When Mr. Fielden returned home, Lucretia had quitted the house. She left a line for him in her usual bold, clear handwriting, referring him to his wife for explanation of the reasons that forbade a further residence beneath his roof. She had removed to an hotel until she had leisure to arrange her plans for the future. In a few months she should be of age; and in the meanwhile, who now living claimed authority over her? For the rest, she added, "I repeat what I told Mr. Mainwaring: all engagement between us is at an end; he will not insult me either by letter or by visit. It is natural that I should at present shrink from seeing Susan Mivers. Hereafter, if permitted, I will visit Mrs. Mainwaring."

Though all had chanced as Mr. Fielden had desired (if, as he once half meditated, he had spoken to Lucretia herself); though a marriage that could have brought happiness to none, and would have made the misery of two, was at an end,—he yet felt a bitter pang, almost of remorse, when be learned what had occurred. And Lucretia, before secretly disliked (if any one he could dislike), became dear to him at once, by sorrow and compassion. Forgetting every other person, he hurried to the hotel Lucretia had chosen; but her coldness deceived and her pride repelled him. She listened dryly to all he said, and merely replied: "I feel only gratitude at my escape. Let this subject now close forever."

Mr. Fielden left her presence with less anxious and commiserating feelings,—perhaps all had chanced for the best. And on returning home, his whole mind became absorbed in alarm for Susan. She was delirious, and in great danger; it was many weeks before she recovered. Meanwhile, Lucretia had removed into private apartments, of which she withheld the address. During this time, therefore, they lost sight of her.

If amidst the punishments with which the sombre imagination of poets has diversified the Realm of the tortured Shadows, it had depicted some soul condemned to look evermore down into an abyss, all change to its gaze forbidden, chasm upon chasm yawning deeper and deeper, darker and darker, endless and infinite, so that, eternally gazing, the soul became, as it were, a part of the abyss,—such an image would symbol forth the state of Lucretia's mind.

It was not the mere desolation of one whom love has abandoned and betrayed. In the abyss were mingled inextricably together the gloom of the past and of the future,—there, the broken fortunes, the crushed ambition, the ruin of the worldly expectations long inseparable from her schemes; and amidst them, the angry shade of the more than father, whose heart she had wrung, and whose old age she had speeded to the grave. These sacrifices to love, while love was left to her, might have haunted her at moments; but a smile, a word, a glance, banished the regret and the remorse. Now, love being razed out of life, the ruins of all else loomed dismal amidst the darkness; and a voice rose up, whispering: "Lo, fool, what thou hast lost because thou didst believe and love!" And this thought grasped together the two worlds of being,—the what has been, and the what shall be. All hope seemed stricken from the future, as a man strikes from the calculations of his income the returns from a property irrevocably lost. At her age but few of her sex have parted with religion; but even such mechanical faith as the lessons of her childhood, and the constrained conformities with Christian ceremonies, had instilled, had long since melted away in the hard scholastic scepticism of her fatal tutor,—a scepticism which had won, with little effort, a reason delighting in the maze of doubt, and easily narrowed into the cramped and iron logic of disbelief by an intellect that scorned to submit where it failed to comprehend. Nor had faith given place to those large moral truths from which philosophy has sought to restore the proud statue of Pagan Virtue as a substitute for the meek symbol of the Christian cross. By temperament unsocial, nor readily moved to the genial and benevolent, that absolute egotism in which Olivier Dalibard centred his dreary ethics seemed sanctioned to Lucretia by her studies into the motives of man and the history of the world. She had read the chronicles of States and the memoirs of statesmen, and seen how craft carries on the movements of an age. Those Viscontis, Castruccios, and Medici; those Richelieus and Mazarins and De Retzs; those Loyolas and Mohammeds and Cromwells; those Monks and Godolphins; those Markboroughs and Walpoles; those founders of history and dynasties and sects; those leaders and dupers of men, greater or lesser, corrupters or corrupt, all standing out prominent and renowned from the guiltless and laurelless obscure,—seemed to win, by the homage of posterity, the rewards that attend the deceivers of their time. By a superb arrogance of generalization, she transferred into private life, and the rule of commonplace actions, the policy that, to the abasement of honour, has so often triumphed in the guidance of States. Therefore, betimes, the whole frame of society was changed to her eye, from the calm aspect it wears to those who live united with their kind; she viewed all seemings with suspicion; and before she had entered the world, prepared to live in it as a conspirator in a city convulsed, spying and espied, schemed against and scheming,—here the crown for the crafty, there the axe for the outwitted.

