The cafÉ was crowded, for the Diggers out of the trenches were making the most of their short stay in the back area. To-morrow or the day after they would be going back again and anything might happen up there. "Laugh and be happy, for to-morrow we die," seemed to be the motto of the evening. The place was crowded, principally with Australian soldiers, though here and there in the room, sitting at tables playing dominoes, were a number of Frenchmen. Cordial relations bind the poilu and the Digger in terms of friendship, for the Australians love the French, and the French love the Australians. The Diggers appreciate that everyday good-humour, generous warmth and eager hospitality which gives tone and colour to the lives The civilian population of France show their appreciation of the Australians in many ways. They are ready at any moment to give rooms in their homes to men back from the lines, to prepare hot meals for them, dry their clothes, wash and mend their underclothing. On one occasion the Prefect of the Department of the Somme on behalf of the French Government conveyed to the Australian Commander the admiration and appreciation of the French people for the Australian Army, not only for the work done by the soldiers in the field when they fought against the invaders of France, but also for the behaviour Wherever the Diggers go they seem to win the universal affection of women and children. An officer told me how these big men, rough in many ways, fiery in language and frank to the point of brutality at times, when they came to the ruined homes near Villers-Bretonneux, set themselves during lulls in the fighting to the kindly job of repairing the houses, salving the property, setting the religious pictures at correct angles on the walls and mending the broken shrines. They placed cradles and children's toys in the safety of the cellars so that these might be ready to hand when the little ones returned to their homes again. Having done this they took up the fighting again, so that the country might be made ready for the home-coming of the refugees. Among the soldiers in the cafÉ were many of those who had fought at Villers-Bretonneux and made history in defence of Amiens. But at present a distance removed from the scene of war they were absorbed in amuse At one corner of the room half a dozen men were playing "Two up," winning and losing much money, others were talking of past operations on the field, tracing with beer-wetted fingers the lines held by themselves and the enemy. A tall dark man sat by the stove, his half-empty glass on the floor at his feet and a big bowled pipe in his mouth. "What's your battalion?" he suddenly inquired, fixing his eye on a man near him, one whom he had never met before. This Digger, a youngster with a slight fringe of down on his upper lip, was leaning both elbows on the table and gazing contemplatively at the empty glass which stood in front of him. "I'm fifth——" was the answer. "Know old Harry C——?" inquired the tall man. "Should think I do," said the other. "Knew him in Brighton. Played football against his team. Fine fellow, old Harry." "Killed?" "Ay. On the Peninsula. Met him there one day," said the youngster. "God's truth! You could have knocked me down dead. "It's hard when you look back on it," said the tall dark soldier by the stove. "So many...." At this moment a man rose from a table near the door and commenced to recite a poem. All stopped their various pursuits to listen, for the Australians love poetry, especially when it recalls memories of the land they have left. The game of "Two up" The man who stood on the floor spoke his lines in a manner exalted and serious, his hat thrust back on his head and the movement of arms and hands accompanying the recital adding to its force and passion. In the utterance it was impossible to discover anything beyond the deep feeling which he had called up to interpret the spirit of the poem. The verses written long ago had in them a gift of prophecy. They told of a war to be, the war in which the Australian soldier was now taking part. "All creeds and trades will have soldiers there—give every class its due, And there'll be many a clerk to spare for the pride of the jackeroo, They'll fight for honour and fight for love and a few will fight for gold, For the devil below and for God above as our fathers fought of old, And some half blind with exultant tears and some stiff-lipped, stern-eyed For the pride of a thousand after years and the old eternal pride— The