Born (probably illegitimately) in a fisherman's cottage, reared in a workhouse, employed in a brothel, won at cards by a royal duke, mistress of that duke, married to a baron, received at Court by three kings (though not much in the way of kings), accused of cozenage and tacitly of murder, died full of piety, 'cutting up' for close on L150,000—there, as it were in a nutshell, you have the life of Sophie Dawes, Baronne de Feucheres.

In the introduction to her exhaustive and accomplished biography of Sophie Dawes,[28] from which a part of the matter for this resume is drawn, Mme Violette Montagu, speaking of the period in which Sophie lived, says that "Paris, with its fabulous wealth and luxury, seems to have been looked upon as a sort of Mecca by handsome Englishwomen with ambition and, what is absolutely necessary if they wish to be really successful, plenty of brains."

It is because Sophie had plenty of brains of a sort, besides the attributes of good looks, health, and by much a disproportionate share of determination, and because, with all that she attained to, she died quite ostracized by the people with whom it had been her life's ambition to mix, and was thus in a sense a failure—it is because of these things that it is worth while going into details of her career, expanding the precis with which this chapter begins.

Among the women selected as subjects for this book Sophie Dawes as a personality wins 'hands down.' Whether she was a criminal or not is a question even now in dispute. Unscrupulous she certainly was, and a good deal of a rogue. That modern American product the 'gold-digger' is what she herself would call a 'piker' compared with the subject of this chapter. The blonde bombshell, with her 'sugar daddy,' her alimony 'racket,' and the hundred hard-boiled dodges wherewith she chisels money and goods from her prey, is, again in her own crude phraseology, 'knocked for a row of ash-cans' by Sophie Dawes. As, I think, you will presently see.

Sophie was born at St Helens, Isle of Wight—according to herself in 1792. There is controversy on the matter. Mme Montagu in her book says that some of Sophie's biographers put the date at 1790, or even 1785. But Mme Montagu herself reproduces the list of wearing apparel with which Sophie was furnished when she left the 'house of industry' (the workhouse). It is dated 1805. In those days children were not maintained in poor institutions to the mature ages of fifteen or twenty. They were supposed to be armed against life's troubles at twelve or even younger. Sophie, then, could hardly have been born before 1792, but is quite likely to have been born later.

The name of Sophie's father is given as "Daw." Like many another celebrity, as, for example, Walter Raleigh and Shakespeare, Sophie spelled her name variously, though ultimately she fixed on "Dawes." Richard, or Dickey, Daw was a fisherman for appearance sake and a smuggler for preference. The question of Sophie's legitimacy anses from the fact that her mother, Jane Callaway, was registered at death as "a spinster." Sophie was one of ten children. Dickey Daw drank his family into the poorhouse, an institution which sent Sophie to fend for herself in 1805, procuring her a place as servant at a farm on the island.

Service on a farm does not appear to have appealed to Sophie. She escaped to Portsmouth, where she found a job as hotel chambermaid. Tiring of that, she went to London and became a milliner's assistant. A little affair we hear, in which a mere water-carrier was an equal participant, lost Sophie her place. We next have word of her imitating Nell Gwynn, both in selling oranges to playgoers and in becoming an actress—not, however, at Old Drury, but at the other patent theatre, Covent Garden. Save that as a comedian she never took London by storm, and that she lacked Nell's unfailing good humour, Sophie in her career matches Nell in more than superficial particulars. Between selling oranges and appearing on the stage Sophie seems to have touched bottom for a time in poverty. But her charms as an actress captivated an officer by and by, and she was established as his mistress in a house at Turnham Green. Tiring of her after a time—Sophie, it is probable, became exigeant with increased comfort—her protector left her with an annuity of L50.

The annuity does not appear to have done Sophie much good. We next hear of her as servant-maid in a Piccadilly brothel, a lupanar much patronized by wealthy emigres from France, among whom was Louis-Henri-Joseph, Duc de Bourbon and later Prince de Conde, a man at that time of about fifty-four.

The Duc's attention was directed to the good looks of Sophie by a manservant of his. Mme Montagu says of Sophie at this time that "her face had already lost the first bloom of youth and innocence." Now, one wonders if that really was so, or if Mme Montagu is making a shot at a hazard. She describes Sophie a little earlier than this as having developed into a fine young woman, not exactly pretty or handsome, but she held her head gracefully, and her regular features were illumined by a pair of remarkably bright and intelligent eyes. She was tall and squarely built, with legs and arms which might have served as models for a statue of Hercules. Her muscular force was extraordinary. Her lips were rather thin, and she had an ugly habit of contracting them when she was angry. Her intelligence was above the average, and she had a good share of wit.

