A week in Sorrento, during which Merrihew saw all the beautiful villas, took tea with the Russian princess, made a martyr of himself trying to acquire a taste for the sour astringent wines of the country, and bought inlaid-wood paper-cutters and silk socks and neckties and hat-bands, enough, in truth, to last him for several generations; another week in Capri, where, at the Zum Kater Hidigeigei, he exchanged compliments with the green parrot, drank good beer, played batseka (a game of billiards) with the exiles (for Capri has as many as Cairo!) and beat them out of sundry lire, toiled up to the ledge where the playful Tiberius (see guide-books) tipped over his whilom favorites, bought a marine daub; and then back to Naples and the friendly smells. His constant enthusiasm and refreshing observations were a tonic to Hillard. At the hotel in Naples they found a batch of mail. There was a letter which held particular interest to Merrihew. It was from the consul at Rome, a reply to Hillard's inquiries regarding the American Comic Opera Company. "We'll now find out where your charming Kitty is," Hillard said, breaking the seal. But they didn't. On the contrary, the writer hadn't the slightest idea where the play-actors were or had gone. They had opened a two weeks' engagement at the Teatro Quirino. There had been a good house on the opening night; the remainder of the week did not show the sale of a hundred tickets. It was a fallacy that traveling Americans had any desire to witness American productions in Italy. So, then, the managers of the theater had abruptly canceled the engagement. The American manager had shown neither foresight nor common sense. He had, in the first place, come with his own scenery and costumes, upon which he had to pay large duties, and would have to pay further duties each time he entered a large city. His backer withdrew his support; and the percentage demanded by the managers in Florence, Genoa, Milan and Venice was so exorbitant (although they had agreed to a moderate term in the beginning) that it would have been nothing short of foolhardiness to try to fill the bookings. The singing of the prima donna, however, had created a highly favorable impression among the critics; but she was unknown, and to be unknown was next to positive failure, financially. This information, the writer explained, had been obtained by personal investigation. The costumes and scenery had been confiscated; and the manager and his backer had sailed for America, leaving the members of the company to get back the best way they could. As none of the players had come to the consulate for assistance, their whereabouts were unknown. The writer also advised Mr. Hillard not to put his money in any like adventure. Italy was strongly against any foreign invasion, aside from the American trolley-car. "That's hard luck," growled Merrihew, who saw his hopes go down the horizon. "But it makes me out a pretty good prophet," was Hillard's rejoinder. "The Angel's money gave out. Too many obstacles. To conquer a people and a government by light opera—it can't be done here. And so the American Comic Opera Company at the present moment is vegetating in some little pensione, waiting for money from home." Merrihew gnawed the end of his cane. All his pleasant dreams had burst like soap-bubbles. Had they not always done so? There would be no jaunts with Kitty, no pleasant little excursions, no little suppers after the performance. And what's a Michelangelo or a Titian when a man's in love? "Brace up, Dan. Who knows? Kitty may be on the high seas, that is, if she has taken my advice and got a return-ticket. I'll give you a dinner at the Bertolini to-night, and you may have the magnum of any vintage you like. We'll have Tomass' drive us down the Via Caracciolo. It will take some of the disappointment out of your system." "Any old place," was the joyless response. "Seems to me that Italy has all the cards when it comes to graft." "America, my boy, is only in the primary department. Kitty's manager forgot the most important thing of the whole outfit." "What's that?" "The Itching Palm. Evidently it had not been properly soothed. Come on; we may run across some of our ship-acquaintances. To-morrow we'll start for Rome, and then we shall add our own investigations to those of the consul." They had ridden up and down the Via Caracciolo twice when they espied a huge automobile, ultramarine blue. It passed with a cloud of dust and a rumble which was thunderous. Hillard half rose from his seat. "Somebody you know?" asked Merrihew. "The man at the wheel looked a bit like Sandford." "Sandford? By George, that would be jolly!" "Perhaps they will come this way again. Tomass', follow that motor." Sure enough, when the car reached the Largo Vittoria, it wheeled and came rumbling back. This time Hillard had no doubts. He stood up and waved his arms. The automobile barked and groaned and came to a stand. "Hello, Sandford!" "Jack Hillard, as I live, and Dan Merrihew! Nell?" turning to one of the three pretty women in the tonneau. "What did I tell you? I felt it in my bones that we would run across some one we knew." "Or over them," his wife laughed. In a foreign land one's flag is no longer eyed