Merry was the month of May in the year of our Lord 1052. Few were the boys, and few the lasses, who overslept themselves on the first of that buxom month. Long ere the dawn, the crowds had sought mead and woodland, to cut poles and wreathe flowers. Many a mead then lay fair and green beyond the village of Charing, and behind the isle of Thorney, (amidst the brakes and briars of which were then rising fast and fair the Hall and Abbey of Westminster;) many a wood lay dark in the starlight, along the higher ground that sloped from the dank Strand, with its numerous canals or dykes;—and on either side of the great road into Kent:—flutes and horns sounded far and near through the green places, and laughter and song, and the crash of breaking boughs.

As the dawn came grey up the east, arch and blooming faces bowed down to bathe in the May dew. Patient oxen stood dozing by the hedge-rows, all fragrant with blossoms, till the gay spoilers of the May came forth from the woods with lusty poles, followed by girls with laps full of flowers, which they had caught asleep. The poles were pranked with nosegays, and a chaplet was hung round the horns of every ox. Then towards daybreak, the processions streamed back into the city, through all its gates; boys with their May-gads (peeled willow wands twined with cowslips) going before; and clear through the lively din of the horns and flutes, and amidst the moving grove of branches, choral voices, singing some early Saxon stave, precursor of the later song—

Often in the good old days before the Monk-king reigned, kings and ealdermen had thus gone forth a-maying; but these merriments, savouring of heathenesse, that good prince misliked: nevertheless the song was as blithe, and the boughs were as green, as if king and ealderman had walked in the train.

On the great Kent road, the fairest meads for the cowslip, and the greenest woods for the bough, surrounded a large building that once had belonged to some voluptuous Roman, now all defaced and despoiled; but the boys and the lasses shunned those demesnes; and even in their mirth, as they passed homeward along the road, and saw near the ruined walls, and timbered outbuildings, grey Druid stones (that spoke of an age before either Saxon or Roman invader) gleaming through the dawn—the song was hushed—the very youngest crossed themselves; and the elder, in solemn whispers, suggested the precaution of changing the song into a psalm. For in that old building dwelt Hilda, of famous and dark repute; Hilda, who, despite all law and canon, was still believed to practise the dismal arts of the Wicca and Morthwyrtha (the witch and worshipper of the dead). But once out of sight of those fearful precincts, the psalm was forgotten, and again broke, loud, clear, and silvery, the joyous chorus.

So, entering London about sunrise, doors and windows were duly wreathed with garlands; and every village in the suburbs had its May-pole, which stood in its place all the year. On that happy day labour rested; ceorl and theowe had alike a holiday to dance, and tumble round the May-pole; and thus, on the first of May—Youth, and Mirth, and Music, “brought the summer home.”

The next day you might still see where the buxom bands had been; you might track their way by fallen flowers, and green leaves, and the deep ruts made by oxen (yoked often in teams from twenty to forty, in the wains that carried home the poles); and fair and frequent throughout the land, from any eminence, you might behold the hamlet swards still crowned with the May trees, and air still seemed fragrant with their garlands.

It is on that second day of May, 1052, that my story opens, at the House of Hilda, the reputed Morthwyrtha. It stood upon a gentle and verdant height; and, even through all the barbarous mutilation it had undergone from barbarian hands, enough was left strikingly to contrast the ordinary abodes of the Saxon.

The remains of Roman art were indeed still numerous throughout England, but it happened rarely that the Saxon had chosen his home amidst the villas of those noble and primal conquerors. Our first forefathers were more inclined to destroy than to adapt.

By what chance this building became an exception to the ordinary rule, it is now impossible to conjecture, but from a very remote period it had sheltered successive races of Teuton lords.