At the time when the Duc de Bourbon came upon her in the Piccadilly stew the girl was probably no more than eighteen. If one may judge her character from the events of her subsequent career there was an outstanding resiliency and a resoluteness as main ingredients of her make-up, qualities which would go a long way to obviating any marks that might otherwise have been left on her by the ups and downs of a mere five years in the world. If, moreover, Mme Montagu's description of her is a true one it is clear that Sophie's good looks were not of the sort to make an all-round appeal. The ways in which attractiveness goes, both in men and in women, are infinite in their variety. The reader may recall, in this respect, what was said in the introductory chapter about Kate Webster and the instance of the bewhiskered 'Fina of the Spanish tavern. And since a look of innocence and the bloom of youth may, and very often do, appear on the faces of individuals who are far from being innocent or even young, it may well be that Sophie in 1810, servant-maid in a brothel though she was, still kept a look of country freshness and health, unjaded enough to whet the dulled appetence of a bagnio-haunting old rip. The odds are, at all events, that Sophie was much less artificial in her charms than the practised ladies of complacency upon whom she attended. With her odd good looks she very likely had just that subacid leaven for which, in the alchemy of attraction, the Duc was in search.

The Duc, however, was not the only one to whom Sophie looked desirable. Two English peers had an eye on her—the Earl of Winchilsea and the Duke of Kent. This is where the card affair comes in. The Duc either played whist with the two noblemen for sole rights in Sophie or, what is more likely, cut cards with them during a game. The Duc won. Whether his win may be regarded as lucky or not can be reckoned, according to the taste and fancy of the reader, from the sequelae of some twenty years.

II

With the placing of Sophie dans ses meubles by the Duc de Bourbon there began one of the most remarkable turns in her career. In 1811 he took a house for her in Gloucester Street, Queen's Square, with her mother as duenna, and arranged for the completion of her education.

As a light on her character hardly too much can be made of this stage in her development. It is more than likely that the teaching was begun at Sophie's own demand, and by the use she made of the opportunities given her you may measure the strength of her ambition. Here was no rich man's doxy lazily seeking a veneer of culture, enough to gloss the rough patches of speech and idea betraying humble origin. This fisherman's child, workhouse girl, ancilla of the bordels, with the thin smattering of the three R's she had acquired in the poor institution, set herself, with a wholehearted concentration which a Newnham 'swot' might envy, to master modern languages, with Greek, Latin, and music. At the end of three years she was a good linguist, could play and sing well enough to entertain and not bore the most intelligent in the company the Duc kept, and to pass in that company—the French emigre set in London—as a person of equal education. If, as it is said, Sophie, while she could read and write French faultlessly, never could speak it without an English accent, it is to be remembered that the flexibility of tongue and mind needed for native-sounding speech in French (or any other language) is so exceptional as to be practically non-existent among her compatriots to this day. The fault scarcely belittles her achievement. As well blame a one-legged man for hopping when trying to run. Consider the life Sophie had led, the sort of people with whom she had associated, and that temptation towards laissez-faire which conquers all but the rarest woman in the mode of life in which she was existing, and judge of the constancy of purpose that kept that little nose so steadfastly in Plutarch and Xenophon.

If in the year 1812 the Duc began to allow his little Sophie about L800 a year in francs as pin-money he was no more generous than Sophie deserved. The Duc was very rich, despite the fact that his father, the old Prince de Conde, was still alive, and so, of course, was enjoying the income from the family estates.

There is no room here to follow more than the barest outline of the Duc de Bourbon's history. Fully stated, it would be the history of France. He was a son of the Prince de Conde who collected that futile army beyond the borders of France in the royalist cause in the Revolution. Louis-Henri was wounded in the left arm while serving there, so badly wounded that the hand was practically useless. He came to England, where he lived until 1814, when he went back to France to make his unsuccessful attempt to raise the Vendee. Then he went to Spain.

At this time he intended breaking with Sophie, but when he got back to Paris in 1815 he found the lady waiting for him. It took Sophie some eighteen months to bring his Highness up to scratch again. During this time the Duc had another English fancy, a Miss Harris, whose reign in favour, however, did not withstand the manoeuvring of Sophie.

Sophie as a mistress in England was one thing, but Sophie unattached as a mistress in France was another. One wonders why the Duc should have been squeamish on this point. Perhaps it was that he thought it would look vulgar to take up a former mistress after so long. At all events, he was ready enough to resume the old relationship with Sophie, provided she could change her name by marriage. Sophie was nothing loth. The idea fell in with her plans. She let it get about that she was the natural daughter of the Duc, and soon had in tow one Adrien-Victor de Feucheres. He was an officer of the Royal Guard. Without enlarging on the all-round tawdriness of this contract it will suffice here to say that Sophie and Adrien were married in London in August of 1818, the Duc presenting the bride with a dowry of about L5600 in francs. Next year de Feucheres became a baron, and was made aide-de-camp to the Duc.

