THE INTERLOPER.LANCE found his father and Octavia Gentry awaiting him in the lean-to kitchen, Kimbro Cleaverage anxious and deprecating. Old Ajax had dodged the issue, and Sylvane was out in the other room trying to get the boys and girls to playing again. But Callista was there—not beside her mother—she stood near the door, a little pale and looking anywhere but at her bridegroom. Lance Cleaverage's eye, half scornful, swept the scattered group and read their attitude aright. "Anything the matter with you-all?" he inquired suavely. "Yes, they's a-plenty the matter with us, and with all decent and respectable persons here in this house gathered this night," the Widow Griever began in a high, shaking, unnatural voice. "I reckon all that means Ola Derf, for short," cut in Lance, not choosing to be bored with a lengthy harangue. "Yes, it does," Roxy told him. "That thar gal would never have been bidden to Miz. Gentry's house. Callisty would never have been called on to even herself with sech, long as she staid "Suffers!" echoed her brother with a contemptuous grin. "Well, if that don't beat my time! I reckon Ola Derf cain't eat any of you-all. She's just a little old gal, and you're a good-sized crowd of able-bodied folks—what harm can she do you?" "Well, Lance," began his mother-in-law, with studied moderation, though she was plainly incensed, "I do not think, hit's any way for you to do—evening Callista with such folks. She ain't used to it." Lance looked to where Callista yet held aloof near the door, pale and silent, avoiding his eye. "A man and his wife are one," he said, with less confidence than would have been his earlier in the day. "What's good enough for me is good enough for Callista." He got no sign of agreement from his bride—and he had expected it. "Son, I think you made a mistake to bid that Derf gal here," spoke old Kimbro mildly. "But don't you let her start up any foolishness, and we'll all get through without further trouble." "Yes," broke in the Widow Griever's most rasping tones. "She called the game I was a-showin' the boys and gals a Virginia Reel, an' 'lowed she'd call off for us. Call off!" Roxy snorted. Once more Lance's eye swept the circle of hostile, alien faces. His sense of fair play was touched. Also, he felt himself pushed outside and set to defending his solitary camp, with the whole front of respectability arrayed against him. This, so far as the others were concerned, was the usual thing; it daunted him not at all. But when he looked to Callista, and saw that at the first call she had left him—left him alone—arrayed herself with the enemy—a new, strange, stinging pain went through his spirit. He smiled, while odd lights began to bicker in his eyes. "O-oo-oh," he said in a soft, careless voice, "didn't you-all know that I aim to have dancin'? Why, of course I do." And he walked away with head aslant, leaving them dumb. It was but a retort, the usual quick defiance from the Lance Cleaverage who would not be catechized, reproved; yet when he entered the outer room and found Ola drawn over at one side, unfriended, while a knot of whispering girls, quite across the floor from her, cast glances athwart shoulders in her direction, the good will of old comradeship, the anger of the host who sees his guest mistreated, pushed forward his resolution. "I reckon I'd better be goin' home," Ola said to the pale Callista, who followed her husband from the back room. "Looks The bride looked from her bridegroom to the brown girl strangely. In her own fashion, she was as unwilling to be outdone as Lance himself. "This here is Lance's house," she said coldly. "He bids them that he chooses to it. But I reckon he don't aim to have any dancin'." Roxy Griever paused in the doorway and peered in. "I reckon the trouble is that none of the folks here know how to dance," Ola was saying doubtfully. "Let's you and me show 'em, Lance. Come on." Wildly, the sister cast about her for aid. Old Ajax regarded the scene with the same covert enjoyment he had given another domestic embroglio. Her father had slipped through a back door under pretense of seeing to the horse. Her glance fell on Flenton Hands. This was the man for her need. Earlier in the evening, when Flenton made his appearance in Lance Cleaverage's house, accompanying his sisters, Octavia had murmured, "Well, I vow! Ef I'd 'a' been him, ox chains and plow lines couldn't have drug me here, after what was said an' done last night." Even Roxana had wondered at the cold obtuseness that could prompt the acceptance on Flent's part of that general "I don't know as I ort to mix into this here business," Hands