36] 'Meine Bekanntschaft mit Brahms,' Die Musik, No. 5 of 1902.

[37] A few words that occur in a letter of Mendelssohn to his sister Fanny Hensel are of interest here. 'Yesterday I read "Nausikaa" to CÉcile in Voss' translation.... This poem is really irresistible when it becomes sentimental. I always felt an inclination to set it to music, of course not for the theatre, only as an epic, and this whole day I feel renewed pleasure in the idea' (p. 148 of Lady Wallace's translation of Mendelssohn's letters, 1833-1847).

[38] The entire letter is published by Richard Heuberger in the supplement to the Allgemeine Musikzeitung, 1899, No. 260.

[39] 'Franz Liszt's Briefe an Carl Gille,' with a biographical introduction by Adolph Stern.

[40] Numbers 1, 3, 10, were published in 1874 as arranged by the composer for orchestra, and were frequently conducted by him about that date.

[41] The full programme was as follows:

A German Requiem (under Reinthaler's direction).

Arie from Handel's 'Messiah' and Graun's 'Der Tod Jesu.'

'Hallelujah, Heil and Preis sei Gott.' A song of Triumph for eight-part Chorus and Orchestra lately composed by Johannes Brahms (under the composer's direction).

Soprano, Frau Wilt from Vienna, Imperial chamber singer.

Baritone, Herr Schelper, of the Berlin Court Opera.

(The chorus of the Singakademie was augmented for the occasion to about 300 voices.)

The general (public) rehearsal took place on Thursday evening, April 6.

[42] The following were, as the author believes, first performances in this country:

Quartet in A major for Pianoforte and Strings: May 23, 1871. St. James's Hall, Musical Union (John Ella), by Jaell, Heermann, WÄfelghem, Lasserre.

Pianoforte Concerto, D minor: March 9, 1872. Crystal Palace (A. Manns), by Miss Baglehole (pupil of the pianist W. H. Holmes, one of the first English musicians to appreciate the significance of Brahms' art). The concerto was played for the second time in London by Jaell at the Philharmonic concert of June 23, 1873.

Sextet for Strings, G major: November 27, 1872. St. George's Hall, Musical Evenings, by Henry Holmes, Folkes, Burnett, Hann, C. Ould, Pezze.

Ballades for Pianoforte, Op. 10, Nos. 2 and 3: March 17, 1873. St. James's Hall, Monday Popular Concerts (S. Arthur Chappell), by Frau Schumann.

Handel Variations and Fugue for Pianoforte: November 12, 1873. Crystal Palace, by Florence May.

Hungarian Variations for Pianoforte: March 25, 1874. Crystal Palace, by Florence May.

Schumann Variations (Pianoforte Duet): March 30, 1874. St. James's Hall, Monday Popular Concerts, by Miss Agnes Zimmermann and Mr. Franklin Taylor.

Serenade in A major (small Orchestra): June 29, 1874. St. James's Hall, Philharmonic Society. Conductor: W. G. Cusins.

Liebeslieder, Op. 52: January 15 and 27, 1877. St. James's Hall, M. and S. Popular Concerts. Pianists: FrÄulein Marie Krebs and Miss A. Zimmermann. Singers: FrÄulein Sophie LÖwe, FrÄulein Redeker, William Shakespeare, G. Pyatt.

Neue Liebeslieder, Walzer, Op. 65: May 18, 1877. Cambridge University Musical Society's Concerts. Pianists: C. Villiers Stanford and Raoul C. de Versan. Singers: FrÄulein Thekla FriedlÄnder, FrÄulein Redeker, Rev. L. Borrisow, Gerard F. Cobb.

N.B.—The Quartet in G minor and the Quintet in F minor, both for Pianoforte and Strings, were played for the first time at the Popular Concerts respectively on January 26, 1874, by HallÉ, Madame Norman-NÉruda (now Lady HallÉ), Ludwig Straus, and Piatti; and on February 27, 1875, by HallÉ, Joachim, L. Ries, and Piatti, but may have been previously given in England elsewhere.

The Pianoforte Concerto in D minor was played for the first time in Vienna at one of the Philharmonic Concerts of the season 1870-71, by the composer, and for the second time in March, 1873, by Anton Door.

[43] The author has followed the date given in the published catalogue of the issue of these two books of songs. By their opus numbers they would rather belong to the year 1873 or 1874. Brahms' well-known arrangement for Pianoforte of Gluck's Gavotte in A was published in 1871 by Senff.

[44] P. 278 of Vol. I.

[45] Dietrich, p. 42.

[46] Allgeyers, 'Life of Feuerbach.'

[47] From the article in the Gegenwart already referred to.

[48] Steiner's 'Johannes Brahms.'

[49] Reimann's 'Johannes Brahms,' p. 117.

[50] See Vol. II., pp. 77 and 138.

[51] Schumann's essay, 'New Paths.'

[52] The variations for orchestra on Haydn's theme and six of Brahms' songs, sung by Henschel, were included in the programme of the concert.