Incredible as it may seem, de Feucheres took four years to realize what was the real relationship between his wife and the Prince de Conde. The aide-de-camp and his wife had a suite of rooms in the Prince's favourite chateau at Chantilly, and the ambition which Sophie had foreseen would be furthered by the marriage was realized. She was received as La Baronne de Feucheres at the Court of Louis XVIII. She was happy—up to a point. Some unpretty traits in her character began to develop: a violent temper, a tendency to hysterics if crossed, and, it is said, a leaning towards avaricious ways. At the end of four years the Baron de Feucheres woke up to the fact that Sophie was deceiving him. It does not appear, however, that he had seen through her main deception, because it was Sophie herself, we are told, who informed him he was a fool—that she was not the Prince's daughter, but his mistress.

Having waked up thus belatedly, or having been woken up by Sophie in her ungoverned ill-temper, de Feucheres acted with considerable dignity. He begged to resign his position as aide to the Prince, and returned his wife's dowry. The departure of Sophie's hitherto complacent husband rather embarrassed the Prince. He needed Sophie but felt he could not keep her unattached under his roof and he sent her away—but only for a few days. Sophie soon was back again in Chantilly.

The Prince made some attempt to get de Feucheres to return, but without success. De Feucheres applied for a post in the Army of Spain, an application which was granted at once. It took the poor man seven years to secure a judicial separation from his wife.

The scandal of this change in the menage of Chantilly—it happened in 1822—reached the ears of the King, and the Baronne de Feucheres was forbidden to appear at Court. All Sophie's energies from then on were concentrated on getting the ban removed. She explored all possible avenues of influence to this end, and, incidentally drove her old lover nearly frantic with her complaints giving him no peace. Even a rebuff from the Duchesse de Berry, widow of the son of that prince who was afterwards Charles X, did not put her off. She turned up one day at the Tuileries, to be informed by an usher that she could not be admitted.

This desire to be reinstated in royal favour is at the back of all Sophie's subsequent actions—this and her intention of feathering her own nest out of the estate of her protector. It explains why she worked so hard to have the Prince de Conde assume friendly relations with a family whose very name he hated: that of the Duc d'Orleans. It is a clue to the mysterious death, eight years later, of the Prince de Conde, last of the Condes, in circumstances which were made to pass as suicide, but which in unhampered inquiry would almost certainly have been found to indicate murder.

III

Louis-Henri-Joseph, Duc de Bourbon and Prince de Conde, seems to have been rather a simple old man: a useless old sinner, true enough, but relatively harmless in his sinning, relatively venial in his uselessness. It were futile to seek for the morality of a later age in a man of his day and rank and country, just as it were obtuse to look for greatness in one so much at the mercy of circumstance. As far as bravery went he had shown himself a worthy descendant of "the Great Conde." But, surrounded by the vapid jealousies of the most useless people who had ever tried to rule a country, he, no more than his father, had the faintest chance to show the Conde quality in war. Adrift as a comparatively young man, his world about his ears, with no occupation, small wonder that in idleness he fell into the pursuit of satisfactions for his baser appetites. He would have been, there is good reason to believe, a happy man and a busy one in a camp. There is this to be said for him: that alone among the spineless crowd of royalists feebly waiting for the miracle which would restore their privilege he attempted a blow for the lost cause. But where in all that bed of disintegrating chalk was the flint from which he might have evoked a spark?

The great grief of the Prince's life was the loss of his son, the young Duc d'Enghien, shamefully destroyed by Bonaparte. It is possible that much of the Prince's inertia was due to this blow. He had married, at the early age of fourteen, Louise-Marie-Therese-Mathilde d'Orleans, daughter of Louis-Philippe, Duc d'Orleans and the Duchesse de Chartres, the bride being six years older than her husband. Such a marriage could not last. It merely sustained the honeymoon and the birth of that only son. The couple were apart in eighteen months, and after ten years they never even saw each other again. About the time when Sophie's husband found her out and departed the Princesse died. The Prince was advised to marry again, on the chance that an heir might be born to the large fortune he possessed. But Sophie by then had become a habit with the Prince—a bad one—and the old man was content to be left to his continual hunting, and not to bother over the fact that he was the last of his ancient line.

It may be easily believed that the Prince's disinclination to marry again contented Sophie very well. And the fact that he had no direct heir was one in which she saw possibilities advantageous to herself.

