THE OPEN LETTER

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Why The Mentor? What’s in the name? We might have chosen any one of fifty names beside The Mentor. We had a list of fully 100 names before we made our selection. And the material that we have supplied under the name of “Mentor” would have served its purpose as well under another name. But we chose our name very carefully. There’s a reason for “Mentor.” And yet, although we are now a little over three years old and number nearly 100,000 in membership, no one has asked the reason—at least until a few weeks ago. Then one of our earliest members put the question, “What or who is The Mentor?” The question was slow in coming, but I am glad it is here, because the answer is worth while.

(decorative)

Mentor was a very worthy individual of ancient Greece. You can read about him in Homer’s “Odyssey.” He was the son of Alcimus and the faithful friend of Ulysses (Odysseus). When Ulysses set forth on his long wanderings, he consigned his household and his family, including his son Telemachus to the care of his friend Mentor. So faithful was Mentor in his attention to Telemachus and so serviceable to him in precept and example that his name has now come to be used in the sense of a wise and trustworthy advisor—“a wise and faithful guide and friend” as a modern dictionary phrases it.

(decorative)

The name of Mentor was brought down nearer to our time by the eminent French writer, philosopher, and churchman, Fenelon, archbishop of Cambria. He lived in the time of the Grand Monarch, Louis XIV, and so wise and cultivated was he that the king made him tutor to his grandson, the Duke of Burgundy, eldest son of the dauphin, and eventual heir to the throne. In the course of his tutorship, and for purposes of instruction, Fenelon wrote several remarkable books—prose poems, in their way, but each having a distinct moral purpose either religious or political. In one of these, published in 1699, and entitled “Telemaque,” Fenelon recounts the adventures of the son of Ulysses in search of his father. It is a Utopian novel dealing with conditions of life in an idealistic way, and hovering between dreams and realities. Its object was to educate the young Duke of Burgundy’s mind to the highest purposes of life as they should be regarded by royalty—to keep before his eyes the “great and holy maxim that kings exist for the sake of their subjects, not subjects for the sake of kings.” In this book the character of “Mentor” figures prominently. His aims are educational in a gentle, lofty way, his hope being, as he puts it himself, “to change the tastes and habits of the people.”

(decorative)

It was more due to Fenelon’s employment of the character of “Mentor” than to that of Homer, that the name “Mentor” came into use as a modern word. “Mentor” now stands for a wise instructor and a guide, but, first and foremost, a friend. The underlying principle of “Mentor” is an interest in the welfare and improvement of others, and the dominating purpose of his life is service to others.

(decorative)

So for that reason we selected the name. And when we made the selection we thought that we were the first to use the name in the field of periodical publication. We lived in that illusion but a short time. Scarcely six months had gone by before we learned anew the old lesson that the world is small and that there are many active minds in it. One morning a plain, unpretentious periodical came into our office bearing on its front the title “The Mentor,” and with it came a friendly letter of greeting from its editor. The place of publication was the Charlestown Jail, and the object of the periodical was to reflect in prose and verse the daily life of the occupants of that quiet and secure retreat. The editor extended his greetings to me and asked me if I would exchange with him—not positions, but periodicals. The request was readily granted, and, as a result, we are now thoroughly informed of the affairs of that substantial institution of Charlestown, and we are carrying our message of information twice a month to the members of the exclusive community located there.

(signature)

W. D. Moffat
Editor


The Mentor Association

ESTABLISHED FOR THE DEVELOPMENT OF A POPULAR INTEREST IN ART, LITERATURE, SCIENCE, HISTORY, NATURE, AND TRAVEL

THE ADVISORY BOARD

  • JOHN G. HIBBEN, President of Princeton University
  • HAMILTON W. MABIE, Author and Editor
  • JOHN C. VAN DYKE, Professor of the History of Art, Rutgers College
  • ALBERT BUSHNELL HART, Professor of Government, Harvard University
  • WILLIAM T. HORNADAY, Director New York Zoological Park
  • DWIGHT L. ELMENDORF, Lecturer and Traveler

THE MENTOR IS PUBLISHED TWICE A MONTH

SUBSCRIPTION, THREE DOLLARS A YEAR. FOREIGN POSTAGE 75 CENTS EXTRA. CANADIAN POSTAGE 50 CENTS EXTRA. SINGLE COPIES FIFTEEN CENTS. PRESIDENT, THOMAS H. BECK; VICE-PRESIDENT, WALTER P. TEN EYCK; SECRETARY, W. D. MOFFAT; TREASURER, ROBERT M. DONALDSON; ASST. TREASURER AND ASST. SECRETARY, J. S. CAMPBELL


COMPLETE YOUR MENTOR LIBRARY

Subscriptions always begin with the current issue. The following numbers of The Mentor Course, already issued, will be sent postpaid at the rate of fifteen cents each.

