One word of introductory explanation.

During my husband's illness, Marion came often, but, until he began to recover, would generally spend with the children the whole of the time she had to spare, not even permitting me to know that she was in the house. It was a great thing for them; for, although they were well enough cared for, they were necessarily left to themselves a good deal more than hitherto. Hence, perhaps, it came that they betook themselves to an amusement not uncommon with children, of which I had as yet seen nothing amongst them.

One evening, when my husband had made a little progress towards recovery,
Marion came to sit with me in his room for an hour.

"I've brought you something I want to read to you," she said, "if you think
Mr. Percivale can bear it."

I told her I believed he could, and she proceeded to explain what it was.

"One morning, when I went into the nursery, I found the children playing at church, or rather at preaching; for, except a few minutes of singing, the preaching occupied the whole time. There were two clergymen, Ernest and Charles, alternately incumbent and curate. The chief duty of the curate for the time being was to lend his aid to the rescue of his incumbent from any difficulty in which the extemporaneous character of his discourse might land him."

I interrupt Marion to mention that the respective ages of Ernest and
Charles were then eight and six.

"The pulpit," she continued, "was on the top of the cupboard under the cuckoo-clock, and consisted of a chair and a cushion. There were prayer-books in abundance; of which neither of them, I am happy to say, made other than a pretended use for reference. Charles, indeed, who was preaching when I entered, can't read; but both have far too much reverence to use sacred words in their games, as the sermons themselves will instance. I took down almost every word they said, frequent embarrassments and interruptions enabling me to do so. Ernest was acting as clerk, and occasionally prompted the speaker when his eloquence failed him, or reproved members of the congregation, which consisted of the two nurses and the other children, who were inattentive. Charles spoke with a good deal of unction, and had quite a professional air when he looked down on the big open book, referred to one or other of the smaller ones at his side, or directed looks of reprehension at this or that hearer. You would have thought he had cultivated the imitation of popular preachers, whereas he tells me he has been to church only three times. I am sorry I cannot give the opening remarks, for I lost them by being late; but what I did hear was this."

She then read from her paper as follows, and lent it me afterwards. I merely copy it.

"Once" (Charles was proceeding when Marion entered), "there lived an aged man, and another who was a very aged man; and the very aged man was going to die, and every one but the aged man thought the other, the very aged man, wouldn't die. I do this to explain it to you. He, the man who was really going to die, was—I will look in the dictionary" (He looks in the book, and gives out with much confidence), "was two thousand and eighty-eight years old. Well, the other man was—well, then, the other man 'at knew he was going to die, was about four thousand and two; not nearly so old, you see." (Here Charles whispers with Ernest, and then announces very loud),—"This is out of St. James. The very aged man had a wife and no children; and the other had no wife, but a great many children. The fact was—this was how it was—the wife died, and so he had the children. Well, the man I spoke of first, well, he died in the middle of the night." (A look as much as to say, "There! what do you think of that?"); "an' nobody but the aged man knew he was going to die. Well, in the morning, when his wife got up, she spoke to him, and he was dead!" (A pause.) "Perfectly, sure enough—dead!" (Then, with a change of voice and manner), "He wasn't really dead, because you know" (abruptly and nervously)—"Shut the door!—you know where he went, because in the morning next day" (He pauses and looks round. Ernest, out of a book, prompts—"The angels take him away"), "came the angels to take him away, up to where you know." (All solemn. He resumes quickly, with a change of manner), "They, all the rest, died of grief. Now, you must expect, as they all died of grief, that lots of angels must have come to take them away. Freddy will go when the sermon isn't over! That is such a bother!"

At this point Marion paused in her reading, and resumed the narrative form.

"Freddy, however, was too much for them; so Ernest betook himself to the organ, which was a chest of drawers, the drawers doing duty as stops, while Freddy went up to the pulpit to say 'Good-by,' and shake hands, for which he was mildly reproved by both his brothers."

My husband and I were so much amused, that Marion said she had another sermon, also preached by Charles, on the same day, after a short interval; and at our request she read it. Here it is.