The Prince was then sixty-six years old. In the course of nature he was almost bound to predecease her. His wealth was enormous, and out of it Sophie wanted as much by bequest as she could get. She was much too shrewd, however, to imagine that, even if she did contrive to be made his sole heir, the influential families who had an eye upon the great possessions of the Prince, and who through relationship had some right to expect inheritance, would allow such a will to go uncontested. She therefore looked about among the Prince's connexions for some one who would accept coheirship with herself, and whose family would be strong enough in position to carry through probate on such terms, but at the same time would be grateful enough to her and venal enough to further her aim of being reinstated at Court. Her choice in this matter shows at once her political cunning, which would include knowledge of affairs, and her ability as a judge of character.

It should be remembered that, in spite of his title of Duc de Bourbon, Sophie's elderly protector was only distantly of that family. He was descended in direct line from the Princes de Conde, whose connexion with the royal house of France dated back to the sixteenth century. The other line of 'royal' ducs in the country was that of Orleans, offshoot of the royal house through Philippe, son of Louis XIII, and born in 1640. Sophie's protector, Louis-Henri-Joseph, Prince de Conde, having married Louise-Marie, daughter of the great-grandson of this Philippe, was thus the brother-in-law of that Louis-Philippe, Duc d'Orleans, who in the Revolution was known as "Egalite." This was a man whom, for his political opinion and for his failure to stand by the King, Louis XVI, the Prince de Conde utterly detested in memory. As much, moreover, as he had hated the father did the Prince de Conde detest Egalite's son. But it was out of this man's family that Sophie selected, though ultimately, her coheir.

Before she arrived at this point, however, Sophie had been at pains to do some not very savoury manoeuvring.

By a dancer at the Opera, called Mimi, the Prince de Conde had an illegitimate daughter, whom he had caused to be educated and whom he had married to the Comte de Rully. The Comtesse de Rully and her husband had a suite at Chantilly. This was an arrangement which Sophie, as reigning Queen of Chantilly, did not like at all. While the Rully woman remained at Chantilly Sophie could not think that her sway over the Prince was quite as absolute as she wished. It took her six years of badgering her protector, from 1819 to 1825, to bring about the eviction.

But meantime (for Sophie's machinations must be taken as concurrent with events as they transpire) the Baronne de Feucheres had approached the son of Philippe-Egalite, suggesting that the last-born of his six children, the Duc d'Aumale, should have the Prince de Conde for godfather. If she could persuade her protector to this the Duc d'Orleans, in return, was to use his influence for her reinstatement at Court. And persuade the old man to this Sophie did, albeit after a great deal of badgering on her part and a great deal of grumbling on the part of the Prince.

The influence exerted at Court by the Duc d'Orleans does not seem to have been very effective. The King who had dismissed her the Court, Louis XVIII, died in 1824. His brother, the Comte d'Artois, ascended the throne as Charles X, and continued by politically foolish recourses, comparable in history to those of the English Stuarts, to alienate the people by attempting to regain that anachronistic absolute power which the Revolution had destroyed. He lasted a mere six years as king. The revolution of 1830 sent him into exile. But up to the last month or so of those six years he steadfastly refused to have anything to do with the Baronne de Feucheres—not that Sophie ever gave up manoeuvring and wheedling for a return to Court favour.

About 1826 Sophie had a secret proposition made to the King that she should try to persuade the Prince de Conde to adopt as his heir one of the brothers of the Duchesse de Berry, widow of the King's second son—or would his Majesty mind if a son of the Duc d'Orleans was adopted? The King did not care at all.

After that Sophie pinned her faith in the power possessed by the Duc d'Orleans. She was not ready to pursue the course whereby her return to Court might have been secured—namely, to abandon her equivocal position in the Prince de Conde's household, and thus her power over the Prince. She wanted first to make sure of her share of the fortune he would leave. She knew her power over the old man. Already she had persuaded him to buy and make over to her the estates of Saint-Leu and Boissy, as well as to make her legacies to the amount of a million francs. Much as she wanted to be received again at Court, she wanted more just as much as she could grab from the Prince's estate. To make her inheritance secure she needed the help of the Duc d'Orleans.

The Duc d'Orleans was nothing loth. He had the mind of a French bourgeois, and all the bourgeois itch for money. He knew that the Prince de Conde hated him, hated his politics, hated his very name. But during the seven years it took Sophie to bring the Prince to the point of signing the will she had in mind the son of Philippe-Egalite fawned like a huckster on his elderly and, in more senses than one, distant relative. The scheme was to have the Prince adopt the little Duc d'Aumale, already his godchild, as his heir.

