John Freeman

Previous

Music Comes

Music comes
Sweetly from the trembling string
When wizard fingers sweep
Dreamily, half asleep;
When through remembering reeds
Ancient airs and murmurs creep,
Oboe oboe following,
Flute answering clear high flute,
Voices, voices — falling mute,
And the jarring drums.
At night I heard
First a waking bird
Out of the quiet darkness sing ...
Music comes
Strangely to the brain asleep!
And I heard
Soft, wizard fingers sweep
Music from the trembling string,
And through remembering reeds
Ancient airs and murmurs creep;
Oboe oboe following,
Flute calling clear high flute,
Voices faint, falling mute,
And low jarring drums;
Then all those airs
Sweetly jangled — newly strange,
Rich with change ...
Was it the wind in the reeds?
Did the wind range
Over the trembling string;
Into flute and oboe pouring
Solemn music; sinking, soaring
Low to high,
Up and down the sky?
Was it the wind jarring
Drowsy far-off drums?
Strangely to the brain asleep
Music comes.

Contents / Contents, p. 3


November Skies

Than these November skies
Is no sky lovelier. The clouds are deep;
Into their grey the subtle spies
Of colour creep,
Changing that high austerity to delight,
Till ev'n the leaden interfolds are bright.
And, where the cloud breaks, faint far azure peers
Ere a thin flushing cloud again
Shuts up that loveliness, or shares.
The huge great clouds move slowly, gently, as
Reluctant the quick sun should shine in vain,
Holding in bright caprice their rain.
And when of colours none,
Not rose, nor amber, nor the scarce late green,
Is truly seen, —
In all the myriad grey,
In silver height and dusky deep, remain
The loveliest,
Faint purple flushes of the unvanquished sun.

Contents / Contents, p. 3


Discovery

Beauty walked over the hills and made them bright.
She in the long fresh grass scattered her rains
Sparkling and glittering like a host of stars,
But not like stars cold, severe, terrible.
Hers was the laughter of the wind that leaped
Arm-full of shadows, flinging them far and wide.
Hers the bright light within the quick green
Of every new leaf on the oldest tree.
It was her swimming made the river run
Shining as the sun;
Her voice, escaped from winter's chill and dark,
Singing in the incessant lark....
All this was hers — yet all this had not been
Except 'twas seen.
It was my eyes, Beauty, that made thee bright;
My ears that heard, the blood leaping in my veins,
The vehemence of transfiguring thought —
Not lights and shadows, birds, grasses and rains —
That made thy wonders wonderful.
For it has been, Beauty, that I have seen thee,
Tedious as a painted cloth at a bad play,
Empty of meaning and so of all delight.
Now thou hast blessed me with a great pure bliss,
Shaking thy rainy light all over the earth,
And I have paid thee with my thankfulness.

Contents / Contents, p. 3


'It was the Lovely Moon'

It was the lovely moon — she lifted
Slowly her white brow among
Bronze cloud-waves that ebbed and drifted
Faintly, faintlier afar.
Calm she looked, yet pale with wonder,
Sweet in unwonted thoughtfulness,
Watching the earth that dwindled under
Faintly, faintlier afar.
It was the lovely moon that lovelike
Hovered over the wandering, tired
Earth, her bosom grey and dovelike,
Hovering beautiful as a dove....
The lovely moon: — her soft light falling
Lightly on roof and poplar and pine —
Tree to tree whispering and calling,
Wonderful in the silvery shine
Of the round, lovely, thoughtful moon.

Contents / Contents, p. 3


Stone Trees

Last night a sword-light in the sky
Flashed a swift terror on the dark.
In that sharp light the fields did lie
Naked and stone-like; each tree stood
Like a tranced woman, bound and stark.
Far off the wood
With darkness ridged the riven dark.
And cows astonied stared with fear,
And sheep crept to the knees of cows,
And conies to their burrows slid,
And rooks were still in rigid boughs,
And all things else were still or hid.
From all the wood
Came but the owl's hoot, ghostly, clear.
In that cold trance the earth was held
It seemed an age, or time was nought.
Sure never from that stone-like field
Sprang golden corn, nor from those chill
Grey granite trees was music wrought.
In all the wood
Even the tall poplar hung stone still.
It seemed an age, or time was none ...
Slowly the earth heaved out of sleep
And shivered, and the trees of stone
Bent and sighed in the gusty wind,
And rain swept as birds flocking sweep.
Far off the wood
Rolled the slow thunders on the wind.
From all the wood came no brave bird,
No song broke through the close-fall'n night,
Nor any sound from cowering herd:
Only a dog's long lonely howl
When from the window poured pale light.
And from the wood
The hoot came ghostly of the owl.