The changes wrought in the edifice were mournful and grotesque. What was now the Hall, had evidently been the atrium; the round shield, with its pointed boss, the spear, sword, and small curved saex of the early Teuton, were suspended from the columns on which once had been wreathed the flowers; in the centre of the floor, where fragments of the old mosaic still glistened from the hard-pressed paving of clay and lime, what now was the fire-place had been the impluvium, and the smoke went sullenly through the aperture in the roof, made of old to receive the rains of heaven. Around the Hall were still left the old cubicula or dormitories, (small, high, and lighted but from the doors,) which now served for the sleeping-rooms of the humbler guest or the household servant; while at the farther end of the Hall, the wide space between the columns, which had once given ample vista from graceful awnings into tablinum and viridarium, was filled up with rude rubble and Roman bricks, leaving but a low, round, arched door, that still led into the tablinum. But that tablinum, formerly the gayest state-room of the Roman lord, was now filled with various lumber, piles of faggots, and farming utensils. On either side of this desecrated apartment, stretched, to the right, the old lararium, stripped of its ancient images of ancestor and god; to the left, what had been the gynoecium (women’s apartment).

One side of the ancient peristyle, which was of vast extent, was now converted into stabling, sties for swine, and stalls for oxen. On the other side was constructed a Christian chapel, made of rough oak planks, fastened by plates at the top, and with a roof of thatched reeds. The columns and wall at the extreme end of the peristyle were a mass of ruins, through the gigantic rents of which loomed a grassy hillock, its sides partially covered with clumps of furze. On this hillock were the mutilated remains of an ancient Druidical crommel, in the centre of which (near a funeral mound, or barrow, with the bautastean, or gravestone, of some early Saxon chief at one end) had been sacrilegiously placed an altar to Thor, as was apparent both from the shape, from a rude, half-obliterated, sculptured relief of the god, with his lifted hammer, and a few Runic letters. Amidst the temple of the Briton the Saxon had reared the shrine of his triumphant war-god.

Now still, amidst the ruins of that extreme side of the peristyle which opened to this hillock were left, first, an ancient Roman fountain, that now served to water the swine, and next, a small sacellum, or fane to Bacchus (as relief and frieze, yet spared, betokened): thus the eye, at one survey, beheld the shrines of four creeds: the Druid, mystical and symbolical; the Roman, sensual, but humane; the Teutonic, ruthless and destroying; and, latest riser and surviving all, though as yet with but little of its gentler influence over the deeds of men, the edifice of the Faith of Peace.

Across the peristyle, theowes and swineherds passed to and fro:—in the atrium, men of a higher class, half-armed, were, some drinking, some at dice, some playing with huge hounds, or caressing the hawks that stood grave and solemn on their perches.

The lararium was deserted; the gynoecium was still, as in the Roman time, the favoured apartment of the female portion of the household, and indeed bore the same name 8, and with the group there assembled we have now to do.

The appliances of the chamber showed the rank and wealth of the owner. At that period the domestic luxury of the rich was infinitely greater than has been generally supposed. The industry of the women decorated wall and furniture with needlework and hangings: and as a thegn forfeited his rank if he lost his lands, so the higher orders of an aristocracy rather of wealth than birth had, usually, a certain portion of superfluous riches, which served to flow towards the bazaars of the East and the nearer markets of Flanders and Saracenic Spain.

In this room the walls were draped with silken hangings richly embroidered. The single window was glazed with a dull grey glass 9. On a beaufet were ranged horns tipped with silver, and a few vessels of pure gold. A small circular table in the centre was supported by symbolical monsters quaintly carved. At one side of the wall, on a long settle, some half-a-dozen handmaids were employed in spinning; remote from them, and near the window, sat a woman advanced in years, and of a mien and aspect singularly majestic. Upon a small tripod before her was a Runic manuscript, and an inkstand of elegant form, with a silver graphium, or pen. At her feet reclined a girl somewhat about the age of sixteen, her long hair parted across her forehead and falling far down her shoulders. Her dress was a linen under-tunic, with long sleeves, rising high to the throat, and without one of the modern artificial restraints of the shape, the simple belt sufficed to show the slender proportions and delicate outline of the wearer. The colour of the dress was of the purest white, but its hems, or borders, were richly embroidered. This girl’s beauty was something marvellous. In a land proverbial for fair women, it had already obtained her the name of “the fair.” In that beauty were blended, not as yet without a struggle for mastery, the two expressions seldom united in one countenance, the soft and the noble; indeed in the whole aspect there was the evidence of some internal struggle; the intelligence was not yet complete; the soul and heart were not yet united: and Edith the Christian maid dwelt in the home of Hilda the heathen prophetess. The girl’s blue eyes, rendered dark by the shade of their long lashes, were fixed intently upon the stern and troubled countenance which was bent upon her own, but bent with that abstract gaze which shows that the soul is absent from the sight. So sate Hilda, and so reclined her grandchild Edith.

