When Guy left the Rectory that October afternoon, he felt as if he had put back upon its shelf a book the inside of which, thus briefly glanced at, held for him, whenever he should be privileged to open it again, a new, indeed an almost magical, representation of life. On his fancy the Greys had impressed themselves with a kind of abundant naturalness; but however deeply he tried to think he was already plunged into the heart of their life, he realized that it was only in such a way as he might have dipped into the heart of a book. The intimacy revealed was not revealed by any inclusion of himself within the charm; and he was a little sad to think how completely he must have seemed outside the picture. Hence his first aspiration with regard to the family was somehow to become no longer a spectator, but actually a happy player in their representation of existence. Ordinarily, so far as experience had hitherto carried him, it had been easy enough to find himself on terms of intimacy with any group of human beings whose company was sufficiently attractive. For him, perhaps, it had even been particularly easy, so that he had never known the mortification of a repulse. No doubt now by contriving to be himself and relying upon the interest that was sure to be roused by his isolation and poetic ambitions, he would very soon be accorded the freedom of the Rectory. Yet such a prospect, however pleasant to contemplate, did not satisfy him, and he was already troubled by a faint jealousy of the many unknown friends of the Greys, to whom in the past the privilege of that freedom must have been frequently accorded. Guy wanted more than that; in the excess of his appreciation he wanted them to marvel at a time when they had not been aware of his existence; in fact, he was anxious to make himself necessary to their own sense of their own completeness. As he entered his solitary hall he was depressed by the extravagance of such a desire, saying to himself that he might as well sigh to become an integral figure of a pastoral by Giorgione, or of any work of art the life of which seems but momentarily stilled for the pleasure of whomsoever is observing it.

Guy was for a while almost impatient even of his own room, for he felt it was lacking in any atmosphere except the false charm of novelty. He had been here three weeks now, he and deaf Miss Peasey; and were the two of them swept away to-morrow Plashers Mead would adapt itself to new-comers. There was nothing wrong with the house; such breeding would survive any occupation it might be called upon to tolerate. On the other hand, were chance to sweep the Greys from Wychford, so essentially did the Rectory seem their creation that already it was unimaginable to Guy apart from them. And as yet he had only dipped into the volume. Who could say what exquisite and intimate paragraphs did not await a more leisurely perusal? Really, thought Guy, he might almost suppose himself in love with the family, so much did the vision of them in that shadowy drawing-room haunt his memory. Indeed, they were become a picture that positively ached in his mind with longing for the moment of its repetition. For some days he spent all his time in the orchard, throwing sticks for his new bobtail; denying himself with an absurd self-consciousness the pleasure of walking so far along the mill-stream even as the bank opposite to the Rectory paddock; denying himself a fortuitous meeting with any of the family in Wychford High Street; and on Sunday denying himself the pleasure of seeing them in church, because he felt it might appear an excuse to be noticed. The vision of the Rectory obsessed him, but so elusively that when in verse he tried to state the emotion merely for his own satisfaction, he failed, and he took refuge from his disappointment by nearly always being late for meals. Often he would see Miss Peasey walking about the orchard with desolate tinkle of a Swiss sheep-bell, the only instrument of summons that the house possessed. Miss Peasey herself looked not unlike a battered old bellwether as she wandered searching for him in the wind; and Guy used to watch her from behind a tree-trunk, laughing to himself until Bob the dog trotted from one to another, describing anxious circles round their separation.

"Your dinner's been waiting ten minutes, Mr. Hazlewood!"

"Doesn't matter," Guy would shout.

"Mutton to-day," Miss Peasey would say, and, "a little variety," she always added.

Miss Peasey's religion was variety, and her tragedy was an invention that never kept pace with aspiration. For three weeks Guy had been given on Sunday roast beef which lasted till Wednesday; while on Thursday he was given roast mutton, which as a depressing cold bone always went out from the dining-room on Saturday night. Every morning he was asked what he would like for dinner, to which he always replied that he left it to her. Once, indeed, in a fertile moment he had suggested a curry, and Miss Peasey, brightening wonderfully, had chirped:

"Ah yes, a little variety."

