The Solutrean Industry—A Racial and Cultural Intrusion—Decline of Aurignacian Art—A God-cult—The Solutrean Thor—Open-air Life—Magdalenian Culture—Decline of Flint Working—Horn and Bone Weapons and Implements—Revival of CrÔ-Magnon Art—The Lamps and Palettes of Cave Artists—The Domesticated Horse—Eskimos in Europe—Magdalenian Culture in England—The Vanishing Ice—Reindeer migrate Northward—New Industries—Tardenoisian and Azilian Industries—Pictures and Symbols of Azilians—"Long-heads" and "Broad-heads"—Maglemosian Culture of Fair Northerners—Pre-Neolithic Peoples in Britain.

In late Aurignacian times the influence of a new industry was felt in Western Europe. It first came from the south, and reached as far north as England where it can be traced in the caverns. Then, in time, it spread westward and wedge-like through Central Europe in full strength, with the force and thoroughness of an invasion, reaching the northern fringe of the Spanish coast. This was the Solutrean industry which had distinctive and independent features of its own. It was not derived from Aurignacian but had developed somewhere in Africa—perhaps in Somaliland, whence it radiated along the Libyan coast towards the west and eastward into Asia. The main or "true" Solutrean influence entered Europe from the south-east. It did not pass into Italy, which remained in the Aurignacian stage until Azilian times, nor did it cross the Pyrenees or invade Spain south of the Cantabrian Mountains. The earlier "influence" is referred to as "proto-Solutrean". Solutrean is well represented in Hungary where no trace of Aurignacian culture has yet been found. Apparently that part of Europe had offered no attractions for the CrÔ-Magnons.

Who the carriers of this new culture were it is as yet impossible to say with confidence. They may have been a late "wave" of the same people who had first introduced Aurignacian culture into Europe, and they may have been representative of a different race. Some ethnologists incline to connect the Solutrean culture with a new people whose presence is indicated by the skulls found at BrÜnn and BrÜx in Bohemia. These intruders had lower foreheads than the CrÔ-Magnons, narrower and longer faces, and low cheek-bones. It may be that they represented a variety of the Mediterranean race. Whoever they were, they did not make much use of ivory and bone, but they worked flint with surpassing skill and originality. Their technique was quite distinct from the Aurignacian. With the aid of wooden or bone tools, they finished their flint artifacts by pressure, gave them excellent edges and points, and shaped them with artistic skill. Their most characteristic flints are the so-called laurel-leaf (broad) and willow-leaf (narrow) lances. These were evidently used in the chase. There is no evidence that they were used in battle. Withal, their weapons had a religious significance. Fourteen laurel-leaf spear-heads of Solutrean type which were found together at Volgu, SaÔne-et-Loire, are believed to have been a votive offering to a deity. At any rate, these were too finely worked and too fragile, like some of the peculiar Shetland and Swedish knives of later times, to have been used as implements. One has retained traces of red colouring. It may be that the belief enshrined in the Gaelic saying, "Every weapon has its demon", had already come into existence. In Crete the double-axe was in Minoan times a symbol of a deity;[40] and in northern Egypt and on the Libyan coast the crossed arrows symbolized the goddess Neith; while in various countries, and especially in India, there are ancient stories about the spirits of weapons appearing in visions and promising to aid great hunters and warriors. The custom of giving weapons personal names, which survived for long in Europe, may have had origin in Solutrean times.

Art languished in Solutrean times. Geometrical figures were incised on ivory and bone; some engraving of mammoths, reindeer, and lions have been found in Moravia and France. When the human figure was depicted, the female was neglected and studies made of males. It may be that the Solutreans had a god-cult as distinguished from the goddess-cult of the Aurignacians, and that their "flint-god" was an early form of Zeus, or of Thor, whose earliest hammer was of flint. The Romans revered "Jupiter Lapis" (silex). When the solemn oath was taken at the ceremony of treaty-making, the representative of the Roman people struck a sacrificial pig with the silex and said, "Do thou, Diespiter, strike the Roman people as I strike this pig here to-day, and strike them the more, as thou art greater and stronger". Mr. Cyril Bailey (The Religion of Ancient Rome, p. 7) expresses the view that "in origin the stone is itself the god".

During Solutrean times the climate of Europe, although still cold, was drier that in Aurignacian times. It may be that the intruders seized the flint quarries of the CrÔ-Magnons, and also disputed with them the possession of hunting-grounds. The cave art declined or was suspended during what may have been a military regime and perhaps, too, under the influence of a new religion and new social customs. Open-air camps beside rock-shelters were greatly favoured. It may be, as has been suggested, that the Solutreans were as expert as the modern Eskimos in providing clothing and skin-tents. Bone needles were numerous. They fed well, and horse-flesh was a specially favoured food.

