RETURN TO LADY ERPINGHAM.—LADY ERPINGHAM FALLS ILL.—LORD ERPINGHAM RESOLVES TO GO ABROAD.—PLUTARCH UPON MUSICAL INSTRUMENTS.—PARTY AT ERPINGHAM HOUSE.—SAVILLE ON SOCIETY AND THE TASTE FOR THE LITTLE.—DAVID MANDEVILLE.—WOMEN, THEIR INFLUENCE AND EDUCATION.—THE NECESSITY OF AN OBJECT.—RELIGION.

As, after a long dream, we rise to the occupations of life, even so, with an awakening and more active feeling, I return from characters removed from the ordinary world—like Volktman(1) and his daughter—to the brilliant heroine of my narrative.

There is a certain tone about London society which enfeebles the mind without exciting it; and this state of temperament, more than all others, engenders satiety. In classes that border upon the highest this effect is less evident; for in them—there is some object to contend for. Fashion gives them an inducement. They struggle to emulate the toga of their superiors. It is an ambition of trifle, it is true; but it is still ambition. It frets, it irritates, but it keeps them alive. The great are the true victims of ennui. The more firmly seated their rank, the more established their position, the more their life stagnates into insipidity. Constance was at the height of her wishes. No one was so courted, so adored. One after one, she had humbled and subdued all those who, before her marriage, had trampled on her pride—or, who after it, had resisted her pretensions: a look from her had become a triumph, and a smile conferred a rank on its receiver. But this empire palled upon her: of too large a mind to be satisfied with petty pleasures and unreal distinctions, she still felt the Something of life was wanting. She was not blessed or cursed (as it may be) with children, and she had no companion in her husband. There might be times in which she regretted her choice, dazzling as it had proved;—but she complained not of sorrow, but monotony.

Political intrigue could not fill up the vacuum of which Constance daily complained; and of private intrigue, the then purity of her nature was incapable. When people have really nothing to do, they generally fall ill upon it; and at length, the rich colour grew faint upon Lady Erpingham’s cheek; her form wasted; the physicians hinted at consumption, and recommended a warmer clime. Lord Erpingham seized at the proposition; he was fond of Italy; he was bored with England.

Very stupid people often become very musical: it is a sort of pretension to intellect that suits their capacities. Plutarch says somewhere that the best musical instruments are made from the jaw-bones of asses. Plutarch never made a more sensible observation. Lord Erpingham had of late taken greatly to operas: he talked of writing one himself; and not being a performer, he consoled himself by becoming a patron. Italy, therefore, presented to him manifold captivations—he thought of fiddling, but he talked only of his wife’s health. Amidst the regrets of the London world, they made their arrangements, and prepared to set out at the end of the season for the land of Paganini and Julius Caesar.

Two nights before their departure, Lady Erpingham gave a farewell party to her more intimate acquaintance. Saville, who always contrived to be well with every one who was worth the trouble it cost him, was of course among the guests. Years had somewhat scathed him since he last appeared on our stage. Women had ceased to possess much attraction for his jaded eyes: gaming and speculation had gradually spread over the tastes once directed to other pursuits. His vivacity had deserted him in great measure, as years and infirmity began to stagnate and knot up the current of his veins; but conversation still possessed for and derived from him its wonted attraction. The sparkling jeu d’esprit had only sobered down into the quiet sarcasm; and if his wit rippled less freshly to the breeze of the present moment, it was coloured more richly by the glittering sands which rolled down from the experience that over shadowed the current. For the wisdom of the worldly is like the mountains that, sterile without, conceal within them unprofitable ore: only the filings and particles escape to the daylight and sparkle in the wave; the rest wastes idly within. The Pactolus takes but the sand-drifts from the hoards lost to use in the Tmolus.

“And how,” said Saville, seating himself by Lady Erpingham, “how shall we bear London when you are gone? When society—the everlasting draught—had begun to pall upon us, you threw your pearl into the cup; and now we are grown so luxurious, that we shall never bear the wine without the pearl.”

“But the pearl gave no taste to the wine: it only dissolved itself—idly, and in vain.”

“Ah, my dear Lady Erpingham, the dullest of us, having once seen the pearl, could at least imagine that we were able to appreciate the subtleties of its influence. Where, in this little world of tedious realities, can we find anything even to imagine about, when you abandon us?”