  • Serial No.
  • 1. Beautiful Children in Art
  • 2. Makers of American Poetry
  • 3. Washington, the Capital
  • 4. Beautiful Women in Art
  • 5. Romantic Ireland
  • 6. Masters of Music
  • 7. Natural Wonders of America
  • 8. Pictures We Love to Live With
  • 9. The Conquest of the Peaks
  • 10. Scotland, the Land of Song and Scenery
  • 11. Cherubs in Art
  • 12. Statues With a Story
  • 13. Story of America in Pictures: The Discoverers
  • 14. London
  • 15. The Story of Panama
  • 16. American Birds of Beauty
  • 17. Dutch Masterpieces
  • 18. Paris, the Incomparable
  • 19. Flowers of Decoration
  • 20. Makers of American Humor
  • 21. American Sea Painters
  • 22. Story of America in Pictures: The Explorers
  • 23. Sporting Vacations
  • 24. Switzerland: The Land of Scenic Splendors
  • 25. American Novelists
  • 26. American Landscape Painters
  • 27. Venice, the Island City
  • 28. The Wife in Art
  • 29. Great American Inventors
  • 30. Furniture and Its Makers
  • 31. Spain and Gibraltar
  • 32. Historic Spots of America
  • 33. Beautiful Buildings of the World
  • 34. Game Birds of America
  • 35. Story of America in Pictures: The Contest for North America
  • 36. Famous American Sculptors
  • 37. The Conquest of the Poles
  • 38. Napoleon
  • 39. The Mediterranean
  • 40. Angels in Art
  • 41. Famous Composers
  • 42. Egypt, the Land of Mystery
  • 43. Story of America in Pictures: The Revolution
  • 44. Famous English Poets
  • 45. Makers of American Art
  • 46. The Ruins of Rome
  • 47. Makers of Modern Opera
  • 48. DÜrer and Holbein
  • 49. Vienna, the Queen City
  • 50. Ancient Athens
  • 51. The Barbizon Painters
  • 52. Abraham Lincoln

Volume 2

  • 53. George Washington
  • 54. Mexico
  • 55. Famous American Women Painters
  • 56. The Conquest of the Air
  • 57. Court Painters of France
  • 58. Holland
  • 59. Our Feathered Friends
  • 60. Glacier National Park
  • 61. Michelangelo
  • 62. American Colonial Furniture
  • 63. American Wild Flowers
  • 64. Gothic Architecture
  • 65. The Story of the Rhine
  • 66. Shakespeare
  • 67. American Mural Painters
  • 68. Celebrated Animal Characters
  • 69. Japan
  • 70. The Story of the French Revolution
  • 71. Rugs and Rug Making
  • 72. Alaska
  • 73. Charles Dickens
  • 74. Grecian Masterpieces
  • 75. Fathers of the Constitution
  • 76. Masters of the Piano

Volume 3

  • 77. American Historic Homes
  • 78. Beauty Spots of India
  • 79. Etchers and Etching
  • 80. Oliver Cromwell
  • 81. China
  • 82. Favorite Trees
  • 83. Yellowstone National Park
  • 84. Famous Women Writers of England
  • 85. Painters of Western Life
  • 86. China and Pottery of Our Forefathers
  • 87. The Story of The American Railroad
  • 88. Butterflies
  • 89. The Philippines
  • 90. Great Galleries of The World: The Louvre
  • 91. William M. Thackeray
  • 92. Grand Canyon of Arizona
  • 93. Architecture in American Country Homes
  • 94. The Story of The Danube
  • 95. Animals in Art
  • 96. The Holy Land
  • 97. John Milton
  • 98. Joan Of Arc
  • 99. Furniture of the Revolutionary Period
  • 100. The Ring of the Nibelung

Volume 4

  • 101. The Golden Age of Greece
  • 102. Chinese Rugs
  • 103. The War of 1812
  • 104. Great Galleries of the World: The National Gallery, London
  • 105. Masters of the Violin

THE MENTOR ASSOCIATION. Inc., 52 East Nineteenth Street, New York, N. Y.

Statement of the ownership, management, circulation, etc., required by the Act of Congress of August 24, 1912, of The Mentor, published semi-monthly at New York. N. Y., for April 1, 1916. State of New York, County of New York. ss. Before me, a Notary Public in and for the State and county aforesaid, personally appeared Thomas H. Beck, who, having been duly sworn according to law, deposes and says that he is the Publisher of The Mentor, and that the following is, to the best of his knowledge and belief, a true statement of the ownership, management, etc., of the aforesaid publication for the date shown in the above caption, required by the Act of August 24, 1912, embodied in section 443, Postal Laws and Regulations, to wit: (1) That the names and addresses of the publisher, editor, managing editor, and business managers are: Publisher, Thomas H. Beck, 52 East 19th Street, New York; Editor, W. D. Moffat, 52 East 19th Street, New York; Managing Editor, W. D. Moffat, 52 East 19th Street, New York; Business Manager, Thomas H. Beck, 52 East 19th Street, New York. (2) That the owners are: American Lithographic Company, 52 East 19th Street, New York; C. Eddy, L. Ettlinger, J. P. Knapp, C. K. Mills, 52 East 19th Street, New York; M. C. Herezog, 28 West 10th Street, New York; William T. Harris, Villa Nova, Pa.; Mrs. M. E. Heppenheimer, 51 East 58th Street, New York: Emilie Schumacher, Executrix for Luise E. Schumacher and Walter L. Schumacher Mount Vernon, N. Y., Samuel Untermyer, 37 Wall Street, New York. (3) That the known bondholders, mortgagees, and other security holders owning or holding 1 per cent or more of total amount of bonds, mortgages, or other securities, are: None. (4) That the two paragraphs next above, giving the names of the owners, stockholders, and security holders, if any, contain not only the list of stockholders and security holders as they appear upon the books of the Company, but also, in cases where the stockholder or security holder appears upon the books of the Company as trustee or in any other fiduciary relation. The name of the person or corporation for whom such trustee is acting, is given; also that the said two paragraphs contain statements embracing affiant’s full knowledge and belief as to the circumstances and conditions under which stockholders and security holders who do not appear upon the books of the Company as trustees, hold stock and securities in a capacity other than that of a bona fide owner; and this affiant has no reason to believe that any other person, association, or corporation has any interest direct or indirect in the said stock, bonds, or other securities than as so stated by him. Thomas H. Beck, Publisher. Sworn to and subscribed before me this twenty-first day of March, 1916. J. S. Campbell, Notary Public, Queens County. Certificate filed in New York County. My commission expires March 30, 1917.


THE MENTOR

                                                                                                                                                                                                                                                                                                           

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