1 A week later Gideon resigned his assistant editorship of the Fact. Peacock was, on the whole, relieved. Gideon had been getting too difficult of late. After some casting about among eager, outwardly indifferent possible successors, Peacock offered the job to Johnny Potter, who was swimming on the tide of his first novel, which had been what is called 'well spoken of' by the press, but who, at the same time, had the popular touch, was quite a competent journalist, was looking out for a job, and was young enough to do what he was told; that is to say, he was four or five years younger than Peacock. He had also a fervent enthusiasm for democratic principles and for Peacock's prose style (Gideon had been temperate in his admiration of both), and Peacock thought they would get on very well. Jane was sulky, jealous, and contemptuous. 'Johnny. Why Johnny? He's not so good as lots of other people who would have liked the job. He's swanking so already that it makes me tired to be in the room with him, and now he'll be worse than ever. Oh, Arthur, it is rot, your chucking it. I've a jolly good mind not to marry you. I thought I was marrying the assistant editor of an important paper, not just a lazy old Jew without a job.' She ruffled up his black, untidy hair with her hand as she sat on the arm of his chair; but she was really annoyed with him, as she had explained a week ago when he had told her. 2 He had walked in one evening and found her in Charles's bedroom, bathing him. Clare was there too, helping. 'Why do girls like washing babies?' Gideon speculated aloud. 'They nearly all do, don't they?' 'Well, I should just hope so,' Clare said. She was kneeling by the tin bath with her sleeves rolled up, holding a warmed towel. Her face was flushed from the fire, and her hair was loosened where Charles had caught his toe in it. She looked pretty and maternal, and looked up at Gideon with the kind of conventional, good-humoured scorn that girls and women put on when men talk of babies. They do it (one believes) partly because they feel it is a subject they know about, and partly to pander to men's desire that they should do it. It is part of the pretty play between the sexes. Jane never did it; she wasn't feminine enough. And Gideon did not want her to do it; he thought it silly. 'Why do you hope so?' asked Gideon. 'And why do girls like it?' The first question was to Clare, the second to Jane, because he knew that 'The mites!' said Clare. 'Who wouldn't like it?' Gideon sighed a little, Clare tried him. She had an amorphous mind. But Jane threw up at him, as she enveloped Charles in the towel, 'I'll try and think it out some time, Arthur. I haven't time now…. There's a reason all right…. The powder, Clare.' Gideon watched the absurd drying and powdering process with gravity and interest, as if trying to discover its charm. 'Even Katherine enjoys it,' he said, still pondering. It was true. Katherine, who liked experimenting with chemicals, liked also washing babies. Possibly Katherine knew why, in both cases. After Charles was in bed, his mother, his aunt, and his prospective stepfather had dinner. Clare, who was uncomfortable with Gideon, not liking him as a brother-in-law or indeed as anything else (besides not being sure how much Jane had told him about 'that awful night'), chattered to Jane about things of which she thought Gideon knew nothing—dances, plays, friends, family and Potters Bar gossip. Gideon became very silent. He and Clare touched nowhere. Clare flaunted the family papers in his face and Jane's. Lord Pinkerton was starting a new one, a weekly, and it promised to sell better than any other weekly on the market, but far better. 'Dad says the orders have been simply stunning. It's going to be a big thing. Simple, you know, and yet clever—like all dad's papers. David says' (David was the naval officer to whom Clare was now betrothed) 'there's no one with such a sense of what people want as dad has. Far more of it than Northcliffe, David says he has. Because, you know, Northcliffe sometimes annoys people—look at the line he took about us helping the Russians to fight each other. And making out in leaders, David says, that the Government is always wrong just because he doesn't like it. And drawing attention to the mistakes it makes, which no one would notice if they weren't rubbed in. David gets quite sick with him sometimes. He says the Pinkerton press never does that sort of thing, it's got too much tact, and lets well alone.' 