On the shore to the right of the port of Byzantium were at that time thickly scattered the villas or suburban retreats of the wealthier and more luxurious citizens. Byzantium was originally colonized by the Megarians, a Dorian race kindred with that of Sparta; and the old features of the pure and antique Hellas were still preserved in the dialect,[19] as well as in the forms of the descendants of the colonists; in their favourite deities, and rites, and traditions; even in the names of places, transferred from the sterile Megara to that fertile coast; in the rigid and helot-like slavery to which the native Bithynians were subjected, and in the attachment of their masters to the oligarchic principles of government. Nor was it till long after the present date, that democracy in its most corrupt and licentious form was introduced amongst them. But like all the Dorian colonies, when once they departed from the severe and masculine mode of life inherited from their ancestors, the reaction was rapid, the degeneracy complete. Even then the Byzantines, intermingled with the foreign merchants and traders that thronged their haven, and womanized by the soft contagion of the East, were voluptuous, timid, and prone to every excess save that of valour. The higher class were exceedingly wealthy, and gave to their vices or their pleasures a splendour and refinement of which the elder states of Greece were as yet unconscious. At a later period, indeed, we are informed that the Byzantine citizens had their habitual residence in the public hostels, and let their houses—not even taking the trouble to remove their wives—to the strangers who crowded their gay capital. And when their general found it necessary to demand their aid on the ramparts, he could only secure their attendance by ordering the taverns and cookshops to be removed to the place of duty. Not yet so far sunk in sloth and debauch, the Byzantines were nevertheless hosts eminently dangerous to the austerer manners of their Greek visitors. The people, the women, the delicious wine, the balm of the subduing climate served to tempt the senses and relax the mind. Like all the Dorians, when freed from primitive restraint, the higher class, that is, the descendants of the colonists, were in themselves an agreeable, jovial race. They had that strong bias to humour, to jest, to satire, which in their ancestral Megara gave birth to the Grecian comedy, and which lurked even beneath the pithy aphorisms and rude merry-makings of the severe Spartan.

Such were the people with whom of late Pausanias had familiarly mixed, and with whose manners he contrasted, far too favourably for his honour and his peace, the habits of his countrymen.

It was in one of the villas we have described, the favourite abode of the rich Diagoras, and in an apartment connected with those more private recesses of the house appropriated to the females, that two persons were seated by a window which commanded a wide view of the glittering sea below. One of these was an old man in a long robe that reached to his feet, with a bald head and a beard in which some dark hairs yet withstood the encroachments of the grey. In his well-cut features and large eyes were remains of the beauty that characterised his race; but the mouth was full and wide, the forehead low though broad, the cheeks swollen, the chin double, and the whole form corpulent and unwieldy. Still there was a jolly, sleek good humour about the aspect of the man that prepossessed you in his favour. This personage, who was no less than Diagoras himself, was reclining lazily upon a kind of narrow sofa cunningly inlaid with ivory, and studying new combinations in that scientific game which Palamedes is said to have invented at the siege of Troy.

