"Gaunt Beggary and Scorn with many bell-hounds more."
THOMSON'S Castle of Indolence.

"The other was a fell, despiteful fiend."—Ibid.

"Your happiness behold! then straight a wand
He waved, an anti-magic power that hath
Truth from illusive falsehood to command."—Ibid.

"But what for us, the children of despair,
Brought to the brink of hell—what hope remains?
RESOLVE, RESOLVE!"—Ibid.

It may be observed that there are certain years in which in a civilised country some particular crime comes into vogue. It flares its season, and then burns out. Thus at one time we have Burking—at another, Swingism—now, suicide is in vogue—now, poisoning tradespeople in apple- dumplings—now, little boys stab each other with penknives—now, common soldiers shoot at their sergeants. Almost every year there is one crime peculiar to it; a sort of annual which overruns the country but does not bloom again. Unquestionably the Press has a great deal to do with these epidemics. Let a newspaper once give an account of some out-of-the-way atrocity that has the charm of being novel, and certain depraved minds fasten to it like leeches. They brood over and revolve it—the idea grows up, a horrid phantasmalian monomania; and all of a sudden, in a hundred different places, the one seed sown by the leaden types springs up into foul flowering.

[An old Spanish writer, treating of the Inquisition, has some very striking remarks on the kind of madness which, whenever some terrible notoriety is given to a particular offence, leads persons of distempered fancy to accuse themselves of it. He observes that when the cruelties of the Inquisition against the imaginary crime of sorcery were the most barbarous, this singular frenzy led numbers to accuse themselves of sorcery. The publication and celebrity of the crime begat the desire of the crime.]

But if the first reported aboriginal crime has been attended with impunity, how much more does the imitative faculty cling to it. Ill- judged mercy falls, not like dew, but like a great heap of manure, on the rank deed.

Now it happened that at the time I write of, or rather a little before, there had been detected and tried in Paris a most redoubted coiner. He had carried on the business with a dexterity that won admiration even for the offence; and, moreover, he had served previously with some distinction at Austerlitz and Marengo. The consequence was that the public went with instead of against him, and his sentence was transmuted to three years' imprisonment by the government. For all governments in free countries aspire rather to be popular than just.

No sooner was this case reported in the journals—and even the gravest took notice, of it (which is not common with the scholastic journals of France)—no sooner did it make a stir and a sensation, and cover the criminal with celebrity, than the result became noticeable in a very large issue of false money.

Coining in the year I now write of was the fashionable crime. The police were roused into full vigour: it became known to them that there was one gang in especial who cultivated this art with singular success. Their coinage was, indeed, so good, so superior to all their rivals, that it was often unconsciously preferred by the public to the real mintage. At the same time they carried on their calling with such secrecy that they utterly baffled discovery.

An immense reward was offered by the bureau to any one who would betray his accomplices, and Monsieur Favart was placed at the head of a commission of inquiry. This person had himself been a faux monnoyer, and was an adept in the art, and it was he who had discovered the redoubted coiner who had brought the crime into such notoriety. Monsieur Favart was a man of the most vigilant acuteness, the most indefatigable research, and of a courage which; perhaps, is more common than we suppose. It is a popular error to suppose that courage means courage in everything. Put a hero on board ship at a five-barred gate, and, if he is not used to hunting, he will turn pale; put a fox-hunter on one of the Swiss chasms, over which the mountaineer springs like a roe, and his knees will knock under him. People are brave in the dangers to which they accustom themselves, either in imagination or practice.

Monsieur Favart, then, was a man of the most daring bravery in facing rogues and cut-throats. He awed them with his very eye; yet he had been known to have been kicked down-stairs by his wife, and when he was drawn into the grand army, he deserted the eve of his first battle. Such, as moralists say, is the inconsistency of man!

But Monsieur Favart was sworn to trace the coiners, and he had never failed yet in any enterprise he undertook. One day he presented himself to his chief with a countenance so elated that that penetrating functionary said to him at once—

"You have heard of our messieurs!"

"I have: I am to visit them to-night."

"Bravo! How many men will you take?"

"From twelve to twenty to leave without on guard. But I must enter alone. Such is the condition: an accomplice who fears his own throat too much to be openly a betrayer will introduce me to the house—nay, to the very room. By his description it is necessary I should know the exact locale in order to cut off retreat; so to-morrow night I shall surround the beehive and take the honey."