'I'll, you mean, don't you, darling?' Jane interpolated. Clare, who did, but did not know it, only said, 'David's got a tremendous admiration for it. He says it will last.' 'Oh, bother the paternal press,' Jane said. 'Give it a rest, old thing. It may be new to David, but it's stale to us. It's Arthur's turn to talk about his father's bank or something.' But Arthur didn't talk. He only made bread pills, and the girls got on to the newest dance. 3 Clare went away after dinner. She never stayed long when Gideon was there. David didn't like Gideon, rightly thinking him a Sheeney. 'Sheeneys are at the bottom of Bolshevism, you know,' he told Clare. 'At the top too, for that matter. Dreadful fellows; quite dreadful. Why the dickens do you let Jane marry him?' Clare shrugged her shoulders. 'Jane does what she likes. Dad and mother have begged and prayed her not to…. Besides, of course, even if he was all right, it's too soon….' 'Too soon? Ah, yes, of course. Poor Hobart, you mean. Quite. Much too soon…. A dreadful business, that. I don't blame her for trying to put it behind her, out of sight. But with a Sheeney. Well, chacun a son goÛt.' For David was tolerant, a live and let live man. When Clare was gone, Jane said, 'Wake up, old man. You can talk now…. You and Clare are stupid about each other, by the way. You'll have to get over it some time. You're ill-mannered and she's a silly fool; but ill-mannered people and silly fools can rub along together, all right, if they try.' 'I don't mind Clare,' said Gideon, rousing himself. 'I wasn't thinking about her, to say the truth. I was thinking about something else…. I'm chucking the Fact, Jane.' 'How d'you mean, chucking the Fact' Jane lit a cigarette. 'What I say. I've resigned my job on it. I'm sick of it.' 'Oh, sick…. Every one's sick of work, naturally. It's what work is for…. Well, what are you doing next? Have you been offered a better job?' 'I've not been offered a job of any sort. And I shouldn't take it if I were—not at present. I'm sick of journalism.' Jane took it calmly, lying back among the sofa cushions and smoking. 'I was afraid you were working up to this…. Of course, if you chuck the Fact you take away its last chance. It'll do a nose-dive now.' 'It's doing it anyhow. I can't stop it. But I'm jolly well not going to nose-dive with it. I'm clearing out.' 'You're giving up the fight, then. Caving in. Putting your hands up to She was taunting him, in her cool, unmoved, leisurely tones. 'I'm clearing out,' he repeated, emphasising the phrase, and his black eyes seemed to look into distances. 'Running away, if you like. This thing's too strong for me to fight. I can't do it. Clare's quite right. It's tremendous. It will last. And the Pinkerton press only represents one tiny part of it. If the Pinkerton press were all, it would be fightable. But look at the Fact—a sworn enemy of everything the Pinkerton press stands for, politically, but fighting it with its own weapons—muddled thinking, sentimentality, prejudice, loose cant phrases. I tell you there'll hardly be a halfpenny to choose between the Pinkerton press and the Fact, by the time Peacock's done with it…. It's not Peacock's fault—except that he's weak. It's not the Syndicate's fault—except that they don't want to go on losing money for ever. It's the pressure of public demand and atmosphere. Atmosphere even more than demand. Human minds are delicate machines. How can they go on working truly and precisely and scientifically, with all this poisonous gas floating round them? Oh, well, I suppose there are a few minds still which do; even some journalists and politicians keep their heads; but what's the use against the pressure? To go in for journalism or for public life is to put oneself deliberately into the thick of the mess without being able to clean it up.' 'After all,' said Jane, more moderately, 'it's all a joke. Everything is. 'A rotten bad joke.' 'You think things matter. You take anti-Potterism seriously, as some people take Potterism.' 'Things are serious. Things do matter,' said the Russian Jew. Jane looked at him kindly. She was a year younger than he was, but felt five years older to-night. 'Well, what's the remedy then?' He said, wearily, 'Oh, education, I suppose. Education. There's nothing else. Learning.' He said the word with affection, lingering on it, striking his hand on the sofa-back to emphasise it. 