negligently and carelessly, as though it possessed no significance; it now becomes a symbol of the soil wherein our hearts first took root. A popular tune we have once scorned, now, when heard, catches us by the throat; the merest acquaintance becomes a long-lost brother; and persons to whom we nod indifferently at home now take the part of tried and true friends. But when we meet an old friend, one who has accepted our dinners and with whom we have often dined, what is left but to fall on his neck and weep? There was, then, over this meeting, much ado with handshaking and compliments, handshaking and questions; and, as in all cases like this, every one talked at once. How was old New York? How was the winter in Cairo? And so forth and so on, till a policeman politely told them that this was not a private thoroughfare, and that they were blocking the way. So they parted, the two young men having promised to dine with the Sandford party that evening. "What luck, Dan!" Hillard was exuberant. "Saves you the price of a dinner." "I wasn't thinking of that. But I shall find out all about her to-night." "Who?" "The Lady in the Fog, the masquerading lady!" "Bah! I should prefer something more solid than a vanishing lady." "Look here, Dan, I never throw cold water on you." "There have been times when it would have done my head good." Sandford knew how to order a dinner; and so by the time that Merrihew had emptied his second glass of Burgundy and his first of champagne, he was in the haze of golden confidence. He would find Kitty, and when he found her he would find her heart as well. "Say, Jack," said Sandford, "what did you mean by that fool cable, anyhow?" Hillard had been patiently waiting for an opening of this sort. "And what did you mean by hoaxing me?" "Hoaxing you?" "That's the word. I was in your house that night; I was there as surely as I am here to-night." "Nell, am I crazy, or is it Jack?" "Sometimes," said Mrs. Sandford, "when you put the chauffeur in the tonneau, I'm inclined to think that it is you." Hillard looked straight into the placid grey eyes of his hostess. Very slowly one of the white lids drooped. His heart bounded. "But really," continued Sandford seriously, "unless you bribed the caretaker, you could not possibly have entered the house. You have been dreaming." "Very well, then; it begins to look as if I had." It was apparent to Hillard that Sandford was not in his wife's confidence in all things. He also saw the wisdom of dropping the subject while at the table. To take up the thread of that romance again! He needed no wine to tingle his blood. They took coffee and liqueur in the glass-inclosed balcony. All Naples sparkled at their feet, and the young moon rose over the Sorrentine Hills. Sandford and Merrihew and the other two ladies began an animated exchange of experiences. Hillard found a quiet nook, not far from the lift. He saw that Mrs. Sandford's chair was placed so that she could get a good view of the superb night. He sat down himself, sipped his liqueur meditatively, drank his coffee, and, as she nodded, lighted a cigarette. "Well?" she said, smiling into his brown eyes. She was rather fond of Hillard; a gentleman always, and one of excellent taste. There was never any wearisome innuendo in his wit nor suggestion in his stories. "You deliberately winked at me," he began. "I deliberately did." "Sandford is in the dark; I suspected as much." "Regarding the wink?" "Regarding the mysterious woman who occupied your house by your express authority, and who rode the hunter in the park." "Was there ever a more beautiful picture?" sweeping her hands toward the city. "The beauty of it will last several hours yet. Who and what was she?" "I wish I could find you a wife; you would make a good husband." "Thank you. I am even willing, with your assistance, to prove it. Who was she, and how came she in your house?" "She wished that favor, and that her presence in New York should not be known. Now, describe to me exactly what happened. I am worrying about the plate and the silver." He laughed. "And you will meet me half-way?" "I promise to tell you all I ... dare." "There is a mystery?" "Yes. So begin with your side of it." He was a capital story-teller. He recounted the adventure in all its color; the voice under his window, the personals in the paper, the interchange of letters, the extraordinary dinner, the mask in the envelope. She followed him with breathless interest. "Charming, charming!" She clapped her hands. "And how well you tell it! You have told it just as it happened." "Just as it happened!" confounded for a moment. "Exactly. I have had a letter, two, in fact. You did not see her face?" "Only the chin and mouth. But if I ever meet her again I shall know her by her teeth." "Heavens! And how?" "Two lower ones are gone; otherwise they would be beautiful." "Poor man! You have builded your house upon the sands. Her teeth are perfect. She has fooled you." "But I saw with these two eyes!" "There is a preparation which theatrical people use; a kind of gum. She mentioned the trick. Isn't she clever?" "Yet I shall know her hair," doggedly. She put her hands swiftly to her head. "Now, you have known me for years. What is the color of my