"They are desperate fellows, these coiners, always; better be cautious."

"You forget I was one of them, and know the masonry." About the same time this conversation was going on at the bureau of the police, in another part of the town Morton and Gawtrey were seated alone. It is some weeks since they entered Paris, and spring has mellowed into summer.

The house in which they lodged was in the lordly quartier of the Faubourg St. Germain; the neighbouring streets were venerable with the ancient edifices of a fallen noblesse; but their tenement was in a narrow, dingy lane, and the building itself seemed beggarly and ruinous. The apartment was in an attic on the sixth story, and the window, placed at the back of the lane, looked upon another row of houses of a better description, that communicated with one of the great streets of the quartier. The space between their abode and their opposite neighbours was so narrow that the sun could scarcely pierce between. In the height of summer might be found there a perpetual shade.

The pair were seated by the window. Gawtrey, well-dressed, smooth- shaven, as in his palmy time; Morton, in the same garments with which he had entered Paris, weather-stained and ragged. Looking towards the casements of the attic in the opposite house, Gawtrey said, mutteringly, "I wonder where Birnie has been, and why he has not returned. I grow suspicious of that man."

"Suspicious of what?" asked Morton. "Of his honesty? Would he rob you?"

"Rob me! Humph—perhaps! but you see I am in Paris, in spite of the hints of the police; he may denounce me."

"Why, then, suffer him to lodge away from you?"

"Why? because, by having separate houses there are two channels of escape. A dark night, and a ladder thrown across from window to window, he is with us, or we with him."

"But wherefore such precautions? You blind—you deceive me; what have you done?—what is your employment now? You are, mute. Hark you, Gawtrey. I have pinned my fate to you—I am fallen from hope itself! At times it almost makes me mad to look back—and yet you do not trust me. Since your return to Paris you are absent whole nights—often days; you are moody and thoughtful-yet, whatever your business, it seems to bring you ample returns."

"You think that," said Gawtrey, mildly, and with a sort of pity in his voice; "yet you refuse to take even the money to change those rags."

"Because I know not how the money was gained. Ah, Gawtrey, I am not too proud for charity, but I am for—" He checked the word uppermost in his thoughts, and resumed—

"Yes; your occupations seem lucrative. It was but yesterday Birnie gave me fifty napoleons, for which he said you wished change in silver."

"Did he? The ras— Well! and you got change for them?"

"I know not why, but I refused."

"That was right, Philip. Do nothing that man tells you."

"Will you, then, trust me? You are engaged in some horrible traffic! it may be blood! I am no longer a boy—I have a will of my own—I will not be silently and blindly entrapped to perdition. If I march thither, it shall be with my own consent. Trust me, and this day, or we part to-morrow."

"Be ruled. Some secrets it is better not to know."

"It matters not. I have come to my decision—I ask yours."

Gawtrey paused for some moments in deep thought. At last he lifted his eyes to Philip, and replied:

"Well, then, if it must be. Sooner or later it must have been so; and I want a confidant. You are bold, and will not shrink. You desire to know my occupation—will you witness it to-night?"

"I am prepared: to-night!"

Here a step was heard on the stairs—a knock at the door—and Birnie entered.

He drew aside Gawtrey, and whispered him, as usual, for some moments.

Gawtrey nodded his head, and then said aloud—

"To-morrow we shall talk without reserve before my young friend.
To-night he joins us."

"To-night!—very well," said Birnie, with his cold sneer. He must take the oath; and you, with your life, will be responsible for his honesty?"

"Ay! it is the rule."

"Good-bye, then, till we meet," said Birnie, and withdrew.

"I wonder," said Gawtrey, musingly, and between his grinded teeth, "whether I shall ever have a good fair shot at that fellow? Ho! ho!" and his laugh shook the walls.

Morton looked hard at Gawtrey, as the latter now sank down in his chair, and gazed with a vacant stare, that seemed almost to partake of imbecility, upon the opposite wall. The careless, reckless, jovial expression, which usually characterised the features of the man, had for some weeks given place to a restless, anxious, and at times ferocious aspect, like the beast that first finds a sport while the hounds are yet afar, and his limbs are yet strong, in the chase which marks him for his victim, but grows desperate with rage and fear as the day nears its close, and the death-dogs pant hard upon his track. But at that moment the strong features, with their gnarled muscle and iron sinews, seemed to have lost every sign both of passion and the will, and to be locked in a stolid and dull repose. At last he looked up at Morton, and said, with a smile like that of an old man in his dotage—

"I'm thinking that my life has been one mistake! I had talents—you would not fancy it—but once I was neither a fool nor a villain! Odd, isn't it? Just reach me the brandy."