In their mountain retreats, the Aurignacians may have concentrated more attention than they had previously done on the working of bone and horn; it may be that they were reinforced by new races from north-eastern Europe, who had been developing a distinctive industry on the borders of Asia. At any rate, the industry known as Magdalenian became widespread when the ice-fields crept southward again, and southern and central Europe became as wet and cold as in early Aurignacian times. Solutrean culture gradually declined and vanished and Magdalenian became supreme.

The Magdalenian stage of culture shows affinities with Aurignacian and betrays no influence of Solutrean technique. The method of working flint was quite different. The Magdalenians, indeed, appear to have attached little importance to flint for implements of the chase. They often chipped it badly in their own way and sometimes selected flint of poor quality, but they had beautiful "scrapers" and "gravers" of flint. It does not follow, however, that they were a people on a lower stage of culture than the Solutreans. New inventions had rendered it unnecessary for them to adopt Solutrean technique. Most effective implements of horn and bone had come into use and, if wars were waged—there is no evidence of warfare—the Magdalenians were able to give a good account of themselves with javelins and exceedingly strong spears which were given a greater range by the introduction of spear-throwers—"cases" from which spears were thrown. The food supply was increased by a new method of catching fish. Barbed harpoons of reindeer-horn had been invented, and no doubt many salmon, &c., were caught at river-side stations.

The CrÔ-Magnons, as has been found, were again in the ascendant, and their artistic genius was given full play as in Aurignacian times, and, no doubt, as a result of the revival of religious beliefs that fostered art as a cult product. Once again the painters, engravers, and sculptors adorned the caves with representations of wild animals. Colours were used with increasing skill and taste. The artists had palettes on which to mix their colours, and used stone lamps, specimens of which have been found, to light up their "studios" in deep cave recesses. During this Magdalenian stage of culture the art of the CrÔ-Magnons reached its highest standard of excellence, and grew so extraordinarily rich and varied that it compares well with the later religious arts of ancient Egypt and Babylonia.

The horse appears to have been domesticated. There is at Saint Michel d'Arudy a "Celtic" horse depicted with a bridle, while at La Madeleine was found a "bÂton de commandement" on which a human figure, with a stave in his right hand, walks past two horses which betray no signs of alarm.

Our knowledge is scanty regarding the races that occupied Europe during Magdalenian times. In addition to the CrÔ-Magnons there were other distinctive types. One of these is represented by the Chancelade skeleton found at Raymonden shelter. Some think it betrays Eskimo affinities and represents a racial "drift" from the Russian steppes. In his Ancient Hunters Professor Sollas shows that there are resemblances between Eskimo and Magdalenian artifacts.

The Magdalenian culture reached England, although it never penetrated into Italy, and was shut out from the greater part of Spain. It has been traced as far north as Derbyshire, on the north-eastern border of which the Cresswell caves have yielded Magdalenian relics, including flint-borers, engravers, &c., and bone implements, including a needle, an awl, chisels, an engraving of a horse on bone, &c. Kent's Cavern, near Torquay in Devonshire, has also yielded Magdalenian flints and implements of bone, including pins, awls, barbed harpoons, &c.

During early Magdalenian times, however, our native land did not offer great attractions to Continental people. The final glacial epoch may have been partial, but it was severe, and there was a decided lowering of the temperature. Then came a warmer and drier spell, which was followed by the sixth partial glaciation. Thereafter the "great thaw" opened up Europe to the invasion of new races from Asia and Africa.

Three distinct movements of peoples in Europe can be traced in post-Magdalenian times, and during what has been called the "Transition Period", between the Upper PalÆolithic and Lower Neolithic Ages or stages. The ice-cap retreated finally from the mountains of Scotland and Sweden, and the reindeer migrated northward. Magdalenian civilization was gradually broken up, and the cave art suffered sharp decline until at length it perished utterly. Trees flourished in areas where formerly the reindeer scraped the snow to crop moss and lichen, and rich pastures attracted the northward migrating red deer, the roe-deer, the ibex, the wild boar, wild cattle, &c.

The new industries are known as the Tardenoisian, the Azilian, and the Maglemosian.

Tardenoisian flints are exceedingly small and beautifully worked, and have geometric forms; they are known as "microliths" and "pygmy flints". They were evidently used in catching fish, some being hooks and others spear-heads; and they represent a culture that spread round the Mediterranean basin: these flints are found in northern Egypt, Tunis, Algeria, and Italy; from Italy they passed through Europe into England and Scotland. A people who decorated with scenes of daily life rock shelters and caves in Spain, and hunted red deer and other animals with bows and arrows, were pressing northward across the new grass-lands towards the old Magdalenian stations. Men wore pants and feather head-dresses; women had short gowns, blouses, and caps, as had the late Magdalenians, and both sexes wore armlets, anklets, and other ornaments of magical potency. Females were nude when engaged in the chase. The goddess Diana had evidently her human prototypes. There were ceremonial dances, as the rock pictures show; women lamented over graves, and affectionate couples—at least they seem to have been affectionate—walked hand in hand as they gradually migrated towards northern Spain, and northern France and Britain. The horse was domesticated, and is seen being led by the halter. Wild animal "drives" were organized, and many victims fell to archer and spearman. Arrows were feathered; bows were large and strong. Symbolic signs indicate that a script similar to those of the Ægean area, the northern African coast, and pre-dynastic Egypt was freely used. Drawings became conventional, and ultimately animals and human beings were represented by signs. This culture lasted after the introduction of the Neolithic industry in some areas, and in others after the bronze industry had been adopted by sections of the people.