soul of the world they will feel and see in the chase and the grim retreat, They'll know the glory of victory—and the grandeur of defeat." This was but a beginning. Other men rose and declaimed verses that told of life in the homeland. One poem after another was recited. "The Old Whim Horse," "Out Back," "Sheedy Was Dying," poems dealing with the swagman, shearer and sundowner and telling of the Paroo parched with long drouths or blooming with the wattle blossoms. For the moment all the company were back there, and the patronne, with bottles red and blue gleaming on the shelves over her head, viewed the big boys with eyes that from time to time were moist with tears. For did she not know them, those who were now for a moment under the roof of her cafÉ, who would leave to-morrow night, go up to the trenches, and come back again in a week or a fortnight. But not all. In that was the tragedy: some would come back again. But not all. Some would remain up there resting for ever near the lip of the trench. She knew of the grim tragedy of the trenches and felt And at that moment the tall, dark man by the stove rose, squared his shoulders, gave a preliminary cough and started a poem. "East and backward pale faces turning— That's how the dead men lie, Gaunt arms stretched with a voiceless yearning— That's how the dead men lie. Oft in the fragrant hush of nooning, Hearing again their mother's crooning, Wrapt for aye in a dreadful swooning, That's how the dead men lie...." It was now on the verge of closing time and military policemen were already standing at the door, listening to the poems and loth to put a stop to the performance in the cafÉ. A young giant, in the making of whom the gods forgot none of their ancient craft, was standing in the centre of the room telling the story of "Clancy of the Overflow." "In my wild erratic fancy visions came to me of Clancy Gone a-droning down the Cooper where the Western drovers go. As the stock are slowly stringing Clancy rides behind them singing, For the drover's life has pleasures that the townsfolk never know...." The poem told of an incident of years far back and the young reciter, if he had once wrought as a clerk, was living a life now such as Clancy of the Overflow had never known and never would know unless, as perhaps was the case, he had given up shearing and taken to the life of soldiering. But away here in a cafÉ of the back area, where the patronne sold weak red wine and weaker beer, the Diggers' thoughts were of home, of the land they left and for which they were fighting. These men who dwell in France are creating for Australia a national sentiment, and gaining for themselves a wide outlook in their travels and accomplishments afield. At present the war waged ten thousand miles away from the Southern Continent is welding together the people's outlook, aspiration and sympathy. Men from all parts of the continent, from out back and from the sea-coast are grouped together in one great brotherhood, And so the Australians make great battle in the mud of France and Flanders, fighting with heroic persistence, carving the way to victory. As we remember what the Diggers have done at Gallipoli, Polygon, Pozieres and Peronne, we may quote the famous couplet from the prologue to "The Revenge," played by a company of convicts in Sydney, 1796, and thereto add two lines of our own making: True patriots all, for be it understood We left our country for our country's good. Their children we and back again, we feel That we've returned for that country's weal. L' Envoi (Written on the day the British Fleet entered the Dardanelles) From Suvla Cove to Sed-el-Bahr In gullies, clefts and dells, Beneath the shade of Sari Bair They watch the Dardanelles. To other lands their mates have fled Fresh fields of war to find, They sleep, but sleep uneasily The men who stay behind. What drums upon the narrow seas That run by Sed-el-Bahr Come, Digger, up! Come, Tommy, up! A British man-of-war! A sailor singing on the deck The tale of conquest tells.... Lie down again! Sleep easily! Beside the Dardanelles. THIRD EDITION THE RED HORIZON By PATRICK MacGILL, Author of "Children of the Dead End," "The Rat-Pit," "The Amateur Army," etc. Crown 8vo. Price 3/- net. Inland Postage 6d. extra. FIRST REVIEWS
HERBERT JENKINS LD., 3 York Street, London, S.W. 10,000 COPIES CALLED FOR IN 10 DAYS NOW IN ITS SEVENTH EDITION CHILDREN OF THE DEAD END The Autobiography of a Navvy. By PATRICK MacGILL. Crown 8vo. Price 6/- net. Inland Postage 6d. extra.