The ways by which Sophie went about the job of persuading her old lover do not read pleasantly. She was a termagant. The Prince was stubborn. He hated the very idea of making a will—it made him think of death. He was old, ill, friendless. Sophie made his life a hell, but he had become dependent upon her. She ill-used him, subjecting him to physical violence, but yet he was afraid she might, as she often threatened, leave him. Her way of persuading him reached the point, it is on record, of putting a knife to his throat. Not once but several times his servants found him scratched and bruised. But the old man could not summon up the strength of mind to be quit of this succubine virago.

At last, on the 29th of August, 1829, Sophie's 'persuasions' succeeded. The Prince consented to sign the will, and did so the following morning. In its terms the Duc d'Aumale became residuary legatee, and 2,000,000 francs, free of death-duty, were bequeathed to the Prince's "faithful companion, Mme la baronne de Feucheres," together with the chateaux and estates of Saint-Leu-Taverny, Boissy, Enghien, Montmorency, and Mortefontaine, and the pavilion in the Palais-Bourbon, besides all the Prince's furniture, carriages, horses, and so on. Moreover, the estate and chateau of Ecouen was also given her, on condition that she allowed the latter to be used as an orphanage for the descendants of soldiers who had served with the Armies of Conde and La Vendee. The cost of running this establishment, however, was to be borne by the Duc d'Aumale.

It might be thought that Sophie, having got her way, would have turned to kindness in her treatment of her old lover. But no. All her mind was now concentrated on working, through the Duc d'Orleans, for being received again at Court. She ultimately succeeded in this. On the 7th of February, 1830, she appeared in the presence of the King, the Dauphin and Dauphine. In the business of preparing for this great day Chantilly and the Prince de Conde were greatly neglected. The beggar on horseback had to be about Paris.

But events were shaping in France at that time which were to be important to the royal family, to Sophie and her supporters of the house of Orleans, and fatal in consequence to the old man at Chantilly.

On the 27th of July revolution broke out in France. Charles X and his family had to seek shelter in England, and Louis-Philippe, Duc d'Orleans, became—not King of France, but "King of the French" by election. This consummation had not been achieved without intrigue on the part of Egalite's son. It was not an achievement calculated to abate the Prince de Conde's hatred for him. Rather did it inflame that hatred. In the matter of the famous will, moreover, as the King's son the little Duc d'Aumale would be now in no need of the provision made for him by his unwilling godfather, while members of the exiled royal family—notably the grandson of Charles, the Duc de Bordeaux, certainly cut out of the Prince's will by the intrigues of Sophie and family—were in want of assistance. This is a point to be remembered in the light of subsequent events.

IV

While she had been looking after herself Sophie Dawes had not been unmindful ofthe advancement of hangers-on of her own family. She had about her a nephew and a niece. The latter, supposed by some to have a closer relationship to Sophie than that of mere niece, she had contrived to marry off to a marquis. The Marquise de Chabannes de la Palice need not here concern us further. But notice must be taken of the nephew. A few million francs, provided by the Prince de Conde, had secured for this James Dawes the title of Baron de Flassans, from a domain also bestowed upon him by Sophie's elderly lover. De Flassans, with some minor post in the Prince's household, acted as his aunt's jackal.

If Sophie, after the election to kingship of Louis-Philippe, found it necessary to be in Paris a great deal to worship at the throne her nephew kept her well informed about the Prince de Conde's activities. The old man, it appeared, had suddenly developed the habit of writing letters. The Prince, then at the chateau of Saint-Leu expressed a desire to remove to Chantilly. He was behaving very oddly all round, was glad to have Sophie out of his sight, and seemed unwilling even to hear her name. The projected move to Chantilly, as a fact, was merely a blind to cover a flight out of Sophie's reach and influence. Rumour arose about Saint-Leu and in Paris that the Prince had made another will—one in which neither Sophie nor the Duc d'Aumale was mentioned. This was a move of which Sophie had been afraid. She saw to it that the Prince did not get away from Saint-Leu. Rumour and the Prince's conduct made Sophie very anxious. She tried to get him to make over to her in his lifetime those properties which he had left to her in his will, and it is probable enough that she would have forced this request but for the fact that, to raise the legal costs, the property of Saint-Leu would have had to be sold.

This was the position of affairs about the middle of August 1830. It was believed the Prince had already signed a will in favour of the exiled little Duc de Bordeaux, but that he had kept the act secret from his mistress.

