NEXT to my arm-chair, as we go northward, my bed comes into sight. It is placed at the end of my room, and forms the most agreeable perspective. It is very pleasantly situated, and the earliest rays of the sun play upon my curtains. On fine summer days I see them come creeping, as the sun rises, all along the whitened wall. The elm-trees opposite my windows divide them into a thousand patterns as they dance upon my bed, and, reflecting its rose-and-white color, shed a charming tint around. I hear the confused twitter of the swallows that have taken possession of my roof, and the warbling of the birds that people the elms. Then do a thousand smiling fancies fill my soul; and in the whole universe no being enjoys an awakening so delightful, so peaceful, as mine.

I confess that I do indeed revel in these sweet moments, and prolong as far as I can the pleasure it gives me to meditate in the comfortable warmth of my bed. What scene can adapt itself so well to the imagination, and awaken such delicious ideas, as the couch on which my fancy floats me into the forgetfulness of self! Here it is that the mother, intoxicated with joy at the birth of a son, forgets her pangs. Hither it is that fantastic pleasures, the fruit of fancy or of hope, come to agitate us. In a word, it is here that during one half of a life-time we forget the annoyances of the other half.

But what a host of thoughts, some agreeable, some sad, throng my brain at once,—strange minglings of terrible and delicious pictures!

A bed sees us born, and sees us die. It is the ever changing scene upon which the human race play by turns interesting dramas, laughable farces, and fearful tragedies. It is a cradle decked with flowers. A throne of love. A sepulchre.