  CHAPTER I EARLY DAYS AND FIRST SUCCESS CHAPTER II THE TIMES IN WHICH GREUZE LIVED CHAPTER III GREUZE'S MORAL PICTURES CHAPTER IV THE PICTURES BY WHICH WE KNOW GREUZE CHAPTER V THE VANITY OF GREUZE CHAPTER VI "THE BROKEN PITCHER" AND OTHER WELL-KNOWN PICTURES CHAPTER VIII THE ART OF GREUZE Title: Greuze Author: Alys Eyre Macklin Language: English Character set encoding: UTF-8 E-text prepared by sp1nd, Matthew Wheaton, | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Note: | Images of the original pages are available through Internet Archive. See http://archive.org/details/greuzeocad00mackuoft |
MASTERPIECES
IN COLOUR
EDITED BY— T. LEMAN HARE
GREUZE
1725-1805
| “Masterpieces in Colour” Series | |
| Artist. | Author. |
| BELLINI. | George Hay. |
| BOTTICELLI. | Henry B. Binns. |
| BOUCHER. | C. Haldane MacFall. |
| BURNE-JONES. | A. Lys Baldry. |
| CARLO DOLCI. | George Hay. |
| CHARDIN. | Paul G. Konody. |
| CONSTABLE. | C. Lewis Hind. |
| COROT. | Sidney Allnutt. |
| DA VINCI. | M. W. Brockwell. |
| DELACROIX. | Paul G. Konody. |
| DÜRER. | H. E. A. Furst. |
| FRA ANGELICO. | James Mason. |
| FRA FILIPPO LIPPI. | Paul G. Konody. |
| FRAGONARD. | C. Haldane MacFall. |
| FRANZ HALS. | Edgcumbe Staley. |
| GAINSBOROUGH. | Max Rothschild. |
| GREUZE. | Alys Eyre Macklin. |
| HOGARTH. | C. Lewis Hind. |
| HOLBEIN. | S. L. Bensusan. |
| HOLMAN HUNT. | Mary E. Coleridge. |
| INGRES. | A. J. Finberg. |
| LAWRENCE. | S. L. Bensusan. |
| LE BRUN, VIGÉE. | C. Haldane MacFall. |
| LEIGHTON. | A. Lys Baldry. |
| LUINI. | James Mason. |
| MANTEGNA. | Mrs. Arthur Bell. |
| MEMLINC. | W. H. J. & J. C. Weale. |
| MILLAIS. | A. Lys Baldry. |
| MILLET. | Percy M. Turner. |
| MURILLO. | S. L. Bensusan. |
| PERUGINO. | Selwyn Brinton. |
| RAEBURN. | James L. Caw. |
| RAPHAEL. | Paul G. Konody. |
| REMBRANDT. | Josef Israels. |
| REYNOLDS. | S. L. Bensusan. |
| ROMNEY. | C. Lewis Hind. |
| ROSSETTI. | Lucien Pissarro. |
| RUBENS. | S. L. Bensusan. |
| SARGENT. | T. Martin Wood. |
| TINTORETTO. | S. L. Bensusan. |
| TITIAN. | S. L. Bensusan. |
| TURNER. | C. Lewis Hind. |
| VAN DYCK. | Percy M. Turner. |
| VAN EYCK. | J. Cyril M. Weale. |
| VELAZQUEZ. | S. L. Bensusan. |
| WATTEAU. | C. Lewis Hind. |
| WATTS. | W. Loftus Hare. |
| WHISTLER. | T. Martin Wood. |
| Others in Preparation. | |
PLATE I.—L’ACCORDÉE DU VILLAGE. (Frontispiece)
This picture, at first entitled “A Father handing over the Marriage-portion of his Daughter,” then “The Village Bride,” is the best of Greuze’s subject pictures. The scene is more or less naturally arranged, and informed with the tender homely sentiment inspired by the subject; and the bride, with her fresh young face and modest attitude, is a delicious figure. It was exhibited in the Salon of 1761, and now hangs in the Louvre.
GREUZE
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
IN SEMPITERNUM.
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