"Once upon a time—a long while ago, in a little—Ready now?—Well, there lived in a rather big house, with quite clean windows: it was in winter, so nobody noticed them, but they were quite white, they were so clean. There lived some angels in the house: it was in the air, nobody knew why, but it did. No: I don't think it did—I dunno, but there lived in it lots of children—two hundred and thirty-two—and they—Oh! I'm gettin' distracted! It is too bad!" (Quiet is restored.) "Their mother and father had died, but they were very rich. Now, you see what a heap of children,—two hundred and thirty-two! and yet it seemed like one to them, they were so rich. That was it! it seemed like one to them because they were so rich. Now, the children knew what to get, and I'll explain to you now why they knew; and this is how they knew. The angels came down on the earth, and told them their mother had sent messages to them; and their mother and father—Don't talk! I'm gettin' extracted!" (Puts his hand to his head in a frenzied manner.) "Now, my brother" (This severely to a still inattentive member), "I'll tell you what the angels told them—what to get. What—how—now I will tell you how,—yes, how they knew what they were to eat. Well, the fact was, that—Freddy's just towards my face, and he's laughing! I'm going to explain. The mother and father had the wings on, and so, of course—Ernest, I want you!" (They whisper.)—"they were he and she angels, and they told them what to have. Well, one thing was—shall I tell you what it was? Look at two hundred and two in another book—one thing was a leg of mutton. Of course, as the mother and father were angels, they had to fly up again. Now I'm going to explain how they got it done. They had four servants and one cook, so that would be five. Well, this cook did them. The eldest girl was sixteen, and her name was Snowdrop, because she had snowy arms and cheeks, and was a very nice girl. The eldest boy was seventeen, and his name was John. He always told the cook what they'd have—no, the girl did that. And the boy was now grown up. So they would be mother and father." (Signs of dissent among the audience.) "Of course, when they were so old, they would be mother and father, and master of the servants. And they were very happy, but—they didn't quite like it. And—and"—(with a great burst) "you wouldn't like it if your mother were to die! And I'll end it next Sunday. Let us sing."

"The congregation then sung 'Curly Locks,'" said Marion, "and dispersed; Ernest complaining that Charley gave them such large qualities of numbers, and there weren't so many in the whole of his book. After a brief interval the sermon was resumed."

"Text is No. 66. I've a good congregation! I got to where the children did not like it without their mother and father. Well, you must remember this was a long while ago, so what I'm going to speak about could be possible. Well, their house was on the top of a high and steep hill; and at the bottom, a little from the hill, was a knight's house. There were three knights living in it. Next to it was stables with three horses in it. Sometimes they went up to this house, and wondered what was in it. 'They never knew, but saw the angels come. The knights were out all day, and only came home for meals. And they wondered what on earth the angels were doin', goin' in the house. They found out what—what, and the question was—I'll explain what it was. Ernest, come here." (Ernest remarks to the audience, "I'm curate," and to Charles, "Well, but, Charles, you're going to explain, you know;" and Charles resumes.) "The fact was, that this was—if you'd like to explain it more to yourselves, you'd better look in your books, No. 1828. Before, the angels didn't speak loud, so the knights couldn't hear; now they spoke louder, so that the knights could visit them, 'cause they knew their names. They hadn't many visitors, but they had the knights in there, and that's all."

I am still very much afraid that all this nonsense will hardly be interesting, even to parents. But I may as well suffer for a sheep as a lamb; and, as I had an opportunity of hearing two such sermons myself not long after, I shall give them, trusting they will occupy far less space in print than they do in my foolish heart.

It was Ernest who was in the pulpit and just commencing his discourse when I entered the nursery, and sat down with the congregation. Sheltered by a clothes-horse, apparently set up for a screen, I took out my pencil, and reported on a fly-leaf of the book I had been reading:—

"My brother was goin' to preach about the wicked: I will preach about the good. Twenty-sixth day. In the time of Elizabeth there was a very old house. It was so old that it was pulled down, and a quite new one was built instead. Some people who lived in it did not like it so much now as they did when it was old. I take their part, you know, and think they were quite right in preferring the old one to the ugly, bare, new one. They left it—sold it—and got into another old house instead."

Here, I am sorry to say, his curate interjected the scornful remark,—

"He's not lookin' in the book a bit!"

But the preacher went on, without heeding the attack on his orthodoxy.

"This other old house was still more uncomfortable: it was very draughty; the gutters were always leaking; and they wished themselves back in the new house. So, you see, if you wish for a better thing, you don't get it so good after all."

"Ernest, that is about the bad, after all!" cried Charles.

"Well, it's silly," remarked Freddy severely.

"But I wrote it myself," pleaded the preacher from the pulpit; and, in consideration of the fact, he was allowed to go on.

"I was reading about them being always uncomfortable. At last they decided to go back to their own house, which they had sold. They had to pay so much to get it back, that they had hardly any money left; and then they got so unhappy, and the husband whipped his wife, and took to drinking. That's a lesson." (Here the preacher's voice became very plaintive), "that's a lesson to show you shouldn't try to get the better thing, for it turns out worse, and then you get sadder, and every thing."