[53] Goethe's song, 'UnÜberwindlich,' set by Brahms and published in 1877 as No. 6 of Op. 72: 'Though a thousand vows I've taken.'

[54] Article in the New York Outlook, July 25, 1903.

[55] See Vol. I., Appendix No. 1.

[56] Die Musik, in the article referred to in a previous chapter.

[57] FrÄulein Ettlinger informs the author that it was she herself who put the question to the master and received his answer. For the article on Levi see 'Biographisches Jahrbuch und Deutscher Nekrolog,' 1902.

[58] Widmann's 'Brahms Recollections,' p. 38 and following.

[59] Kalbeck's 'Johannes Brahms,' p. 187 and following.

[60] Die Musik, No. 5 of 1902.

[61] First published with others by Hanslick in the Neue Freie Presse of July 1, 1897.

[62] Hanslick, Neue Freie Presse, as before.

[63] Claus Groth, in the Brahms Recollections to which we have several times referred, speaks of the festival banquet as having taken place at the Hamburger Hof, Hamburg, and 'as I think' after the performance of Brahms' symphony. Groth's articles were written in the year 1897, when he was at an advanced age—he was much Brahms' senior—and his memory has misled him in one or two of his details. As regards those here referred to, the author has, in the above description, followed the accounts given in the Hamburger Correspondenten of the time, with which that of Hanslick, in his very interesting 'Essays on Music and Musicians,' is in strict accord.

[64] See p. 29 of this volume.

[65] Widmann, p. 43.

[66] Steiner's 'Johannes Brahms,' i., p. 25.

[67] Allgeyer's 'Feuerbach': Introduction to the second edition.

[68] Published by Hanslick in the Neue Freie Presse, July 1, 1897.

[69] The scope of these pages does not permit the author to yield to the temptation of presenting an analysis of the means by which Brahms has produced the romantic, mysterious atmosphere which pervades the 'andante moderato.' They will be found strangely simple and intelligible by those inclined to examine for themselves the harmonic material; in the first place of the introductory bars (which consists of the chromatic major concord on the minor sixth of the key, E major, and a couple of passing notes); and in the second place of the full statement of the opening theme (which includes the chords of the dominant minor ninth and the tonic seventh and minor thirteenth, all chromatic).

[70] Widmann's 'Johannes Brahms in Erinnerungen,' p. 58 and following.

[71] A mountain near Thun.

[72] Die Musik, first May number of 1902.

[73] Neue Freie Presse, June, 1897.

[74] Spengel's 'Johannes Brahms,' p. 8.

[75] Neue Freie Presse, June 29, 1897.

[76] Billroth's Briefe.

[77] Neue Freie Presse, July 1, 1897.

[78] Published in Steiner's 'Johannes Brahms,' p. 29.

[79] Published in Reimann's 'Johannes Brahms,' p. 117.

[80] The theme is the one alluded to on p. 156 of our first volume.

N.B. On the occasion of Schumann's opera 'Genoveva' being put into rehearsal at the Hanover court theatre in 1874, Brahms, with Frau Schumann's approval, added a few bars to the close of Siegfried's song in the third act. These do not appear, however, in the pianoforte score of the work included in the complete edition.

[82] Widmann's 'Recollections.'

[83] Steiner, p. 33.

[84] Reimann, p. 109.

[85] July 1, 1897.

[86] See for an account of Herzogenberg's church music 'Heinrich von Herzogenberg und die evangelischen Kirchenmusik,' by Friedrich Spitta. Reprint from the Monatschrift fÜr Gottesdienst und kirchliche Kunst, 1900, No. 11.

[87] Preface to the 'VollstÄndige Sammlung der von Johannes Brahms componirten und musikalisch bearbeiteten Dichtungen,' by Dr. G. OphÜls.

[88] 'Der musikalische Nachlass von Johannes Brahms,' by Ludwig Karpath. Signale, March 26, 1902.

[89] In the author's possession.

[90] First published by Reimann, p. 118.

[91] Reimann, p. 118.

[92] See 'Am Sterbebett Brahms,' by Celestine Truxa, Neue Freie Presse, May 7, 1903.

[93] The dates of publication here printed are those given in Simrock's published Thematic Catalogue of Brahms' works, excepting in the few instances especially indicated in the main narrative.

[94] Unless otherwise described, all songs for a single voice are composed with pianoforte accompaniment only.

Telegrams: 41 and 43 Maddox Street,
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This is a book of absorbing interest from various points of view, religious, political and adventurous. It will appeal to the Churchman and philanthropist as a wonderful record of that missionary work, of which Mr. Winston Churchill has recently said:

'There is no spot under the British Flag, perhaps in the whole world, where missionary enterprise can be pointed to with more conviction and satisfaction as to its marvellous and beneficent results than in the kingdom of Uganda.'

It will interest the politician as a chapter of Empire-building, in which the author himself has played no small part. Lastly, it will delight all those who travel or who love reading about travel. The Bishop describes his wanderings, mostly afoot, through nearly 22,000 miles of tropical Africa. He tells of the strange tribes among whom he dwells, of the glories of the great lakes and the Mountains of the Moon. He tells of them not only with the pen, but also with pencil and brush, which he uses with masterly skill.