“Grandam,” said the girl in a low voice and after a long pause; and the sound of her voice so startled the handmaids, that every spindle stopped for a moment and then plied with renewed activity; “Grandam, what troubles you—are you not thinking of the great Earl and his fair sons, now outlawed far over the wide seas?”

As the girl spoke, Hilda started slightly, like one awakened from a dream; and when Edith had concluded her question, she rose slowly to the height of a statue, unbowed by her years, and far towering above even the ordinary standard of men; and turning from the child, her eye fell upon the row of silent maids, each at her rapid, noiseless, stealthy work. “Ho!” said she; her cold and haughty eye gleaming as she spoke; “yesterday they brought home the summer—to-day, ye aid to bring home the winter. Weave well—heed well warf and woof; Skulda 10 is amongst ye, and her pale fingers guide the web!”

The maidens lifted not their eyes, though in every cheek the colour paled at the words of the mistress. The spindles revolved, the thread shot, and again there was silence more freezing than before.

“Askest thou,” said Hilda at length, passing to the child, as if the question so long addressed to her ear had only just reached her mind; “askest thou if I thought of the Earl and his fair sons?—yea, I heard the smith welding arms on the anvil, and the hammer of the shipwright shaping strong ribs for the horses of the sea. Ere the reaper has bound his sheaves, Earl Godwin will scare the Normans in the halls of the Monk-king, as the hawk scares the brood in the dovecot. Weave well, heed well warf and woof, nimble maidens—strong be the texture, for biting is the worm.”

“What weave they, then, good grandmother?” asked the girl, with wonder and awe in her soft mild eyes.

“The winding-sheet of the great!”

Hilda’s lips closed, but her eyes, yet brighter than before, gazed upon space, and her pale hand seemed tracing letters, like runes, in the air.

Then slowly she turned, and looked forth through the dull window. “Give me my coverchief and my staff,” said she quickly.

Every one of the handmaids, blithe for excuse to quit a task which seemed recently commenced, and was certainly not endeared to them by the knowledge of its purpose communicated to them by the lady, rose to obey.

Unheeding the hands that vied with each other, Hilda took the hood, and drew it partially over her brow. Leaning lightly on a long staff, the head of which formed a raven, carved from some wood stained black, she passed into the hall, and thence through the desecrated tablinum, into the mighty court formed by the shattered peristyle; there she stopped, mused a moment, and called on Edith. The girl was soon by her side.

“Come with me.—There is a face you shall see but twice in life;—this day,”—and Hilda paused, and the rigid and almost colossal beauty of her countenance softened.

“And when again, my grandmother?”

“Child, put thy warm hand in mine. So! the vision darkens from me.—when again, saidst thou, Edith?—alas, I know not.”

While thus speaking, Hilda passed slowly by the Roman fountain and the heathen fane, and ascended the little hillock. There on the opposite side of the summit, backed by the Druid crommel and the Teuton altar, she seated herself deliberately on the sward.

A few daisies, primroses, and cowslips, grew around; these Edith began to pluck. Singing, as she wove, a simple song, that, not more by the dialect than the sentiment, betrayed its origin in the ballad of the Norse 11, which had, in its more careless composition, a character quite distinct from the artificial poetry of the Saxons. The song may be thus imperfectly rendered:

As she came to the last line, her soft low voice seemed to awaken a chorus of sprightly horns and trumpets, and certain other wind instruments peculiar to the music of that day. The hillock bordered the high road to London—which then wound through wastes of forest land—and now emerging from the trees to the left appeared a goodly company. First came two riders abreast, each holding a banner. On the one was depicted the cross and five martlets, the device of Edward, afterwards surnamed the Confessor: on the other, a plain broad cross with a deep border round it, and the streamer shaped into sharp points.