But in the evening the taste of hot tin that represented Miss Peasey's curry made him for ever afterwards leave the variety to her own fancy, thereby preserving henceforth that immutable alternation of roast beef and roast mutton which was the horizon of her housekeeping.

These solitary meals were lightened by the thought of the Rectory. Neither beef nor mutton seemed of much importance when his mind's eye could hold that shadowy drawing-room. There was Monica with her pale-gold hair in the stormy sunlight, cold and shy, but of such a marble purity of line that but to sit beside her was to admire a statue whose coldness made her the more admirable. There was Margaret, carved slimly out of ivory, very tall, with weight of dusky hair, and slow, fastidious voice that spoke dreamily of the things Guy loved best. There was Pauline sitting away from the others in the window-seat, away in her shyness and wildness. Was not the magic of her almost more difficult to recapture than any? A brier rose she was whose petals seemed to fall at the touch of definition, a brier rose that was waving out of reach, even of thought. Guy wished he could visualize the Rector in his own drawing-room; but instead he had to set him in Plashers Mead, of which no doubt he had thought the owner a young ass; and Guy blushed to remember the nervous idiocy which had let him take the Rector solemnly into the kitchen to look at dish-covers in a row, and deaf Miss Peasey sitting by as much fire as the table would yield to her chair. But if the Rector were missing from the picture, at any rate he could picture Mrs. Grey, shy like her daughters and with a delicious vagueness all her own. She was most like Pauline, and indeed in Pauline Guy could see her mother, as the young moon holds in her lap the wraith of the old moon....

"Why, you haven't eaten anything," remonstrated Miss Peasey, breaking in upon his vision. "And I've made you a rice pudding for a little variety."

The shadowy drawing-room faded with the old chintz curtains and fragile, almost immaterial silver; the china bowls of Lowestoft; the dull, white paneling and faintly aromatic sweetness. Instead remained a rice pudding that smelled and looked as solid as a pie.

However, that very afternoon Guy was greatly encouraged to get an invitation to dinner at the Rectory from the hands of the gardener. Birdwood was one of those servants who seem to have accepted with the obligations of service the extreme responsibilities of paternity; and Guy hastened to take advantage of the chance to establish himself on good terms with one who might prove a most powerful ally.

"Not much of a garden, I'm afraid," he said, deprecatingly, to Birdwood, as they stood in colloquy outside. The gardener shook his head.

"It wouldn't do for the Rector to see them cabbages and winter greens. 'I won't have the nasty things in my garden,' he says to me, and he'll rush at them regular ferocious with a fork. 'I won't have them,' he says. 'I can't abear the sight of them,' he says. Well, of course I knows better than go for to contradict him when he gets a downer on any plant, don't matter whether it's cabbage or calceolaria. But last time, when he'd done with his massacring of them, I popped round to Mrs. Grey, and I says, winking at her very hard, but of course not meaning any disrespectfulness, winking at her very hard, I says, 'Please, mum, I want one of these new allotments from the glebe.' 'Good Heavings, Birdwood,' she says, 'whatever on earth can you want with for an allotment?' With that I winks very hard again and says in a low voice right into her ear as you might say, 'To keep the wolf from the door, mum, with a few winter greens.' That's the way we grow our vegetables for the Rectory, out of an allotment, though we have got five acres of garden. Now you see what comes of being a connosher. You take my advice, Mr. Hazlenut, and clear all them cabbages out of sight before the Rector comes round here again."

"I will certainly," Guy promised. "But you know it's a bit difficult for me to spend much money on flowers."

"We don't spend money over at the Rectory," said Birdwood, smiling in a superior way.

"No?"

