THE Chinese Masquerade was the outstanding event of early Spring at Curtain Wells. It was the quintessence of refined affectation, the great fount in which many tributary delights found their source. Moreover, in its character there was a national significance. It was not held merely to emphasize the importance of being seriously amused; it was not one of many entertainments sacred to Epicurus; it did not serve to commemorate the fleetingness of life; it was no Burial Service with a ritual of flung roseleaves and spilt wine. The Chinese Masquerade of Curtain Wells was something far more grand than any of these, being a great national act of homage to the beverage of Tea. Of old, Bacchus was saluted in Samothrace, and the festival of wine was celebrated with all the absence of restraint that might be expected from the past. Nymphs raved, Satyrs danced, and garlanded leopards jigged to one wild inspiration. Phrenzy footed it; troop followed troop, broke and dissolved in flashes of white limbs when Dionysus of the sly smile and rosy cheeks bewitched thousands with his strange madness. In fact, the whole affair was an intolerable concession to Nature. At Curtain Wells you saw the centuries at work. There the Bacchantes were corseted and hooped to primness; the Satyrs had high red heels for hoofs, silken breeches for the fur of goats. Instead of velvety leopards that used to amble over tuffets of fragrant thyme, each with a hussy astride his supple back, went greasy chairmen in lurching escort of dowagers and misses. Dionysus himself was changed. He had kept his sly smile and rosy cheeks, but his vine wreaths were become ruffles and ties, while his body glittered, not with youth and health and immortality, but with paste buckles and brooches and solitaires. The crashing cymbals of Thrace found a thin echo in the delicate tinkle of tea-spoons and frail sounds of porcelain. To be sure, the whole of the difference between the worship of Wine and the worship of Tea was expressed by the fact that to honour the former, society took off its cloaths, whereas in order to celebrate the latter, all the world dressed itself up.

Mr. Ripple wore above his suit of amber a robe resembling a golden dressing-gown. He was the Gold Mandarin, decorated with dragons, tall pagodas, flowers and fireworks. The Blue Mandarin, whose robe concealed the pearl-grey suit of Mr. Charles Lovely, seemed as he moved across the room like a blue garden, so many small landskips wrought in azure silks trembled in the folds of his garment. Only these two officers of the Pageant were privileged to remain unmasked. The rest of the company wore yellow vizards whose painted eyebrows soared at a celestial angle over eyeslits, cut almondwise. The general effect was of animated Ming laughing, jesting, talking, and dancing with the lacker cabinets that were used to contain it.

The ballroom had pagodas in each of the corners where the children of the Exquisite Mob dressed to a more exact replica[1] of the farthest Orientals, nodded and peeped and chirped the austere maxims of Confucius without the slightest idea of their meaning, but all convinced that it was extremely diverting to partake of a grown-up entertainment, and far better to drink real tea out of real cups in a delightful palace of their own, than to play with acorns and ditchwater in the mildewed Dorick summer-house at the head of the Park avenue.

Chinese lanterns bobbed on golden wires slung from wall to wall whence the gilt mirrours with the wax candles of the West had all been removed. This Eastern light softened the mingled hues of blue and gold to a gorgeous moving twilight stained by the afterglow of sunset. All along the sides of the ballroom were placed for seats queer twisted animals, winged dragons, squat bronzes, Chinese geese, monkeys and parrots in crude shades of green and vermilion, while at suitable intervals were set little houses to contain two persons. These were intended to encourage the intimate amenities of polite conversation.

Outside in the Rococo cloister unknown flowers expanded and curious fruits ripened by lanternlight; and though the flowers were made of linen dipped in scent, they served very well to pluck and offer to a masked fair and as for the fruits, they were all filled with comfits. Finally, here and there, smoking sandal-wood torches lent a remote perfume to the Mise en ScÈne, and curled in scented wreaths about the motley forms of the masqueraders. To say truth, the Eastern veneer was more than usually superficial, even for a veneer. The result of the attempt to secure reality only accentuated the difference between East and West: still the latter enjoyed making believe so far as it consorted with true gentility, and it may very easily be understood that nothing low was permitted by the British Nation in the eighteenth glorious century of Christian civilization.