Contents / Contents, p. 3


The pigeons, following the faint warm light,
Stayed at last on the roof till warmth was gone,
Then in the mist that's hastier than night
Disappeared all behind the carved dark stone,
Huddling from the black cruelty of the frost.
With the new sparkling sun they swooped and came
Like a cloud between the sun and street, and then
Like a cloud blown from the blue north were lost,
Vanishing and returning ever again,
Small cloud following cloud across the flame
That clear and meagre burned and burned away
And left the ice unmelting day by day.
... Nor could the sun through the roof's purple slate
(Though his gold magic played with shadow there
And drew the pigeons from the streaming air)
With any fiery magic penetrate.
Under the roof the air and water froze,
And no smoke from the gaping chimney rose.
The silver frost upon the window pane
Flowered and branched each starving night anew,
And stranger, lovelier and crueller grew;
Pouring her silver that cold silver through,
The moon made all the dim flower bright again.
... Pouring her silver through that barren flower
Of silver frost, until it filled and whitened
A room where two small children waited, frightened
At the pale ghost of light that hour by hour
Stared at them till though fear slept not they slept.
And when that white ghost from the window crept,
And day came and they woke and saw all plain
Though still the frost-flower blinded the window pane,
And touched their mother and touched her hand in vain,
And wondered why she woke not when they woke;
And wondered what it was their sleep that broke
When hand in hand they stared and stared, so frightened;
They feared and waited, and waited all day long,
While all the shadows went and the day brightened,
All the ill shadows but one shadow strong.
Outside were busy feet and human speech
And daily cries and horns. Maybe they heard,
Painfully wondering still, and each to each
Leaning, and listening if their mother stirred —
Cold, cold,
Hungering as the long slow hours grew old,
Though food within the cupboard idle lay
Beyond their thought, or but beyond their reach.
The soft blue pigeons all the afternoon
Sunned themselves on the roof or rose at play,
Then with the shrinking light fluttered away;
And once more came the icy-hearted moon,
Staring down at the frightened children there
That could but shiver and stare.
How many hours, how many days, who knows?
Neighbours there were who thought they had gone away
To return some luckier or luckless day.
No sound came from the room: the cold air froze
The very echo of the children's sighs.
And what they saw within each other's eyes,
Or heard each other's heart say as they peered
At the dead mother lying there, and feared
That she might wake, and then might never wake,
Who knows, who knows?
None heard a living sound their silence break.
In those cold days and nights how many birds,
Flittering above the fields and streams all frozen,
Watched hungrily the tended flocks and herds —
Earth's chosen nourished by earth's wise self-chosen!
How many birds suddenly stiffened and died
With no plaint cried,
The starved heart ceasing when the pale sun ceased!
And when the new day stepped from the same cold East
The dead birds lay in the light on the snow-flecked field,
Their song and beautiful free winging stilled.
I walked under snow-sprinkled hills at night,
And starry sprinkled skies deep blue and bright.
The keen wind thrust with his knife against the thin
Breast of the wood as I went tingling by,
And heard a weak cheep-cheep, — no more — the cry
Of a bird that crouched the smitten wood within ...
But no one heeded that sharp spiritual cry
Of the two children in their misery,
When in the cold and famished night death's shade
More terrible the moon's cold shadows made.
How was it none could hear
That bodiless crying, birdlike, sharp and clear?
I cannot think what they, unanswered, thought
When the night came again and shadows moved
As the moon through the ice-flower stared and roved,
And that unyielding Shadow came again.
That Shadow came again unseen and caught
The children as they sat listening in vain,
Their starved hearts failing ere the Shadow removed.
And when the new morn stepped from the same cold East
They lay unawakening in the barren light,
Their song and their imaginations bright,
Their pains and fears and all bewilderment ceased....
While the brief sun gave
New beauty to the death-flower of the frost,
And pigeons in the frore air swooped and tossed,
And glad eyes were more glad, and grave less grave.
There is not pity enough in heaven or earth,
There is not love enough, if children die
Like famished birds — oh, less mercifully.
A great wrong's done when such as these go forth
Into the starless dark, broken and bruised,
With mind and sweet affection all confused,
And horror closing round them as they go.
There is not pity enough!
And I have made, children, these verses for you,
Lasting a little longer than your breath,
Because I have been haunted with your death:
So men are driven to things they hate to do.
Jesus, forgive us all our happiness,
As Thou dost blot out all our miseries.

Contents / Contents, p. 3


Happy is England Now

There is not anything more wonderful
Than a great people moving towards the deep
Of an unguessed and unfeared future; nor
Is aught so dear of all held dear before
As the new passion stirring in their veins
When the destroying Dragon wakes from sleep.
Happy is England now, as never yet!
And though the sorrows of the slow days fret
Her faithfullest children, grief itself is proud.
Ev'n the warm beauty of this spring and summer
That turns to bitterness turns then to gladness
Since for this England the beloved ones died.
Happy is England in the brave that die
For wrongs not hers and wrongs so sternly hers;
Happy in those that give, give, and endure
The pain that never the new years may cure;
Happy in all her dark woods, green fields, towns,
Her hills and rivers and her chafing sea.
What'er was dear before is dearer now.
There's not a bird singing upon his bough
But sings the sweeter in our English ears:
There's not a nobleness of heart, hand, brain
But shines the purer; happiest is England now
In those that fight, and watch with pride and tears.

Contents / Contents, p. 3


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page