"We don't spend a penny. We has every mortal plant and seed and cutting given to us. And not only that, but we gives in our turn. Look here, Mr. Hazlenut, I'm going to hand you out a bit of advice. The first time as you go round our garden with the Rector, when you turn into the second wall-garden, and see a border on your right, you catch hold of his arm and say, 'Why, good Heavings, if that isn't a new berberis.'"

"Yes, but I don't know what an old berberis looks like," said Guy, hopelessly, "let alone a new one."

"Never mind what the old ones look like. It's the new I'm telling you of. Don't you understand that everyone who comes down, from Kew even, says, 'That's a nice healthy little lot of Berberis Knightii as you've got a hold of.' 'Ha,' says the Rector. 'I thought as you'd go for to say that. But it ain't Knightii,' he chuckles, 'and what's more, it ain't got a name yet, only a number, being a new importation from China,' he says. You go and call out what I told you, and he'll be so pleased, why, I wouldn't say he won't shovel half of the garden into your hands straight off."

"Do the young ladies take an interest in flowers?" Guy asked.

"Of course they try," said Birdwood, condescendingly. "But neither them nor their mother don't seem to learn nothing. They think more of a good clump of dellyphiniums than half a dozen meconopises as some one's gone mad to discover, with a lot of murderous Lammers from Tibbet ready to knife him the moment his back's turned."

"Really?"

"Oh, I was like that myself once. I can remember the time when I was as fond of a good dahlia as anything. Now I goes sniffing the ground to see if there's any Mentha requieni left over from the frost."

"Sniffing the ground?"

"That's right. It's so small that if it wasn't for the smell any one wouldn't see it. That's worth growing, that is. Only, if you'll understand me, it takes any one who's used to looking at peonies and such like a few years to find out the object of a plant that isn't any bigger than a pimple on an elephant."

Guy was reluctant to let Birdwood go without bringing him to talk more directly of the family and less of the flowers. At the same time he felt it would be wiser not to rouse in the gardener any suspicion of how much he was interested in the Rectory; he was inclined to think he might resent it, and he wanted him as a friend.

"Who is working in your garden?" asked Birdwood, as he turned to go.

"Well, nobody just at present," said Guy, apologetically.

"All right," Birdwood announced. "I'll get hold of some one for you in less than half a pig's whisper."

"But not all the time," Guy explained, quickly. He was worried by the prospect of a gardener's wages coming out of his small income.

"Once a week he'll come in," said Birdwood.

Guy nodded.

"What's his name?"

"Graves he's called, but, being deaf and dumb, his name's not of much account."

"Deaf and dumb?" repeated Guy. "But how shall I explain what I want done?"

"I'll show you," said Birdwood. "I'll come round and put you in the way of managing him. Work? I reckon that boy would work any other mortal in Wychford to the bone. Work? Well, he can't hear nothing, and he can't say nothing, so what else can he do? And he does it. Good afternoon, Mr. Hazlenut."

And Birdwood retired, whistling very shrilly as he went down the path to the gate.

Two nights later Guy, with lighted lantern in his hand, set out to the Rectory. He did not venture to go by the orchard and the fields and so, crossing the narrow bridge over the stream, enter by way of the garden. Such an approach seemed too familiar for the present stage of his friendship, and he took the more formal route through an alley of medieval cottages that branched off Wychford High Street. Mysterious lattices blinked at him, and presently he felt the wind coming fresh in his face as he skirted the churchyard. The road continued past the back of a long row of almshouses, and when he saw the pillared gate of the Rectory drive, over which high trees were moaning darkly, Guy wondered if he were going to a large dinner-party. No word had been said of any one else's coming, but with Mrs. Grey's vagueness that portended nothing. He hoped that he would be the only guest, and, swinging his lantern with a pleased expectancy, he passed down the drive. Suddenly a figure materialized from the illumination he was casting and hailed him with a questioning "hullo?"

"Hullo," Guy responded.

"Oh, beg your pardon," exclaimed the other. "I thought it was Willsher."

"My name's Hazlewood," said Guy, a little stiffly.

"Mine's Brydone. We may as well hop in together."