On the morning of the 11th of the month the Prince was met outside his bedroom in his night attire. It was a young man called Obry who thus met the Prince. He was the old man's godchild. The old man's left eye was bleeding, and there was a scratch on his cheek as if made by a fingernail. To Obry the Prince attributed these wounds to the spite of the Baronne de Feucheres. Half an hour later he told his valet he had hit his head against a night-table. Later again in the day he gave another version still: he had fallen against the door to a secret staircase from his bedroom while letting the Baronne de Feucheres out, the secret staircase being in communication with Sophie's private apartments.

For the next ten days or so the Prince was engaged in contriving his flight from the gentle Sophie, a second plan which again was spoiled by Sophie's spies. There was something of a fete at Saint-Leu on the 26th, the Prince's saint's day. There was a quarrel between Sophie and the Prince on the morning of the 26th in the latter's bedroom. Sophie had then been back in Saint-Leu for three days. At midnight on the 26th the old man retired after playing a game or two at whist. He was to go on the 30th to Chantilly. He was accompanied to his bedroom by his surgeon and a valet, one Lecomte, and expressed a desire to be called at eight o'clock. Lecomte found a paper in the Prince's trousers and gave it to the old man, who placed it on the mantelshelf. Then the valet, as he said later, locked the door of the Prince's dressing-room, thus—except for the entrance from the secret staircase—locking the old man in his room.

The Prince's apartments were on the first floor of the chateau. His bedroom was approached through the dressing-room from the main corridor. Beyond the dressing-room was a passage, turning left from which was the bedroom, and to the right in which was an entrance to an anteroom. Facing the dressing-room door in this same passage was the entrance to the secret staircase already mentioned. The staircase gave access to the Baronne de Feucheres' apartments on the entrance floor. These, however, were not immediately under the Prince's rooms. An entresol intervened, and here the rooms were occupied by the Abbe Briant, a creature of Sophie's and her secretary, the Widow Lachassine, Sophie's lady's-maid, and a couple named Dupre. These last, also spies of Sophie's, had their room direcdy below the Prince's bedroom, and it is recorded that the floor was so thin that they could hear not only the old man's every movement, but anything he said.

Adjacent to the Prince's room, and on the same floor, were the rooms occupied by Lambot, the Prince's aide, and the valet Lecomte. Lambot was a lover of Sophie's, and had been the great go-between in her intrigues with the Orleans family over the will. Lecomte was in Sophie's pay. Close to Sophie's apartments on the entrance floor were the rooms occupied by her nephew and his wife, the de Flassans. It will be seen, therefore, that the wing containing the Prince's rooms was otherwise occupied almost completely by Sophie's creatures.

You have, then, the stage set for the tragedy which was about to ensue: midnight; the last of the Condes peaceably in his bedroom for the night, and locked in it (according to Lecomte). About him, on all sides, are the creatures of his not too scrupulous mistress. All these people, with the exception of the Baronne de Flassans, who sat up writing letters until two, retire about the same time.

And at eight o'clock next morning, there being no answer to Lecomte's knocking to arouse the Prince, the door is broken open at the orders of the Baronne de Feucheres. The Prince is discovered dead in his bedroom, suspended by the neck, by means of two of his own handkerchiefs knotted together, from the fastening of one of the French windows.

The fastening was only about two and a half feet off the floor. The handkerchief about the dead man's neck was loose enough to have permitted insertion of all the fingers of a hand between it and the neck. The second handkerchief was tied to the first, and its other end was knotted to the window-fastening, and the dead man's right cheek was pressed against the closed shutter. The knees were bent a little, the feet were on the floor. None of the usual indications of death by strangulation were present. The eyes were half closed. The face was pale but not livid. The mouth was almost closed. There was no protrusion of the tongue.

On the arrival of the civil functionaries, the Mayor of Saint-Leu and a Justice of the Peace from Enghien, the body was taken down and put on the bed. It was then found that the dead man's ankles were greatly bruised and his legs scratched. On the left side of the throat, at a point too low for it to have been done by the handkerchief, there was some stripping of the skin. A large red bruise was found between the Prince's shoulders.

The King, Louis-Philippe, heard about the death of the Prince de Conde at half-past eleven that same day. He immediately sent his High Chancellor, M. Pasquier, and his own aide-de-camp, M. de Rumigny, to inquire into the matter. It is not stretching things too far to say that the King's instructions to these gentlemen are revealed in phrases occurring in the letters they sent his Majesty that same evening. Both recommend that Drs. Marc and Marjolin should be sent to investigate the Prince's tragic death. But M. Pasquier mentions that "not a single document has been found, so a search has already been made." And M. de Rumigny thinks "it is important that nobody should be accused who is likely to benefit by the will." What document was expected to be discovered in the search? Why, a second will that would invalidate the first. Who was to benefit by the first will? Why, the little Duc d'Aumale and Dame Sophie Dawes, Baronne de Feucheres!