But her love—for love is trust—had led her half way forth from this maze of the intellect. That fair youth of inexperience and candour which seemed to bloom out in the face of her betrothed; his very shrinking from the schemes so natural to her that to her they seemed even innocent; his apparent reliance on mere masculine ability, with the plain aids of perseverance and honesty,—all had an attraction that plucked her back from herself. If she clung to him firmly, blindly, credulously, it was not as the lover alone. In the lover she beheld the good angel. Had he only died to her, still the angel smile would have survived and warned. But the man had not died; the angel itself had deceived; the wings could uphold her no more,—they had touched the mire, and were sullied with the soil; with the stain, was forfeited the strength. All was deceit and hollowness and treachery. Lone again in the universe rose the eternal I. So down into the abyss she looked, depth upon depth, and the darkness had no relief, and the deep had no end.

Olivier Dalibard alone, of all she knew, was admitted to her seclusion. He played his part as might be expected from the singular patience and penetration which belonged to the genius of his character. He forbore the most distant allusion to his attachment or his hopes. He evinced sympathy rather by imitating her silence, than attempts to console. When he spoke, he sought to interest her mind more than to heal directly the deep wounds of her heart. There is always, to the afflicted, a certain charm in the depth and bitterness of eloquent misanthropy. And Dalibard, who professed not to be a man-hater, but a world-scorner, had powers of language and of reasoning commensurate with his astute intellect and his profound research. His society became not only a relief, it grew almost a want, to that stern sorrower. But whether alarmed or not by the influence she felt him gradually acquiring, or whether, through some haughty desire to rise once more aloft from the state of her rival and her lover, she made one sudden effort to grasp at the rank from which she had been hurled. The only living person whose connection could re-open to her the great world, with its splendours and its scope to ambition, was Charles Vernon. She scarcely admitted to her own mind the idea that she would now accept, if offered, the suit she had before despised; she did not even contemplate the renewal of that suit,—though there was something in the gallant and disinterested character of Vernon which should have made her believe he would regard their altered fortunes rather as a claim on his honour than a release to his engagements. But hitherto no communication had passed between them; and this was strange if he retained the same intentions which he had announced at Laughton. Putting aside, we say, however, all such considerations, Vernon had sought her friendship, called her "cousin," enforced the distant relationship between them. Not as lover, but as kinsman,—the only kinsman of her own rank she possessed,—his position in the world, his connections, his brilliant range of acquaintance, made his counsel for her future plans, his aid in the re-establishment of her consequence (if not—as wealthy, still as well-born), and her admission amongst her equals, of price and value. It was worth sounding the depth of the friendship he had offered, even if his love had passed away with the fortune on which doubtless it had been based.

She took a bold step,—she wrote to Vernon: not even to allude to what had passed between them; her pride forbade such unwomanly vulgarity. The baseness that was in her took at least a more delicate exterior. She wrote to him simply and distantly, to state that there were some books and trifles of hers left at Laughton, which she prized beyond their trivial value, and to request, as she believed him to be absent from the Hall, permission to call at her old home, in her way to a visit in a neighbouring county, and point out to whomsoever he might appoint to meet her, the effects she deemed herself privileged to claim. The letter was one merely of business, but it was a sufficient test of the friendly feelings of her former suitor.

She sent this letter to Vernon's house in London, and the next day came the answer.

Vernon, we must own, entirely sympathized with Sir Miles in the solemn injunctions the old man had bequeathed. Immediately after the death of one to whom we owe gratitude and love, all his desires take a sanctity irresistible and ineffable; we adopt his affection, his dislikes, his obligations, and his wrongs. And after he had read the copy of Lucretia's letter, inclosed to him by Sir Miles, the conquest the poor baronet had made over resentment and vindictive emotion, the evident effort at passionless justice with which he had provided becomingly for his niece, while he cancelled her claims as his heiress, had filled Vernon with a reverence for his wishes and decisions that silenced all those inclinations to over-generosity which an unexpected inheritance is apt to create towards the less fortunate expectants. Nevertheless, Lucretia's direct application, her formal appeal to his common courtesy as host and kinsman, perplexed greatly a man ever accustomed to a certain chivalry towards the sex; the usual frankness of his disposition suggested, however, plain dealing as the best escape from his dilemma, and therefore he answered thus:—