Guy rather resented the implication of this birdlike intrusion in company with the doctor's son, a lanky youth whom he had often noticed slouching about Wychford in a cap ostensibly alive with artificial flies. Apparently Willsher must also be expected, against whom Guy had already conceived a violent prejudice dating from the time he called at his father's office to sign the agreement for the tenancy of Plashers Mead. It was of ill augury that the Greys should apparently be supposing that he would make a trio with Brydone and Willsher.

"Brought a lantern, eh?" said Brydone.

"Yes, this is a lantern," Guy answered, coldly.

"You'll never see me with a lantern," Brydone declared.

Guy would have liked to retort that he hoped he would never even see Brydone without one. But he contented himself by saying, with all that Balliol could bring to his aid of crushing indifference:

"Oh, really?"

Somebody behind them was running down the drive and shouting, "Hoo-oo," in what Guy considered a very objectionable voice. It probably was Willsher.

"Hullo, Charlie," said Brydone.

"Hullo, Percy," said Willsher, for it was he.

"Know this gentleman? Mr. Hazlewood?"

"Only officially. Pleased to meet you," said the new-comer.

"Not at all," answered Guy. He felt furious to think that the Greys would suppose he had arranged to arrive with these two fellows.

"Done any fishing yet?" asked Brydone.

"No, not yet," said Guy.

"Well, your bit of river has been spoilt. Old Burrows let every one go there. But when you want some good fishing, Willsher and I rent about a mile of stream further up and we'll always be glad to give you a day. Eh, Charlie?"

Charlie replied with much cordiality that Percy had taken the very words of invitation out of his mouth; and Guy, unable any longer to be frigid, said that he had some books at which they might possibly care to come and look one afternoon. Mr. Brydone and Mr. Willsher both declared they would be delighted, and the latter added in the friendliest way that he knew an old woman in Wychford who was very anxious to sell a Milton warranted to be a hundred years old at least. Was that anything in Mr. Hazlewood's way? Guy explained that a Milton of so recent a date was not likely to be much in his way, and Mr. Brydone remarked that no doubt if it had been a Stilton it would have been another matter. His friend laughed very heartily indeed at this joke, and in an atmosphere of almost hilarious good-fellowship, that was to Guy still a little mortifying, they rang the Rectory bell.

None of the family had reached the drawing-room when they were shown in, and Guy was afraid they were rather early.

"Always like this," said Brydone. "Absolutely no notion of time. Shouldn't be surprised if we had to wait another quarter of an hour. Known them for years, and they've always been like this. Eh, Charlie?"

The solicitor's son shook his head gravely. He seemed to feel that as a man of business he should display a slight disapproval of such a casual family.

"Ever since I was a kid I can remember it," he said.

Guy tried to tell himself that all this talk of intimacy was merely due to the accidental associations of country life over many years. But it was with something very like apprehension that he waited for the Greys to come down. It would be dreadful to find that Brydone and Willsher had a status in the Rectory. When, however, their hosts appeared, Guy realized with a tremendous relief that Brydone and Willsher obviously existed outside his picture of the Rectory. To be sure, they were Charlie and Percy to Monica, Margaret, and Pauline; but galling as this was, Guy told himself that after a lifelong acquaintance nothing else could be expected.

It pleased Guy really that the dinner was not a great success, for he was able to fancy that the Greys were encumbered by the presence of Brydone and Willsher. Monica was silent; Margaret was deliberately talking about things that could not possibly interest either of the young men; and Pauline was trying to save the situation by wild enthusiasms which were continually being repressed by her sisters. Mrs. Grey alternated between helping to check Pauline and behaving in exactly the same way herself. As for the Rector, he sat silent with a twinkle in his eye. Guy wished regretfully, when the time came to depart, that he could have stayed another few minutes to mark his superiority to the other guests; but alas, he was still far from that position, and no doubt he would never attain to it.

"Oh, have you brought a lantern?" asked Pauline, excitedly, in the hall. "Oh, I wish I could walk back with you. I love lantern-light."