His companion was of a very different appearance. She was a girl who to the eye of a northern stranger might have seemed about eighteen, though she was probably much younger, of a countenance so remarkable for intelligence that it was easy to see that her mind had outgrown her years. Beautiful she certainly was, yet scarcely of that beauty from which the Greek sculptor would have drawn his models. The features were not strictly regular, and yet so harmoniously did each blend with each, that to have amended one would have spoilt the whole. There was in the fulness and depth of the large but genial eye, with its sweeping fringe, and straight, slightly chiselled brow, more of Asia than of Greece. The lips, of the freshest red, were somewhat full and pouting, and dimples without number lay scattered round them—lurking places for the loves. Her complexion was clear though dark, and the purest and most virgin bloom mantled, now paler now richer, through the soft surface. At the time we speak of she was leaning against the open door with her arms crossed on her bosom, and her face turned towards the Byzantine. Her robe, of a deep yellow, so trying to the fair women of the North, became well the glowing colours of her beauty—the damask cheek, the purple hair. Like those of the Ionians, the sleeves of the robe, long and loose, descended to her hands, which were marvellously small and delicate. Long earrings, which terminated in a kind of berry, studded with precious stones, then common only with the women of the East; a broad collar, or necklace, of the smaragdus or emerald; and large clasps, medallion-like, where the swan-like throat joined the graceful shoulder, gave to her dress an appearance of opulence and splendour that betokened how much the ladies of Byzantium had borrowed from the fashions of the Oriental world. Nothing could exceed the lightness of her form, rounded, it is true, but slight and girlish, and the high instep, with the slender foot, so well set off by the embroidered sandal, would have suited such dances as those in which the huntress nymphs of Delos moved around Diana. The natural expression of her face, if countenance so mobile and changeful had one expression more predominant than another, appeared to be irresistibly arch and joyous, as of one full of youth and conscious of her beauty; yet, if a cloud came over the face, nothing could equal the thoughtful and deep sadness of the dark abstracted eyes, as if some touch of higher and more animated emotion—such as belongs to pride, or courage, or intellect—vibrated on the heart. The colour rose, the form dilated, the lip quivered, the eye flashed light, and the mirthful expression heightened almost into the sublime. Yet, lovely as Cleonice was deemed at Byzantium, lovelier still as she would have appeared in modern eyes, she failed in what the Greeks generally, but especially the Spartans, deemed an essential of beauty—in height of stature. Accustomed to look upon the virgin but as the future mother of a race of warriors, the Spartans saw beauty only in those proportions which promised a robust and stately progeny, and the reader may remember the well-known story of the opprobrious reproaches, even, it is said, accompanied with stripes, which the Ephors addressed to a Spartan king for presuming to make choice of a wife below the ordinary stature. Cleonice was small and delicate, rather like the Peri of the Persian than the sturdy Grace of the Dorian. But her beauty was her least charm. She had all that feminine fascination of manner, wayward, varying, inexpressible, yet irresistible, which seizes hold of the imagination as well as the senses, and which has so often made willing slaves of the proud rulers of the world. In fact Cleonice, the daughter of Diagoras, had enjoyed those advantages of womanly education wholly unknown at that time to the freeborn ladies of Greece proper, but which gave to the women of some of the isles and Ionian cities their celebrity in ancient story. Her mother was of Miletus, famed for the intellectual cultivation of the sex, no less than for their beauty—of Miletus, the birthplace of Aspasia—of Miletus, from which those remarkable women who, under the name of Hetaerae, exercised afterwards so signal an influence over the mind and manners of Athens, chiefly derived their origin, and who seem to have inspired an affection, which in depth, constancy, and fervour, approached to the more chivalrous passion of the North. Such an education consisted not only in the feminine and household arts honoured universally throughout Greece, but in a kind of spontaneous and luxuriant cultivation of all that captivates the fancy and enlivens the leisure. If there were something pedantic in their affectation of philosophy, it was so graced and vivified by a brilliancy of conversation, a charm of manner carried almost to a science, a womanly facility of softening all that comes within their circle, of suiting yet refining each complexity and discord of character admitted to their intercourse, that it had at least nothing masculine or harsh. Wisdom, taken lightly or easily, seemed but another shape of poetry. The matrons of Athens, who could often neither read nor write—ignorant, vain, tawdry, and not always faithful, if we may trust to such scandal as has reached the modern time—must have seemed insipid beside these brilliant strangers; and while certainly wanting their power to retain love, must have had but a doubtful superiority in the qualifications that ensure esteem. But we are not to suppose that the Hetaerae (that mysterious and important class peculiar to a certain state of society, and whose appellation we cannot render by any proper word in modern language) monopolized all the graces of their countrywomen. In the same cities were many of unblemished virtue and repute who possessed equal cultivation and attraction, but whom a more decorous life has concealed from the equivocal admiration of posterity; though the numerous female disciples of Pythagoras throw some light on their capacity and intellect. Among such as these had been the mother of Cleonice, not long since dead, and her daughter inherited and equalled her accomplishments, while her virgin youth, her inborn playfulness of manner, her pure guilelessness, which the secluded habits of the unmarried women at Byzantium preserved from all contagion, gave to qualities and gifts so little published abroad, the effect as it were of a happy and wondrous inspiration rather than of elaborate culture.