But Morton, with a slight shudder, turned and left the room.

He walked on mechanically, and gained, at last, the superb Quai that borders the Seine; there, the passengers became more frequent; gay equipages rolled along; the white and lofty mansions looked fair and stately in the clear blue sky of early summer; beside him flowed the sparkling river, animated with the painted baths that floated on its surface: earth was merry and heaven serene his heart was dark through all: Night within—Morning beautiful without! At last he paused by that bridge, stately with the statues of those whom the caprice of time honours with a name; for though Zeus and his gods be overthrown, while earth exists will live the worship of Dead Men;—the bridge by which you pass from the royal Tuileries, or the luxurious streets beyond the Rue de Rivoli, to the Senate of the emancipated People, and the gloomy and desolate grandeur of the Faubourg St. Germain, in whose venerable haunts the impoverished descendants of the old feudal tyrants, whom the birth of the Senate overthrew, yet congregate;—the ghosts of departed powers proud of the shadows of great names. As the English outcast paused midway on the bridge, and for the first time lifting his head from his bosom, gazed around, there broke at once on his remembrance that terrible and fatal evening, when, hopeless, friendless, desperate, he had begged for charity of his uncle's hireling, with all the feelings that then (so imperfectly and lightly touched on in his brief narrative to Gawtrey) had raged and blackened in his breast, urging to the resolution he had adopted, casting him on the ominous friendship of the man whose guidance he even then had suspected and distrusted. The spot in either city had a certain similitude and correspondence each with each: at the first he had consummated his despair of human destinies—he had dared to forget the Providence of God—he had arrogated his fate to himself: by the first bridge he had taken his resolve; by the last he stood in awe at the result—stood no less poor—no less abject—equally in rags and squalor; but was his crest as haughty and his eye as fearless, for was his conscience as free and his honour as unstained? Those arches of stone— those rivers that rolled between, seemed to him then to take a more mystic and typical sense than belongs to the outer world—they were the bridges to the Rivers of his Life. Plunged in thoughts so confused and dim that he could scarcely distinguish, through the chaos, the one streak of light which, perhaps, heralded the reconstruction or regeneration of the elements of his soul;—two passengers halted, also by his side.

"You will be late for the debate," said one of them to the other. "Why do you stop?"

"My friend," said the other, "I never pass this spot without recalling the time when I stood here without a son, or, as I thought, a chance of one, and impiously meditated self-destruction."

"You!—now so rich—so fortunate in repute and station—is it possible?
How was it? A lucky chance?—a sudden legacy?"

"No: Time, Faith, and Energy—the three Friends God has given to the
Poor!"

The men moved on; but Morton, who had turned his face towards them, fancied that the last speaker fixed on him his bright, cheerful eye, with a meaning look; and when the man was gone, he repeated those words, and hailed them in his heart of hearts as an augury from above.

Quickly, then, and as if by magic, the former confusion of his mind seemed to settle into distinct shapes of courage and resolve. "Yes," he muttered; "I will keep this night's appointment—I will learn the secret of these men's life. In my inexperience and destitution, I have suffered myself to be led hitherto into a partnership, if not with vice and crime, at least with subterfuge and trick. I awake from my reckless boyhood—my unworthy palterings with my better self. If Gawtrey be as I dread to find him—if he be linked in some guilty and hateful traffic; with that loathsome accomplice—I will—" He paused, for his heart whispered, "Well, and even so,—the guilty man clothed and fed thee!" "I will," resumed his thought, in answer to his heart—"I will go on my knees to him to fly while there is yet time, to work—beg—starve—perish even— rather than lose the right to look man in the face without a blush, and kneel to his God without remorse!"