Thia was the first masked ball that had been held since Phyllida grew enamoured of Mr. Francis Vernon, so she made no doubt he would avail himself of the opportunity to be present. As soon as the Exquisite Mob was assembled (at half-past seven o'clock precisely, because it was considered vulgar to be late) there was a solemn drinking of tea, no mere handing round of teacups and saucers, but a far more impressive ritual, invented to mark the occasion with due importance.

The Gold Mandarin seated himself on an ivory stool whose claw legs were fretted with diminutive foliage, temples and flying birds. This was set on a small platform draped with broideries at the foot of which was an azure velvet cushion where, with crossed legs, sat the Blue Mandarin.

Mr. Ripple clapped his hands twice to command the entrance of the Procession of Tea. First walked two musicians slowly tapping gongs shaped like saucers with large spoons. These were followed by six children with nodding porcelain Mandarins whose tongues trembled in and out of their surprized mouths. Then came the bearer of the Caddy—a magnificently decorated specimen of lackerwork. On either side of the Caddy was borne a Nankin jar full of milk. Finally, a lacker table on wheels, overhung by a fringed canopy that protected an enormous bowl of rarest Ming whither odorous vapours ascended from the flowery liquid, was pushed along in slow and reverend state.

The company opened its ranks to allow the procession a way until it stopped before the Gold Mandarin's ivory throne. The Beau at once descended, dipped a diminutive teacup into the bowl, took three sips and sighed rapturously. The six porcelain Mandarins were set nodding with redoubled vigour, gongs boomed from the topmost windows of the pagodas, and the procession re-formed and passed into the upper room, whither the assembled company followed it in order to drink in turn from teacups filled at the sacred fountain.

In the crush, Phyllida, who was wearing a gown faint blue like the March sky, felt her sleeve pulled gently by a tall mask in tawny raiment. She recognized the pointed white fingers and whispered 'Amor.'

The mask shook his head to indicate silence, but presently Phyllida succeeded in conveying her cup of tea to the outskirts of the crowd and hurried through a corridor to a side-door opening into the cloister where she waited for her lover's approach. In a minute he was sitting beside her.

She turned to him delightedly.

"Dear Amor! This will be the first ball that I shall have truly enjoyed."

This statement scarcely did justice to the many pleasant hours she had spent to the sound of fiddles, horns, and clarinets.

"Why was my charmer absent yesterday? The Maze was prodigiously dull without the sweet Nymph who loves to haunt its verdurous ways."

"Oh! Amor, we are discovered."

"Faith, is that so?" remarked Vernon, without any apparent concern.

"Mr. Ripple told my mother I was conversing with a gentleman for one hour and a half by the clock."

"Interfering dancing-master!"

"And yesterday I was sent to match a ribband quite impossible to match; I'm sure ’twas done to keep me employed and when I heard eleven chime, I could bear it no longer, but almost ran towards Curtain Garden, and on my way the Beau beckoned me to come in and, pray don't be angry, dear Amor, he was so vastly kind that I told him your name."

"Here's a pretty state of affairs," muttered Vernon.

"He asked me to present you to him to-night, and vowed we should be wed in June."

"Gadslife! I hope you sent him about his business?"

"Not exactly," said Phyllida, "indeed he was so good-natured that I promised—at least I half promised to do so."

"Confusion take him," swore Vernon, "for a prating, meddlesome, tailor-made gentleman. Harkee! I'll not have myself discussed by Mr. Horace Ripple. I dare swear he patted your hands, eh? called you his pretty dear, made old man's love, eh? A plague on his impudence!"

Phyllida shrank from her lover's wrath.

"Indeed, sir, I vow he did nothing of the kind. He behaved with some of that propriety for which I could wish in my Amor." Phyllida remembered a young woman talking something like this in the first volume of The Fair Inconstant. Vernon could not keep back a smile. "I doubt I'm not inclined to hear you farther."

Vernon began to chuckle.

"And let me tell you, sir, your behaviour becomes you very ill, and moreover I told him your name, and the milk's spilt, and 'tis useless to cry over spilt milk as all the world knows."

A tear-drop trembled in each corner of Phyllida's eyes, making them seem more clearly blue, as crystals that surround great sapphires enhance their beauty.

"Sweet indiscretion," began Vernon, who having been politick enough to conceal his true name, could afford to be generous.

A very faint sob was the sole response.

"Nay, prithee, dear one," he continued, catching hold of a tremulous hand, "let's have no quarrels at our first ball; I bear you no malice."