The first was familiar to Edith, who dropped her garland to gaze on the approaching pageant; the last was strange to her. She had been accustomed to see the banner of the great Earl Godwin by the side of the Saxon king; and she said, almost indignantly,—

“Who dares, sweet grandam, to place banner or pennon where Earl Godwin’s ought to float?”

“Peace,” said Hilda, “peace and look.”

Immediately behind the standard-bearers came two figures—strangely dissimilar indeed in mien, in years, in bearing: each bore on his left wrist a hawk. The one was mounted on a milk-white palfrey, with housings inlaid with gold and uncut jewels. Though not really old—for he was much on this side of sixty—both his countenance and carriage evinced age. His complexion, indeed, was extremely fair, and his cheeks ruddy; but the visage was long and deeply furrowed, and from beneath a bonnet not dissimilar to those in use among the Scotch, streamed hair long and white as snow, mingling with a large and forked beard. White seemed his chosen colour. White was the upper tunic clasped on his shoulder with a broad ouche or brooch; white the woollen leggings fitted to somewhat emaciated limbs; and white the mantle, though broidered with a broad hem of gold and purple. The fashion of his dress was that which well became a noble person, but it suited ill the somewhat frail and graceless figure of the rider. Nevertheless, as Edith saw him, she rose, with an expression of deep reverence on her countenance, and saying, “it is our lord the King,” advanced some steps down the hillock, and there stood, her arms folded on her breast, and quite forgetful, in her innocence and youth, that she had left the house without the cloak and coverchief which were deemed indispensable to the fitting appearance of maid and matron when they were seen abroad.

“Fair sir, and brother mine,” said the deep voice of the younger rider, in the Romance or Norman tongue, “I have heard that the small people of whom my neighbours, the Breton tell us much, abound greatly in this fair land of yours; and if I were not by the side of one whom no creature unassoilzed and unbaptised dare approach, by sweet St. Valery I should say—yonder stands one of those same gentilles fees!”

King Edward’s eye followed the direction of his companion’s outstretched hand, and his quiet brow slightly contracted as he beheld the young form of Edith standing motionless a few yards before him, with the warm May wind lifting and playing with her long golden locks. He checked his palfrey, and murmured some Latin words which the knight beside him recognised as a prayer, and to which, doffing his cap, he added an Amen, in a tone of such unctuous gravity, that the royal saint rewarded him with a faint approving smile, and an affectionate “Bene vene, Piosissime.”

Then inclining his palfrey’s head towards the knoll, he motioned to the girl to approach him. Edith, with a heightened colour, obeyed, and came to the roadside. The standard-bearers halted, as did the king and his comrade—the procession behind halted—thirty knights, two bishops, eight abbots, all on fiery steeds and in Norman garb—squires and attendants on foot—a long and pompous retinue—they halted all. Only a stray hound or two broke from the rest, and wandered into the forest land with heads trailing.

“Edith, my child,” said Edward, still in Norman-French, for he spoke his own language with hesitation, and the Romance tongue, which had long been familiar to the higher classes in England, had, since his accession, become the only language in use at court, and as such every one of ‘Eorl-kind’ was supposed to speak it;—“Edith, my child, thou hast not forgotten my lessons, I trow; thou singest the hymns I gave thee, and neglectest not to wear the relic round thy neck.”

The girl hung her head, and spoke not.

“How comes it, then,” continued the King, with a voice to which he in vain endeavoured to impart an accent of severity, “how comes it, O little one, that thou, whose thoughts should be lifted already above this carnal world, and eager for the service of Mary the chaste and blessed, standest thus hoodless and alone on the waysides, a mark for the eyes of men? go to, it is naught.”

Thus reproved, and in presence of so large and brilliant a company, the girl’s colour went and came, her breast heaved high, but with an effort beyond her age she checked her tears, and said meekly, “My grandmother, Hilda, bade me come with her, and I came.”