When the Magdalenian harpoon of reindeer horn was imitated by the flat harpoon of red-deer horn, this new culture became what is known as Azilian. It met and mingled with Tardenoisian, which appears to have arrived later, and the combined industries are referred to as Azilian-Tardenoisian.

While the race-drifts, represented by the carriers of the Azilian and Tardenoisian industries, were moving into France and Britain, another invasion from the East was in progress. It is represented in the famous Ofnet cave where long-heads and broad-heads were interred. The Asiatic Armenoids (Alpine type) had begun to arrive in Europe, the glaciers having vanished in Asia Minor. Skulls of broad-heads found in the Belgian cave of Furfooz, in which sixteen human skeletons were unearthed in 1867, belong to this period. The early Armenoids met and mingled with representatives of the blond northern race, and were the basis of the broad-headed blonds of Holland, Denmark, and Belgium.

Maglemosian culture is believed to have been introduced by the ancestors of the fair peoples of Northern Europe. It has been so named after the finds at Maglemose in the "Great Moor", near Mullerup, on the western coast of Zeeland. A lake existed at this place at a time when the Baltic was an inland water completely shut off from the North Sea. In a peat bog, formerly the bed of the lake, were found a large number of flint and bone artifacts. These included Tardenoisian microliths, barbed harpoons of bone, needles of bone, spears of bone, &c. Bone was more freely used than horn for implements and weapons. The animals hunted included the stag, roe-deer, moose, wild ox, and wild boar. Dogs were domesticated. It appears that the Maglemosians were lake-dwellers. Their houses, however, had not been erected on stilts, but apparently on a floating platform of logs, which was no doubt anchored or moored to the shore. There are traces of Magdalenian influence in Maglemosian culture. Although many decorative forms on bone implements and engravings on rocks are formal and symbolic, there are some fine and realistic representations of animals worthy of the Magdalenian cave artists. Traces of the Maglemosian racial drift have been obtained on both sides of the Baltic and in the Danish kitchen middens. Engravings on rocks at Lake Onega in Northern Russia closely resemble typical Maglemosian work. Apparently the northern fair peoples entered Europe from Western Siberia, and in time were influenced by Neolithic culture. But before the Europeans began to polish their stone implements and weapons, the blond hunters and fishermen settled not only in Denmark and Southern Sweden and Norway but also in Britain.

At the time when the Baltic was an inland fresh-water lake, the southern part of the North Sea was dry land, and trees grew on Dogger Bank, from which fishermen still occasionally lift in their trawls lumps of "moor-log" (peat) and the bones of animals, including those of the reindeer, the red deer, the horse, the wild ox, the bison, the Irish elk, the bear, the wolf, the beaver, the woolly rhinoceros, the mammoth, and the walrus. No doubt the Maglemosians found their way over this "land-bridge", crossing the rivers in rude boats, and on foot when the rivers were frozen. Evidence has been forthcoming that they also followed the present coast line towards Boulogne, near which a typical Maglemosian harpoon has been discovered.

Traces of Maglemosian influence have been found as far north as Scotland on the Hebridean islands of Oronsay and Risga. The MacArthur cave at Oban reveals Azilian artifacts. In the Victoria cave near Settle in Yorkshire a late Magdalenian or proto-Azilian harpoon made of reindeer-horn is of special interest, displaying, as it does, a close connection between late Magdalenian and early Azilian. Barbed harpoons, found at the shelter of Druimvargie, near Oban, are Azilian, some displaying Maglemosian features. Barbed harpoons of bone, and especially those with barbs on one side only, are generally Maglemosian, while those of horn and double-barbed are typically Azilian.

Apparently the fair Northerners, the carriers of Maglemosian culture, and the dark Iberians, the carriers of Azilian culture, met and mingled in Scotland and England long before the Neolithic industry was introduced. There were also, it would appear, communities in Britain of CrÔ-Magnons, and perhaps of other racial types that existed on the Continent and in late Magdalenian times. The fair peoples of England and Wales, Scotland and Ireland are not therefore all necessarily descendants of Celts, Angles, Saxons, and Vikings. The pioneer settlers in the British Isles, in all probability, included blue and grey-eyed and fair or reddish-haired peoples who in Scotland may have formed the basis of the later Caledonian type, compared by Tacitus to the Germans, but bearing an undoubted Celtic racial name, the military aristocrats being Celts.[41]