"I should never have told him, had I been ashamed of you," she interrupted.

"Just so, adorable creature, but since we had resolved to keep our affair secret, and since we were agreed that stolen meetings, like stolen fruit, taste the sweetest, I was surprized to hear you had told every one."

"I did not tell any one."

"But, my angel, you did."

"Not until I was forced. 'Tis very well for you. You're a man of fashion and independence, and I'm a young woman."

"Incontestable truth!"

"Now you're being satirical, and I vow I detest sarcasm. Indeed, I think it has all been a mistake, and I'll go back to Hampshire to-morrow, and you may go back to your Haymarket."

"Very well, madam, since you dismiss my suit, I will go back to my Haymarket. It may be vastly diverting for you, madam, to break a man's heart. You, secure in the verdant meads and—er—meadows of the county of Hampshire, you, wandering among fields of daffadillies, at peace, beneath a summer sun."

"Daffadillies don't grow in the summer."

"Alas! madam, I am ignorant of these pastoral delights."

This was perfectly true since Mr. Vernon's mother was a lady who thought a bough-pot in Air Street worth the finest estate in the Kingdom.

"I," he continued, "have lived my life in cities, and though I have often hoped to hear the cuckoo wake me at dawn, 'tis very evident I must for ever bid farewell to such vain dreams."

Here, Mr. Vernon, who had inherited considerable histrionick ability on the female side, contrived to get an effective break into his usually smooth enunciation.

"But I don't want to quarrel for ever," protested Phyllida.

Mr. Vernon turned his head away, probably to hide a tear.

"For my part," she went on, "I should be very willing to live always as we are living now."

"My angel!"

"But since the world is so censorious and seems to concern itself with every unimportant young woman's affairs, I thought—I thought——"

"You thought a wedding would put a stop to scandal. How little you know the world. Why! madam, a hasty wedding would set people's tongues wagging at once. Come, come, pay no attention to old Ripple. He knows my name. If he chuse, he can seek me out. I warrant I shall hear no more about it."

"But we shall be watched."

"Then we'll change our trysting-place. At any rate, prithee, let us enjoy to-night." Here Mr. Vernon put on his mask and taking off his gown resumed it inside out. "Do you see, dear charmer, I am both porcelain and lacker, so that no one will be able to say you prefer the one to the other. Hark! the fiddles have begun—let's go and step our first gavotte together."

Phyllida took his arm and they returned to the ballroom. The vizards made all the faces appear fixed and wooden and Miss Courteen could not help looking very often at Mr. Charles Lovely who was sitting cross-legged on his azure cushion and, in contrast to the rest of the masquerade, was plainly a man. Once she fancied she caught his eye, and when he came up and asked her to honour his arm for the third gavotte, she knew she had not been mistaken. Mr. Vernon silently relinquished his partner.

"Who was your late Vis À Vis?" Charles inquired. "I beg your pardon," he added as he saw Phyllida hesitate, "my manners grow as barbarick as my costume."

He had noticed with devout jealousy that Miss Courteen's fingers reposed a moment longer than was necessary upon that sattin forearm.

"How did you discover me?" she asked with frank interest.

"’Twas not difficult."

"But masked as I am?"

"I did not regard your mask—I saw your eyes."

Phyllida was conscious of a blush and a faint quickening of the pulses, all over her body. There was certainly something very satisfactory in such a compliment. It was genuine moreover, for indeed he had discovered her through the distorted yellow vizard which concealed her roses.

Presently the dance began, and, though Phyllida liked every moment of it, she could not help observing Amor, half buried in the greenery of an alcove and, as it seemed to her, forbidding too keen a pleasure.

Charles found it difficult to extract from his partner more than the ordinary small talk of ballrooms, and as she became more and more absent-minded during the progress of the dance, he let her go at the end of it without a very valiant attempt to detain her for the next. Presently he saw her join a blue mask and lose herself in the flickering throng. Last time he had remarked particularly that her Vis À Vis wore brown and gold, yet the two figures were alike in movement and gesture and he could swear the hands were identical. It was the same without a doubt. Charles bit his nails with vexation, and fretted confoundedly.

"My dear boy, my dear Charles, pray do not gnaw your fingers. Narcissus admired himself, 'tis true, but without carrying his devotion to cannibality."