"Pauline! Pauline! Do think what you're saying," Mrs. Grey protested.

"I like lantern-light, too," Margaret proclaimed.

"When you come to see us again," said Pauline, "will you bring your dog?"

"Oh, I say, shall I?" asked Guy, flushing with pleasure.

"Such a lamb, Margaret," said Pauline, kissing her sister impulsively and being straightly reproved for doing so.

The good-nights were all said, and Guy walked up the drive with Brydone and Willsher.

"Queer family, aren't they?" commented the doctor's son.

"Extraordinarily charming," said Guy.

"I've known them all my life," said Willsher, a little querulously. "And yet I never seem to know them any better."

Guy was so much elated by this admission that he repeated more warmly his invitation to come and see him and his books, and parted from the two friends very pleasantly.

Two or three days later Guy thought he might fairly make his dinner call, and with much forethought did not take Bob with him, so that soon there might be an excuse to come again to effect that introduction. Mrs. Grey and Monica were out; and Guy was invited to have tea in the nursery with Margaret and Pauline. He was conscious that an honor had been paid to him, partly by intuition, partly because neither of the girls said a conventional word about not going into the drawing-room. He felt, as he sat in that room fragrant with the memories of what must have been an idyllic childhood, the thrill that, as a child, he used to feel when he read, "The Queen was in her parlor eating bread and honey." This was such another parlor infinitely secluded from the world; and he thought he had never experienced a more breathless minute of anticipation than when he followed the girls along the corridor to their nursery. The matting worn silky with age seemed so eternally unprofaned, and on the wall outside the door the cuckoo calling five o'clock was like a confident bird in some paradise where neither time nor humanity was of much importance. Janet, the elderly parlor-maid, came stumping in behind them with the nursery tea-things; and, as Guy sat by the small hob-grate and saw the moist autumnal sun etherealize with wan gold the tattered volumes of childhood, the very plum cake on the tea-table was endowed with the romantic perfection of a cake in a picture-book. When the sun dipped behind the elms Guy half expected that Margaret and Pauline would vanish too, so exactly seemed they the figures that, were this room a mirage, he would expect to find within as guardians of the rare seclusion. Guy never could say what was talked about that afternoon; for when he found himself outside once again in the air of earth, he was bemused with the whole experience, as if suddenly released from enchantment. Out of a multitude of impressions, which had seemed at the time most delicately strange and potent, only a few incidents quite commonplace haunted his memory tangibly enough to be seized and cherished. Tea-cups floating on laughter against that wall-paper of berries, birds, and daisies; a pair of sugar-tongs clicking to the pressure of long, white fingers (so much could he recapture of Margaret); crumpets in a rosy mist (so much was Pauline); a copper kettle singing; the lisp of the wind; a disarray of tambour-frames and music, these were all that kept him company on his way back to Plashers Mead through the colorless twilight.

Chance favored Guy next day by throwing him into the arms of the Rector, who asked if he were fond enough of flowers to look round the garden at a dull season of the year. Guy was so much elated that, if love of flowers meant more frequent opportunities of going to the Rectory, he would have given up poetry to become a professional gardener. Of course there was nothing to see, according to the Rector—a few nerines of his own crossing in the greenhouse; a Buddleia auriculata honeycomb-scented in the angle of two walls; the double Michaelmas daisy, an ugly brute already condemned to extermination; a white red-hot-poker, evidently a favorite of the Rector's by the way he gazed upon it and said so casually Kniphofia multiflora, as if it were not indeed a treasure blooming in Oxfordshire's dreary Autumn.

"Tulips to go in next week," said the Rector, rolling the prospect upon his tongue with meditative enjoyment. "A friend of mine has just sent me some nice fellows from Bokhara and Turkestan. I ought to get them in this week, but Birdwood must finish with these roses. And I've got a lot of clusiana too that ought to be in. I am going to try her in competition with shrubbery roots and see if they'll make her behave herself."

"Could I come in and help?" offered Guy.