ON SAFARI.

Big-Game hunting in British East Africa, with Studies in Bird-Life.

By ABEL CHAPMAN, F. Z. S.,
Author of 'Wild Norway,' 'Bird-Life of the Borders,' 'Wild Spain,' etc.

With 170 Illustrations by the Author and E. Caldwell. Demy 8vo.
16s. net.

The author of this fascinating book is a well-known ornithologist, as well as a mighty hunter and traveller. He takes us 'on safari' (i.e., on trek) through a new African region—a creation of yesterday, Imperially speaking, since British East Africa only sprang into existence during the current decade, on the opening of the Uganda Railway. 'The new Colony,' he says, 'six times greater in area than the Mother Island, is an Imperial asset of as yet unmeasured possibilities, consisting, to-day, largely of virgin hunting grounds, unsurpassed on earth for the variety of their wild fauna, yet all but unknown save to a handful of pioneers and big-game hunters.' Much knowledge, however, can be acquired through the pages and pictures of this book, describing, as it does, the vast tropical forests, with their savage inhabitants and teeming animal life. The numerous illustrations of African big game, owing to the expert knowledge of both author and artist, are probably the most accurate that have ever appeared.

OLD AND ODD MEMORIES.

By the Hon. LIONEL A. TOLLEMACHE,

Author of 'Talks with Mr. Gladstone,' 'Benjamin Jowett,' etc.

Denny 8vo. With Portraits. 12s. 6d. net.

One of the most brilliant men of his day, only prevented, probably, by the physical infirmity of near-sightedness, from being also one of the most prominent, gives us in this volume a collection of remarkably interesting reminiscences, which extend over half a century. They include, mostly in anecdotal form, life-like portraits of the author's father, the first Baron Tollemache (another Coke of Norfolk, but with more eccentricities), and of Dr. Vaughan of Harrow. The author's years at Harrow, of which he records his memories, were from 1850 to 1856, and those at Oxford from 1856 to 1860. The book contains, besides, a number of characteristic stories, now for the first time given to the public, of the Duke of Wellington, Lord Houghton, Lord and Lady Mount Temple, Fitz-James Stephen, to take but a few names at random from these fascinating pages.

IN SEARCH OF A POLAR
CONTINENT.

By ALFRED H. HARRISON, F. R. G. S.

Illustrated from Photographs taken by the Author in the Arctic Regions,
and a Map. Derry 8vo.
12s. 6d. net.

The white North continues to exert its magnetism upon British explorers. Mr. Harrison's object was to explore the unknown region off the North American Coast of the Arctic Ocean, but he first travelled 1,800 miles by waterway through Northern Canada, till he arrived at the delta of the Mackenzie River. There he was frozen in and delayed for three months. He then continued his journey to the Arctic Ocean with dogs, but was obliged to abandon his supplies. He hoped to obtain provisions at Herschel Island, but being disappointed in this, he went into the mountains and spent two months with the Eskimo, whose manners and customs he describes. He next returned to Herschel Island and made a voyage to Banks Land in a steam whaler. There, too, the failure of an expected tender to arrive from San Francisco again defeated his hopes of procuring supplies. Consequently he once more threw in his lot with the Eskimo, between the Mackenzie Delta and Liverpool Bay, and spent a year among them.

Such are the adventures described in this interesting book, the last chapter of which, explaining the author's plans for resuming his enterprise, once more illustrates the fact that an Englishman never knows when he is beaten.

CHRONICLES OF THE HOUGHTON
FISHING CLUB, 1822-1908.

Edited by the Rt. Hon. Sir HERBERT MAXWELL, Bart.,
Author of 'Memories of the Months,' 'The Creevey Papers,'
'The Story of the Tweed,' 'British Fresh-Water Fishes,' etc.

With numerous Illustrations, many in Photogravure or on Japanese Vellum,
including facsimile Reproductions from Sketches by Landseer, Chantrey,
Turner, etc. Demy 4to.
£2 2s. net. Limited to 350 copies.

This sumptuous volume, which gives the history of one of the oldest and most famous fishing clubs, on that finest of all English streams, the Test, forms an unique addition to angling literature. The effect of angling on literature has always been genial and discursive, and these delightful Chronicles are no exception to the rule. They throw much light on the changes which have affected social habits in general, and the craft of fly-fishing in particular, during the best part of a century. They contain not only records of sport, but various contributions—literary and pictorial—to the club album, made by celebrated members and visitors. These included Penn's well-known fishing maxims, some portraits by Chantrey, several sketches by Landseer and Sir Francis Grant, and one precious drawing from the hand of Turner. In the leisurely old days of mail-coaches, the members of the club and their guests had more time for such diversions, when the weather was unfavourable to sport, than is the case in the present age of telegrams and express trains.

IN OLD CEYLON.

By REGINALD FARRER,
Author of 'The Garden of Asia.'

With numerous Illustrations. Demy 8vo. 12s. 6d. net.