“Nay! do you conceive that I am so ignorant of the framework of society as to suppose that I shall not be easily replaced? King succeeds king, without reference to the merits of either: so, in London, idol follows idol, though one be of jewels and the other of brass. Perhaps, when I return, I shall find you kneeling to the dull Lady A——, or worshipping the hideous Lady Z——.”

answered Saville with a mock heroic air. “The fact is, that we are an indolent people; the person who succeeds the most with us has but to push the most. You know how Mrs. ——, in spite of her red arms, her red gown, her city pronunciation, and her city connexions, managed—by dint of perseverance alone—to become a dispenser of consequence to the very countesses whom she at first could scarcely coax into a courtesy. The person who can stand ridicule and rudeness has only to desire to become the fashion—she or he must be so sooner or later.”

“Of the immutability of one thing among all the changes I may witness on my return, at least I am certain no one still will dare to think for himself. The great want of each individual is, the want of an opinion! For instance, who judges of a picture from his own knowledge of painting? Who does not wait to hear what Mr. ——, or Lord —— (one of the six or seven privileged connoisseurs), says of it? Nay, not only the fate of a single picture, but of a whole school of painting, depends upon the caprice of some one of the self-elected dictators. The King, or the Duke of ——, has but to love the Dutch school and ridicule the Italian, and behold a Raphael will not sell, and a Teniers rises into infinite value! Dutch representations of candlesticks and boors are sought after with the most rapturous delight; the most disagreeable objects of nature become the most worshipped treasures of art; and we emulate each other in testifying our exaltation of taste by contending for the pictured vulgarities by which taste itself is the most essentially degraded. In fact, too, the meaner the object, the more certain it is with us of becoming the rage. In the theatre, we run after the farce; in painting, we worship the Dutch school; in——”

“Literature?” said Saville.

“No!—our literature still breathes of something noble; but why? Because books do not always depend upon a clique. A book, in order to succeed, does not require the opinion of Mr. Saville or Lady Erpingham so much as a picture or a ballet.”

“I am not sure of that,” answered Saville, as he withdrew presently afterwards to a card-table, to share in the premeditated plunder of a young banker, who was proud of the honour of being ruined by persons of rank.

In another part of the rooms Constance found a certain old philosopher, whom I will call David Mandeville. There was something about this man that always charmed those who had sense enough to be discontented with the ordinary inhabitants of the Microcosm,—Society. The expression of his countenance was different from that of others: there was a breathing goodness in his face—an expansion of mind on his forehead. You perceived at once that he did not live among triflers, nor agitate himself with trifles. Serenity beamed from his look—but it was the serenity of thought. Constance sat down by him.

“Are you not sorry,” said Mandeville, “to leave England? You, who have made yourself the centre of a circle which, for the varieties of its fascination, has never perhaps been equalled in this country? Wealth—rank—even wit—others might assemble round them: but none ever before convened into one splendid galaxy all who were eminent in art, famous in letters, wise in politics, and even (for who but you were ever above rivalship?) attractive in beauty. I should have thought it easier for us to fly from the Armida, than for the Armida to renounce the scene of her enchantment—the scene in which De Stael bowed to the charms of her conversation, and Byron celebrated those of her person.”

We may conceive the spell Constance had cast around her, when even philosophy (and Mandeville of all philosophers) had learned to flatter; but his flattery was sincerity.

“Alas!” said Constance, sighing, “even if your compliment were altogether true, you have mentioned nothing that should cause me regret. Vanity is one source of happiness, but it does not suffice to recompense us for the absence of all others. In leaving England, I leave the scene of everlasting weariness. I am the victim of a feeling of sameness, and I look with hope to the prospect of change.”

“Poor thing!” said the old philosopher, gazing mournfully on a creature who, so resplendent with advantages, yet felt the crumpled rose-leaf more than the luxury of the couch. “Wherever you go the same polished society will present to you the same monotony. All courts are alike: men have change in action; but to women of your rank all scenes are alike. You must not look without for an object—you must create one within. To be happy we must render ourselves independent of others.”

“Like all philosophers, you advise the impossible,” said Constance.

“How so? Have not the generality of your sex their peculiar object? One has the welfare of her children; another the interest of her husband; a third makes a passion of economy; a fourth of extravagance; a fifth of fashion; a sixth of solitude. Your friend yonder is always employed in nursing her own health: hypochondria supplies her with an object; she is really happy because she fancies herself ill. Every one you name has an object in life that drives away ennui, save yourself.”

“I have one too,” said Constance, smiling, “but it does not fill up all the spaces of time. The intervals between the acts are longer than the acts themselves.”

