A, B, C, D, E, F, G, H, I, J, M, O, P, Q, R, S, V, W. Agate marbling—how done 145 Applying the rubbing in colors in graining 50 Ash graining—general remarks on 93 Ash graining—how grounds are made for 93 Ash graining—how grained in distemper 95 Ash graining—how grained in oil 94 Ash graining—how overgrained 95 Ash graining—Hungarian—how grained 96 Badger haired blenders—their uses 28 Bird’s-eye maple—how grained 101 Black and gold marble—how imitated 145 Black veined white marble—how imitated 150 Blending distemper graining 62 Brocatello marble—how imitated 145 Brushes used for laying grounds 25 Brushes used rubbing-in color 25 Burled growth of woods 75 Burled Walnut—how to grain 122 Burled Walnut—how to overgrain 123 Camel’s hair pencils used in graining and marbling 30 Champs—how wiped in quartered oak graining 41 Check rollers—how to use 53 Chestnut graining—general remarks on 156 Chestnut graining—how to grain it 157 Cherry graining—how to prepare grounds for 109 Cherry graining—how to grain it 109 Colored crayons—used in fine veinings 71 Colors used in preparing grounds in graining 21 Colors used in graining in distemper 22 Colors used in graining in oil 23 Combination oil and distemper work in oak graining 36 Curled maple—how grained 100 Davis rubber rollers used in graining 32 Description of material used in graining 23 Dove marble—how imitated 147 Egyptian green marble—how done 149 Fan overgrainers—their uses 28 Flakes—how wiped in quartered oak graining 85 Florence marble—how imitated 148 General remarks on Ash graining 92 General remarks on Bird’s-eye maple graining 100 General remarks on Chestnut graining 97 General remarks on Cherry graining 109 General remarks on Burled Walnut graining 122 General remarks on graining operations 38 General remarks on preparing grounds 41 General remarks on preparing megilps 43 General remarks on preparing graining grounds 41 General remarks on preparing graining colors 43 General remarks on Mahogany imitation 112 General remarks on Maple (plain) imitation 98 General remarks on marbles, imitation 130 General remarks on Oak graining 79 General remarks on Quartered Oak graining 84 General remarks on Rosewood graining 133 General remarks on Satinwood graining 110 General remarks on Sycamore graining 104 General remarks on making tints 42 General remarks on tools used in graining 31 Glycerine—to retard drying of distemper colors 48 Graining colors for oak 80 Granites—how imitated 160 How to do the combing in distemper 58 How to do the combing in oil 58 How to blend distemper work 62 How to do the wiping with rags 57 How to grain Ash 93 How to grain Ash (Hungarian) 95 How to grain Bird’s-eye Maple 99 How to grain Curled Maple 99 How to grain Cherry 100 How to grain Chestnut 97 How to grain Mahogany 112 How to grain Maple (plain) 96 How to grain Rosewood 127 How to grain Walnut 116 How to grain Walnut (curled) 118 How to grain Satinwood 113 How to grain Sycamore 108 How to marble Egyptian green marble 148 How to marble Florentine marble 152 How to marble Italian pink marble 150 How to marble Italian scarlet marble 150 How to marble Sienna marble 150 How to marble Serpentine marble 145 How to marble Tennessee marble 153 How to marble Verd antique marble 156 How to marble white veined and black veined marbles 157 How to imitate Onyxes 158 How to imitate Granites 160 How to imitate Jaspers 160 How to imitate Porphyries 160 How to use the Davis graining rollers 65 How to use the Ridgely graining tools 65 How to use the colored crayons 72 How to use the wax in finishing 80 Italian pink marble—how imitated 148 Italian scarlet marble—how imitated 148 Jasper—how imitated 160 Mahogany—how to prepare ground for 109 Mahogany—how to grain 112 Mahogany—how to make the featherings 115 Maple, plain—how to prepare the ground 99 Maple, plain—how to grain 99 Maple, bird’s-eye—how to grain 101 Maple, bird’s-eye—how to put in the eyes 104 Marbling—general remarks on 130 Marbling—imitation of agate 145 Marbling—imitation of black and gold marble 146 Marbling—imitation of Brocatello marble 147 Marbling—imitation of Dove marble 148 Marbling—imitation of Egyptian green marble 148 Marbling—imitation of Florence marble 152 Marbling—imitation of Italian pink marble 150 Marbling—imitation of Italian scarlet marble 150 Marbling—imitation of Serpentine marble 152 Marbling—imitation of Tennessee marble 153 Marbling—imitation of Verd antique marble 156 Marbling—imitation of white and black veined marble 157 Marbling—imitation of Onyxes 158 Marbling—imitation of Granites 160 Marbling—imitation of Porphyries 160 Marbling—imitation of Jaspers 160 Material used in graining 21 Mottlers—their uses 29 Mottling—how done in distemper 73 Oak graining—general remarks on 79 Oak graining—how to grain 84 Oak graining—how overgrained 86 Onyxes—how to imitate 160 Old varnished work—how to treat it for graining 41 Old woodwork—how to treat for graining 40 Overgraining—the use made of it 62 Overgraining—how to use the four overgrainers 63 Pencilling the veining in distemper 61 Pencilling the veining—how done 61 Porphyries—how imitated 160 Practice boards—to study graining upon 77 Quarter-sawed Oak—general remarks on 84 Quarter-sawed Oak—grained in distemper 88 Quarter-sawed Oak—how the dark flakes are put on 96 Quarter-sawed Oak—how the checkroller is used 91 Quarter-sawed Oak—how overgrained 91 Quarter-sawed Oak—how wiped out 89 Quarter-sawed Oak—how finished 95 Rags—their use in graining 37 Ridgely rubber graining tools 34 Rosewood graining—general remarks on 126 Rosewood graining—how to make the grounds 127 Rosewood graining—how to grain it 128 Rosewood graining—how to overgrain it 129 Rubber graining rollers (Davis) 32 Rubber graining combs 35 Rubbing in color in oil in graining 49 Rubbing in color—how applied 52 Satinwood—how grained 100 Serpentine marble—how imitated 146 Sienna marble—how imitated 150 Stippler—its use in graining 27 Stippling—for walnut—how done 119 Stippling—general rules for 55-75 Sponges—their use in distemper 74 Steel graining combs 35 Varnish brushes used in graining 30 Varnishing—how it should be done 81-87 Verd antique marble—how imitated 156 Walnut graining—general remarks on 116 Walnut graining—grounds for 118 Walnut graining—how to stipple for 119 Walnut graining—how grained in oil and distemper 120 Walnut graining—how overgrained 121 Wax used in preparing megilp 22 Wax polish—how applied 82 Whiting—its uses in preparing megilps 23 White veined marble—how imitated 149 Wiping out—what it means 56 Wiping out—how done 57 Woods—how classed 83 Typographical errors corrected by the etext transcriber: | bevelled to a sharpe edge=> bevelled to a sharp edge {pg 36} | are two short for use=> are too short for use {pg 77} | no dofficulty=> no difficulty {pg 94} | is a synonim=> is a synonym {pg 104} | most fastiduous=> most fastidious {pg 122} | has sufficied to confine=> has sufficed to confine {pg 126} | prefering a plain wall=> preferring a plain wall {pg 131} | should be attemped=> should be attempted {pg 140} | General remarks on preparing meglips....43=> General remarks on preparing megilps....43 {pg iv} | Marbling—imitation of Brocatella marble....147=> Marbling—imitation of Brocatello marble....147 {pg vi} | |
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