The shrines of Oriental romance have once more charmed the pen of Mr. Reginald Farrer. His book has little concern with modern Ceylon, its industries and exports. He tells rather of the bygone glories and sanctities of ancient Lanka, when the island was the seat of a powerful monarchy and a dominant church. He gladly deserts the beaten track for the fastnesses of the jungle and the great dead cities whose bones lie lost in a shoreless ocean of green. Under his guidance, all those who love contemplation of 'old unhappy things and battles long ago' can follow the tale of the Buddhist hierarchy and the Cingalese monarchy, realizing their ancient glories amid the ruins where they lie buried, and their final tragedy in the vast jungle that now for many centuries has engulfed their worldly majesty.

Nor is the interest of the book wholly antiquarian and historic, for Ceylon—that Eastern Island of Saints—is a vast flowering garden, of whose blossoms and paradises all votaries of horticulture will delight to read in Mr. Farrer's pages.

THE BOOK OF WINTER SPORTS.

With an Introduction by the Rt. Hon. the EARL OF LYTTON,
and contributions from experts in various branches of sport.

Edited by EDGAR SYERS.

Fully illustrated. Dewy 8vo. 15s. net.

Every winter more and more visitors are attracted to Switzerland, the Tyrol, and Scandinavia, to take part in the various winter sports of which this book is the first and only comprehensive account in English. Each sport is dealt with separately by an expert. Thus, Mr. and Mrs. Syers write on Skating, Mr. C. Knapp on Tobogganing, Mr. E. Wroughton on Ski-running, Mr. Bertram Smith on Curling, Mr. E. Mavrogordato on Bandy, and Mr. Ernest Law on Valsing on Ice. The various chapters give instructions in practice, rules, records, and exploits, as well as useful information as to hotels, hours of sunshine, the size and number of rinks, and competitions open to visitors at the different centres. The book contains a large number of original illustrations. It should be indispensable, not only to experts in the various sports, but to the far larger class of holiday-makers who engage in them as a pastime.

FIVE MONTHS IN THE HIMALAYAS.

A Record of Mountain Travel in Garhwal and Kashmir.

By A. L. MUMM,
Late Honorary Secretary of the Alpine Club.

Magnificently illustrated with Photogravure Plates and Panoramas, and
a Map. Royal 8vo.
21s. net.

The first and principal portion of this volume contains an account of a journey through the mountains of Garhwal made by the author in May, June, and July, 1907, with Major the Hon. C. G. Bruce and Dr. T. G. Longstaff, whose names are already well known in connexion with Himalayan mountaineering. The tour has considerable geographical interest, which is enhanced by a magnificent series of original photographs of scenes never before submitted to the camera, and it was rendered memorable by the fact that in the course of it Dr. Longstaff reached the summit of Trisul, 23,415 feet above the level of the sea, the loftiest peak on the earth's surface whose actual summit has, beyond all doubt or question, been trodden by man.

Later on, Major Bruce and Mr. Mumm proceeded to Kashmir, where they climbed Mount Haramukh, whose snowy crest is familiar to all visitors to 'the happy valley'; and made a 'high-level route' down the range of mountains which separates Kashmir from Kagan. Their photographic spoils were of an interest hardly inferior to those of the Garhwal journey.

PAINTING IN THE FAR EAST.

An Introduction to the History of Pictorial Art in Asia, especially China and Japan.

By LAURENCE BINYON.

With 31 Full-page Illustrations in Collotype from Original Chinese and
Japanese Pictures. One Volume. Crown 4to.
21s. net.

This important book is a pioneer work in the artistic interpretation of the East to the West, and in the breaking down of the spiritual barriers between them. For a basis of study of Eastern art, writes Mr. Binyon, 'the public at present has nothing but a few general misconceptions.' He therefore puts forward his volume with the modest hope that it 'may not be thought too presumptuous an attempt to survey the achievement and to interpret the aims of Oriental painting, and to appreciate it from the standpoint of a European in relation to the rest of the world's art. It is the general student and lover of painting,' he continues, 'whom I have wished to interest. My chief concern has been, not to discuss questions of authorship or of archÆology, but to enquire what Æsthetic value and significance these Eastern paintings have for us in the West.' Besides its stimulating artistic criticism, the book is full of interesting glimpses of Eastern history and thought in so far as they have affected art, as well as of biographical sketches of Eastern painters.

MADAME ELIZABETH DE FRANCE,
1764-1794.

A Memoir.

By the Hon. Mrs. MAXWELL-SCOTT,
Author of 'Joan of Arc,' 'Abbotsford and its Treasures,' etc.

With Coloured Collotype and other Illustrations. Demy 8vo. 12s. 6d. net.

Among the victims of the French Revolution, perhaps the figure which excites most sympathy is that of the modest and heroic Princess whose life is told in this deeply interesting memoir. Madame Elizabeth was the sister of Louis XVI. Her life was at first one of calm and quiet. Her studies, her charities, and her intimate friendships filled her time until the storm broke over France, and she left her peaceful Montruil to take her part in the dangers and sufferings of her family, and to be their consoler in the time of trial. It was not till the King and Queen had both been executed that Madame Elizabeth was brought from prison, tried for corresponding with her brother, and condemned to the guillotine.