Such was the fair creature whom Diagoras, looking up from his pastime, thus addressed:—

"And so, perverse one, thou canst not love this great hero, a proper person truly, and a mighty warrior, who will eat you an army of Persians at a meal. These Spartan fighting-cocks want no garlic, I warrant you.[20] And yet you can't love him, you little rogue."

"Why, my father," said Cleonice, with an arch smile, and a slight blush, "even if I did look kindly on Pausanias, would it not be to my own sorrow? What Spartan—above all, what royal Spartan—may marry with a foreigner, and a Byzantine?"

"I did not precisely talk of marriage—a very happy state, doubtless, to those who dislike too quiet a life, and a very honourable one, for war is honor itself; but I did not speak of that, Cleonice. I would only say that this man of might loves thee—that he is rich, rich, rich. Pretty pickings at Plataea; and we have known losses, my child, sad losses. And if you do not love him, why, you can but smile and talk as if you did, and when the Spartan goes home, you will lose a tormenter and gain a dowry."

"My father, for shame!"

"Who talks of shame? You women are always so sharp at finding oracles in oak leaves, that one don't wonder Apollo makes choice of your sex for his priests. But listen to me, girl, seriously," and here Diagoras with a great effort raised himself on his elbow, and lowering his voice, spoke with evident earnestness. "Pausanias has life and death, and, what is worse, wealth or poverty in his hands; he can raise or ruin us with a nod of his head, this black-curled Jupiter. They tell me that he is fierce, irascible, haughty; and what slighted lover is not revengeful? For my sake, Cleonice, for your poor father's sake, show no scorn, no repugnance; be gentle, play with him, draw not down the thunderbolt, even if you turn from the golden shower."

While Diagoras spoke, the girl listened with downcast eyes and flushed cheeks, and there was an expression of such shame and sadness on her countenance, that even the Byzantine, pausing and looking up for a reply, was startled by it.

"My child," said he, hesitatingly and absorbed, "do not misconceive me. Cursed be the hour when the Spartan saw thee; but since the Fates have so served us, let us not make bad worse. I love thee, Cleonice, more dearly than the apple of my eye; it is for thee I fear, for thee I speak. Alas! it is not dishonour I recommend, it is force I would shun."

"Force!" said the girl, drawing up her form with sudden animation.
"Fear not that. It is not Pausanias I dread, it is—"

"What then?"

"No matter; talk of this no more. Shall I sing to thee?"

"But Pausanias will visit us this very night."

"I know it. Hark!" and with her finger to her lip, her ear bent downward, her cheek varying from pale to red, from red to pale, the maiden stole beyond the window to a kind of platform or terrace that overhung the sea. There, the faint breeze stirring her long hair, and the moonlight full upon her face, she stood, as stood that immortal priestess who looked along the starry Hellespont for the young Leander; and her ear had not deceived her. The oars were dashing in the wave's below, and dark and rapid the boat bounded on towards the rocky shore. She gazed long and steadfastly on the dim and shadowy forms which that slender raft contained, and her eye detected amongst the three the loftier form of her haughty wooer. Presently the thick foliage that clothed the descent shut the boat, nearing the strand, from her view; but she now heard below, mellowed and softened in the still and fragrant air, the sound of the cithara and the melodious song of the Mothon, thus imperfectly rendered from the language of immortal melody.

SONG.

Carry a sword in the myrtle bough,
Ye who would honour the tyrant-slayer;
I, in the leaves of the myrtle bough,
Carry a tyrant to slay myself.

I pluck'd the branch with a hasty hand,
But Love was lurking amidst the leaves;
His bow is bent and his shaft is poised,
And I must perish or pass the bough.

Maiden, I come with a gift to thee,
Maiden, I come with a myrtle wreath;
Over thy forehead, or round thy breast
Bind, I implore thee, my myrtle wreath.[21]

From hand to hand by the banquet lights
On with the myrtle bough passes song:
From hand to hand by the silent stars
What with the myrtle wreath passes? Love.