"Well, now that would certainly be most kind," said the Rector; and his thin, handsome face lit up with the excitement of infecting Guy with his own passion. "But aren't you busy?"

"Oh no. I usually work at night."

So Guy came to plant tulips, and from planting tulips to being asked to lunch was not far, and from finishing off a few left over to being asked to tea was not far, either. Moreover, when the tulips were all planted there were gladioli to be sorted and put away. Incidentally, too, the punt had to be calked and the boat-house had to be strengthened, so that in the end it was half-way into November before Guy realized he had been coming to the Rectory almost every day. The more he came, however, the more he was fascinated by the family. They still eluded him, and he was always aware, particularly between Margaret and Pauline, of a life in which as yet he hardly shared. At the same time, so familiar now were the inner places of the house and most of all the nursery, he felt as if happily there would come a day when to none of the sisters would he seem more noticeable than one of their tumble-down arm-chairs.

Once or twice he stayed to dinner, and the long dining-room with the sea-gray wall-paper and curtains of the strawberry-thief design was always entered with a particular contentment of spirit. The table was very large, for somebody always forgot to take out the extra leaf put in for a dinner sometime last summer, or perhaps two summers ago. The result was that the Rector was far away in the shadows at one end; Mrs. Grey equally remote at the other; while Guy would in turn be near to Margaret or Pauline or even Monica in the middle. Old-fashioned glasses with spirals of green and white blown in their stems; silver that was nearly diaphanous with use and age; candlesticks solid as the Ionic columns they counterfeited, or tapering and fluted with branches that carried the candle-flames like flowers, everything seemed as if it had been created for this room alone. From the wall a lacquered clock as round and big and benign as the setting sun wavered in the coppery shadows of the fire, and with scarcely the sound of a tick showed forth time. Guy had never appreciated the sacredness of eating in good company until he dined casually like this at the Rectory. He never knew what he ate and always accepted what was put before him like manna; yet he was always conscious of having enjoyed the meal, and next morning he used to face, unabashed, Miss Peasey's tale of ruined tapioca which had waited for him too long.

The seal of perfection was generally set on these unexpected dinners by chamber-music afterwards, when under the arched roof of the big music-room for an hour or more of trios and quartets Guy contemplated that family. The Greys could not have revealed the design of their life with anything but chamber-music, and setting aside any expression of inward things, thought Guy, how would it be possible to imagine them more externally decorative than seated so at this formal industry of art? He liked best perhaps the trios, when he and Mrs. Grey, each in a Caroline chair with tall wicker back, remained outside, and yet withal as much in the picture as two donors painted by an old Florentine. Monica in a white dress sat straight and stiff, with pale-gold hair that seemed the very color of the refined, the almost rarefied accompaniment upon which her fingers quivered and rippled. Something of her own coldness and remoteness and crystalline severity she brought to her instrument, as if upon a windless day a fountain played forth its pattern. Margaret's amber dress deepened from the shade of Monica's hair, and Margaret's eyes glowed deep and solemn as the solemn depths of the violoncello over which she hung with a thought of motherhood in the way she cherished it. Was it she, wondered Guy, who was the ultimate lure of this house, or was it Pauline? Of her, as she swayed to the violin, nothing could be said but that from a rose-bloomed radiance issued a sound of music. And how clearly in the united effect of the three sisters was written the beauty of their lives. Guy could almost see every hour of their girlhood passing in orderly pattern as the divine Houris dance along a Grecian frieze. There was neither passion nor sentiment in the music; there was neither sorrow nor regret. It was heartless in its limpid beauty; it was remote as a cloud against the sunrise; cold as water was it, and incommunicable as a dream; yet in solitude when Guy reconjured the sound afterwards, it returned to his memory like fire.

A great occasion for Guy was the afternoon when first the Greys came to tea with him at Plashers Mead. Himself went into Wychford and bought the cakes, so many that Miss Peasey held up her hands with that ridiculously conventional gesture of surprise she used, exclaiming:

"Oh, dear, this is a variety!"

