HAVING been called on, a few years ago, to make frequent journeys between this country and the Riviera, the author was greatly impressed with the extraordinary variety and abundance of the ancient architectural monuments of Provence. This country was found to contain not only special styles of MediÆval Art peculiar to itself, but likewise an epitome of all the styles which have prevailed in Southern Europe from the time of the Romans. It proved to be especially prolific in examples of Roman Art from the age of Augustus till the fall of the Empire. It also comprises a valuable series of buildings illustrative of the transition from Classic to MediÆval times. These are succeeded by a rich and florid development of Romanesque, accompanied by a plain style which existed parallel with it—both being peculiar to this locality. The remains of the Castellated Architecture are also especially grand and well preserved; while the picturesque towns, monasteries, and other structures of the Riviera have a peculiar charm and attraction of their own.

These Architectural treasures being comparatively unknown, it is believed that a popular work bringing their leading features into notice will be not unacceptable to all lovers of architecture as well as to the numerous visitors to the south of France, and may be of use in directing attention to a most interesting department which has hitherto been to a great extent overlooked.

A proper history of Provence has unfortunately not yet been written. A short account, derived from various sources, of the state of the country from early times and during the Middle Ages is therefore prefixed to the description of the Monuments, so as to explain the historical conditions under which the Architecture of Provence was developed, and to show its connection with that of other countries and times.

The author has to acknowledge the valuable aid he has received from the excellent notes on the Architecture of the country by Prosper MÉrimÉe in his “Voyage dans les Midi de la France” (1835),—a work which, even at the early date of its publication, anticipated many of the results more recently arrived at.

The comprehensive and invaluable “Dictionnaire RaisonnÉ” of Viollet-le-Duc has also been of much service, and is frequently referred to.

Most of the illustrations are from drawings and measurements made by the author on the spot, and these generally bear his initials. But where thought advisable for fuller illustration some of the drawings are taken from photographs; from Henry RÉvoil’s beautiful work on the “Architecture Romane du Midi de la France” (1873); and a few from other sources as mentioned in the text.

Special thanks are due to Professor Baldwin Brown for his kindness in revising the proof sheets, and for the valuable suggestions he has made.