And as he thus ended, he felt suddenly as if he himself were restored to the perception and the joy of the Nature and the World around him; the NIGHT had vanished from his soul—he inhaled the balm and freshness of the air—he comprehended the delight which the liberal June was scattering over the earth—he looked above, and his eyes were suffused with pleasure, at the smile of the soft blue skies. The MORNING became, as it were, a part of his own being; and he felt that as the world in spite of the storms is fair, so in spite of evil God is good. He walked on—he passed the bridge, but his step was no more the same,—he forgot his rags. Why should he be ashamed? And thus, in the very flush of this new and strange elation and elasticity of spirit, he came unawares upon a group of young men, lounging before the porch of one of the chief hotels in that splendid Rue de Rivoli, wherein Wealth and the English have made their homes. A groom, mounted, was leading another horse up and down the road, and the young men were making their comments of approbation upon both the horses, especially the one led, which was, indeed, of uncommon beauty and great value. Even Morton, in whom the boyish passion of his earlier life yet existed, paused to turn his experienced and admiring eye upon the stately shape and pace of the noble animal, and as he did so, a name too well remembered came upon his ear.

"Certainly, Arthur Beaufort is the most enviable fellow in Europe."

"Why, yes," said another of the young men; "he has plenty of money—is good-looking, devilish good-natured, clever, and spends like a prince."

"Has the best horses!"

"The best luck at roulette!"

"The prettiest girls in love with him!"

"And no one enjoys life more. Ah! here he is!"

The group parted as a light, graceful figure came out of a jeweller's shop that adjoined the hotel, and halted gaily amongst the loungers. Morton's first impulse was to hurry from the spot; his second impulse arrested his step, and, a little apart, and half-hid beneath one of the arches of the colonnade which adorns the street, the Outcast gazed upon. the Heir. There was no comparison in the natural personal advantages of the two young men; for Philip Morton, despite all the hardships of his rough career, had now grown up and ripened into a rare perfection of form and feature. His broad chest, his erect air, his lithe and symmetrical length of limb, united, happily, the attributes of activity and strength; and though there was no delicacy of youthful bloom upon his dark cheek, and though lines which should have come later marred its smoothness with the signs of care and thought, yet an expression of intelligence and daring, equally beyond his years, and the evidence of hardy, abstemious, vigorous health, served to show to the full advantage the outline of features which, noble and regular, though stern and masculine, the artist might have borrowed for his ideal of a young Spartan arming for his first battle. Arthur, slight to feebleness, and with the paleness, partly of constitution, partly of gay excess, on his fair and clear complexion, had features far less symmetrical and impressive than his cousin: but what then? All that are bestowed by elegance of dress, the refinements of luxurious habit, the nameless grace that comes from a mind and a manner polished, the one by literary culture, the other by social intercourse, invested the person of the heir with a fascination that rude Nature alone ever fails to give. And about him there was a gaiety, an airiness of spirit, an atmosphere of enjoyment which bespoke one who is in love with life.

"Why, this is lucky! I'm so glad to see you all!" said Arthur Beaufort, with that silver-ringing tone and charming smile which are to the happy spring of man what its music and its sunshine are to the spring of earth. "You must dine with me at Verey's. I want something to rouse me to-day; for I did not get home from the Salon* till four this morning."

*[The most celebrated gaming-house in Paris in the day before gaming-houses were suppressed by the well-directed energy of the government.]

"But you won?"

"Yes, Marsden. Hang it! I always win: I who could so well afford to lose: I'm quite ashamed of my luck!"

"It is easy to spend what one wins," observed Mr. Marsden, sententiously; "and I see you have been at the jeweller's! A present for Cecile? Well, don't blush, my dear fellow. What is life without women?"

"And wine?" said a second. "And play?" said a third. "And wealth?" said a fourth.

"And you enjoy them all! Happy fellow!" said a fifth. The Outcast pulled his hat over his brows, and walked away.

"This dear Paris," said Beaufort, as his eye carelessly and unconsciously followed the dark form retreating through the arches;—"this dear Paris! I must make the most of it while I stay! I have only been here a few weeks, and next week I must go."

"Pooh—your health is better: you don't look like the same man."

"You think so really? Still I don't know: the doctors say that I must either go to the German waters—the season is begun—or—"

"Or what?"

"Live less with such pleasant companions, my dear fellow! But as you say, what is life without—"

"Women!"

"Wine!"

"Play!"

"Wealth!"

"Ha! ha. 'Throw physic to the dogs: I'll none of it!'"

