| 205 |
| 94. | Plan of the Central Baths | 209 |
| 95. | View of the Central Baths, looking from the Palaestra into the tepidarium. From a photograph (F. W. K.) | 210 |
| 96. | The Amphitheatre, seen from the west side. From a photograph | 213 |
| 97. | Preparations for the combat. Wall painting (no longer visible) in the Amphitheatre. After Mazois, Vol. IV, pl. 48 (Overbeck-Mau, Fig. 107) | 214 |
| 98. | Plan of the Amphitheatre | 215 |
| 99. | Transverse section of the Amphitheatre. After Mazois, Vol. IV, pl. 46 (Overbeck-Mau, Fig. 104) | 217 |
| 100. | Plan of the gallery of the Amphitheatre | 218 |
| 101. | Conflict between the Pompeians and the Nucerians. Wall painting. Naples Museum. After Overbeck-Mau, Fig. 3 | 221 |
| 102. | View of Abbondanza Street, looking east. From a photograph | 227 |
| 103. | Fountain, water tower, and street shrine, corner of Stabian and Nola streets. From a photograph (F. W. K.) | 231 |
| 104. | Plan of the reservoir west of the Baths near the Forum | 232 |
| 105. | Ancient altar in new wall—southeast corner of the Central Baths. From a photograph (F. W. K.) | 234 |
| 106. | Plan of a chapel of the Lares Compitales (VIII. iv. 24) | 235 |
| 107. | Large street altar (VIII. ii. 25). From a photograph (F. W. K.) | 236 |
| 108. | Plan of a section of the city wall, with a tower and with stairs leading to the top. After Mazois, Vol. I. pl. 12 (Overbeck-Mau, Fig. 7) | 238 |
| 109. | View of the city wall, inside. From a photograph | 239 |
| 110. | Tower of the city wall, restored. After Mazois, Vol. I, pl. 13 (Overbeck-Mau, Fig. 8) | 241 |
| 111. | Plan of the Stabian Gate | 242 |
| 112. | Plan of the Herculaneum Gate | 243 |
| 113. | View of the Herculaneum Gate, looking down the Street of Tombs. From a photograph | 244 |
| 114. | Early Pompeian house, restored. From an original drawing | 246 |
| 115. | Plan of a Pompeian house | 247 |
| 116. | Plan and section of the vestibule, threshold, and fauces of the house of Pansa. After Ivanoff, Mon. dell' Inst., Vol. VI, pl. 28, 3 (Overbeck-Mau, Fig. 136) | 249 |
| 117. | A Tuscan atrium—plan of the roof. After Mazois, Vol. II, pl. 3 (Overbeck Mau, Fig. 139) | 251 |
| 118. | A Tuscan atrium—section. After Mazois, Vol. II, pl. 3 (Overbeck-Mau, Fig. 140) | 252 |
| 119. | Corner of a compluvium with waterspouts and antefixes, reconstructed. (Reconstruction, Ins. VII. iv. 16.) After Overbeck-Mau, Fig. 143 | 253 |
| 120. | A Pompeian's strong box, arca. Naples Museum. From photograph | 255 |
| 121. | Atrium of the house of Cornelius Rufus, looking through the tablinum and andron into the peristyle. From a photograph | 256 |
| 122. | End of a bedroom in the house of the Centaur, decorated in the first style. From an original drawing | 262 |
| 123. | Plan of a dining room with three couches | 263 |
| 124. | Plan of a dining room with an anteroom containing an altar for libations (VIII. v.-vi. 16) | 264 |
| 125. | Hearth of the kitchen in the house of the Vettii. From a drawing | 376 |
| 207. | Water heater in the form of a brazier. Naples Museum. After Museo Borb., Vol. II, pl. 46 (Overbeck-Mau, Fig. 238) | 377 |
| 208. | Water heater in the form of a brazier, representing a diminutive fortress. Naples Museum. After Museo Borb., Vol. II, pl. 46 (Overbeck-Mau, Fig. 238) | 377 |
| 209. | Appliances for the bath. After Museo Borb., Vol. VII, pl. 16 (Overbeck Mau, Fig. 251) | 377 |
| 210. | Combs. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252) | 377 |
| 211. | Hairpins, with two small ivory toilet boxes. After Museo Borb., Vol. IX, pls. 14, 15 (Overbeck-Mau, Fig. 252) | 378 |
| 212. | Glass box for cosmetics. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252) | 378 |
| 213. | Hand mirrors. After Museo Borb., Vol. IX, pl. 14 (Overbeck-Mau, Fig. 252) | 378 |
| 214. | Group of toilet articles. After Museo Borb., Vol. IX, pl. 15 (Overbeck-Mau, Fig. 252) | 378 |
| 215. | Gold arm band. After Museo Borb., Vol. VII, pl. 46 (Overbeck-Mau, Fig. 318) | 379 |
| 216 a-d. | Silver cups. Naples Museum. After Museo Borb., Vol. XI, pl. 45; Vol. XIII, pl. 49; Overbeck-Mau, pl. facing p. 624 | 379 |
| 216 e. | Detail of cup with centaurs | 380 |
| 217. | Silver cup. Boscoreale treasure, Louvre. After H. de Villefosse, Le trÉsor de Boscoreale, pl. 8 | 382 |
| 218. | Ruins of a bakery, with millstones (VII. ii. 22). From a photograph | 386 |
| 219. | Plan of a bakery (VI. iii. 3) | 388 |
| 220. | A Pompeian mill, without the framework | 389 |
| 221. | Section of a mill, restored. From an original drawing | 389 |
| 222. | A mill in operation. Relief in the Vatican Museum. After Ber. der SÄchs. Gesellschaft, 1861, pl. xii. 2 | 390 |
| 223. | Section of a bake oven (VI. iii. 3). After Mazois, Vol. II, pl. 18 (Overbeck-Mau, Fig. 192) | 391 |
| 224. | Kneading machine, restored (VI. xiv. 35). From an original drawing | 391 |
| 225. | Scene in a fullery—treading vats. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 195) | 394 |
| 226. | Scene in a fullery—inspection of cloth, carding, bleaching frame. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 194) | 394 |
| 227. | A fuller's press. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 50 (Overbeck-Mau, Fig. 196) | 395 |
| 228. | Plan of a fullery (VI. xiv. 22) | 396 |
| 229. | Plan of the vat room of the tannery (I. v. 2) | 398 |
| 230. | Mosaic top of the table in the garden of the tannery. Naples Museum. From a photograph | 399 |
| 231. | Plan of an inn (VII. xii. 35) | 401 |
| 232. | Plan of the inn of Hermes (I. i. 8) | 402 |
| 233. | Plan of a wineshop (VI. x. 1) | 402 |
| 234. | Scene in a wineshop. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A | 403 |
| 235. | Delivery of wine. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A | 403 |
| 236. | Sepulchral benches of Veius and Mamia; tombs of Porcius and the Istacidii. From a photograph (A. M.) | 409 |
| 237. |
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