SUNDAY was the last day but one of October. They all met at Waterloo in a horrid fog, and missed the nine-thirty because Cecil Le Moine was late. He sauntered up at 9.45, tranquil and at ease, the MS. of his newest play under his arm (he obviously thought to read it to them in the course of the day—“which must be prevented,” Arnold remarked). So they caught a leisured train at 9.53, and got out of it at a little white station about 10.20, and the fog was left behind, and a pure blue October sky arched over a golden and purple earth, and the air was like iced wine, thin and cool and thrilling, and tasting of heather and pinewoods. They went first to the village inn, on the edge of the woods, where they had ordered breakfast for eight. Their main object at breakfast was to ply Cecil with food, lest in a leisure moment he should say, “What if I begin my new play to you while you eat?” “Good taste and modesty,” Arnold remarked, À propos of nothing, “are so very important. We have all achieved our little successes (if we prefer to regard them in that light, rather than to take Cecil started. “Have you been talking, Arnold? I’m so sorry—I missed it all. I expect it was good, wasn’t it?” “No one is deceived,” Arnold said, severely. “Your ingenuous air, my young friend, is overdone.” Cecil was looking at him earnestly. Eileen said, “He’s wondering was it you that reviewed ‘Squibs’ in Poetry and Drama, Arnold. He always looks like that when he’s thinking about reviews.” “The same phrases,” Cecil murmured—“(meant to be witty, you know)—that Arnold used when commenting on ‘Squibs’ in private life to me. Either he used them again afterwards, feeling proud of them, to the reviewer (possibly Billy?) or the reviewer had just used them to him before he met me, and he cribbed them, or.... But I won’t ask. I mustn’t know. I prefer not to know. I will preserve our friendship intact.” “What does the conceited child expect?” exclaimed Miss Hogan. “The review said he was more alive than Barker, and wittier than Wilde. The grossest flattery I ever read!” “A bright piece,” Cecil remarked. “He said it was a bright piece. He did, I tell you. A bright piece.” “Well, lots of the papers didn’t,” said Sally, “Thank you, Sally. That is certainly a cheering memory. To be found bright by the Daily Comment would indeed be the last stage of degradation.... I wonder what idiocy they will find to say of my next.... I wonder——” “Have we all finished eating?” Arnold hastily intercepted. “Then let us pay, and go out for a country stroll, to get an appetite for lunch, which will very shortly be upon us.” “My dear Arnold, one doesn’t stroll immediately after breakfast; how crude you are. One smokes a cigarette first.” “Well, catch us up when you’ve smoked it. We came out for a day in the country, and we must have it. We’re going to walk several miles now without a stop, to get warm.” Arnold was occasionally seized with a fierce attack of energy, and would walk all through a day, or more probably a night, to get rid of it, and return cured for the time being. The sandy road led first through a wood that sang in a fresh wind. The cool air was sweet with pines and bracken and damp earth. It was a glorious morning of odours and joy, and the hilarity of the last days of October, when the end seems near and the present poignantly gay, and life a bright piece nearly played out. Arnold and Bridget Hogan walked on together ahead, both talking at once, probably competing as to which could get in Eileen, who was capable, ignoring all polite conventions, of walking a mile with a slight acquaintance without uttering a word, because she was feeling lazy, or thinking of something interesting, or because her companion bored her, was just now in a conversational mood. She rather liked Eddy; also she saw in him an avenue for an idea she had in mind. She told him so. “You work in the Borough, don’t you? I wish you’d let me come and play folk-music to your clubs sometimes. It’s a thing I’m rather keen on—getting the old folk melodies into the streets, do you see, the way errand boys will whistle them. Do you know Hugh Datcherd? He has musical evenings in his Lea-side settlement; I go there a good deal. He has morris dancing twice a week and folk-music once.” Eddy had heard much of Hugh Datcherd’s Lea-side settlement. According to St. Gregory’s, it was run on very regrettable lines. Hillier said, “They teach rank atheism there.” However, it was something that they also taught morris dancing and folk-music. “It would be splendid if you’d come sometimes,” he said, gratefully. “Just exactly what we should most like. We’ve had a little morris dancing, of “Which evening will I come?” she asked. A direct young person; she liked to settle things quickly. Eddy, consulting his little book, said, “To-morrow, can you?” She said, “No, I can’t; but I will,” having apparently a high-handed method of dealing