The fresh documents lately discovered by M. Lenotre have enabled the author, who, by the way, is a great-granddaughter of Sir Walter Scott, to throw much new light on the life of 'The Angelic Princess.'

SCOTTISH GARDENS.

By the Right Hon. Sir HERBERT MAXWELL, Bart.
Illustrated in Colour by MARY G. W. WILSON,
Member of the Society of Scottish Artists.

With 32 Full-page Coloured Plates. Crown 4to. 21s. net.
Also an Edition de Luxe, limited to 250 copies, at £2 2s. net.

This work is the outcome of a desire to produce a volume worthy in every respect of the beautiful gardens of Scotland. Sir Herbert Maxwell, whose knowledge of the subject is probably unique, is personally acquainted with the places described, and has throughout been in consultation with the artist, Miss Wilson. Visitors to her studio in Edinburgh, or the exhibitions of her work in London, will need no further testimony to the charm of her pictures, which are here reproduced with the utmost care and on the largest feasible scale.

One of the objects of the work is to dispel certain popular fallacies as to the rigours of the Scottish climate. Its chief aim, however, is to present a typical selection of Scottish garden scenes representing all styles and all scales, modest as well as majestic, and formal as well as free, so that the possessor of the humblest plot of ground may be stimulated to beautify it, with as fair hope of success, in proportion, as the lord of many thousand acres.

ALPINES AND BOG-PLANTS.

By REGINALD FARRER,
Author of 'My Rock Garden,' etc.

With Illustrations. Large Crown 8vo. 7s. 6d. net.

Like most hobbies, rock-gardening provides an endless topic of interest for its devotees, and the lore of the subject is inexhaustible. At any rate, Mr. Reginald Farrer, who is a recognized authority on the art, by no means exhausted his stock of information and anecdote in his previous work, 'My Rock Garden.' That garden, as most of his fellow-enthusiasts know, is on the slopes of Ingleborough in Yorkshire, and it is a place of pilgrimage for the faithful of this cult. As a writer, Mr. Farrer combines a light and genial style with sound practical information, so that his books are at once readable and instructive. Some idea of the scope of the present volume may be gained from the list of chapters, which is as follows: 1. Of Shrubs and their Placing. 2. Of Shrubs, Mostly Evergreen. 3. RanunculaceÆ, PapaveraceÆ, CruciferÆ. 4. A Collecting Day above Arolla. 5. Between Dianthus and Epilobium. 6. From Epilobium on through UmbelliferÆ and CompositÆ. 7. Of Odd Treasures. 8. The Big Bog and its Lilies. 9. The Greater Bog Plants. 10. Iris. 11. The Mountain Bog. 12. More of the Smaller Bog Plants. 13. The Water Garden.

THE HISTORY OF THE 'GEORGE'
WORN ON THE SCAFFOLD BY
KING CHARLES I.

By Sir RALPH PAYNE-GALLWEY, Bart.,
Author of 'The Mystery of Maria Stella,' etc.

Finely illustrated in Collotype. Royal 8vo. 7s. 6d. net.

A 'George,' in the sense in which it is here used, is the jewelled pendant of St. George and the Dragon which is worn by Knights of the Garter. There are two of these 'Georges' used in the Insignia of the Order. One is attached to the collar, and is worn only on solemn feasts: the other is called 'the lesser George,' and is worn on general occasions, attached to a chain or lace of silk.

The sovereign is, of course, head of the Order, and Charles the First was wearing his 'George' when he ascended the scaffold to be executed. The question afterwards arose as to what had become of it, and it has since been given up as lost. Sir Ralph Payne-Gallwey, however, who has already, in his book on Maria Stella, proved himself a skilful literary unraveller of historical mysteries, makes out a very good case, in his new volume, for identifying the missing 'George' with one that is now in King Edward's possession at Windsor.

A PARSON IN THE AUSTRALIAN BUSH.

By C. H. S. MATTHEWS, M.A.,
Late Vice-Principal of the Brotherhood of the Good Shepherd, N.S.W.

Illustrated from Sketches by the Author, etc. Crown 8vo. 6s. net.

The Rev. C. H. S. Matthews, better known in the bush of New South Wales as 'Brother Charles,' is one of the founders and chiefs of an Anglican Society called the Brotherhood of the Good Shepherd, formed to minister to the religious needs of those remote regions. During five years spent almost entirely in itinerating in the 'back-blocks' of the colony, he has had exceptional opportunities for studying bush-life. Finding, on his return to England, a widespread interest in Australian affairs, coupled often with an astonishing ignorance of the real Australia, it occurred to him to set down his own experiences and views on various Australian problems. Knocking about among the bushmen, camping with sleeper-cutters and drovers, visiting the stations and selections 'out-back,' Mr. Matthews has caught the spirit and atmosphere of the bush, with its mingled pathos, humour and humanity. The book should appeal, not only to those interested in missionary enterprise, but to all who like to learn how the other parts of the Empire live.

THE ROSE-WINGED HOURS.