MADAM,—Under other circumstances it would have given me no common pleasure to place the house that you so long inhabited again at your disposal; and I feel so painfully the position which my refusal of your request inflicts upon me, that rather than resort to excuses and pretexts, which, while conveying an impression of my sincerity, would seem almost like an insult to yourself, I venture frankly to inform you that it was the dying wish of my lamented kinsman, in consequence of a letter which came under his eye, that the welcome you had hitherto received at Laughton should be withdrawn. Pardon me, Madam, if I express myself thus bluntly; it is somewhat necessary to the vindication of my character in your eyes, both as regards the honour of your request and my tacit resignation of hopes fervently but too presumptuously entertained. In this most painful candour, Heaven forbid that I should add wantonly to your self-reproaches for the fault of youth and inexperience, which I should be the last person to judge rigidly, and which, had Sir Miles's life been spared, you would doubtless have amply repaired. The feelings which actuated Sir Miles in his latter days might have changed; but the injunction those feelings prompted I am bound to respect.

For the mere matter of business on which you have done me the honour to address me, I have only to say that any orders you may give to the steward, or transmit through any person you may send to the Hall, with regard to the effects you so naturally desire to claim, shall be implicitly obeyed.

And believe me, Madam (though I do not presume to add those expressions which might rather heighten the offence I fear this letter will give you), that the assurance of your happiness in the choice you have made, and which now no obstacle can oppose, will considerably—lighten the pain with which I shall long recall my ungracious reply to your communication.

I have the honour to be, etc., C. VERNON ST. JOHN.

BROOK STREET, Dec. 28, 18—.

The receipt of such a letter could hardly add to the profounder grief which preyed in the innermost core of Lucretia's heart; but in repelling the effort she had made to distract that grief by ambition, it blackened the sullen despondency with which she regarded the future. As the insect in the hollow snare of the ant-lion, she felt that there was no footing up the sides of the cave into which she had fallen; the sand gave way to the step. But despondency in her brought no meekness; the cloud did not descend in rain; resting over the horizon, its darkness was tinged with the fires which it fed. The heart, already so embittered, was stung and mortified into intolerable shame and wrath. From the home that should have been hers, in which, as acknowledged heiress, she had smiled down on the ruined Vernon, she was banished by him who had supplanted her, as one worthless and polluted. Though, from motives of obvious delicacy, Vernon had not said expressly that he had seen the letter to Mainwaring, the unfamiliar and formal tone which he assumed indirectly declared it, and betrayed the impression it had made, in spite of his reserve. A living man then was in possession of a secret which justified his disdain, and that man was master of Laughton! The suppressed rage which embraced the lost lover extended darkly over this witness to that baffled and miserable love. But what availed rage against either? Abandoned and despoiled, she was powerless to avenge. It was at this time, when her prospects seemed most dark, her pride was most crushed, and her despair of the future at its height, that she turned to Dalibard as the only friend left to her under the sun. Even the vices she perceived in him became merits, for they forbade him to despise her. And now, this man rose suddenly into another and higher aspect of character. Of late, though equally deferential to her, there had been something more lofty in his mien, more assured on his brow; gleams of a secret satisfaction, even of a joy, that he appeared anxious to suppress, as ill in harmony with her causes for dejection, broke out in his looks and words. At length, one day, after some preparatory hesitation, he informed her that he was free to return to France; that even without the peace between England and France, which (known under the name of the Peace of Amiens) had been just concluded, he should have crossed the Channel. The advocacy and interest of friends whom he had left at Paris had already brought him under the special notice of the wonderful man who then governed France, and who sought to unite in its service every description and variety of intellect. He should return to France, and then—why, then, the ladder was on the walls of Fortune and the foot planted on the step! As he spoke, confidently and sanguinely, with the verve and assurance of an able man who sees clear the path to his goal, as he sketched with rapid precision the nature of his prospects and his hopes, all that subtle wisdom which had before often seemed but vague and general, took practical shape and interest, thus applied to the actual circumstances of men; the spirit of intrigue, which seemed mean when employed on mean things, swelled into statesmanship and masterly genius to the listener when she saw it linked with the large objects of masculine ambition. Insensibly, therefore, her attention became earnest, her mind aroused. The vision of a field, afar from the scenes of her humiliation and despair,—a field for energy, stratagem, and contest,—invited her restless intelligence. As Dalibard had profoundly calculated, there was no new channel for her affections,—the source was dried up, and the parched sands heaped over it; but while the heart lay dormant, the mind rose sleepless, chafed, and perturbed. Through the mind, he indirectly addressed and subtly wooed her.