began cautiously—the man was not altogether a fool. "The way things has turned out, looks like I ain't got no call to interfere." "'Course you have," Roxy Griever told him. "Preacher Drumright ain't here—ef he was, I'd not even have to name it to him; he'd walk right up to Lance Cleaverage in a minute—spite o' the way Thus urged, Flenton made a somewhat laborious progress toward the middle of the room. Deep in that curious, indirect, unsound nature of his was the hankering to brave Lance Cleaverage in his own house, to insult and overcome him there before Callista; but the pluck required to undertake the enterprise was not altogether moral courage; in spite of the laws of hospitality, there might be some physical demand in the matter, and this Flenton was scarcely prepared to answer. He halted long at his host's shoulder, seeking an opportunity to enter the conversation. Ola paid no attention to him; Callista stood a little apart from the two, looking down, playing with a fold of her skirt. Finally, most of the people in the room noted something strained and peculiar in the situation of affairs, and began to stare and listen. Flenton cleared his throat. "Brother Cleaverage," he essayed in a rather husky voice. Lance wheeled upon him with eyes alight. Thrusting his hands far "We-e-ell, well," he drawled, with a lazy laugh in his voice, "have you and Sis' Roxy made a match of it? That's the only way you'll ever get to be kin to me, and name me brother, Flenton Hands." Roxy's long drab face crimsoned darkly, and she fluttered in wild embarrassment. Hands laughed gratingly, but there was no amusement in the sound. "No," he returned in his best pulpit manner—he was sometimes called upon to officiate at small gatherings when the preacher could not be present—"no, yo' worthy sister an' me hain't had our minds on any such. But we have been talking of a ser'ous matter, Brother Cleaverage." The form of address slipped out inadvertently, and Hands looked uncomfortable. Lance shook his head. "I ain't yo' brother," he demurred, with exaggerated patience. "You' gettin' the families all mixed up. Hit was Callista I married." The boys and girls listening were convulsed with silent mirth. Rilly Trigg snickered aloud, and little Polly ventured to follow along the same line. Flenton's pale face reddened faintly. "I know mighty well-an'-good you ain't brother of mine, Lance "Say it," prompted Lance, standing at ease and surveying his adversary with amusement. "Speak out what's in you. You got me right here in my own house where I'd be ashamed to give you yo' dues. Now's the time to free yo' mind. I ain't fit to have Callista, is that it? She could a' done better—that's what you want to tell me, ain't it?" There was a perfect chorus of approving giggles at this, extending even to the male portion of the company. The tinge of color left Flenton's sallow cheeks, and they were paler than usual; but he hung to his purpose. "I've been axed by them that thinks you ought to be dealt with, to reason with you." He finally got well under way. "Callista Gentry belongs to a perfessin' family—she's all but a church member. You fussed with the preacher last night and tuck her away from in front of him, an' married her before a ongodly Justice of the Peace, an' now you air makin' motions like you was a-goin' to dance here in her house. Yo' sister said that yo' father wouldn't do nothin', and she axed me would I name these things out to you; and I said I would. Thar. I've spoke as I was axed. Looks like the man that's got Callista Gentry could afford to behave hisself." With each new accusation, Lance's lids had dropped a bit lower "'Pears to me like you're in a mighty curious place, Flenton Hands," he began in a silky, musing voice. "Ef you was wedded to anybody—jest anybody—I'd shorely keep out o' your way and let you alone. Is this yo' business? Have I asked yo' ruthers? Has Callista? I got just the one word to say to you—an' it can't be said here in my house. But it shall be spoken when and where we meet next—you mind that!" A sudden, tense hush fell on the room. Did this mean the declaration of war which amounts to a one-man feud in the mountains, and which finally reaches the point where it is kill or be killed on sight? Flenton dropped back with a blanched, twisted countenance. He had not bargained for so much. The young host looked around. His company had separated itself swiftly into sheep and goats, the elders and the primmer portion "Now, if Callisty could only dance, we'd shore see fun," Ola Derf suggested. Lance looked to where his bride stood, aloof, mute, with bitten