“Hilda!” said the King, backing his palfrey with apparent perturbation, “but Hilda is not with thee; I see her not.”

As he spoke, Hilda rose, and so suddenly did her tall form appear on the brow of the hill, that it seemed as if she had emerged from the earth. With a light and rapid stride she gained the side of her grandchild; and after a slight and haughty reverence, said, “Hilda is here; what wants Edward the King with his servant Hilda?”

“Nought, nought,” said the King, hastily; and something like fear passed over his placid countenance; “save, indeed,” he added, with a reluctant tone, as that of a man who obeys his conscience against his inclination, “that I would pray thee to keep this child pure to threshold and altar, as is meet for one whom our Lady, the Virgin, in due time, will elect to her service.”

“Not so, son of Etheldred, son of Woden, the last descendant of Penda should live, not to glide a ghost amidst cloisters, but to rock children for war in their father’s shield. Few men are there yet like the men of old; and while the foot of the foreigner is on the Saxon soil no branch of the stem of Woden should be nipped in the leaf.”

“Per la resplendar De 12, bold dame,” cried the knight by the side of Edward, while a lurid flush passed over his cheek of bronze; “but thou art too glib of tongue for a subject, and pratest overmuch of Woden, the Paynim, for the lips of a Christian matron.”

Hilda met the flashing eye of the knight with a brow of lofty scorn, on which still a certain terror was visible. “Child,” she said, putting her hand upon Edith’s fair locks; “this is the man thou shalt see but twice in thy life;—look up, and mark well!”

Edith instinctively raised her eyes, and, once fixed upon the knight, they seemed chained as by a spell. His vest, of a cramoisay so dark, that it seemed black beside the snowy garb of the Confessor, was edged by a deep band of embroidered gold; leaving perfectly bare his firm, full throat—firm and full as a column of granite,—a short jacket or manteline of fur, pendant from the shoulders, left developed in all its breadth a breast, that seemed meet to stay the march of an army; and on the left arm, curved to support the falcon, the vast muscles rose, round and gnarled, through the close sleeve.

In height, he was really but little above the stature of many of those present; nevertheless, so did his port 13, his air, the nobility of his large proportions, fill the eye, that he seemed to tower immeasurably above the rest.

His countenance was yet more remarkable than his form; still in the prime of youth, he seemed at the first glance younger, at the second older, than he was. At the first glance younger; for his face was perfectly shaven, without even the moustache which the Saxon courtier, in imitating the Norman, still declined to surrender; and the smooth visage and bare throat sufficed in themselves to give the air of youth to that dominant and imperious presence. His small skull-cap left unconcealed his forehead, shaded with short thick hair, uncurled, but black and glossy as the wings of a raven. It was on that forehead that time had set its trace; it was knit into a frown over the eyebrows; lines deep as furrows crossed its broad, but not elevated expanse. That frown spoke of hasty ire and the habit of stern command; those furrows spoke of deep thought and plotting scheme; the one betrayed but temper and circumstance; the other, more noble, spoke of the character and the intellect. The face was square, and the regard lion-like; the mouth—small, and even beautiful in outline—had a sinister expression in its exceeding firmness; and the jaw—vast, solid, as if bound in iron—showed obstinate, ruthless, determined will; such a jaw as belongs to the tiger amongst beasts, and the conqueror amongst men; such as it is seen in the effigies of Caesar, of Cortes, of Napoleon.

That presence was well calculated to command the admiration of women, not less than the awe of men. But no admiration mingled with the terror that seized the girl as she gazed long and wistful upon the knight. The fascination of the serpent on the bird held her mute and frozen. Never was that face forgotten; often in after-life it haunted her in the noon-day, it frowned upon her dreams.