"Such," he said, as he rose to take leave, "such is the career to which I could depart with joy if I did not depart alone!"

"Alone!" that word, more than once that day, Lucretia repeated to herself—"alone!" And what career was left to her?—she, too, alone!

In certain stages of great grief our natures yearn for excitement. This has made some men gamblers; it has made even women drunkards,—it had effect over the serene calm and would-be divinity of the poet-sage. When his son dies, Goethe does not mourn, he plunges into the absorption of a study uncultivated before. But in the great contest of life, in the whirlpool of actual affairs, the stricken heart finds all,—the gambling, the inebriation, and the study.

We pause here. We have pursued long enough that patient analysis, with all the food for reflection that it possibly affords, to which we were insensibly led on by an interest, dark and fascinating, that grew more and more upon us as we proceeded in our research into the early history of a person fated to pervert no ordinary powers into no commonplace guilt.

The charm is concluded, the circle closed round; the self-guided seeker after knowledge has gained the fiend for the familiar.

oked aside when his more hardened friends boasted of assignations and love-affairs. Spirited, gay, and manly enough in all really manly points, the virgin bloom of innocence was yet visible in his frank, charming manner; and often, out of respect for his delicacy, some hearty son of pleasure stopped short in his narrative, or lost the point of his anecdote. And yet so lovable was Percival in his good humour, his naivete, his joyous entrance into innocent joy, that his companions were scarcely conscious of the gene and restraint he imposed on them. Those merry, dark eyes and that flashing smile were conviviality of themselves. They brought with them a contagious cheerfulness which compensated for the want of corruption.

Night had set in. St. John's companions had departed to their several haunts, and Percival himself stood on the steps of the club, resolving that he would join the crowds that swept through the streets to gaze on the illuminations, when he perceived Beck (still at the rein of his dozing horse), whom he had quite forgotten till that moment. Laughing at his own want of memory, Percival put some silver into Beck's hand,—more silver than Beck had ever before received for similar service,—and said,—

"Well, my man, I suppose I can trust you to take my horse to his stables,—No.——, the Mews, behind Curzon Street. Poor fellow, he wants his supper,—and you, too, I suppose!"

Beck smiled a pale, hungry smile, and pulled his forelock politely.

"I can take the 'oss werry safely, your 'onor."

"Take him, then, and good evening; but don't get on, for your life."

"Oh, no, sir; I never gets on,—'t aint in my ways."

And Beck slowly led the horse through the crowd, till he vanished from
Percival's eyes.

Just then a man passing through the street paused as he saw the young gentleman on the steps of the club, and said gayly, "Ah! how do you do? Pretty faces in plenty out to-night. Which way are you going?"

"That is more than I can tell you, Mr. Varney. I was just thinking which turn to take,—the right or the left."

"Then let me be your guide;" and Varney offered his arm.

Percival accepted the courtesy, and the two walked on towards Piccadilly. Many a kind glance from the milliners—and maid-servants whom the illuminations drew abroad, roved, somewhat impartially, towards St. John and his companion; but they dwelt longer on the last, for there at least they were sure of a return. Varney, if not in his first youth, was still in the prime of life, and Time had dealt with him so leniently that he retained all the personal advantages of youth itself. His complexion still was clear; and as only his upper lip, decorated with a slight silken and well-trimmed mustache, was unshaven, the contour of the face added to the juvenility of his appearance by the rounded symmetry it betrayed. His hair escaped from his hat in fair unchanged luxuriance. And the nervous figure, agile as a panther's, though broad-shouldered and deep-chested, denoted all the slightness and elasticity of twenty-five, combined with the muscular power of forty. His dress was rather fantastic,—too showy for the good taste which is habitual to the English gentleman,—and there was a peculiarity in his gait, almost approaching to a strut, which bespoke a desire of effect, a consciousness of personal advantages, equally opposed to the mien and manner of Percival's usual companions; yet withal, even the most fastidious would have hesitated to apply to Gabriel Varney the epithet of "vulgar." Many turned to look again, but it was not to remark the dress or the slight swagger; an expression of reckless, sinister power in the countenance, something of vigour and determination even in that very walk, foppish as it would have been in most, made you sink all observation of the mere externals, in a sentiment of curiosity towards the man himself. He seemed a somebody,— not a somebody of conventional rank, but a somebody of personal individuality; an artist, perhaps a poet, or a soldier in some foreign service, but certainly a man whose name you would expect to have heard of. Amongst the common mob of passengers he stood out in marked and distinct relief.