And Arthur leaped lightly on his saddle, and as he rode gaily on, humming the favourite air of the last opera, the hoofs of his horse splashed the mud over a foot-passenger halting at the crossing. Morton checked the fiery exclamation rising to his lips; and gazing after the brilliant form that hurried on towards the Champs Elysees, his eye caught the statues on the bridge, and a voice, as of a cheering angel, whispered again to his heart, "TIME, FAITH, ENERGY!"

The expression of his countenance grew calm at once, and as he continued his rambles it was with a mind that, casting off the burdens of the past, looked serenely and steadily on the obstacles and hardships of the future. We have seen that a scruple of conscience or of pride, not without its nobleness, had made him refuse the importunities of Gawtrey for less sordid raiment; the same feeling made it his custom to avoid sharing the luxurious and dainty food with which Gawtrey was wont to regale himself. For that strange man, whose wonderful felicity of temperament and constitution rendered him, in all circumstances, keenly alive to the hearty and animal enjoyments of life, would still emerge, as the day declined, from their wretched apartment, and, trusting to his disguises, in which indeed he possessed a masterly art, repair to one of the better description of restaurants, and feast away his cares for the moment. William Gawtrey would not have cared three straws for the curse of Damocles. The sword over his head would never have spoiled his appetite! He had lately, too, taken to drinking much more deeply than he had been used to do—the fine intellect of the man was growing thickened and dulled; and this was a spectacle that Morton could not bear to contemplate. Yet so great was Gawtrey's vigour of health, that, after draining wine and spirits enough to have despatched a company of fox- hunters, and after betraying, sometimes in uproarious glee, sometimes in maudlin self-bewailings, that he himself was not quite invulnerable to the thyrsus of the god, he would—on any call on his energies, or especially before departing on those mysterious expeditions which kept him from home half, and sometimes all, the night—plunge his head into cold water—drink as much of the lymph as a groom would have shuddered to bestow on a horse—close his eyes in a doze for half an hour, and wake, cool, sober, and collected, as if he had lived according to the precepts of Socrates or Cornaro!

But to return to Morton. It was his habit to avoid as much as possible sharing the good cheer of his companion; and now, as he entered the, Champs Elysees, he saw a little family, consisting of a young mechanic, his wife, and two children, who, with that love of harmless recreation which yet characterises the French, had taken advantage of a holiday in the craft, and were enjoying their simple meal under the shadow of the trees. Whether in hunger or in envy, Morton paused and contemplated the happy group. Along the road rolled the equipages and trampled the steeds of those to whom all life is a holiday. There, was Pleasure—under those trees was Happiness. One of the children, a little boy of about six years old, observing the attitude and gaze of the pausing wayfarer, ran to him, and holding up a fragment of a coarse kind of cake, said to him, willingly, "Take it—I have had enough!" The child reminded Morton of his brother—his heart melted within him—he lifted the young Samaritan in his arms, and as he kissed him, wept.

The mother observed and rose also. She laid her hand on his own: "Poor boy! why do you weep?—can we relieve you?"

Now that bright gleam of human nature, suddenly darting across the sombre recollections and associations of his past life, seemed to Morton as if it came from Heaven, in approval and in blessing of this attempt at reconciliation to his fate.

"I thank you," said he, placing the child on the ground, and passing his hand over his eyes,—"I thank you—yes! Let me sit down amongst you." And he sat down, the child by his side, and partook of their fare, and was merry with them,—the proud Philip!—had he not begun to discover the "precious jewel" in the "ugly and venomous" Adversity?

The mechanic, though a gay fellow on the whole, was not without some of that discontent of his station which is common with his class; he vented it, however, not in murmurs, but in jests. He was satirical on the carriages and the horsemen that passed; and, lolling on the grass, ridiculed his betters at his ease.

"Hush!" said his wife, suddenly; "here comes Madame de Merville;" and rising as she spoke, she made a respectful inclination of her head towards an open carriage that was passing very slowly towards the town.

"Madame de Merville!" repeated the husband, rising also, and lifting his cap from his head. "Ah! I have nothing to say against her!"

Morton looked instinctively towards the carriage, and saw a fair countenance turned graciously to answer the silent salutations of the mechanic and his wife—a countenance that had long haunted his dreams, though of late it had faded away beneath harsher thoughts—the countenance of the stranger whom he had seen at the bureau of Gawtrey, when that worthy personage had borne a more mellifluous name. He started and changed colour: the lady herself now seemed suddenly to recognise him; for their eyes met, and she bent forward eagerly. She pulled the check-string—the carriage halted—she beckoned to the mechanic's wife, who went up to the roadside.