I bear the god in a myrtle wreath,
Under the stars let him pass to thee;
Empty his quiver and bind his wings,
Then pass the myrtle wreath back to me.

Cleonice listened breathlessly to the words, and sighed heavily as they ceased. Then, as the foliage rustled below, she turned quickly into the chamber and seated herself at a little distance from Diagoras; to all appearance calm, indifferent and composed. Was it nature, or the arts of Miletus, that taught the young beauty the hereditary artifices of the sex?

"So it is he, then?" said Diagoras, with a fidgety and nervous trepidation. "Well, he chooses strange hours to visit us. But he is right; his visits cannot be too private. Cleonice, you look provokingly at your ease."

Cleonice made no reply, but shifted her position so that the light from the lamp did not fall upon her face, while her father, hurrying to the threshold of his hall to receive his illustrious visitor, soon re-appeared with the Spartan Regent, talking as he entered with the volubility of one of the parasites of Alciphron and Athenaeus.

"This is most kind, most affable. Cleonice said you would come, Pausanias, though I began to distrust you. The hours seem long to those who expect pleasure."

"And, Cleonice, you knew that I should come," said Pausanias, approaching the fair Byzantine; but his step was timid, and there was no pride now in his anxious eye and bended brow.

"You said you would come to-night," said Cleonice, calmly, "and
Spartans, according to proverbs, speak the truth."

"When it is to their advantage, yes,"[22]said but with respect to others, they consider honourable whatever pleases them, and just whatever is to their advantage."

Pausanias, with a slight curl of his lips; and, as if the girl's compliment to his countrymen had roused his spleen and changed his thoughts, he seated himself moodily by Cleonice, and remained silent.

The Byzantine stole an arch glance at the Spartan, as he thus sat, from the corner of her eyes, and said, after a pause—

"You Spartans ought to speak the truth more than other people, for you say much less. We too have our proverb at Byzantium, and one which implies that it requires some wit to tell fibs."

"Child, child!" exclaimed Diagoras, holding up his hand reprovingly, and directing a terrified look at the Spartan. To his great relief, Pausanias smiled, and replied—

"Fair maiden, we Dorians are said to have a wit peculiar to ourselves, but I confess that it is of a nature that is but little attractive to your sex. The Athenians are blander wooers."

"Do you ever attempt to woo in Lacedaemon, then? Ah, but the maidens there, perhaps, are not difficult to please."

"The girl puts me in a cold sweat!" muttered Diagoras, wiping his brow. And this time Pausanias did not smile; he coloured, and answered gravely—

"And is it, then, a vain hope for a Spartan to please a Byzantine?"

"You puzzle me. That is an enigma; put it to the oracle."

The Spartan raised his eyes towards Cleonice, and, as she saw the inquiring, perplexed look that his features assumed, the ruby lips broke into so wicked a smile, and the eyes that met his had so much laughter in them, that Pausanias was fairly bewitched out of his own displeasure.

"Ah, cruel one!" said he, lowering his voice, "I am not so proud of being Spartan that the thought should console me for thy mockery."

"Not proud of being Spartan! say not so," exclaimed Cleonice. "Who ever speaks of Greece and places not Sparta at her head? Who ever speaks of freedom and forgets Thermopylae? Who ever burns for glory, and sighs not for the fame of Pausanias and Plataea? Ah, yes, even in jest say not that you are not proud to be a Spartan!"

"The little fool!" cried Diagoras, chuckling, and mightily delighted; "she is quite mad about Sparta—no wonder!"

Pausanias, surprised and moved by the burst of the fair Byzantine, gazed at her admiringly, and thought within himself how harshly the same sentiment would have sounded on the lips of a tall Spartan virgin; but when Cleonice heard the approving interlocution of Diagoras, her enthusiasm vanished from her face, and putting out her lips poutingly, she said, "Nay, father, I repeat only what others say of the Spartans. They are admirable heroes; but from the little I have seen, they are—"

"What?" said Pausanias eagerly, and leaning nearer to Cleonice.

"Proud, dictatorial, and stern as companions."

Pausanias once more drew back.