Charles turned to the well-known voice of Mr. Ripple.

"A thousand pardons, dear Beau, I was vexed by a trifle. The masquerade comports itself with tolerable success."

"I think so," the Beau replied, adjusting his monocle and gazing critically at his subjects. "I certainly think so, but I am never easy in my mind until the Grand Minuet has concluded the entertainment, yet even so, I do not think you will ever find me preying upon my extremities."

Charles laughed.

"They take their pleasures very easily, sir." Again the Beau examined his puppets.

"The burden of amusement certainly weighs very lightly on them, and yet, Charles, I sometimes fancy I detect a shade too much of self-consciousness in their movements. I could wish for a less anxious grace, a less ordered abandon. My monocle which diminishes their size, diminishes their importance; and I must confess that the motion of dancing, if one regards the Ensemble, appears to me nothing less than idiotical. However, do not let my cynical attitude prove contagious—I have watched so many dances."

"Yet you are willing for me to succeed you," said Charles. "Foregad, Mr. Ripple, I was never intended for a spectator."

"I have energy to keep me in office long enough to let you grow older. Come, come, Charles, admit the career I offer would tempt many more deserving young men."

"But I have passions, feelings, desires, ambitions."

"All very suitable," commented the Beau, "till you grow tired of versifying life. We write poetry, Charles, in order to improve our prose."

"Some men write poetry to the end."

"Usually a bitter end; but, indeed, I would not goad you into accepting my offer. Have your dramas, lose your money, expose your heart to Cupid, commit the thousand and one foolish actions that will afford you a moral occupation for your middle age."

"What would that be?"

"A leisurely repentance."

"Sir, I think you spin the natural functions into silk like the silkworm."

"Well, Charles, and isn't silk a more durable excrement than most? You are still devouring the tender shoots of the mulberry tree; I am already in the cocoon and shall go down to posterity as a very reputable moth vouched for by a cenotaph in St. Simon's Church, Curtain Wells."

"Sir, I doubt they will never say of me 'Vive le roi!'"

"We shall see, we shall see. By the way, do you know a Miss Phyllida Courteen? Her mother, a widow whose charms are as ample as her dowry, is lodging in the Crescent."

Charles was taken aback for a moment.

"I believe I have met her once or twice at Assemblies."

"At any rate, you know her by sight."

"Oh yes!" replied our hero.

"Now, I wonder whether you could pick her out from this multitude of masks."

Charles at once perceived the subject of the question.

"She is standing over there by the second pillar and talking to a mask in porcel—no, in lacker. That's strange."

"What is strange?" inquired Mr. Ripple mildly.

"Nothing—a lantern effect," Charles explained.

Surely he could not be mistaken in those taper fingers. Moreover, they were familiar to him. Where could he have seen them?

"So that is Miss Courteen," said the Beau, looking at her very intently. "Yes, now that you have pointed her out, I certainly seem to recognize her. Who is her Vis À Vis?"

"That I do not know," said Charles rather gloomily.

"Then, pray, be so good-natured as to make an attempt to ascertain and you'll oblige me monstrously. Or stay—perhaps I had better inquire myself."

Mr. Ripple, observing that Mr. Lovely looked somewhat melancholy, patted him on the shoulder.

"Don't look so full of disapprobation, Charles. Inquisitiveness, with ordinary men and women, is a breach of good manners: with kings, it is a condescension. Dear me! how time runs!" the Beau continued, tripping from an epigram to a truism. "I will leave you to superintend the Country Dances. Let them be as Oriental as possible, I beg."

With this admonition the Great little Man threaded his way through the Exquisite Mob.

Charles d——d the country dances very devoutly. He was not enjoying the evening at all, and wished he were sitting in the cosy firelight of the Blue Boar, lulled by the whispers of playing cards, shuffled and dealt. Where could he raise that two hundred pounds he owed Vernon? Vernon—by G...! now he recognized those taper fingers. Vernon! they belonged to Vernon, he could swear to them. Too often had he watched their delicate harvesting of his guineas. He began to fret more than ever. Suddenly he noticed that everybody was looking in his direction, and became aware that time was indeed running and the moment for the Country Dances had arrived.

Meanwhile Mr. Ripple searched in vain for Phyllida and a Vis À Vis in brown and gold.