"I worked once for that lady," said the man with a tone of feeling; "and when my wife fell ill last winter she paid the doctors. Ah, she is an angel of charity and kindness!"

Morton scarcely heard this eulogium, for he observed, by something eager and inquisitive in the face of Madame de Merville, and by the sudden manner in which the mechanic's helpmate turned her head to the spot in which he stood, that he was the object of their conversation. Once more he became suddenly aware of his ragged dress, and with a natural shame—a fear that charity might be extended to him from her—he muttered an abrupt farewell to the operative, and without another glance at the carriage, walked away.

Before he had got many paces, the wife however came up to him, breathless. "Madame de Merville would speak to you, sir!" she said, with more respect than she had hitherto thrown into her manner. Philip paused an instant, and again strode on—

"It must be some mistake," he said, hurriedly: "I have no right to expect such an honour."

He struck across the road, gained the opposite side, and had vanished from Madame de Merville's eyes, before the woman regained the carriage. But still that calm, pale, and somewhat melancholy face, presented itself before him; and as he walked again through the town, sweet and gentle fancies crowded confusedly on his heart. On that soft summer day, memorable for so many silent but mighty events in that inner life which prepares the catastrophes of the outer one; as in the region, of which Virgil has sung, the images of men to be born hereafter repose or glide— on that soft summer day, he felt he had reached the age when Youth begins to clothe in some human shape its first vague ideal of desire and love.

In such thoughts, and still wandering, the day wore away, till he found himself in one of the lanes that surround that glittering Microcosm of the vices, the frivolities, the hollow show, and the real beggary of the gay City—the gardens and the galleries of the Palais Royal. Surprised at the lateness of the hour, it was then on the stroke of seven, he was about to return homewards, when the loud voice of Gawtrey sounded behind, and that personage, tapping him on the back, said,—

"Hollo, my young friend, well met! This will be a night of trial to you.
Empty stomachs produce weak nerves. Come along! you must dine with me.
A good dinner and a bottle of old wine—come! nonsense, I say you shall
come! Vive la joie!"

While speaking, he had linked his arm in Morton's, and hurried him on several paces in spite of his struggles; but just as the words Vive la joie left his lips, he stood still and mute, as if a thunderbolt had fallen at his feet; and Morton felt that heavy arm shiver and tremble like a leaf. He looked up, and just at the entrance of that part of the Palais Royal in which are situated the restaurants of Verey and Vefour, he saw two men standing but a few paces before them, and gazing full on Gawtrey and himself.

"It is my evil genius," muttered Gawtrey, grinding his teeth.

"And mine!" said Morton.

The younger of the two men thus apostrophised made a step towards Philip, when his companion drew him back and whispered,—"What are you about—do you know that young man?"

"He is my cousin; Philip Beaufort's natural son!"

"Is he? then discard him for ever. He is with the most dangerous knave in Europe!"

As Lord Lilburne—for it was he—thus whispered his nephew, Gawtrey strode up to him; and, glaring full in his face, said in a deep and hollow tone,—"There is a hell, my lord,—I go to drink to our meeting!" Thus saying, he took off his hat with a ceremonious mockery, and disappeared within the adjoining restaurant, kept by Vefour.

"A hell!" said Lilburne, with his frigid smile; "the rogue's head runs upon gambling-houses!"

"And I have suffered Philip again to escape me," said Arthur, in self-reproach: for while Gawtrey had addressed Lord Lilburne, Morton had plunged back amidst the labyrinth of alleys. "How have I kept my oath?"

"Come! your guests must have arrived by this time. As for that wretched young man, depend upon it that he is corrupted body and soul."

"But he is my own cousin."

"Pooh! there is no relationship in natural children: besides, he will find you out fast enough. Ragged claimants are not long too proud to beg."

"You speak in earnest?" said Arthur, irresolutely. "Ay! trust my experience of the world—Allons!"

And in a cabinet of the very restaurant, adjoining that in which the solitary Gawtrey gorged his conscience, Lilburne, Arthur, and their gay friends, soon forgetful of all but the roses of the moment, bathed their airy spirits in the dews of the mirthful wine. Oh, extremes of life! Oh, Night! Oh, Morning!