A WINTER’S evening at Moleswich. Very different from a winter sunset at Naples. It is intensely cold. There has been a slight fall of snow, accompanied with severe, bright, clean frost, a thin sprinkling of white on the pavements. Kenelm Chillingly entered the town on foot, no longer a knapsack on his back. Passing through the main street, he paused a moment at the door of Will Somers. The shop was closed. No, he would not stay there to ask in a roundabout way for news. He would go in straightforwardly and manfully to Grasmere. He would take the inmates there by surprise. The sooner he could bring Tom’s experience home to himself, the better. He had schooled his heart to rely on that experience, and it brought him back the old elasticity of his stride. In his lofty carriage and buoyant face were again visible the old haughtiness of the indifferentism that keeps itself aloof from the turbulent emotions and conventional frivolities of those whom its philosophy pities and scorns. “Ha! ha!” laughed he who like Swift never laughed aloud, and often laughed inaudibly. “Ha! ha! I shall exorcise the ghost of my grief. I shall never be haunted again. If that stormy creature whom love might have maddened into crime, if he were cured of love at once by a single visit to the home of her whose face was changed to him,—for the smiles and the tears of it had become the property of another man,—how much more should I be left without a scar! I, the heir of the Chillinglys! I, the kinsman of a Mivers! I, the pupil of a Welby! I—I, Kenelm Chillingly, to be thus—thus—” Here, in the midst of his boastful soliloquy, the well-remembered brook rushed suddenly upon eye and ear, gleaming and moaning under the wintry moon. Kenelm Chillingly stopped, covered his face with his hands, and burst into a passion of tears. Recovering himself slowly, he went on along the path, every step of which was haunted by the form of Lily. He reached the garden gate of Grasmere, lifted the latch, and entered. As he did so, a man, touching his hat, rushed beside, and advanced before him,—the village postman. Kenelm drew back, allowing the man to pass to the door, and as he thus drew back, he caught a side view of lighted windows looking on the lawn,—the windows of the pleasant drawing-room in which he had first heard Lily speak of her guardian. The postman left his letters, and regained the garden gate, while Kenelm still stood wistfully gazing on those lighted windows. He had, meanwhile, advanced along the whitened sward to the light, saying to himself, “Let me just see her and her happiness, and then I will knock boldly at the door, and say, ‘Good-evening, Mrs. Melville.’” So Kenelm stole across the lawn, and, stationing himself at the angle of the wall, looked into the window. Melville, in dressing-robe and slippers, was seated alone by the fireside. His dog was lazily stretched on the hearth rug. One by one the features of the room, as the scene of his vanished happiness, grew out from its stillness; the delicately tinted walls, the dwarf bookcase, with its feminine ornaments on the upper shelf; the piano standing in the same place. Lily’s own small low chair; that was not in its old place, but thrust into a remote angle, as if it had passed into disuse. Melville was reading a letter, no doubt one of those which the postman had left. Surely the contents were pleasant, for his fair face, always frankly expressive of emotion, brightened wonderfully as he read on. Then he rose with a quick, brisk movement, and pulled the bell hastily. A neat maid-servant entered,—a strange face to Kenelm. Melville gave her some brief message. “He has had joyous news,” thought Kenelm. “He has sent for his wife that she may share his joy.” Presently the door opened, and entered not Lily, but Mrs. Cameron. She looked changed. Her natural quietude of mien and movement the same, indeed, but with more languor in it. Her hair had become gray. Melville was standing by the table as she approached him. He put the letter into her hands with a gay, proud smile, and looked over her shoulder while she read it, pointing with his finger as to some lines that should more emphatically claim her attention. When she had finished her face reflected his smile. They exchanged a hearty shake of the hand, as if in congratulation. “Ah,” thought Kenelm, “the letter is from Lily. She is abroad. Perhaps the birth of a first-born.” Just then Blanche, who had not been visible before, emerged from under the table, and as Melville reseated himself by the fireside, sprang into his lap, rubbing herself against his breast. The expression of his face changed; he uttered some low exclamation. Mrs. Cameron took the creature from his lap, stroking it quietly, carried it across the room, and put it outside the door. Then she seated herself beside the artist, placing her hand in his, and they conversed in low tones, till Melville’s face again grew bright, and again he took up the letter. A few minutes later the maid-servant entered with the tea-things, and after arranging them on the table approached the window. Kenelm retreated into the shade, the servant closed the shutters and drew the curtains; that scene of quiet home comfort