with previous engagements. “It’s the C.L.B. club night,” said Eddy. “Hillier—one of the curates—is taking it to-morrow, and I’m helping. I’ll speak to him, but I’m sure it will be all right. It will be a delightful change from billiards and boxing. Thanks so much.” “And Mr. Datcherd may come with me, mayn’t he? He’s interested in other people’s clubs. Do you read Further? And do you like his books?” “Yes, rather,” Eddy comprehensively answered all three questions. All the same he was smitten with a faint doubt as to Mr. Datcherd’s coming. Probably Hillier’s answer to the three questions would have been “Certainly not.” But after all, St. Gregory’s didn’t belong to Hillier but to the vicar, and the vicar was a man of sense. And anyhow anyone who saw Mrs. Le Moine must be glad to have a visit from her, and anyone who heard her play must thank the gods for it. “I do like his books,” Eddy amplified; “only they’re so awfully sad, and so at odds with life.” A faint shadow seemed to cloud her face. “He is awfully sad,” she said, after a moment. He wondered for a moment whether Hugh Datcherd’s sadness was all altruistic, or did he find his own life hideous too? From what Eddy had heard of Lady Dorothy, his wife, that might easily be so, he thought, for they didn’t sound compatible. Instinctively, anyhow, he turned away his eyes from the queer, soft look of brooding pity that momentarily shadowed Hugh Datcherd’s friend. From in front, snatches of talk floated back to them through the clear, thin air. Miss Hogan’s voice, with its slight stutter, seemed to be concluding an interesting anecdote. “And so they both committed suicide from the library window. And his wife was paralysed from the waist up—is still, in fact. Most unwholesome, it all was. And now it’s so on Charles Harker’s mind that he writes novels about nothing else, poor creature. Very natural, if you think what he went through. I hear he’s another just coming out now, on the same.” “He sent it to us,” said Arnold, “but Uncle Wilfred and I weren’t sure it was proper. I am Cecil was saying to Billy and Jane, “He wants me to put Lesbia behind the window-curtain, and make her overhear it all. Behind the window-curtain, you know! He really does. Could you have suspected even our Musgrave of being so banal, Billy? He’s not even Edwardian—he’s late-Victorian....” Arnold said over his shoulder, “Can’t somebody stop him? Do try, Jane. He’s spoiling our day with his egotistic babbling. Bridget and I are talking exclusively about others, their domestic tragedies, their literary productions, and their unsuitable careers; never a word about ourselves. I’m sure Eileen and Eddy are doing the same; and sandwiched between us, Cecil flows on fluently about his private grievances and his highly unsuitable plays. You’d think he might remember what day it is, to say the least of it. I wonder how he was brought up, don’t you, Bridget?” “I don’t wonder; I know,” said Bridget. “His parents not only wrote for the Yellow Book, but gave it him to read in the nursery, and it corrupted him for life. He would, of course, faint if one suggested that he carried the taint of anything so antiquated, but infant impressions are hard to eradicate. Sally said, “Hurrah, let’s. In this sand-pit.” So they got into the sand-pit and produced seven packets of food, which is to say that they each produced one except Cecil, who had omitted to bring his, and undemurringly accepted a little bit of everyone else’s. They then played hide and seek, dumb crambo, and other vigorous games, because as Arnold said, “A moment’s pause, and we are undone,” until for weariness the pause came upon them, and then Cecil promptly seized the moment and produced the play, and they had to listen. Arnold succumbed, vanquished, and stretched himself on the heather. “You have won; I give in. Only leave out the parts that are least suitable for Sally to hear.” So, like other days in the country, the day wore through, and they caught the 5.10 back to Waterloo. At supper that evening Eddy told the vicar about Mrs. Le Moine’s proposal. “So she’s coming to-morrow night, with Datcherd.” Hillier looked up sharply. “Datcherd! That man!” He caught himself up from a scornful epithet. “Why not?” said the vicar tolerantly. “He’s very keen on social work, you know.” Peters and Hillier both looked cross. “I know personally,” said Hillier, “of cases where his influence has been ruinous.” Peters said, “What does he want down here?” Eddy said, “He won’t have much influence during one evening. I suppose he wants to watch how they take the music, and, generally, to see what our clubs are like. Besides, he and Mrs. Le Moine are great friends, and she naturally likes to have someone to come with.” “Datcherd’s a tremendously interesting person,” said Traherne. “I’ve met him once or twice; I should like to see more of him.” “A very able man,” said the vicar, and said grace. |