lip, listening to what her mother whispered in her ear. Yes, he was alone once more; she was with the enemy. His glance took the girl in from head to foot. He saw that she had removed his first gift, the slippers. "Callista can dance about as much as you can play, Rill," he said mockingly. The bride lowered white lids over scornful eyes and turned her back. Rilly laid down the banjo. A couple of the boys began to pat. "Come on, Lance," whispered Ola defiantly. "I dare ye to dance. I bet yo' scared to." A dare—it was Lance Cleaverage's boast that he would never take a dare from the Lord Almighty. He flung himself lightly into position. "Pat for us. Buck, cain't you?" he suggested half derisively. Then, with a swift, graceful bending of the lithe body, he saluted his partner and began. The Derf girl was a muscular little creature; she moved with the tirelessness of a swaying branch in the wind; and Lance himself It was a pretty enough sight, and innocent, except for what had gone before. Roxy Griever had retired in some disarray, upon Lance's sarcastic coupling of her name with that of Flenton Hands. Now, coming into the room with the supposition in her mind that everything was settled in a proper way, she caught sight of the two and stiffened into rigidity. For a moment she stared; then, as the full meaning of the scene burst upon her, she made three long steps to where the youthful Polly stood, taking in everything with big, enjoying eyes, seized her by the scant, soiled homespun frock, and hauled her backward from the room, Polly clawing, scrabbling, hanging to the door frame as she was snatched through. "Poppy," shrilled the widow, in the direction of peaceful old Kimbro, using the tone of one who cries fire, "you kin stay ef yo're a mind—an' Sylvane can do the same. The best men I ever knowed—'ceptin' preachers—has a hankerin' for sin. Ma'y-Ann-Marth', she's asleep, an' what she don't see cain't hurt her. But as for me, I'm a-goin' to take this here child home where The last of these words trailed back from the dark, into which the Widow Griever and her small, reluctant charge were rapidly receding. Kimbro and his son remained, intending to remonstrate with Lance when he should have finished his dancing. Octavia Gentry came and made hasty farewells, hoping thus to stop the performance. Callista stood looking quietly past the dancers to some air-drawn point on the wall, and her expression of quiet composure was held by all observers to be remarkable. "Oh, no, Mother," she said quietly. "You and Gran'pappy are never goin' out of my house before you have eat. Come taste the coffee for me and see have I got it about right. When I was gettin' my supper for to-night, I found out that there was many a thing you hadn't learned me at home; so you'll have to show me now." With a dignity irreproachable, apparently quite oblivious to the dancers, the patting, the laughing, shouting onlookers, Callista smilingly marshalled her forces and put forward her really excellent supper. Here her pride matched Lance's—and overmatched it. He might dance, he might fling the doing of it in her face and the faces of her kindred; she would show herself And the supper was a strong argument. People in all walks of life love to eat; those who danced and those who held dancing sinful, were alike in their appreciation of good victual. It was only a few moments before this counter movement broke up the saltations in the front room and the infare appeared, from an observer's point of view, a great success, as the happy, laughing crowd circled about the long tables, those who had joined to forward the dance coming out looking half sheepish, altogether apologetic and conciliatory. "I'm mighty sorry Sis' Roxy had to go home," Callista said composedly, as she served her father-in-law with a steaming cup of coffee. "I'm goin' to make a little packet of this here cake and the preserves Mammy brought over, and send them by you. I want her to taste them." The host was the gayest of the gay. But unobserved, his eye often followed the movements of the bride, and dwelt with a warm glow upon the graceful form in its womanly attitude of serving her guests. She had fairly beaten him on his own ground. A secret pride in her, that she could do it, swelled his breast and ran tingling along his veins. So much for the company at large, for what Callista would have called "the speech of people." When the last guest was gone the Lance offered no excuses, but plenty of kisses, praise, and an ardor that, while it did not convince, melted and subdued her. The breach was covered temporarily, rather than healed. |