“Fair child,” said the knight, fatigued at length by the obstinacy of the gaze, while that smile peculiar to those who have commanded men relaxed his brow, and restored the native beauty to his lip, “fair child, learn not from thy peevish grandam so uncourteous a lesson as hate of the foreigner. As thou growest into womanhood, know that Norman knight is sworn slave to lady fair;” and, doffing his cap, he took from it an uncut jewel, set in Byzantine filigree work. “Hold out thy lap, my child; and when thou nearest the foreigner scoffed, set this bauble in thy locks, and think kindly of William, Count of the Normans.” 14

He dropped the jewel on the ground as he spoke; for Edith, shrinking and unsoftened towards him, held no lap to receive it; and Hilda, to whom Edward had been speaking in a low voice, advanced to the spot and struck the jewel with her staff under the hoofs of the king’s palfrey.

“Son of Emma, the Norman woman, who sent thy youth into exile, trample on the gifts of thy Norman kinsman. And if, as men say, thou art of such gifted holiness that Heaven grants thy hand the power to heal, and thy voice the power to curse, heal thy country, and curse the stranger!”

She extended her right arm to William as she spoke, and such was the dignity of her passion, and such its force, that an awe fell upon all. Then dropping her hood over her face, she slowly turned away, regained the summit of the knoll, and stood erect beside the altar of the Northern god, her face invisible through the hood drawn completely over it, and her form motionless as a statue.

“Ride on,” said Edward, crossing himself.

“Now by the bones of St. Valery,” said William, after a pause, in which his dark keen eye noted the gloom upon the King’s gentle face, “it moves much my simple wonder how even presence so saintly can hear without wrath words so unleal and foul. Gramercy, an the proudest dame in Normandy (and I take her to be wife to my stoutest baron, William Fitzosborne) had spoken thus to me—”

“Thou wouldst have done as I, my brother,” interrupted Edward; “prayed to our Lord to pardon her, and rode on pitying.”

William’s lip quivered with ire, yet he curbed the reply that sprang to it, and he looked with affection genuinely more akin to admiration than scorn, upon his fellow-prince. For, fierce and relentless as the Duke’s deeds were, his faith was notably sincere; and while this made, indeed, the prince’s chief attraction to the pious Edward, so, on the other hand, this bowed the Duke in a kind of involuntary and superstitious homage to the man who sought to square deeds to faith. It is ever the case with stern and stormy spirits, that the meek ones which contrast them steal strangely into their affections. This principle of human nature can alone account for the enthusiastic devotion which the mild sufferings of the Saviour awoke in the fiercest exterminators of the North. In proportion, often, to the warrior’s ferocity, was his love to that Divine model, at whose sufferings he wept, to whose tomb he wandered barefoot, and whose example of compassionate forgiveness he would have thought himself the basest of men to follow!

“Now, by my halidame, I honour and love thee, Edward,” cried the Duke, with a heartiness more frank than was usual to him: “and were I thy subject, woe to man or woman that wagged tongue to wound thee by a breath. But who and what is this same Hilda? one of thy kith and kin?—surely not less than kingly blood runs so bold?”

“William, bien aime,” 15 said the King, “it is true that Hilda, whom the saints assoil, is of kingly blood, though not of our kingly line. It is feared,” added Edward, in a timid whisper, as he cast a hurried glance around him, “that this unhappy woman has ever been more addicted to the rites of her pagan ancestors than to those of Holy Church; and men do say that she hath thus acquired from fiend or charm secrets devoutly to be eschewed by the righteous. Nathless, let us rather hope that her mind is somewhat distraught with her misfortunes.”

The King sighed, and the Duke sighed too, but the Duke’s sigh spoke impatience. He swept behind him a stern and withering look towards the proud figure of Hilda, still seen through the glades, and said in a sinister voice: “Of kingly blood; but this witch of Woden hath no sons or kinsmen, I trust, who pretend to the throne of the Saxon:”

“She is sibbe to Githa, wife of Godwin,” answered the King, “and that is her most perilous connection; for the banished Earl, as thou knowest, did not pretend to fill the throne, but he was content with nought less than governing our people.”

The King then proceeded to sketch an outline of the history of Hilda, but his narrative was so deformed both by his superstitions and prejudices, and his imperfect information in all the leading events and characters in his own kingdom, that we will venture to take upon ourselves his task; and while the train ride on through glade and mead, we will briefly narrate, from our own special sources of knowledge, the chronicle of Hilda, the Scandinavian Vala.