"There it is again!" groaned Diagoras. "I feel exactly as if I were playing at odd and even with a lion; she does it to vex me. I shall retaliate and creep away."

"Cleonice," said Pausanias, with suppressed emotion, "you trifle with me, and I bear it."

"You are condescending. How would you avenge yourself?"

"How!"

"You would not beat me; you would not make me bear an anchor on the shoulders, as they say you do your soldiers. Shame on you! you bear with me! true, what help for you?"

"Maiden," said the Spartan, rising in great anger, "for him who loves and is slighted there is a revenge you have not mentioned."

"For him who loves! No, Spartan; for him who shuns disgrace and courts the fame dear to gods and men, there is no revenge upon women. Blush for your threat."

"You madden, but subdue me," said the Spartan as he turned away. He then first perceived that Diagoras had gone—that they were alone. His contempt for the father awoke suspicion of the daughter. Again he approached and said, "Cleonice, I know but little of the fables of poets, yet is it an old maxim often sung and ever belied, that love scorned becomes hate. There are moments when I think I hate thee."

"And yet thou hast never loved me," said Cleonice; and there was something soft and tender in the tone of her voice, and the rough Spartan was again subdued.

"I never loved thee! What, then, is love? Is not thine image always before me?—amidst schemes, amidst perils of which thy very dreams have never presented equal perplexity or phantoms so uncertain, I am occupied but with thee. Surely, as upon the hyacinth is written the exclamation of woe, so on this heart is graven thy name. Cleonice, you who know not what it is to love, you affect to deny or to question mine."

"And what," said Cleonice, blushing deeply, and with tears in her eyes, "what result can come from such a love? You may not wed with the stranger. And yet, Pausanias, yet you know that all other love dishonours the virgin even of Byzantium. You are silent; you turn away. Ah, do not let them wrong you. My father fears your power. If you love me you are powerless; your power has passed to me. Is it not so? I, a weak girl, can rule, command, irritate, mock you, if I will. You may fly me, but not control."

"Do not tempt me too far, Cleonice," said the Spartan, with a faint smile.

"Nay, I will be merciful henceforth, and you, Pausanias, come here no more. Awake to the true sense of what is due to your divine ancestry—your great name. Is it not told of you that, after the fall of Mardonius, you nobly dismissed to her country, unscathed and honoured, the captive Coan lady?[23] Will you reverse at Byzantium the fame acquired at Plataea? Pausanias, spare us; appeal not to my father's fear, still less to his love of gold."

"I cannot, I cannot fly thee," said the Spartan, with great emotion. "You know not how stormy, how inexorable are the passions which burst forth after a whole youth of restraint. When nature breaks the barriers, she rushes headlong on her course. I am no gentle wooer; where in Sparta should I learn the art? But, if I love thee not as these mincing Ionians, who come with offerings of flowers and song, I do love thee with all that fervour of which the old Dorian legends tell. I could brave, like the Thracian, the dark gates of Hades, were thy embrace my reward. Command me as thou wilt—make me thy slave in all things, even as Hercules was to Omphale; but tell me only that I may win thy love at last. Fear not. Why fear me? in my wildest moments a look from thee can control me. I ask but love for love. Without thy love thy beauty were valueless. Bid me not despair."

Cleonice turned pale, and the large tears that had gathered in her eyes fell slowly down her cheeks; but she did not withdraw her hand from his clasp, or avert her countenance from his eyes.

"I do not fear thee," said she, in a very low voice. "I told my father so; but—but—" (and here she drew back her hand and averted her face), "I fear myself."

"Ah, no, no," cried the delighted Spartan, detaining her, "do not fear to trust to thine own heart. Talk not of dishonour. There are" (and here the Spartan drew himself up, and his voice took a deeper swell)—"there are those on earth who hold themselves above the miserable judgments of the vulgar herd—who can emancipate themselves from those galling chains of custom and of country which helotize affection, genius, nature herself. What is dishonour here may be glory elsewhere; and this hand, outstretched towards a mightier sceptre than Greek ever wielded yet, may dispense, not shame and sorrow, but glory and golden affluence to those I love."