The post-mortem examination was made by the King's own physicians. During the examination the Prince's doctors, MM. Dubois and Gendrin, his personal secretary, and the faithful one among his body-servants, Manoury, were sent out of the room. The verdict was suicide. The Prince's own doctors maintained that suicide by the handkerchiefs from the window-fastening was impossible. Dr Dubois wrote his idea of how the death had occurred:

The Prince very likely was asleep in his bed. The murderers must have been given entrance to his bedroom—I have no wish to ask how or by whom. They then threw themselves on the Prince, gripped him firmly, and could easily pin him down on his bed; then the most desperate and dexterous of the murderers suffocated him as he was thus held firmly down; finally, in order to make it appear that he had committed suicide and to hinder any judicial investigations which might have discovered the identity of the assassins, they fastened a handkerchief about their victim's neck, and hung him up by the espagnolette of the window.

And that, at all hazards, is about the truth of the death of the Duc de Bourbon and Prince de Conde. There was some official display of rigour in investigation by the Procureur; there was much play with some mysterious papers found a good time after the first discovery half-burned in the fireplace of the Prince's bedroom; there was a lot put forward to support the idea of suicide; but the blunt truth of the affair is that the Prince de Conde was murdered, and that the murder was hushed up as much as possible. Not, however, with complete success. There were few in France who gave any countenance to the theory of suicide.

The Prince, it will be remembered, had a practically disabled left arm. It is said that he could not even remove his hat with his left hand. The knots in the handkerchiefs used to tie him to the espagnolette were both complicated and tightly made. Impossible for a one-handed man. His bed, which at the time of his retiring to it stood close to the alcove wall, was a good foot and a half away from that wall in the morning. Impossible feat also for this one-handed man. It was the Prince's habit to lie so much to one side of the bed that his servants had to prop the outside edge up with folded blankets. On the morning when his death was discovered it was seen that the edges still were high, while the centre was very much pressed down. There was, in fact, a hollow in the bed's middle such as might have been made by some one standing on it with shoes on. It is significant that the bedclothes were neatly turned down. If the Prince had got up on a sudden impulse to commit suicide he is hardly likely, being a prince, to have attempted remaking his bed. He must, moreover, since he could normally get from bed only by rolling on his side, have pressed out that heightened edge. Manoury, the valet who loved him, said that the bed in the morning looked more as if it had been SMOOTHED OUT than remade. This would tend to support the theory of Dr Dubois. The murderers, having suffocated the Prince, would be likely to try effacing the effects of his struggling by the former method rather than the latter.

But the important point of the affair, as far as this chapter on it is concerned, is the relation of Sophie Dawes with it on the conclusion of murder. How deeply was she implicated? Let us see how she acted on hearing that there was no reply to Lecomte's knocking, and let us examine her conduct from that moment on.

Note that the Baronne de Feucheres was the first person whom Lecomte and the Prince's surgeon apprised of the Prince's silence. She rushed out of her room and made for the Prince's, not by the secret staircase, but by the main one. She knew, however, that the door to the secret staircase from the Prince's room was not bolted that night. This knowledge was admitted for her later by the Prince's surgeon, M. Bonnie. She had gone up to the Prince's room by the main staircase in order to hide the fact, an action which gives a touch of theatricality to her exhibited concern about the Prince's silence.

The search for documents spoken of by M. Pasquier in his letter to the King had been carried out by Sophie in person, with the aid of her nephew de Flassans and the Abbe Briant. It was a thorough search, and a piece of indecorousness which she excused on the ground of being afraid the Prince's executors might find a will which made her the sole heir, to the exclusion of the Duc d'Aumale.

Regarding the 'accident' which had happened to the Prince on the 11th of August, she said it was explained by an earlier attempt on his part to do away with himself. She tried to deny that she had been at Saint-Leu at the time of the actual happening, when the fact was that she only left for Paris some hours later.

When, some time later, the Prince's faithful valet Manoury made mention of the fact that the Prince had wanted to put the width of the country between himself and his mistress, Sophie first tried to put the fear of Louis-Philippe into the man, then, finding he was not to be silenced that way, tried to buy him with a promise of employment.

It is beyond question that the Prince de Conde was murdered. He was murdered in a wing of the chateau in which he was hemmed in on all sides by Sophie's creatures. It is impossible that Sophie was not privy, at the least, to the deed. It is not beyond the bounds of probability that she was an actual participator in the murder.

She was a violent woman, as violent and passionate as she was determined. Not once but many times is it on record that she physically ill-used her elderly lover. There was one occasion, it is said, when the Prince suddenly came upon her in a very compromising position with a younger man in the park of one of his chateaux. Sophie, before the Prince could utter a protest, cut him across the face with her riding-whip, and finished up by thrashing him with his own cane.

