CONTENTS

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PAGES
Preface vii–viii
Contents ix–xiv
List of Illustrations xv–xviii
CHAPTER I
Introduction
The Lure of the Labyrinth—Difficulties of Definition—The Subject and Object of this Book—The Lore of the Labyrinth—Some Neglected British Monuments—Destructive Dogmatism: a Plea for Caution 1–5
CHAPTER II
The Egyptian Labyrinth
(i) Accounts of the Ancient Writers
Enormous Edifices of Egypt—Herodotus: his Account of the Labyrinth, its Vastness and Complexity, and its Lake—Strabo's Description—The Sacred Crocodiles—Accounts of Diodorus, Pomponius Mela, and Pliny 6–10
CHAPTER III
The Egyptian Labyrinth (continued)
(ii) Accounts of Later Explorers
Decay of the Labyrinth—Travels of Lucas and Pococke—French and Prussian Expeditions—Researches of Flinders Petrie—Speculations regarding Original Plan—Purpose and Date of Construction 11–16
CHAPTER IV
The Cretan Labyrinth
(i) The Story of Theseus and the Minotaur
Plutarch's Life of Theseus; the Cretan Exploit—The Athenian Tribute—The Labyrinth of Daedalus—The Clue of Ariadne—The Fight with the Minotaur—The Crane Dance—Tragedies of the Hero's Return—Other Accounts of the Legend—Speculations concerning Minos and Daedalus 17–22
CHAPTER V
The Cretan Labyrinth (continued)
(ii) The Caverns of Gortyna
Statements by Later Classic Writers—Tournefort's Voyage—Visits of Pococke and Savary—Cockerell's Diary—Travels of Capt. Spratt—Connection of Gortyna Caverns with Traditional Labyrinth very improbable 23–28
CHAPTER VI
The Cretan Labyrinth (continued)
(iii) Knossos
Explorations of Sir Arthur Evans—Momentous Discoveries—Unearthing of the Palaces—Their Antiquity—Description of the Great Palace—The Maze on the Wall—The Hall of the Double Axes—The Cult of the Bull—Schliemann's Researches—The Sport of Bull-Leaping—Possible Identity of the Palace with the Labyrinth 29–36
CHAPTER VII
The Etruscan or Italian Labyrinth
Other Labyrinths mentioned by Pliny—Varro's Description of the Etruscan Labyrinth; the tomb of Lars Porsena—Speculations regarding it—Travels of Dennis—Labyrinthine Caverns in Etruria; Volterra and Toscanella—Extended use of the term "Labyrinth" by Strabo and Pliny—Reference to Mazes formed in Fields for Amusement 37–41
CHAPTER VIII
The Labyrinth in Ancient Art
The Meander and other Rudimentary Forms—Seal-impressions—Coins of Knossos—"Unicursal" Nature of the Knossian Design—Graffito of Pompeii—The Casa del Labirinto—Roman Mosaic Pavements—The Tholos of Epidaurus—Labyrinthine Structure at Tiryns—Greek Pottery—Etruscan Vase—The Labyrinth on Gems and Robes 42–53
CHAPTER IX
Church Labyrinths
Algeria, OrlÉansville—Italy: Lucca, Pavia, Piacenza, Cremona, Rome and Ravenna—France: Chartres, St. Quentin, Amiens, Rheims, Bayeux, Sens, Auxerre, Arras, St. Omer, Poitiers, Chalons, Pont l'AbbÉ, Caen and Aix—Modern examples: Lille, Ely, Bourn and Alkborough—Meaning of Church Labyrinths—Lack of Support for Accepted Theory 54–70
CHAPTER X
Turf Labyrinths
Local Names—The Alkborough "Julian's Bower"—Juxtaposition to Ancient Ecclesiastical Site—A Fragment of Folk-lore—De la Pryme's Diary—The Breamore Mizmaze—Romantic Situation—The Wing Maze—The Boughton Green Shepherd's Race—Its Literary References—A Victim of the Great War—Mazes of Ripon and Asenby—The Song of the Fairies—Other Lincolnshire and Yorkshire Mazes—Stukeley on Julian's Bowers—Wide Distribution of British Turf Mazes 71–78
CHAPTER XI
Turf Labyrinths (continued)
The Winchester Mizmaze—The Vanished Mazes of Dorset: Leigh, Pimperne, Dorchester and Bere Regis—Aubrey's Notes on Wiltshire and Cotswold Mazes—The Saffron Walden Maze—The Comberton "Mazles"—The Hilton Maze and its Obelisk—The Cumberland "Walls of Troy": Burgh and Rockcliffe—The Nottingham Mazes: Sneinton and Clifton—The Somerton "Troy-town"—Records of Old Mazes at Guildford, the Malverns, and in Kent—"Julaber's Barrow" 79–91
CHAPTER XII
The Origin of Turf Mazes
An old Welsh Custom—"

                                                                                                                                                                                                                                                                                                           

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