English Love Lyrics.

Arranged by St. JOHN LUCAS,
Editor of 'The Oxford Book of French Verse,' etc.

Small 8vo., elegantly bound. 5s. net.

The special claim of this anthology, arranged, as it is, by one of our most promising younger poets, will be due to the prominence given in it to the love-lyrics of those Elizabethan and Jacobean poets whose verse, though really entitled to rank with the finest flowers of their better-known contemporaries, is unduly neglected by the ordinary reader. The love-lyric is, indeed, the only form in which a great many of the lesser poets write anything at all memorable.

Sidney and Campion, both writers of extraordinary power and sweetness, devote themselves almost entirely to this form, and the strange and passionate voice of Doune finds in it an accent of deep and haunting eloquence. And since every love-lyric from Meleager to Meredith has a certain deathless interest that is shared by every poem of its kind, no matter how many the centuries between them, in this volume the great line of the Elizabethans will lead to the nineteenth century poets, to the singers of an epoch with a lyrical harvest as great, indeed, as all the gold of Elizabeth.

THE MISTRESS ART.

By REGINALD BLOMFIELD, A.R.A.,
Professor of Architecture to the Royal Academy.
Author of
'A History of Renaissance Architecture in England.'

Crown 8vo. 5s. net.

The author of this interesting book, who speaks, as it were, ex cathedrÂ, has here collected a series of eight lectures on architecture delivered in the Royal Academy. In them he has endeavoured to establish a standpoint from which architecture should be studied and practised. His general position is that architecture is an art with a definite technique of its own, which cannot be translated into terms either of ethics or of any of the other arts, and the development of this thesis involves a somewhat searching criticism of the views on architecture advanced by Ruskin and Morris.

The first four lectures deal with the study of architecture—its relation to personal temperament, its appeal to the emotions, and its limitations. In the last four, devoted to 'The Grand Manner,' the writer has illustrated his conception of the aims and ideas of architecture by reference to great examples of the art in the past.

WOODSMEN OF THE WEST.

By M. ALLERDALE GRAINGER.

With Illustrations. Demy 8vo. 7s. 6d. net.

This is an extremely interesting personal narrative of 'logging' in British Columbia. 'Logging,' as everyone knows, means felling and preparing for the saw-mill the giant timber in the forests that fringe the Pacific coast of Canada, and it is probably true that no more strenuous work is done on the face of the earth. Mr. Grainger, who is a Cambridge Wrangler, has preferred this manual work to the usual mental occupations of the mathematician, and gives us a vivid and graphic account of an adventurous life.

ARVAT.

A Dramatic Poem in Four Acts.

By LEOPOLD H. MYERS.

Crown 8vo. 4s. 6d. net.

The author of this play is a son of the late Frederick Myers, the well-known authority on 'Psychical Research.' It is a poetical drama in four acts, describing the rise and fall of the hero, Arvat. The time and place are universal, as are also the characters. But the latter, though universal, and therefore in a sense symbolic, are psychologically human, and the significance of the action, heightened as it may be by interpretation through the imagination, is nevertheless independent of it. Thus Arvat's career, while providing subject-matter for a drama among individuals in the flesh, may also be taken as the symbol of a drama among ideas in the spirit.

PEEP-IN-THE-WORLD.

A Story for Children.

By Mrs. F. E. CRICHTON.

Illustrated by Harry Rountree. Crown 8vo. 3s. 6d.

The author of this charming tale ought to take rank with such writers as Mrs. Molesworth in the category of childhood's literature. The story tells of a little girl who visits her uncle in Germany and spends a year in an old castle on the borders of a forest. There she finds everything new and delightful. She makes friends with a dwarf cobbler, who lives alone in a hut in the forest, and knows the speech of animals and birds. Knut, the cobbler, is something of a hermit and a misanthrope, but he is conquered by Peep-in-the-World, whom he eventually admits to the League of Forest Friends. She wants him to teach her how to talk to the wild things of the woods, and though she has to leave Germany without learning the secret, she gains a growing sense of the magic power of sympathy and kindness.

LONDON SIDE-LIGHTS.

By CLARENCE ROOK.

With Frontispiece by S. de la Bere. Crown 8vo. 6s.

The author of these entertaining sketches has taken his place as an ordinary Londoner who is a journalist as well. He has walked and ridden about London with pennies in his pocket, eyes in his head, and a brain behind the eyes. He has found secrets of London hotels, he has pierced the problem of London traffic, he has been to queer boxing contests, and he has been present at the birth of the popular song. He has sat in the gallery of the House of Commons, and in the newspaper office that cuts and carves its speeches. And he knows the story of the famous block in Piccadilly. He has found, too, the problem of the London woman who is alone. The problem also of those London children whom the Salvation Army rescues. And at the end comes the 'Bath of Silence,' which gives the City peace.

THE DOWAGER OF JERUSALEM.

A Romance in Four Acts.

By REGINALD FARRER,
Author of 'In Old Ceylon,' 'My Rock Garden,' etc.

Crown 8vo. 3s. 6d. net.