'Learning, learning, learning. There's nothing else…. We should drop all this talking and writing. All this confused, uneducated mass of self-expression. Self-expression, with no self worth expressing. That's just what we shouldn't do with our selves—express them. We should train them, educate them, teach them to think, see that they know something—know it exactly, with no blurred edges, no fogs. Be sure of our facts, and keep theories out of the system like poison. And when we say anything we should say it concisely and baldly, without eloquence and frills. Lord, how I loathe eloquence!' 'But you can't get away from it, darling. All right, don't mind me, I like it…. Well now, what are you going to do about it? Teach in a continuation school?' 'No,' he said, seriously. 'No. Though one might do worse. But I've got to get right away for a time—right out of it all. I've got to find things out before I do anything else.' 'Well, there are plenty of, things to find out here. No need to go away for that.' He shook his head. 'Western Europe's so hopeless just now. So given over to muddle and lies. 'And very nice too. I've always said you ought to stand for Labour.' 'And I've sometimes agreed with you. But now I know I oughtn't. That's not the way. I'm not going to join in that mess. I'm not good enough to make it worth while. I should either get swamped by it, or I should get so angry that I should murder some one. No, I'm going right out of it all for a bit. I want to find out a little, if I can, about how things are in other countries. Central Europe. Russia. I shall go to Russia.' 'Russia! You'll come back and write about it. People do.' 'I shall not. No, I think I can avoid that—it's too obvious a temptation to tumble into with one's eyes shut.' '"He travelled in Russia and never wrote of it." It would be a good epitaph…. But Arthur darling, is it wise, is it necessary, is it safe? Won't the Reds get you, or the Whites? Which would be worse, I wonder?' 'What should they want with me?' 'They'll think you're going to write about them, of course. That's why the Reds kidnapped Keeling, and the Whites W.T. Goode. They were quite right, too—except that they didn't go far enough and make a job of them. Suppose they've learnt wisdom by now, and make a job of you?' 'Well then, I shall be made a job of. Also a placard for our sensational press, which would be worse. One must take a few risks…. It will be interesting, you know, to be there. I shall visit my father's old home near Odessa. Possibly some of his people may be left round there. I shall find things out—what the conditions are, why things are happening as they are, how the people live. I think I shall be better able after that to find out what the state of things is here. One's too provincial, too much taken up with one's own corner. Political science is too universal a thing to learn in that way.' 'And when you've found out? What next?' 'There's no next. It will take me all my life even to begin to find out. 'Do you mean, Arthur, that you're going to chuck work for good? Writing, 'I hope so. I mean to. Oh, if ever, later on, I feel I have anything I want to say, I'll say it. But that won't be for years. First I'm going to learn…. You see, Jane, we can live all right. Thank goodness, I don't depend on what I earn…. You and I together—we'll learn a lot.' 'Oh, I'm going in for confused self-expression. I'm not taking any vows of silence. I'm going to write.' 'As you like. Every one's got to decide for themselves. It amuses you, 'Of course, it does. Why not? I love it. Not only writing, but being in the swim, making a kind of a name, doing what other people do. I'm not mother, who does but write because she must, and pipes but as the linnets do.' 'No, thank goodness. You're as intellectually honest as any one I know, and as greedy for the wrong things.' 'I want a good time. Why not?' 'Why not? Only that, as long as we're all out for a good time, those of us who can afford to will get it, and nothing more, and those of us who can't will get nothing at all. You see, I think it's taking hold of things by the wrong end. As long as we go on not thinking, not finding out, but greedily wanting good things—well, we shall be as we are, that's all—Potterish.' 'You mean I'm Potterish,' observed Jane, without rancour. 'Oh Lord, we all are,' said Gideon in disgust. 