"You amaze me, Pausanias. Now I fear you. What mean these mysterious boasts? Have you the dark ambition to restore in your own person that race of tyrants whom your country hath helped to sweep away? Can you hope to change the laws of Sparta, and reign there, your will the state?"

"Cleonice, we touch upon matters that should not disturb the ears of women. Forgive me if I have been roused from myself."

"At Miletus—so have I heard my mother say—there were women worthy to be the confidants of men."

"But they were women who loved. Cleonice, I should rejoice in an hour when I might pour every thought into thy bosom."

At this moment there was heard on the strand below a single note from the Mothon's instrument, low, but prolonged; it ceased, and was again renewed. The royal conspirator started and breathed hard.

"It is the signal," he muttered; "they wait me. Cleonice," he said aloud, and with much earnestness in his voice, "I had hoped, ere we parted, to have drawn from your lips those assurances which would give me energy for the present and hope in the future. Ah, turn not from me because my speech is plain and my manner rugged. What, Cleonice, what if I could defy the laws of Sparta; what if, instead of that gloomy soil, I could bear thee to lands where heaven and man alike smile benignant on love? Might I not hope then?"

"Do nothing to sully your fame."

"Is it, then, dear to thee?"

"It is a part of thee," said Cleonice falteringly; and as if she had said too much, she covered her face with her hands.

Emboldened by this emotion, the Spartan gave way to his passion and his joy. He clasped her in his arms—his first embrace—and kissed, with wild fervour, the crimsoned forehead, the veiling hands. Then, as he tore himself away, he cast his right arm aloft.

"O Hercules!" he cried, in solemn and kindling adjuration, "my ancestor and my divine guardian, it was not by confining thy labours to one spot of earth, that thou wert borne from thy throne of fire to the seats of the Gods. Like thee I will spread the influence of my arms to nations whoso glory shall be my name; and as thy sons, my fathers, expelled from Sparta, returned thither with sword and spear to defeat usurpers and to found the long dynasty of the Heracleids, even so may it be mine to visit that dread abode of torturers and spies, and to build up in the halls of the Atridae a power worthier of the lineage of the demigod. Again the signal! Fear not, Cleonice, I will not tarnish my fame, but I will exchange the envy of abhorring rivals for the obedience of a world. One kiss more! Farewell!"

Ere Cleonice recovered herself, Pausanias was gone, his wild and uncomprehended boasts still ringing in her ear. She sighed heavily, and turned towards the opening that admitted to the terraces. There she stood watching for the parting of her lover's boat. It was midnight; the air, laden with the perfumes of a thousand fragrant shrubs and flowers that bloom along that coast in the rich luxuriance of nature, was hushed and breathless. In its stillness every sound was audible, the rustling of a leaf, the ripple of a wave. She heard the murmur of whispered voices below, and in a few moments she recognised, emerging from the foliage, the form of Pausanias; but he was not alone. Who were his companions? In the deep lustre of that shining and splendid atmosphere she could see sufficient of the outline of their figures to observe that they were not dressed in the Grecian garb; their long robes betrayed the Persian.

They seemed conversing familiarly and eagerly as they passed along the smooth sands, till a curve in the wooded shore hid them from her view.

"Why do I love him so," said the girl mechanically, "and yet wrestle against that love? Dark forebodings tell me that Aphrodite smiles not on our vows. Woe is me! What be the end?"

Notes:

[19] "The Byzantine dialect was in the time of Philip, as we know from the decree in Demosthenes, rich in Dorisms."—MÜller on the Doric Dialect.

[20] Fighting-cocks were fed with garlic, to make them more fierce. The learned reader will remember how Theorus advised Dicaeopolis to keep clear of the Thracians with garlic in their mouths.—See the Acharnians of Aristoph.

[21] Garlands were twined round the neck, or placed upon the bosom (Greek: upothumiades). See the quotations from Alcaeus, Sappho, and Anacreon in Athenaeus, book xiii. c. 17.

[22] So said Thucydides of the Spartans, many years afterwards. "They give evidence of honour among themselves, but with respect to others, they consider honourable whatever pleases them, and just whatever is to their advantage."—See Thucyd. lib. v.

[23] Herod, ix.