CHRONICLES OF SERVICE LIFE IN MALTA.

By Mrs. ARTHUR STUART.

Illustrated by Paul Hardy. Crown 8vo. 6s.

Fiction is always the more interesting the more closely it is drawn from life, and these sketches of naval and military society in Malta, depicted in the form of stories, come from the pen of a lady who is intimately acquainted with the life of which she writes. The names of some of the stories, such as 'The Temptation of the Engineer,' 'The Red Parasol,' 'The Prince, the Lady, and the Naval Captain,' will perhaps be as good an indication as can be given of the character of the book. It will doubtless appeal especially to those familiar with society at naval and military stations, while the fact of its having a specific milieu, should in no way detract from its general interest. 'Plain Tales from the Hills' did not appeal only to the Anglo-Indian.

KNOWN TO THE POLICE.

Memories of a Police Court Missionary.

By THOMAS HOLMES,
Author of 'Pictures and Problems from London Police Courts.'

Demy 8vo. 10s. 6d. net.

There is probably no man living who is so well qualified as Mr. Holmes to write the naked truth about the 'submerged tenth' of our population. His are not the casual, superficial observations of the amateur, but the first-hand experiences of one whose whole life is spent among the scenes he describes. His work has lain among the hungry and thirsty; he has visited the criminal in prison, and been face to face with the Hooligan and the Burglar in their own haunts; but through all the gloom and shadow of crime he has contrived to preserve a fellow-feeling with humanity in its most depressing garb. Every chapter is full of interest, of strange and quaint narratives in chequered pages of despair and hope.

VEGETARIAN COOKERY.

By FLORENCE A. GEORGE,
Author of 'King Edward's Cookery Book.'

Crown 8vo. 3s. 6d.

Some are vegetarians for conscience' sake, and others for the sake of their health. Miss George caters for both these classes in her new book; but she does not strictly exclude all animal food, since eggs, butter, milk, cream and cheese form a large part of her dishes. As far as possible, dietetic foods have been avoided in the recipes, as they are often difficult to procure. Every recipe given has been tested to ensure accuracy, and the simplest language is used in explaining what has to be done. A special feature of the book is the large number of vegetable soufflÉs and creams. The various chapters deal with Stock and Soups; Sauces; Pastes, Borders and Garnishes; Casseroles, Patties, Pies, Puddings and Timbales; Curries, Stews and Scallops; Galantines; Croquettes; Vegetables; Aspics, Creams and Salads; SoufflÉs, Omelettes and Egg Dishes; Aigrettes and Fritters; Savouries; Macaroni and Rice; Sweets; and Menus.

THE SEEKERS.

By FRANK SAVILE,
Author of 'The Desert Venture,' etc.

Crown 8vo. 6s.

This is a stirring novel of adventure in Eastern Europe. A learned Professor astonishes the British Association by announcing that he has located the famous lost treasure of Diocletian, as buried somewhere in the principality of 'Montenera.' This little State with its brave Prince is hard pressed for funds to defend itself against more powerful neighbours who aim at absorbing it, and the treasure would be invaluable. Whether it was discovered or not, the reader learns in the course of a spirited and exciting story. In reviewing the author's last novel, 'The Desert Venture,' the Times said: 'When you have agreed to treat it as crude adventure, it is really as good as you can wish.' The World said: 'If Mr. Savile's style is to some extent modelled on that of Merriman, this is no fault, but a virtue. And the reading world will find that it may safely welcome such work as this on its own account—as it assuredly will.'

THE WITCH'S SWORD.

By DAVID KERR FULTON.

Illustrated by the Author. Crown 8vo. 6s.

This work, by a new author, is of a highly imaginative and romantic tendency, and deals with a most interesting period in Scottish history. The hero, who tells his own story, is an All Hallows child, born in the one weird hour which makes him kith and kin to the spirits of the air. The mystery of Flodden and the strange events grouped round the ancient tradition as to the fate of the gallant James are stirringly told, and lead up to the dÉnouement, which comes with vivid unexpectedness at the close of the book.

The lonely orphan of a wronged father is unwittingly schooled to vengeance by the fiery Welsh swordsman Jevan, who, at the instigation of the dying old nurse, forges the wizard steel that gives the story its name.

A tender love idyll is woven into the tale and relieves the scenes of violence through which the wearer of the Witch's Sword must fight his way to honour and acceptance.

AMABEL CHANNICE.

By ANNE DOUGLAS SEDGWICK,
Author of 'Valerie Upton,' etc.

Crown 8vo. 6s.

Readers of 'Valerie Upton' will turn eagerly to Miss Sedgwick's new novel. The scene is laid in England, and the principal characters are four—Amabel Channice, her son, her husband, and another woman, Lady Elliston. The relations between mother and son form the basis of the story, and the dramatic situation begins when the son, a youth of nineteen, broaches to his mother the question why she and his father do not live together. Curiosity is thus awakened, and the emotional atmosphere charged with uneasy expectation. Thereafter events move quickly, reaching a dramatic climax within the space of a week. Further than this it would not be fair to the author to reveal her plot.

A ROOM WITH A VIEW.