'Every profiteer, every sentimentalist, ever muddler. Every artist directly he thinks of his art as something marketable, something to bring him fame; every scientist or scholar (if there are any) who fakes a fact in the interest of his theory; every fool who talks through his hat without knowing; every sentimentalist who plays up to the sentimentalism in himself and other people; every second-hand ignoramus who takes over a view or a prejudice wholesale, without investigating the facts it's based on for himself. You find it everywhere, the taint; you can't get away from it. Except by keeping quiet and learning, and wanting truth more than anything else.' 'It sounds a dull life, Arthur. Rather like K's, in her old laboratory.' 'Yes, rather like K's. Not dull; no. Finding things out can't be dull.' 'Well, old thing, go and find things out. But come back in time for the wedding, and then we'll see what next.' Jane was not seriously alarmed. She believed that this of Arthur's, was a short attack; when they were married she would see that he got cured of it. She wasn't going to let him drop out of things and disappear, her brilliant Arthur, who had his world in his hand to play with. Journalism, politics, public life of some sort—it was these that he was so eminently fitted for and must go in for. 'You mustn't waste yourself, Arthur,' she said. 'It's all right to lie low for a bit, but when you come back you must do something worth while…. I'm sorry about the Fact; I think you might have stayed on and saved it. But it's your show. Go and explore Central Europe, then, and learn all about it. Then come back and write a book on political science which will be repulsive to all but learned minds. But remember we're getting married in June; don't be late, will you. And write to me from Russia. Letters that will do for me to send to the newspapers, telling me not to spend my money on hats and theatres but on distributing anti-Bolshevist and anti-Czarist tracts. I'll have the letters published in leaflets at threepence a hundred, and drop them about in public places.' 'I'll write to you, no fear,' said Gideon. 'And I'll be in time for the wedding…. Jane, we'll have a great time, you and I, learning things together. We'll have adventures. We'll go exploring, shall we?' 'Rather. We'll lend Charles to mother and dad often, and go off…. I'd come with you now for two pins. Only I can't.' 'No. Charles needs you at present.' 'There's my book, too. And all sorts of things.' 'Oh, your book—that's nothing. Books aren't worth losing anything for. Don't you ever get tied up with books and work, Jane. It's not worth it. One's got to sit loose. Only one can't, to kids; they're too important. We'll have our good times before we get our kids—and after they've grown old enough to be left to themselves a bit.' Jane smiled enigmatically, only obscurely realising that she meant, 'Our ideas of a good time aren't the same, and never will be.' Gideon too only obscurely knew it. Anyhow, for both, the contemplation of that difference could be deferred. Each could hope to break the other in when the time came. Gideon, as befitted his sex, realised the eternity of the difference less sharply than Jane did. It was just, he thought, a question of showing Jane, making her understand…. Jane did not think that it was just a question of making Gideon understand. But he loved her, and she was persuaded that he would yield to her in the end, and not spoil her jolly, delightful life, which was to advance, hand in hand with his, to notoriety or glory or both. For a moment both heard, remotely, the faint clash of swords. Then they shut a door upon the sound, and the man, shaken with sudden passion, drew the woman into his arms. 'I've been talking, talking all the evening,' said Gideon presently. 'I can't get away from it, can I. Preaching, theorising, holding forth. It's more than time I went away somewhere where no one will listen to me.' 'There's plenty of talking in Russia. You'll come back worse than ever, my dear…. I don't care. As long as you do come back. You must come back to me, Arthur.' She clung to him, in one of her rare moments of demonstrated passion. She was usually cool, and left demonstration to him. 'I shall come back all right,' he told her. 'No fear. I want to get married, you see. I want it, really, much more than I want to get information or anything else. Wanting a person—that's what we all want most, when we want it at all. Queer, isn't it? And hopelessly personal and selfish. But there it is. Ideals simply don't count in comparison. They'd go under every time, if there was a choice.' Jane, with his arms round her and his face bent down to hers, knew it. She was not afraid, either for his career or her own. They would have their good time all right. |