"I feel at home in a crowd," said Varney. "Do you understand me?"

"I think so," answered Percival. "If ever I could become distinguished,
I, too, should feel at home in a crowd."

"You have ambition, then; you mean to become distinguished?" asked
Varney, with a sharp, searching look.

There was a deeper and steadier flash than usual from Percival's dark eyes, and a manlier glow over his cheek, at Varney's question. But he was slow in answering; and when he did so, his manner had all its wonted mixture of graceful bashfulness and gay candour.

"Our rise does not always depend on ourselves. We are not all born great, nor do we all have 'greatness thrust on us.'"

"One can be what one likes, with your fortune," said Varney; and there was a growl of envy in his voice.

"What, be a painter like you! Ha, ha!"

"Faith," said Varney, "at least, if you could paint at all, you would have what I have not,—praise and fame."

Percival pressed kindly on Varney's arm. "Courage! you will get justice some day."

Varney shook his head. "Bah! there is no such thing as justice; all are underrated or overrated. Can you name one man who you think is estimated by the public at his precise value? As for present popularity, it depends on two qualities, each singly, or both united,—cowardice and charlatanism; that is, servile compliance with the taste and opinion of the moment, or a quack's spasmodic efforts at originality. But why bore you on such matters? There are things more attractive round us. A good ankle that, eh? Why, pardon me, it is strange, but you don't seem to care much for women?"

"Oh, yes, I do," said Percival, with a sly demureness. "I am very fond of—my mother!"

"Very proper and filial," said Varney, laughing; "and does your love for the sex stop there?"

"Well, and in truth I fancy so,—pretty nearly. You know my grandmother is not alive! But that is something really worth looking at!" And Percival pointed, almost with a child's delight, at an illumination more brilliant than the rest.

"I suppose, when you come of age, you will have all the cedars at Laughton hung with coloured lamps. Ah, you must ask me there some day; I should so like to see the old place again."

"You never saw it, I think you say, in my poor father's time?"

"Never."

"Yet you knew him."

"But slightly."

"And you never saw my mother?"

"No; but she seems to have such influence over you that I am sure she must be a very superior person,—rather proud, I suppose."

"Proud, no,—that is, not exactly proud, for she is very meek and very affable. But yet—"

"'But yet—' You hesitate: she would not like you to be seen, perhaps, walking in Piccadilly with Gabriel Varney, the natural son of old Sir Miles's librarian,—Gabriel Varney the painter; Gabriel Varney the adventurer!"

"As long as Gabriel Varney is a man without stain on his character and honour, my mother would only be pleased that I should know an able and accomplished person, whatever his origin or parentage. But my mother would be sad if she knew me intimate with a Bourbon or a Raphael, the first in rank or the first in genius, if either prince or artist had lost, or even sullied, his scutcheon of gentleman. In a word, she is most sensitive as to honour and conscience; all else she disregards."

"Hem!" Varney stooped down, as if examining the polish of his boot, while he continued carelessly: "Impossible to walk the streets and keep one's boots out of the mire. Well—and you agree with your mother?"

"It would be strange if I did not. When I was scarcely four years old, my poor father used to lead me through the long picture-gallery at Laughton and say: 'Walk through life as if those brave gentlemen looked down on you.' And," added St. John, with his ingenuous smile, "my mother would put in her word,—'And those unstained women too, my Percival.'"

There was something noble and touching in the boy's low accents as he said this; it gave the key to his unusual modesty and his frank, healthful innocence of character.