hair?" "Why, it is blond." "Nothing of the kind. It is auburn. If you can not tell mine, how will you tell hers?" "I shall probably run after every red-headed woman in Europe till I find her," humorously. "If you can keep out of jail long enough." "I shall at any rate remember her voice." "That is better. Our ears never deceive half so often as our eyes." "Her face is not scarred, is it?" "Scarred!" indignantly. "She is as beautiful as a Raphael, as lovely as a Bouguereau. If I were a man I should gladly journey round the world for the sight of her." "I am willing, even anxious." "I should fall in love with her." "I believe I have." "And I should marry her, too." "Even that." "Come, Mr. Hillard; I am just fooling. You are too sensible a man to fall in love with a shadow, a mask. Your fancy has been trapped, that is all. One does not fall in love that way." "You ought to know," with a sidelong glance at Sandford. As her glance followed his, hers grew warm and kindly. Sandford, by chance meeting the look, smiled back across the room. This little by-play filled Hillard with a sense of envy and loneliness. At three-and-thirty a bachelor realizes that there is something else in life besides business and travel. "It is quite useless to ask who she is?" he inquired of his hostess. "Quite useless." "She is married?" "Certainly I have not said so." He flicked the ash from his cigarette. What was the use of trying to trap a woman into saying what she did not propose to say? "Have you those letters?" "One of them I'll show you." "Why not the other?" "It would be wasting time. It merely relates to your adventure. She sailed the day after you dined with her." "That accounts for the shutters. The police and the caretaker were bribed." "I suspect they were." "If I were a vain man, and you know I am not, I might ask you if she spoke well of me in this letter. Understand, I am not inquiring." "But you put the question as adroitly as a woman. We are sure of vanity always. Yes, she spoke of you. She found you to be an agreeable gentleman. But," with gentle malice, "she did not say that she wished she had met you years ago, under more favorable circumstances, or that she liked your eyes, which are really fine ones." He had to join in her laughter. "Come, give me the death-stroke and have done with it. Tell me what you dare, and I'll be content with it." She opened her handkerchief purse and delved among the various articles therein. "I expected that you would be asking questions, so I came prepared. I did not tell my husband for that very reason. He would have insisted upon knowing everything. Here, read this. It is only a glimpse." He searched eagerly for the signature. "Don't bother," she said. "The name is only a nickname we gave her at school." "School? Do you mean to tell me that you went to school with her? Where?" "In Pennsylvania first; then in Milan. Read." O Cara Mia—If only you knew how sorry I am to miss you! Why must you sail at once? Why not come to my beautiful Venice? True, I could not entertain you as in the days of my good father. But I have so much to say to you that can not be written. You ask about the adventure. Pouf! goes my little dream of greatness. It was a blank failure. Much as I knew about Italy I could not know everything. The officials put unheard-of obstacles in our path. The contracts were utterly disregarded. In the first place, we had not purchased our costumes and scenery in Italy. "Costumes and scenery?" Hillard sought the signature again. Mrs. Sandford was staring at the moonlit bay. That poor manager! And that poor man who advanced the money! They forgot that the booking is as nothing, the incidentals everything. The base of all the trouble was a clerk in the consulate at Naples. He wrote us that there would be no duties on costumes and scenery. Alas! the manager and his backer are on the way to America, sadder and wiser men. We surrendered our return tickets to the chorus and sent them home. The rest of us are stranded—is not that the word?—here in Venice, waiting for money from home. If I were alone, it would be highly amusing; but these poor people with me! There is only one way I can help them, but that, never. You recollect that my personal income is quarterly, and it will be two months before I shall have funds. I could get it advanced, but I dare not. There are persons moving Heaven and earth to find me. My companions haven't the least idea who I am; to them I am one of the profession. So here we all are, wandering about the Piazza San Marco, calling at Cook's every day in hopes of money, and occasionally risking a penny in corn for the doves. I am staying with my nurse, my mother's maid, in the Canipo Santa Maria Formosa, near our beloved Santa Barbara. Very quietly I have guaranteed the credit of my unfortunate companions, and they believe that Venetians are very generous people. Generous! Think of it! Come to Venice, dear; it is all nonsense that you must return to America. Perhaps you will wonder how I dared appear on the stage in Italy. A black wig and a theatrical make-up; these were sufficient. A duke sent me an invitation to take supper with him, as if I were a ballerina! I sent one of the American chorus girls, a