Vance was before his easel, Lionel looking over his shoulder. Never was Darrell more genial than he was that day to Frank Vance. The two men took to each other at once, and talked as familiarly as if the retired lawyer and the rising painter were old fellow-travellers along the same road of life. Darrell was really an exquisite judge of art, and his praise was the more gratifying because discriminating. Of course he gave the due meed of panegyric to the female heads, by which the artist had become so renowned. Lionel took his kinsman aside, and, with a mournful expression of face, showed him the portrait by which, all those varying ideals had been suggested—the portrait of Sophy as Titania.

“And that is Lionel,” said the artist, pointing to the rough outline of Bottom.

“Pish!” said Lionel, angrily. Then turning to Darrell: “This is the Sophy we have failed to find, sir—is it not a lovely face?”

“It is indeed,” said Darrell. “But that nameless refinement in expression—that arch yet tender elegance in the simple, watchful attitude—these, Mr. Vance, must be your additions to the original.”

“No, I assure you, sir,” said Lionel: “besides that elegance, that refinement, there was a delicacy in the look and air of that child to which Vance failed to do justice. Own it, Frank.”

“Reassure yourself, Mr. Darrell,” said Vance, “of any fears which Lionel’s enthusiasm might excite. He tells me that Titania is in America; yet, after all, I would rather he saw her again—no cure for love at first sight like a second sight of the beloved object after a long absence.”

DARRELL (somewhat gravely).—“A hazardous remedy—it might kill, if it did not cure.”

COLONEL MORLEY.—“I suspect, from Vance’s manner, that he has tested its efficacy on his own person.”

LIONEL.—“NO, mon Colonel—I’ll answer for Vance. He in love! Never.”

Vance coloured—gave a touch to the nose of a Roman senator in the famous classical picture which he was then painting for a merchant at Manchester—and made no reply. Darrell looked at the artist with a sharp and searching glance.

COLONEL MORLEY.—“Then all the more credit to Vance for his intuitive perception of philosophical truth. Suppose, my dear Lionel, that we light, one idle day, on a beautiful novel, a glowing romance—suppose that, by chance, we are torn from the book in the middle of the interest—we remain under the spell of the illusion—we recall the scenes—we try to guess what should have been the sequel—we think that no romance ever was so captivating, simply because we were not allowed to conclude it. Well, if, some years afterwards, the romance fall again in our way, and we open at the page where we left off, we cry, in the maturity of our sober judgment, ‘Mawkish stuff!—is this the same thing that I once thought so beautiful?—how one’s tastes do alter!’”

DARRELL.—“Does it not depend on the age in which one began the romance?”

LIONEL.—“Rather, let me think, sir, upon the real depth of the interest—the true beauty of the—”

VANCE (interrupting).—“Heroine?—Not at all, Lionel. I once fell in love—incredible as it may seem to you—nine years ago last January. I was too poor then to aspire to any young lady’s hand—therefore I did not tell my love, but ‘let concealment,’ et cetera, et cetera. She went away with her mamma to complete her education on the Continent. I remained ‘Patience on a monument.’ She was always before my eyes—the slenderest, shyest creature just eighteen. I never had an idea that she could grow any older, less slender, or less shy. Well, four years afterwards (just before we made our excursion into Surrey, Lionel), she returned to England, still unmarried. I went to a party at which I knew she was to be-saw her, and was cured.”

“Bad case of small-pox, or what?” asked the Colonel, smiling.

VANCE—“Nay; everybody said she was extremely improved—that was the mischief—she had improved herself out of my fancy. I had been faithful as wax to one settled impression, and when I saw a fine, full-formed, young Frenchified lady, quite at her ease, armed with eyeglass and bouquet and bustle, away went my dream of the slim blushing maiden. The Colonel is quite right, Lionel; the romance once suspended, ‘tis a haunting remembrance till thrown again in our way, but complete disillusion if we try to renew it; though I swear that in my case the interest was deep, and the heroine improved in her beauty. So with you and that dear little creature. See her again, and you’ll tease, me no more to give you that portrait of Titania at watch over Bottom’s soft slumbers. All a Midsummer Night’s Dream, Lionel. Titania fades back into the arms of Oberon, and would not be Titania if you could make her—Mrs. Bottom.”