But Addison's tameness is wonderfully lovely beside the fervours of a man of honoured name,—Dr. Isaac Watts, born in 1674. The result must be dreadful where fervour will poetize without the aidful restraints of art and modesty. If any man would look upon absurdity in the garb of sobriety, let him search Dryden's Annus Mirabilis: Dr. Watts's Lyrics are as bad; they are fantastic to utter folly. An admiration of "the incomparable Mr. Cowley" did the sense of them more injury than the imitation of his rough-cantering ode could do their rhythm. The sentimentalities of Roman Catholic writers towards our Lord and his mother, are not half so offensive as the courtier-like flatteries Dr. Watts offers to the Most High. To say nothing of the irreverence, the vulgarity is offensive. He affords another instance amongst thousands how little the form in which feeling is expressed has to do with the feeling itself. In him the thought is true, the form of its utterance false; the feeling lovely, the word, often to a degree, repulsive. The ugly web is crossed now and then by a fine line, and even damasked with an occasional good poem: I have found two, and only two, in the whole of his seventy-five Lyrics sacred to Devotion. His objectivity and boldness of thought, and his freedom of utterance, cause us ever and anon to lament that he had not the humility and faith of an artist as well as of a Christian. Almost all his symbols indicate a worship of power and of outward show. I give the best of the two good poems I have mentioned, and very good it is. HAPPY FRAILTY."How meanly dwells the immortal mind! "Weak cottage where our souls reside! "All round it storms of trouble blow, "Alas, how frail our state!" said I, My soul all felt the glory come, Straight she began to change her key; "How weak the prison is where I dwell! "No more, my friends, shall I complain, "Now let the tempest blow all round, "I have a mansion built above "Yes, for 'tis there my Saviour reigns— "Hark! from on high my Saviour calls: His psalms and hymns are immeasurably better than his lyrics. Dreadful some of them are; and I doubt if there is one from which we would not wish stanzas, lines, and words absent. But some are very fine. The man who could write such verses as these ought not to have written as he has written:— Had I a glance of thee, my God, Then they might fight and rage and rave: Some of his hymns will be sung, I fancy, so long as men praise God together; for most heartily do I grant that of all hymns I know he has produced the best for public use; but these bear a very small proportion indeed to the mass of his labour. We cannot help wishing that he had written about the twentieth part. We could not have too much of his best, such as this: Be earth with all her scenes withdrawn; but there is no occasion for the best to be so plentiful: a little of it will go a great way. And as our best moments are so few, how could any man write six hundred religious poems, and produce quality in proportion to quantity save in an inverse ratio? Dr. Thomas Parnell, the well-known poet, a clergyman, born in Dublin in 1679, has written a few religious verses. The following have a certain touch of imagination and consequent grace, which distinguishes them above the swampy level of the time. HYMN FOR EVENING.The beam-repelling mists arise, * * * * * Thou that hast thy palace far Many long and elaborate religious poems I have not even mentioned, because I cannot favour extracts, especially in heroic couplets or blank verse. They would only make my book heavy, and destroy the song-idea. I must here pass by one of the best of such poems, The Complaint, or Night Thoughts of Dr. Young; nor is there anything else of his I care to quote. I must give just one poem of Pope, born in 1688, the year of the Revolution. The flamboyant style of his Messiah is to me detestable: nothing can be more unlike the simplicity of Christianity. All such, equally with those by whatever hand that would be religious by being miserable, I reject at once, along with all that are merely commonplace religious exercises. But this at least is very unlike the rest of Pope's compositions: it is as simple in utterance as it is large in scope and practical in bearing. The name Jove may be unpleasant to some ears: it is to mine—not because it is the name given to their deity by men who had had little outward revelation, but because of the associations which the wanton poets, not the good philosophers, have gathered about it. Here let it stand, as Pope meant it, for one of the names of the Unknown God. THE UNIVERSAL PRAYER.Father of all! in every age, Thou great First Cause, least understood! Yet gave me, in this dark estate, What Conscience dictates to be done, What blessings thy free bounty gives, Yet not to earth's contracted span Let not this weak, unknowing hand If I am right, thy grace impart Save me alike from foolish pride Teach me to feel another's woe, Mean though I am—not wholly so, This day, be bread and peace my lot: To thee, whose temple is all space, And now we come upon a strange little well in the desert. Few flowers indeed shine upon its brink, and it flows with a somewhat unmusical ripple: it is a well of the water of life notwithstanding, for its song tells of the love and truth which are the grand power of God. John Byrom, born in Manchester in the year 1691, a man whose strength of thought and perception of truth greatly surpassed his poetic gifts, yet delighted so entirely in the poetic form that he wrote much and chiefly in it. After leaving Cambridge, he gained his livelihood for some time by teaching a shorthand of his own invention, but was so distinguished as a man of learning generally that he was chosen an F.R.S. in 1723. Coming under the influence, probably through William Law, of the writings of Jacob BÖhme, the marvellous shoemaker of GÖrlitz in Silesia, who lived in the time of our Shakspere, and heartily adopting many of his views, he has left us a number of religious poems, which are seldom so sweet in music as they are profound in the metaphysics of religion. Here we have yet again a mystical thread running radiant athwart both warp and woof of our poetic web: the mystical thinker will ever be found the reviver of religious poetry; and although some of the seed had come from afar both in time and space, Byrom's verse is of indigenous growth. Much of the thought of the present day will be found in his verses. Here is a specimen of his metrical argumentation. It is taken from a series of Meditations for every Day in Passion Week. WEDNESDAY.Christ satisfieth the justice of God by fulfilling all righteousness. Justice demandeth satisfaction—yes; Man had departed from a righteous state, This was the justice for which Christ became * * * * * Here are two stanzas of one of more mystical reflection: A PENITENTIAL SOLILOQUY.What though no objects strike upon the sight! And here are two of more lyrical favour. THE SOUL'S TENDENCY TOWARDS ITS TRUE CENTRE.Stones towards the earth descend; "Mine is, where my Saviour is; Truly thou hast answered right: "Thank thee for thy generous care: "Now, methinks, aloft I fly; THE ANSWER TO THE DESPONDING SOUL.Cheer up, desponding soul; Wherewith I longed for thee, To claim thee for my own, No soul could fear its loss, Surely there is poetry as well as truth in this. But, certainly in general, his thought is far in excess of his poetry. Here are a few verses which I shall once more entitle DIVINE EPIGRAMS.With peaceful mind thy race of duty run * * * * * Think, and be careful what thou art within, * * * * * An heated fancy or imagination * * * * * What is more tender than a mother's love * * * * * Faith, Hope, and Love were questioned what they thought |