vanished from the eyes of the looker-on. Kenelm felt strangely perplexed. What had become of Lily? was she indeed absent from her home? Had he conjectured rightly that the letter which had evidently so gladdened Melville was from her, or was it possible—here a thought of joy seized his heart and held him breathless—was it possible that, after all, she had not married her guardian; had found a home elsewhere,—was free? He moved on farther down the lawn, towards the water, that he might better bring before his sight that part of the irregular building in which Lily formerly had her sleeping-chamber, and her “own-own room.” All was dark there; the shutters inexorably closed. The place with which the childlike girl had associated her most childlike fancies, taming and tending the honey-drinkers destined to pass into fairies, that fragile tenement was not closed against the winds and snows; its doors were drearily open; gaps in the delicate wire-work; of its dainty draperies a few tattered shreds hanging here and there; and on the depopulated floor the moonbeams resting cold and ghostly. No spray from the tiny fountain; its basin chipped and mouldering; the scanty waters therein frozen. Of all the pretty wild ones that Lily fancied she could tame, not one. Ah! yes, there was one, probably not of the old familiar number; a stranger that might have crept in for shelter from the first blasts of winter, and now clung to an angle in the farther wall, its wings folded,—asleep, not dead. But Kenelm saw it not; he noticed only the general desolation of the spot. “Natural enough,” thought he. “She has outgrown all such pretty silliness. A wife cannot remain a child. Still, if she had belonged to me—” The thought choked even his inward, unspoken utterance. He turned away, paused a moment under the leafless boughs of the great willow still dipping into the brook, and then with impatient steps strode back towards the garden gate. “No,—no,—no. I cannot now enter that house and ask for Mrs. Melville. Trial enough for one night to stand on the old ground. I will return to the town. I will call at Jessie’s, and there I can learn if she indeed be happy.” So he went on by the path along the brook-side, the night momently colder and colder, and momently clearer and clearer, while the moon noiselessly glided into loftier heights. Wrapped in his abstracted thoughts, when he came to the spot in which the path split in twain, he did not take that which led more directly to the town. His steps, naturally enough following the train of his thoughts, led him along the path with which the object of his thoughts was associated. He found himself on the burial-ground, and in front of the old ruined tomb with the effaced inscription. “Ah! child! child!” he murmured almost audibly, “what depths of woman tenderness lay concealed in thee! In what loving sympathy with the past—sympathy only vouchsafed to the tenderest women and the highest poets—didst thou lay thy flowers on the tomb, to which thou didst give a poet’s history interpreted by a woman’s heart, little dreaming that beneath the stone slept a hero of thine own fallen race.” He passed beneath the shadow of the yews, whose leaves no winter wind can strew, and paused at the ruined tomb,—no flower now on its stone, only a sprinkling of snow at the foot of it,—sprinklings of snow at the foot of each humbler grave-mound. Motionless in the frosty air rested the pointed church-spire, and through the frosty air, higher and higher up the arch of heaven, soared the unpausing moon. Around and below and above her, the stars which no science can number; yet not less difficult to number are the thoughts, desires, aspirations which, in a space of time briefer than a winter’s night, can pass through the infinite deeps of a human soul. From his stand by the Gothic tomb, Kenelm looked along the churchyard for the infant’s grave which Lily’s pious care had bordered with votive flowers. Yes, in that direction there was still a gleam of colour; could it be of flowers in that biting winter time?—the moon is so deceptive, it silvers into the hue of the jessamines the green of the everlastings. He passed towards the white grave-mound. His sight had duped him; no pale flower, no green “everlasting” on its neglected border,—only brown mould, withered stalks, streaks of snow. “And yet,” he said sadly, “she told me she had never broken a promise; and she had given a promise to the dying child. Ah! she is too happy now to think of the dead.” So murmuring, he was about to turn towards the town, when close by that child’s grave he saw another. Round that other there were pale “everlastings,” dwarfed blossoms of the laurestinus; at the four angles the drooping bud of a Christmas rose; at the head of the grave was a white stone, its sharp edges cutting into the starlit air; and on the head, in fresh letters, were inscribed these words:— To the Memory of L. M. Aged 17, Died October 29, A. D. 18—, This stone, above the grave to which her mortal remains are consigned, beside that of an infant not more sinless, is consecrated by those who most mourn and miss her, ISABEL CAMERON, WALTER MELVILLE. “Suffer the little children to come unto me.” |