By E. M. FORSTER,
Author of 'The Longest Journey,' 'Where Angels Fear to Tread,' etc.

Crown 8vo. 6s.

A novelist's third book, when its predecessors have shown great promise, is generally held to make or mar his reputation. There can be no question that Mr. Forster's new story will effectually establish his position. It is a comedy, having more affinity in style with his first book, 'Where Angels Fear to Tread,' than with 'The Longest Journey.' The author's whimsical humour, and unexpected turns of satire, have attained a still more piquant quality. He excels especially in satirizing the banalities of ordinary conversation, and his dialogue is always deliciously amusing.

MIRIAM.

By EDITH C. M. DART.

Crown 8vo. 6s.

This is a promising first novel by a new writer, whose style is remarkable for delicate workmanship. The story moves round the dying fortunes of an old country family and its ancestral home. The hero belongs to another branch of this family, and there is a mystery about his birth. The heroine is an orphan, the daughter of a yeoman father and a French mother. Another important character is a scheming lawyer, and with these threads of love and intrigue the author has woven an interesting plot which is cleverly worked out.

THE DRESSING OF MINERALS.

By HENRY LOUIS, M.A.,
Professor of Mining and Lecturer on Surveying, Armstrong College,
Newcastle-on-Tyne
.

With about 400 Illustrations. Royal 8vo. 30s. net.

The object of this book is to fill a gap in technological literature which exists between works on Mining and works on Metallurgy. On the intermediate processes, by which the minerals unearthed by the miner are prepared for the smelter and for their use in arts and manufactures, no English text-book has yet appeared. The present work should, therefore, be very welcome to students, as well as to miners and metallurgists.

THE GEOLOGY OF ORE DEPOSITS.

By H. H. THOMAS and D. A. MacALISTER,
of the Geological Survey.

Illustrated. Crown 8vo. 7s. 6d. net.

This book belongs to a new series of works under the general editorship of Dr. J. E. Marr, F.R.S., for students of economic geology, a subject which is receiving more and more attention in our great educational centres. It is also hoped that the series will be useful to students of general geology, as well as to surveyors and others concerned with the practical uses of geology. The chapters in the present volume treat severally on the Genesis of Ore Deposits, Segregation, Pneumatolysis, Metasomasis, Deposition from Solution, Sedimentary Deposits, and Secondary Changes in Lodes.

STEEL ROOF AND BRIDGE DESIGN.

By W. HUME KERR, M.A., B.Sc.,
Lecturer on Engineering, Drawing and Design, University of Edinburgh.

With detailed Drawings. Demy 8vo. 10s. 6d. net.

In accordance with a need long felt by engineering students, this work presents the complete designs of four typical structures—two roof trusses and two bridges—worked out with full arithmetical calculation of stresses. There is a minimum of theory, and the author's object has been to make the methods of design so clear as to enable students and engineers to proceed to design independently.

THE BODY AT WORK.

By ALEX HILL, M.A., M.D., F.R.C.S.,
Sometime Master of Downing College, Cambridge.
Author of 'An Introduction to Science,' 'The Physiologist's Note-book,' etc.

With Illustrations, xii + 452 pages, Demy 8vo. 16s. net.

This is a book for the non-professional reader, not a regular text-book for the medical student. It does not assume any technical knowledge of the sciences, such as chemistry, physics and biology, which lead up to a formal study of physiology. Dr. Hill describes the phenomena of life, their interdependence and causes, in language intelligible to people of general education, and his book may be compared in this respect with Dr. Hutchison's well-known work on 'Food.' There is perhaps a prejudice against the ordinary popularizer of scientific knowledge, but when a master of his subject takes up his pen to write for the public, we cannot but be grateful that he has cast aside the trammels of the text-book, and handled subjects of vital interest to humanity in so broad and philosophic a manner.

A TEXT-BOOK OF EXPERIMENTAL PSYCHOLOGY.

By Dr. C. S. MYERS,
Professor of Psychology at King's College, London University.

Crown 8vo. 8s. 6d. net.

The lack of a text-book on Experimental Psychology has been long felt, the literature of the subject having been hitherto so scattered and profuse that the student has to collect a small library of books and periodicals. The present work gives an account of the more important results obtained, and describes methods of experiment, with practical directions for the student.

APPLIED PHYSIOLOGY.

A Handbook for Students of Medicine.

By ROBERT HUTCHISON, M.D., F.R.C.P.,
Physician to the London Hospital, and Assistant Physician to the Hospital for Sick Children.
Author of 'Food and the Principles of Dietetics,' etc.

Crown 8vo. 7s. 6d. net.

The author of a standard work on diet is not likely to err by being too theoretical. The principle of Dr. Hutchison's new book is to bring physiology from the laboratory to the bedside. 'Physiology,' he writes, 'is studied in the laboratory, and clinical medicine in the wards, and too often one finds that the student is incapable of applying his scientific knowledge to his clinical work.'

LONDON: EDWARD ARNOLD, 41 & 43 MADDOX STREET, W.


                                                                                                                                                                                                                                                                                                           

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