The devil in Varney's lip sneered mockingly.

"My young friend, you have never loved yet. Do you think you ever shall?"

"I have dreamed that I could love one day. But I can wait."

Varney was about to reply, when he was accosted abruptly by three men of that exaggerated style of dress and manner which is implied by the vulgar appellation of "Tigrish." Each of the three men had a cigar in his mouth, each seemed flushed with wine. One wore long brass spurs and immense mustaches; another was distinguished by an enormous surface of black satin cravat, across which meandered a Pactolus of gold chain; a third had his coat laced and braided a la Polonaise, and pinched and padded a la Russe, with trousers shaped to the calf of a sinewy leg, and a glass screwed into his right eye.

"Ah, Gabriel! ah, Varney! ah, prince of good fellows, well met! You sup with us to-night at little Celeste's; we were just going in search of you."

"Who's your friend,—one of us?" whispered a second. And the third screwed his arm tight and lovingly into Varney's.

Gabriel, despite his habitual assurance, looked abashed foz a moment, and would have extricated himself from cordialities not at that moment welcome; but he saw that his friends were too far gone in their cups to be easily shaken off, and he felt relieved when Percival, after a dissatisfied glance at the three, said quietly: "I must detain you no longer; I shall soon look in at your studio;" and without waiting for an answer, slid off, and was lost among the crowd.

Varney walked on with his new-found friends, unheeding for some moments their loose remarks and familiar banter. At length he shook off his abstraction, and surrendering himself to the coarse humours of his companions, soon eclipsed them all by the gusto of his slang and the mocking profligacy of his sentiments; for here he no longer played a part, or suppressed his grosser instincts. That uncurbed dominion of the senses, to which his very boyhood had abandoned itself, found a willing slave in the man. Even the talents themselves that he displayed came from the cultivation of the sensual. His eye, studying externals, made him a painter,—his ear, quick and practised, a musician. His wild, prodigal fancy rioted on every excitement, and brought him in a vast harvest of experience in knowledge of the frailties and the vices on which it indulged its vagrant experiments. Men who over-cultivate the art that connects itself with the senses, with little counterpoise from the reason and pure intellect, are apt to be dissipated and irregular in their lives. This is frequently noticeable in the biographies of musicians, singers, and painters; less so in poets, because he who deals with words, not signs and tones, must perpetually compare his senses with the pure images of which the senses only see the appearances,—in a word, he must employ his intellect, and his self-education must be large and comprehensive. But with most real genius, however fed merely by the senses,—most really great painters, singers, and musicians, however easily led astray into temptation,—the richness of the soil throws up abundant good qualities to countervail or redeem the evil; they are usually compassionate, generous, sympathizing. That Varney had not such beauties of soul and temperament it is unnecessary to add,—principally, it is true, because of his nurture, education, parental example, the utter corruption in which his childhood and youth had passed; partly because he had no real genius,—-it was a false apparition of the divine spirit, reflected from the exquisite perfection of his frame (which rendered all his senses so vigorous and acute) and his riotous fancy and his fitful energy, which was capable at times of great application, but not of definite purpose or earnest study. All about him was flashy and hollow. He had not the natural subtlety and depth of mind that had characterized his terrible father. The graft of the opera-dancer was visible on the stock of the scholar; wholly without the habits of method and order, without the patience, without the mathematical calculating brain of Dalibard, he played wantonly with the horrible and loathsome wickedness of which Olivier had made dark and solemn study. Extravagant and lavish, he spent money as fast as he gained it; he threw away all chances of eminence and career. In the midst of the direst plots of his villany or the most energetic pursuit of his art, the poorest excitement, the veriest bauble would draw him aside. His heart was with Falri in the sty, his fancy with Aladdin in the palace. To make a show was his darling object; he loved to create effect by his person, his talk, his dress, as well as by his talents. Living from hand to mouth, crimes through which it is not our intention to follow him had at times made him rich to-day, for vices to make him poor again to-morrow. What he called "luck," or "his star," had favoured him,—he was not hanged!—he lived; and as the greater part of his unscrupulous career had been conducted in foreign lands and under other names, in his own name and in his own country, though something scarcely to be defined, but equivocal and provocative of suspicion, made him displeasing to the prudent, and vaguely alarmed the experience of the sober, still, no positive accusation was attached to the general integrity of his character, and the mere dissipation of his habits was naturally little known out of his familiar circle. Hence he had the most presumptuous confidence in himself,—a confidence native to his courage, and confirmed by his experience. His conscience was so utterly obtuse that he might almost be said to present the phenomenon of a man without conscience at all. Unlike Conrad, he did not "know himself a villain;" all that he knew of himself was that he was a remarkably clever fellow, without prejudice or superstition. That, with all his gifts, he had not succeeded better in life, he ascribed carelessly to the surpassing wisdom of his philosophy. He could have done better if he had enjoyed himself less; but was not enjoyment the be-all and end-all of this little life? More often, indeed, in the moods of his bitter envy, he would lay the fault upon the world. How great he could have been, if he had been rich and high-born! Oh, he was made to spend, not to save,—to command, not to fawn! He was not formed to plod through the dull mediocrities of fortune; he must toss up for the All or the Nothing! It was no control over himself that made Varney now turn his thoughts from certain grave designs on Percival St. John to the brutal debauchery of his three companions,—rather, he then yielded most to his natural self. And when the morning star rose over the night he passed with low profligates and venal nymphs; when over the fragments on the board and emptied bottles and drunken riot dawn gleamed and saw him in all the pride of his magnificent organization and the cynicism of his measured vice, fair, fresh, and blooming amidst those maudlin eyes and flushed cheeks and reeling figures, laughing hideously over the spectacle he had provoked, and kicking aside, with a devil's scorn, the prostrate form of the favoured partner whose head had rested on his bosom, as alone with a steady step, he passed the threshold and walked into the fresh, healthful air,—Gabriel Varney enjoyed the fell triumph of his hell-born vanity, and revelled in his sentiment of superiority and power.

