THEY came and went, days monotonously slow, each bearing with it its burden of sorrows and regrets, of fear and unhappiness. The life of the two women was ever the same: out of bed at five in the morning, a salutation exchanged with old Meg as she went to her work; breakfast—a crust of bread and a cup of tea; the light, weak and sickly, peeping through the narrow, murky window, the eternal scissors and needles, the white heaps of shirts, the feather-stitching and finishing. In the morning the cripple next door clattered downstairs on crutches, the card with the rude inscription, PARALYSED FOR LIFE, shaking to and fro as he moved. All day long he lay on the cold flagged pavement begging his daily bread. Tommy Macara, the lad with the rickets, came out singing to the landing on his way to the industrial school. He stuck his head through the door and shouted: “Ye twa women, warkin’ hard.” Both loved little Tommy, his cheery laugh, his childish carelessness, his poor body twisted out of shape by the humours of early disease. His legs would twitch as he stood at the door, making an effort to control the tremors; sometimes he would laugh awkwardly at this and hurry away. Thus the morning. Noon.—A quarrel at No. 8. The two loose women who lived there argued about the spoils taken from a Evening.—Meg returned half-tipsy and singing a chorus, half the words of which she had forgotten. The day’s work had been a very trying one, the dust rising from the rags did not agree with her asthma. On entering she looked fixedly at Sheila, shook her head sadly, ran her fingers over Norah’s hair and began the chorus again, but stopped in the middle of it and started to weep. After a while she reeled into her own room, closed the door behind her, and sank to sleep on the floor beside the dead fire. Little Tom Macara came up the stair, looked in, the eternal smile on his pinched face, and cried out in a thin voice: “Ah! the women are warkin’ awa’ yet. They never have a meenit to spare!” “Never a minute, Tom,” Sheila answered, and the boy went off, whistling a music-hall tune. Tom’s mother was consumptive, his father epileptic; he had two brothers and three sisters all older than himself. After Tom, the man with the crutches came upstairs. From the street to the top of the landing was a weary climb, but often he got helped on the journey; sometimes the two whores escorted him up, sometimes Sheila gave him an arm, and everybody on the stairs liked the man. He was always in good humour and could sing a capital song. Later in the evening, those who indulged in intoxicants became drunk; an ex-soldier, with one sleeve of his coat hanging loosely from his shoulder, who lived with two women, kicked one unmercifully and got dragged off to prison; the two harlots netted two men, one of them a well-dressed fellow with a gold tie-pin and a ring on his finger, and took them to their room; the paralytic could be heard singing and his voice seemed to be ever so far away. Sheila and Norah were still busy with the shirts, sewing their lives into every stitch of their work. “And them two women at No. 8, there’s not the least bit of harm in them at bottom,” Sheila would exclaim. “They help the old cripple up every time they meet him on the stairs. And to think of it! there’s seventeen thousand women like them in Glasgow!” “God be good to us!” Midnight came and quiet, and still the two women worked on. Outside on the landing into the common sink the water kept dripping from the tap. Sheila made a remark about the people away home in Frosses and wondered if they were all asleep at that moment. Outside, the city sank to its repose; only the unfortunate and the unwell were now awake. The epileptic’s wife coughed continually; Bessie, the plump girl, stole the pin from the tie of her lover; downstairs the caretaker, the woman One o’clock came and, as if by mutual consent, the Irish women left their work aside and looked out of the window for a moment. High up they could see the spire of the town hall prodding into the heavens; nearer and almost as high the tower of a church with the black hands passing on the lighted face of a clock; closer still the dark windows of the houses opposite. Glasgow with all its churches, its halls, with its shipping and commerce, its wharves and factories, its richness and splendour, its poor and unhappy, its oppressed and miserable, Glasgow, with its seventeen thousand prostitutes, was asleep. IINORAH and Sheila went to bed, wrapped the blue-lettered blankets round their bodies and placed their heads down on the condemnatory sentences: STOLEN FROM JAMES MOFFAT. Almost immediately Sheila was asleep, her knees drawn up under her (for the bed was too short for her body) and her arms around Norah. The young girl could not sleep well now; short feverish snatches of slumber were followed by sudden awakenings, and fears and fancies, too subtle to define, constantly preyed on her mind. Sometimes, when under the influence of a religious melancholy that often took possession of her, she repeated the Hail Mary over and over again, but at intervals she stopped in the midst of a prayer, started as if stung by an asp and exclaimed: “What does the Virgin think of me, me that has committed one of the worst mortal sins in the world!” In the midst of a prayer she dropped to sleep, maybe for the third time in an hour, but immediately was awakened “Who’s there?” Norah called out. “The sanitary,” a hoarse voice answered from the landing. The girl slipped out of bed, hardly daring to breathe lest her companion was disturbed, fumbled round for the matches, lit the oil-lamp and opened the door. Two strangers in uniform stood outside; one, a tall man with a heavy beard, held a lamp, the other, a sallow-faced, shrunken individual, hummed a tune in a thin, monotonous voice and picked his nose with a claw-like finger. The two entered, brushing against the girl who took up her stand behind the door, making a slight rapping noise with her heels on the bare floor. “How many here?” asked the tall man with the beard. “Two,” Norah answered, “the woman in the bed and me.” “No one else under the bed?” “No one,” Norah replied, but the man knelt on the floor, lifted the bedclothes and peeped under. “Only one in the next room?” asked the sallow-faced fellow, pointing at Meg’s door. “Only one and nobody else.” They chose not to believe the girl’s statement, rapped on the door, which was opened after a long delay by old Meg, who had risen naked from bed and was now hiding her withered body behind a blanket stamped with the blue lettering. The sentence STOLEN FROM JAMES MOFFAT ran from the left knee to the right shoulder; the left shoulder was bare, as was also the left leg from ankle to hip. “Only one here,” she croaked, glowering evilly at the men who had disturbed her slumber. “Christ! an auld body has no peace at all here, for there are always some The bearded man entered the room, his companion took out a note-book and wrote something down, shut the book and placed it in his pocket. The tall man came out again; both bade Norah “Good-night” in apologetic tones and took their leave. Sheila had slept unmoved through it all. The young girl closed the door, extinguished the light and re-entered the bed. She was very tired, but sleep would not come to her eyes. An hour passed. Sheila was snoring loudly, but Norah awake could hear the water dropping into the sink on the landing, and the vacant laugh of Bessie escorting a man upstairs. At night this woman never slept; her business was then in full swing. Someone knocked at the door again, and Norah cried, “Who’s there?” “Is this No. 8?” enquired a man’s voice. Norah answered, “No,” and steps shuffled along the passage outside. Next instant the crash of someone falling heavily was heard, then a muttered imprecation, and afterwards silence. Norah fell asleep again. |