He paused, evidently too mournful to proceed. Freddy again remarked that it was silly; but Charles interposed a word for the preacher.

"It's a good lesson, I think. A good lesson, I say," he repeated, as if he would not be supposed to consider it much of a sermon.

But here the preacher recovered himself and summed up.

"See how it comes: wanting to get every thing, you come to the bad and drinking. And I think I'll leave off here. Let us sing."

The song was "Little Robin Redbreast;" during which Charles remarked to Freddy, apparently by way of pressing home the lesson upon his younger brother,—

"Fancy! floggin' his wife!"

Then he got into the pulpit himself, and commenced an oration.

"Chapter eighty-eight. The wicked.—Well, the time when the story was, was about Herod. There were some wicked people wanderin' about there, and they—not killed them, you know, but—went to the judge. We shall see what they did to them. I tell you this to make you understand. Now the story begins—but I must think a little. Ernest, let's sing 'Since first I saw your face.'

"When the wicked man was taken then to the good judge—there were some good people: when I said I was going to preach about the wicked, I did not mean that there were no good, only a good lot of wicked. There were pleacemans about here, and they put him in prison for a few days, and then the judge could see about what he is to do with him. At the end of the few days, the judge asked him if he would stay in prison for life or be hanged."

Here arose some inquiries among the congregation as to what the wicked, of whom the prisoner was one, had done that was wrong; to which Charles replied,—

"Oh! they murdered and killed; they stealed, and they were very wicked altogether. Well," he went on, resuming his discourse, "the morning came, and the judge said, 'Get the ropes and my throne, and order the people not to come to see the hangin'.' For the man was decided to be hanged. Now, the people would come. They were the wicked, and they would persist in comin'. They were the wicked; and, if that was the fact, the judge must do something to them.

"Chapter eighty-nine. The hangin'.—We'll have some singin' while I think."

"Yankee Doodle" was accordingly sung with much enthusiasm and solemnity.
Then Charles resumed.

"Well, they had to put the other people, who persisted in coming, in prison, till the man who murdered people was hanged. I think my brother will go on."

He descended, and gave place to Ernest, who began with vigor.

"We were reading about Herod, weren't we? Then the wicked people would come, and had to be put to death. They were on the man's side; and they all called out that he hadn't had his wish before he died, as they did in those days. So of course he wished for his life, and of course the judge wouldn't let him have that wish; and so he wished to speak to his friends, and they let him. And the nasty wicked people took him away, and he was never seen in that country any more. And that's enough to-day, I think. Let us sing 'Lord Lovel he stood at his castle-gate, a combing his milk-white steed.'"

At the conclusion of this mournful ballad, the congregation was allowed to disperse. But, before they had gone far, they were recalled by the offer of a more secular entertainment from Charles, who re-ascended the pulpit, and delivered himself as follows:—

"Well, the play is called—not a proverb or a charade it isn't—it's a play called 'The Birds and the Babies.' Well!

"Once there was a little cottage, and lots of little babies in it. Nobody knew who the babies were. They were so happy! Now, I can't explain it to you how they came together: they had no father and mother, but they were brothers and sisters. They never grew, and they didn't like it. Now, you wouldn't like not to grow, would you? They had a little garden, and saw a great many birds in the trees. They were happy, but didn't feel happy—that's a funny thing now! The wicked fairies made them unhappy, and the good fairies made them happy; they gave them lots of toys. But then, how they got their living!

"Chapter second, called 'The Babies at Play.'—The fairies told them what to get—that was it!—and so they got their living Very nicely. And now I must explain what they played with. First was a house. A house. Another, dolls. They were very happy, and felt as if they had a mother and father; but they hadn't, and couldn't make it out. Couldn't—make—it—out!

"They had little pumps and trees. Then they had babies' rattles. Babies' rattles.—Oh! I've said hardly any thing about the birds, have I? an' it's called 'The Birds and the Babies!' They had lots of little pretty robins and canaries hanging round the ceiling, and—shall I say?"—

Every one listened expectant during the pause that followed.

"—And—lived—happy—ever—after."

The puzzle in it all is chiefly what my husband hinted at,—why and how both the desire and the means of utterance should so long precede the possession of any thing ripe for utterance. I suspect the answer must lie pretty deep in some metaphysical gulf or other.

At the same time, the struggle to speak where there is so little to utter can hardly fail to suggest the thought of some efforts of a more pretentious and imposing character.

But more than enough!