Here you have the stuff, at any rate, of which your murderesses of the violent type are made. It is the metal out of which your Kate Websters, your Sarah Malcolms, your Meteyards and Brownriggs fashion themselves. It takes more than three years of scholastic self-discipline, such as Sophie Dawes in her ambition subjected herself to, to eradicate the inborn harridan. The very determination which was at the back of Sophie's efforts at self-education, that will to have her own way, would serve to heighten the sick rage with which she would discover that her carefully wrought plans of seven years had come to pieces. What was it that the Abbe Pelier de Lacroix had in "proof of the horrible assassination" of the Prince de Conde, but that he was prevented from placing before the lawyers in charge of the later investigation, if not the fact that the Prince had made a later will than the one by which Sophie inherited so greatly? The Abbe was the Prince's chaplain. He published a pamphlet declaring that the Prince had made a will leaving his entire fortune to the little Duc de Bordeaux, but that Sophie had stolen this later will. Who likelier to be a witness to such a will than the Prince's chaplain?

It needs no great feat of imagination to picture what the effect of such a discovery would be on a woman of Sophie's violent temper, or to conceive how little the matter of taking a life especially the life of a feeble old man she was used to bullying and mishandling—would be allowed to stand in the way of rescuing her large gains. Murder of the Prince was her only chance. It had taken her seven years to bring him to the point of signing that first will. He was seventy-four years of age, enfeebled, obstinate, and she knew of his plans to flee from her. Even supposing that she could prevent his flight, could she begin all over again to another seven years of bullying and wheedling—always with the prospect of the old man dying before she could get him to the point again of doing as she wished? The very existence of the second will was a menace. It only needed that the would-be heirs of the Prince should hear of it, and there would be a swoop on their part to rescue the testator from her clutches. In the balance against 2,000,000 francs and some halfdozen castles with their estates the only wonder is that any reasonable person, knowing the history of Sophie Dawes, should hesitate about the value she was likely to place on the old man's life.

The inquiry begun in September of 1830 into the circumstances surrounding the death of the Prince was cooked before it was dressed. The honest man into whose hands it was placed at first, a M. de la Hurpoie, proved himself too zealous. After a night visit from the Procureur he was retired into private life. After that the investigators were hand-picked. They concluded the investigation the following June, with the declaration that the Prince had committed suicide, a verdict which had its reward—in advancement for the judges.

In the winter of 1831-32 there was begun a lawsuit in which the Princes de Rohan brought action against Sophie and the Duc d'Aumale for the upsetting of the will under which the latter two had inherited the Prince de Conde's fortune. The grounds for the action were the undue influence exerted by Sophie. The Princes de Rohan lost.

Thus was Sophie twice 'legally' vindicated. But public opinion refused her any coat of whitewash. Never popular in France, she became less and less popular in the years that followed her legal triumphs. Having used her for his own ends, Louis-Philippe gradually shut off from her the light of his cod-like countenance.[29]

Sophie found little joy in her wide French possessions. She found herself without friends before whom she could play the great lady in her castles. She gradually got rid of her possessions, and returned to her native land. She bought an estate near Christchurch, in Hampshire, and took a house in Hyde Park Square, London. But she did not long enjoy those English homes. While being treated for dropsy in 1840 she died of angina. According to the famous surgeon who was at her bedside just before her demise, she died "game."

It may almost be said that she lived game. There must have been a fighting quality about Sophie to take her so far from such a bad start. Violent as she was of temper, greedy, unscrupulous, she seems yet to have had some instincts of kindness. The stories of her good deeds are rather swamped by those of her bad ones. She did try to do some good with the Prince's money round about Chantilly, took a definite and lasting interest in the alms-houses built there by "the Great Conde," and a request in her own will was to the effect that if she had ever done anything for the Orleans gang, the Prince de Conde's wishes regarding the use of the chateau of Ecouen as an orphanage might be fulfilled as a reward to her. The request never was fulfilled, but it does show that Sophie had some affinity in kindness to Nell Gwynn.

How much farther—or how much better—would Sophie Dawes have fared had her manners been less at the mercy of her temper? It is impossible to say. That she had some quality of greatness is beyond doubt. The resolution of character, the will to achieve, and even the viraginous temper might have carried her far had she been a man some thirty years earlier in the country of her greater activities. Under Napoleon, as a man, Sophie might have climbed high on the way to glory. As a woman, with those traits, there is almost tragic inevitability in the manner in which we find her ranged with what Dickens called "Glory's bastard brother"—Murder.