HERBERT JENKINS LD., 3 York Street, London, S.W. GLENMORNAN An Irish Novel by PATRICK MacGILL, Author of "Children of the Dead End," "The Rat Pit," "The Great Push," etc. Crown 8vo. 6/- net. In his new book Mr. MacGill gives a complete picture of Irish peasant life in his native county of Donegal. Doalty Gallagher, becoming tired of journalism and Fleet Street, returns to the peace and quiet of his old home. Here he sets himself to work on the land, and to renew his acquaintance with the people whom he had known in his childhood—Grania Coolin, the lone widow woman, Dennys, the drover and man of the world, Owen Briney, the close-fisted farmer, Oidny Leahys, the peasant philosopher, and Sheila Dermod, the fairest girl in all the barony. Doalty finds however, that the years spent in the land of the Sassenach have changed him. He has lost the simple and trusting faith of his fathers, and when, desperately in love with Sheila, he asks her to marry him, the priest intervenes and Doalty is forced to leave the country, an object of universal suspicion. The peasantry of Glenmornan, turf-diggers, creel-makers, potheen-distillers, cattle-drovers and knitters of stockings are presented with insight, freshness and sympathy. The petty vices of the villagers of Greenanore, the gombeen men, the rent-collectors and the priests are laid bare by Mr. MacGill, who knows them as few other writers know them. He is not an artist from without, looking in and describing what he sees, but one who tells of what he himself has felt and known. THE BROWN BRETHREN By PATRICK MacGILL. Second printing. Price 6/- net. HERBERT JENKINS LD., 3 York Street, London, S.W. SIXTH EDITION. THE RAT-PIT By PATRICK MacGILL, Author of "Children of the Dead End." Crown 8vo. Price 6/- net. Inland Postage 6d. extra. "Children of the Dead End" came upon the literary world as something of a surprise; it dealt with a phase of life about which nothing was known. It was compared with the work of Borrow and Kipling. Incidentally three editions, aggregating 10,000 copies, were called for within fifteen days. In his new book Mr. MacGill still deals with the underworld he knows so well. He tells of a life woven of darkest threads, full of pity and pathos, lighted up by that rare and quaint humour that made his first book so attractive. "The Rat-Pit" tells the story of an Irish peasant girl brought up in an atmosphere of poverty, where the purity of the poor and the innocence of maidenhood stand out in simple relief against a grim and sombre background. Norah Ryan leaves her home at an early age, and is plunged into a new world where dissolute and heedless men drag her down to their own miry level. Mr. MacGill's lot has been cast in strange places, and every incident of his book is pregnant with a vivid realism that carries the conviction that it is a literal transcript from life, as in fact it is. Only last summer, just before he enlisted, Mr. MacGill spent some time in Glasgow reviving old memories of its underworld. His characters are mostly real persons, and their sufferings, the sufferings of women burdened and oppressed with wrongs which women alone bear, are a strong indictment against a dubious civilisation. HERBERT JENKINS LD., 3 York Street, London, S.W. THE GREAT PUSH An Episode of the Great War. By Rifleman PATRICK MacGILL, Author of "The Red Horizon," "Children of the Dead End," etc. Crown 8vo. Cloth. With three-colour jacket. Price 3/- net. Inland Postage 5d. extra. The London Irish distinguished themselves at Loos and Rifleman Patrick MacGill was present during the whole operation. His story is a series of vivid pictures of battle and the horrors left behind the charging troops. Humour and tragedy go hand in hand in this latest work of realism from the pen of the author of "Children of the Dead End." A NEW BOOK OF POEMS SOLDIER SONGS By PATRICK MacGILL, Author of "Children of the Dead End," "The Rat-Pit," and "The Amateur Army." Crown 8vo. 3/6 net. HERBERT JENKINS LD., 3 York Street, London, S.W. BOOKS BY MRS. PATRICK MACGILL THE ROSE OF Small 8vo. 1/9 net. Daily News.—"Mrs. Patrick MacGill has written a novel of popular appeal." Globe.—"A most romantic story." Sunday Evening Telegram.—"I do not know Mrs. Patrick MacGill; but I envy her.... I can imagine school girls simply revelling in 'The Rose of Glenconnel.'" Outlook.—"One of the prettiest stories that comes to us this Christmas." Ladies' Pictorial.—"Mrs. Patrick MacGill tells her story with skill and romantic power." Bookman.—"There is plenty of plot and vigorous action in this clean and wholesome story." Morning Post.—"A forthright and naive story." Pall Mall Gazette.—"Mrs. Patrick MacGill shares her husband's gift of writing a human story." THIRD EDITION AN ANZAC'S BRIDE Small 8vo. 1/9 net. Bookman.—"Mrs. Patrick MacGill has given us here a most exciting story in which the war plays a useful part." National News.—"Mrs. MacGill's hero and heroine will find admirers of both sexes." Glasgow Herald.—"Mrs. MacGill has the gift of vivid characterization." Liverpool Courier.—"Mrs. MacGill writes entertainingly, and any one who wants more thrills than are to be got in 'The Anzac's Bride' will indeed be hard to please." Outlook.—"The things that happened to the Anzac's blooming bride belong to the days of Fielding and Richardson." HERBERT JENKINS LD., 3 York Street, London, S.W. TRANSCRIBER'S NOTE Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources. All misspellings in the text, and inconsistent or archaic usage, have been retained. For example, spinney; loth; machine gun, machine-gun; home-coming, homecoming. |