Guy led them solemnly round the house and furnished the empty rooms with such vivid descriptions that their emptiness was scarcely any longer perceptible. In his own room he waited anxiously for judgment. Margaret was, of course, the first to declare an opinion. She did not like his curtains nor his green canvas, and she was by no means willing to accept his excuse that they were relics of undergraduate taste.

"If you don't like them now, why do you have them? Why not plain white for the walls and no curtains at all, until you can get ones you really do like?"

Pauline was afraid his feelings would be hurt and declared with such transparent dishonesty how greatly she loved everything in the room that Guy, grateful though he was to her intended sweetness, was more discouraged than ever. Monica objected to his having Our Lady on the mantelshelf, and would not admit her as Saint Rose of Lima; but Guy was enough in awe of Monica not to justify the identification with Saint Rose by his desire for a poetic apostrophe. As for Mrs. Grey, she behaved as she always did when Monica and Margaret were being critical—that is, by firing off "charmings!" in a sort of benevolent musketry; but if Guy was not convinced by her "charmings!" he could not resist her when she said:

"I think Guy's room is charming ... charming!"

He felt his room could be an absolute failure if from the ashes of its reputation he were alluded to actually for the first time as "Guy." Gone then was Mr. Hazlewood; fled were those odious "misses." He turned to Pauline and said, momentously, boldly:

"I say, Pauline, you haven't seen my new kitten."

She blushed, and Guy stood breathless with the attainment of the first peak. Then triumphantly he turned to Mrs. Grey:

"Monica and Margaret are very severe, aren't they?"

How easy it was, after all, and he wished he had addressed them directly by their christian names instead of taking refuge in a timid reference. Now all that was wanting for his pleasure was that Monica, Margaret, or Pauline should call him Guy. He wondered which would be the first. And vaguely he asked himself which he wanted to be the first.

Pauline was talking to Margaret in the bay window.

"Do you remember," she was saying, "when Richard came to look at Plashers Mead and we pretended he was going to take it?"

Margaret frowned at her for answer; but for Guy the afternoon so lately perfected was spoiled again; and when they were gone, all the evening he glowered at phantom Richards who, whether Adonises or Calibans, were all equally obnoxious and more than obnoxious, positively minatory. Next day he felt he had no heart to make an excuse to visit the Rectory; and he was drearily eating some of the cakes of the tea-party when Mr. Brydone and Mr. Willsher paid him their first call. Guy did not think they would appreciate the empty rooms, however eloquently he narrated their future glories; so he led his visitors forthwith to the cakes, listening to the talk of trout and jack. After a while he asked with an elaborate indifference if either of them had lately been round to the Rectory.

"Too clever for me," said Brydone, shaking his head. "Besides, Pauline kicked up a fuss a fortnight ago because we asked if we could have the otter-meet in their paddock."

"They were never sporting, those Rectory kids," said Willsher, gloomily.

"Never," his friend agreed, shaking his head. "Do you remember when Margaret egged on young Richard Ford to punch your head because your old terrier chivied the Greys' cat round the churchyard?"

"I punched his head, I remember," said Willsher in wrathful reminiscence.

"Does Richard Ford live here?" Guy asked.

"His father's the Vicar of Little Fairfield, the next parish, you know. Richard's gone to India. He's an engineer, awfully nice chap and head over heels in love with the fair Margaret. I believe there's a sort of engagement."

In that moment by the lightening of his heart Guy knew that he was in love with Pauline.

Outside the November night hung humid and oppressive.

"I thought we should get it soon," said Willsher, and as the two friends vanished in the mazy garden Guy, looking up, felt rain falling softly yet with gathering intensity. He stood for a while in his doorway, held by the whispering blackness. Then suddenly in a rapture of realization he slammed the door and, singing at the top of his voice, marched about the hall. Once upon a time "to-morrow" had been wont to drowse him; now the word sounded upon his imagination like a golden trumpet.