little minx for mischief. She ate his supper, and then ran away. I understand that he was furious. Only a few months more, Nell, and then I may come and go as I please. Come to Venice. Capricciosa. Hillard did not stir. Another labyrinth to this mystery! Capricciosa; Kitty Killigrew's unknown prima donna; and all he had to do was to take the morning train for Venice, and twenty-four hours later he would be prowling through the Campo Santa Maria Formosa. Though his mind was busy with a hundred thoughts, his head was still bent and his eyes riveted upon the page. Mrs. Sandford observed him curiously, even sadly. Why couldn't his fancy have been charmed by an every-day, sensible girl, and not by this whimsical, extraordinary woman who fooled diplomats, flaunted dukes, and kept a king at arm's length as a pastime? And yet—! "Capricciosa," he mused aloud. "That is not her name." "And I shall not tell it you." "But her given name? Just a straw; something to hold on; I'm a drowning man." Hillard's pleadings would have melted a heart of stone. "It is Hilda." "That is German." "She prefers it to Sonia." "Sonia Hilda; it begins well. May I keep this letter?" "Certainly not. With that cara mia? Give it to me." He did so. "Shall I seek her?" "This is my advice: don't think of her after to-night. If you ever see or recognize her, avoid her. It may sound theatrical, but she is the innocent cause of two deaths. These men sought her openly, too." "What has she done?" "She made a great, though common, mistake." "Political?" Her lips closed firmly, but a smile lurked in the corners. He sighed. "Don't be foolish. I am sorry I let you see the letter. I forgot that she told me her hiding-place." "Her hiding-place?" "Mr. Hillard, she is as far removed from your orbit as Mars' is from Jupiter's. Forget her." "My orbit is not limited. I shall seek her; when I find her I shall ... marry her." But her lips closed again. "Sphinx!" he murmured with reproach. "I like you too much, Mr. Hillard, to stand by and see you break your heart against a stone wall." "Don't you see, the deeper the mystery is the more powerful the attraction becomes?" The door to the lift opened and closed noisily, and Hillard turned negligently. A man sauntered through the room. The moment he came into the light Hillard's interest became lively enough: It was the handsome Italian with the scar. "Who is that man?" he whispered. "Only a few weeks ago I bumped into him on coming out of the club." A swift glance, then her eyes grew unfriendly, her shoulders rigid and repellent. "Do not attract his attention," she answered in a low tone. "Yes, I know him, and I do not wish him to see me." "Who is he?" he repeated. "A Venetian officer, and a profligate. I entertained him once, but I learned from him that I had been ill-advised." Hillard saw that this subject would admit of no further questions. The man with the scar had committed some inexcusable offense, and Mrs. Sandford had crossed him off the list. He knew that the Italian officer is, more or less, a lady's man; and the supreme confidence he has in the power of brass buttons and gold lace makes him at times insufferable. It was after ten when Hillard and his friend took their leave. They would not see their host and hostess again till they reached New York. Upon coming out on the Corso, Hillard whistled merrily. "Pleasant evening," was Merrihew's comment. Hillard continued to whistle. "Good dinner, too." The whistle went on serenely, in spite of Merrihew's obvious attempts to choke it off. "You seemed to have a good deal to say to Mrs. Sandford. She knows the lady who was in the house?" Still the whistle. "Say, wake up!" cried Merrihew impatiently. "We shall leave in the morning for Venice," said Hillard, taking up the tune again. "Venice? How about Rome and Florence?" "Which would you prefer: Rome and the antiquities, or Venice and—Kitty Killigrew?" "Kitty in Venice? Are you sure?" "She is there with La Signorina Capricciosa. Oh, this is a fine world, after all, and I was wrong to speak ill of it this morning." "If Kitty's in Venice, I'm an ungrateful beggar, too. But I do not see why Kitty's being in Venice excites you." "No? Well, fate writes that Kitty's mysterious prima donna and my Lady of the Mask are one and the same person." "No!" The two, without further words, marched along the middle of the Corso to the hotel, which was only a few steps away. They entered. The concierge started toward them as if he desired to impart some valuable information, but suddenly reconsidered, and retreated to his bandbox of an office and busied himself with the ever-increasing debours. The strangeness of his movements passed unnoticed by the two men, who continued on through the lobby, turning into the first corridor. Hillard inserted his key in the door of his room, unlocked it, and swung it inward. This done, he paused irresolutely on the threshold, and with good cause. "What the devil can this mean?" he whispered to Merrihew, who peered over his shoulder. Two dignified carabinieri rose quickly and approached Hillard. There was something in the flashing eyes and set jaws that made him realize that the safest thing for him to do at that moment was to stand perfectly still! |