“Is your object religion?” asked Mandeville, simply. Constance was startled: the question was novel. “I fear not,” said she, after a moment’s hesitation, and with a downcast face.

“As I thought,” returned Mandeville. “Now listen. The reason why you feel weariness more than those around you, is solely because your mind is more expansive. Small minds easily find objects: trifles amuse them; but a high soul covets things beyond its daily reach; trifles occupy its aim mechanically; the thought still wanders restless. This is the case with you. Your intellect preys upon itself. You would have been happier if your rank had been less;” Constance winced—(she thought of Godolphin); “for then you would have been ambitious, and aspired to the very rank that now palls upon you.” Mandeville continued—

“You women are at once debarred from public life and yet influence it. You are the prisoners, and yet the despots of society. Have you talents? it is criminal to indulge them in public; and thus, as talent cannot be stifled, it is misdirected in private; you seek ascendency over your own limited circle; and what should have been genius degenerates into cunning. Brought up from your cradles to dissembling your most beautiful emotions—your finest principles are always tinctured with artifice. As your talents, being stripped of their wings are driven to creep along the earth, and imbibe its mire and clay; so are your affections perpetually checked and tortured into conventional paths, and a spontaneous feeling is punished as a deliberate crime. You are untaught the broad and sound principles of life; all that you know of morals are its decencies and forms. Thus you are incapable of estimating the public virtues and the public deficiencies of a brother or a son; and one reason why we have no Brutus, is because you have no Portia. Turkey has its seraglio for the person; but custom in Europe has also a seraglio for the mind.”

Constance smiled at the philosopher’s passion; but she was a woman, and she was moved by it.

“Perhaps,” said she, “in the progress of events, the state of the women may be improved as well as that of the men.”

“Doubtless, at some future stage of the world. And believe me, Lady Erpingham, politician and schemer as you are, that no legislative reform alone will improve mankind: it is the social state which requires reformation.”

“But you asked me some minutes since,” said Constance, after a pause, “if the object of my pursuit was religion. I disappointed but not surprised you by my answer.”

“Yes: you grieved me, because, in your case, religion could alone fill the dreary vacuum of your time. For, with your enlarged and cultivated mind, you would not view the grandest of earthly questions in a narrow and sectarian light. You would not think religion consisted in a sanctified demeanour, in an ostentatious almsgiving, in a harsh judgment of all without the pale of your opinions. You would behold in it a benign and harmonious system of morality, which takes from ceremony enough not to render it tedious but impressive. The school of the Bayles and Voltaires is annihilated. Men begin now to feel that to philosophise is not to sneer. In Doubt, we are stopped short at every outlet beyond the Sensual. In Belief lies the secret of all our valuable exertion. Two sentiments are enough to preserve even the idlest temper from stagnation—a desire and a hope. What then can we say of the desire to be useful, and the hope to be immortal?”

This was language Constance had not often heard before, nor was it frequent on the lips of him who now uttered it. But an interest in the fate and happiness of one in whom he saw so much to admire, had made Mandeville anxious that she should entertain some principle which he could also esteem. And there was a fervour, a sincerity, in his voice and manner, that thrilled to the very heart of Lady Erpingham. She pressed his hand in silence. She thought afterwards over his words; but worldly life is not easily accessible to any lasting impressions save those of vanity and love. Religion has two sources; the habit of early years, or the process of after thought. But to Constance had not been fated the advantage of the first; and how can deep thought of another world be a favourite employment with the scheming woman of this?

This is the only time that Mandeville appears in this work: a type of the rarity of the intervention of religious wisdom on the scenes of real life.

“By the way,” said Saville, as, in departing, he encountered Constance by the door, and made his final adieus; “by the way; you will perhaps meet, somewhere in Italy, my old young friend, Percy Godolphin. He has not been pleased to prate of his whereabout to me; but I hear that he has been seen lately at Naples.”

Constance coloured, and her heart beat violently; but she answered indifferently, and turned away.

The next morning they set off for Italy. But within one week from that day, what a change awaited Constance!

(1) After all, an astrologer,—nay, a cabalist—is not so monstrous a prodigy in the nineteenth century! In the year 1801, Lackingtou published a quarto, entitled Magus: a Complete System of Occult Philosophy; treating of Alchemy, the Cabalistic Art, Natural and Celestial Magic, &c.—and a very impudent publication it is too. That Raphael should put forth astrological manuals is not a proof of his belief in the science he professes; but that it should answer to Raphael to put them forth, shows a tendency to belief in his purchasers.