Meanwhile, on quitting Varney young Percival strolled on as the whim directed him. Turning down the Haymarket, he gained the colonnade of the Opera House. The crowd there was so dense that his footsteps were arrested, and he leaned against one of the columns in admiration of the various galaxies in view. In front blazed the rival stars of the United Service Club and the Athenaeum; to the left, the quaint and peculiar device which lighted up Northumberland House; to the right, the anchors, cannons, and bombs which typified ingeniously the martial attributes of the Ordnance Office.

At that moment there were three persons connected with this narrative within a few feet of each other, distinguished from the multitude by the feelings with which each regarded the scene, and felt the jostle of the crowd. Percival St. John, in whom the harmless sense of pleasure was yet vivid and unsatiated, caught from the assemblage only that physical hilarity which heightened his own spirits. If in a character as yet so undeveloped, to which the large passions and stern ends of life were as yet unknown, stirred some deeper and more musing thoughts and speculations, giving gravity to the habitual smile on his rosy lip, and steadying the play of his sparkling eyes, he would have been at a loss himself to explain the dim sentiment and the vague desire.

Screened by another column from the pressure of the mob, with his arms folded on his breast, a man some few years older in point of time,—many years older in point of character,—gazed (with thoughts how turbulent,— with ambition how profound!) upon the dense and dark masses that covered space and street far as the eye could reach. He, indeed, could not have said, with Varney, that he was "at home in a crowd." For a crowd did not fill him with the sense of his own individual being and importance, but grappled him to its mighty breast with the thousand tissues of a common destiny. Who shall explain and disentangle those high and restless and interwoven emotions with which intellectual ambition, honourable and ardent, gazes upon that solemn thing with which, in which, for which it lives and labours,—the Human Multitude? To that abstracted, solitary man, the illumination, the festivity, the curiosity, the holiday, were nothing, or but as fleeting phantoms and vain seemings. In his heart's eye he saw before him but the PEOPLE, the shadow of an everlasting audience,—audience at once and judge.

And literally touching him as he stood, the ragged sweeper, who had returned in vain to devote a last care to his beloved charge, stood arrested with the rest, gazing joylessly on the blazing lamps, dead as the stones he heeded, to the young vivacity of the one man, the solemn visions of the other. So, O London, amidst the universal holiday to monarch and to mob, in those three souls lived the three elements which, duly mingled and administered, make thy vice and thy virtue, thy glory and thy shame, thy labour and thy luxury; pervading the palace and the street, the hospital and the prison,—enjoyment, which is pleasure; energy, which is action; torpor, which is want!