IT was just when Ernest Maltravers was so bad that he could not be worse that a young man visited Temple Grove. The name of this young man was Lumley Ferrers, his age was about twenty-six, his fortune about eight hundred a year—he followed no profession. Lumley Ferrers had not what is usually called genius; that is, he had no enthusiasm; and if the word talent be properly interpreted as meaning the talent of doing something better than others, Ferrers had not much to boast of on that score. He had no talent for writing, nor for music, nor painting, nor the ordinary round of accomplishments; neither at present had he displayed much of the hard and useful talent for action and business. But Ferrers had what is often better than either genius or talent; he had a powerful and most acute mind.

He had, moreover, great animation of manner, high physical spirits, a witty, odd, racy vein of conversation, determined assurance, and profound confidence in his own resources. He was fond of schemes, stratagems, and plots—they amused and excited him—his power of sarcasm, and of argument, too, was great, and he usually obtained an astonishing influence over those with whom he was brought in contact. His high spirits and a most happy frankness of bearing carried off and disguised his leading vices of character, which were callousness to whatever was affectionate and insensibility to whatever was moral. Though less learned than Maltravers, he was on the whole a very instructed man. He mastered the surfaces of many sciences, became satisfied of their general principles, and threw the study aside never to be forgotten (for his memory was like a vice), but never to be prosecuted any further. To this he added a general acquaintance with whatever is most generally acknowledged as standard in ancient or modern literature. What is admired only by a few, Lumley never took the trouble to read. Living amongst trifles, he made them interesting and novel by his mode of viewing and treating them. And here indeed was a talent—it was the talent of social life—the talent of enjoyment to the utmost with the least degree of trouble to himself. Lumley Ferrers was thus exactly one of those men whom everybody calls exceedingly clever, and yet it would puzzle one to say in what he was so clever. It was, indeed, that nameless power which belongs to ability, and which makes one man superior, on the whole, to another, though in many details by no means remarkable. I think it is Goethe who says somewhere that, in reading the life of the greatest genius, we always find that he was acquainted with some men superior to himself, who yet never attained to general distinction. To the class of these mystical superior men Lumley Ferrers might have belonged; for though an ordinary journalist would have beaten him in the arts of composition, few men of genius, however eminent, could have felt themselves above Ferrers in the ready grasp and plastic vigour of natural intellect. It only remains to be said of this singular young man, whose character as yet was but half developed, that he had seen a great deal of the world, and could live at ease and in content with all tempers and ranks; fox-hunters or scholars, lawyers or poets, patricians or parvenus, it was all one to Lumley Ferrers.

Ernest was, as usual, in his own room, when he heard, along the corridor without, all that indefinable bustling noise which announces an arrival. Next came a most ringing laugh, and then a sharp, clear, vigorous voice, that ran through his ears like a dagger. Ernest was immediately aroused to all the majesty of indignant sullenness. He walked out on the terrace of the portico, to avoid the repetition of the disturbance: and once more settled back into his broken and hypochondriacal reveries. Pacing to and fro that part of the peristyle which occupied the more retired wing of the house, with his arms folded, his eyes downcast, his brows knit, and all the angel darkened on that countenance which formerly looked as if, like truth, it could shame the devil and defy the world, Ernest followed the evil thought that mastered him, through the Valley of the Shadow. Suddenly he was aware of something—some obstacle which he had not previously encountered. He started, and saw before him a young man, of plain dress, gentlemanlike appearance, and striking countenance.

“Mr. Maltravers, I think,” said the stranger, and Ernest recognised the voice that had so disturbed him: “this is lucky; we can now introduce ourselves, for I find Cleveland means us to be intimate. Mr. Lumley Ferrers, Mr. Ernest Maltravers. There now, I am the elder, so I first offer my hand, and grin properly. People always grin when they make a new acquaintance! Well, that’s settled. Which way are you walking?”

Maltravers could, when he chose it, be as stately as if he had never been out of England. He now drew himself up in displeased astonishment; extricated his hand from the gripe of Ferrers, and saying, very coldly, “Excuse me, sir, I am busy,” stalked back to his chamber. He threw himself into his chair, and was presently forgetful of his late annoyance, when, to his inexpressible amazement and wrath, he heard again the sharp, clear voice close at his elbow.

Ferrers had followed him through the French casement into the room. “You are busy, you say, my dear fellow. I want to write some letters: we sha’n’t interrupt each other—don’t disturb yourself:” and Ferrers seated himself at the writing-table, dipped a pen into the ink, arranged blotting-book and paper before him in due order, and was soon employed in covering page after page with the most rapid and hieroglyphical scrawl that ever engrossed a mistress or perplexed a dun.

“The presuming puppy!” growled Maltravers, half audibly, but effectually roused from himself; and examining with some curiosity so cool an intruder, he was forced to own that the countenance of Ferrers was not that of a puppy.

A forehead compact and solid as a block of granite, overhung small, bright, intelligent eyes of a light hazel; the features were handsome, yet rather too sharp and fox-like; the complexion, though not highly coloured, was of that hardy, healthy hue which generally betokens a robust constitution, and high animal spirits; the jaw was massive, and, to a physiognomist, betokened firmness and strength of character; but the lips, full and large, were those of a sensualist, and their restless play, an habitual half smile, spoke of gaiety and humour, though when in repose there was in them something furtive and sinister.

Maltravers looked at him in grave silence; but when Ferrers, concluding his fourth letter before another man would have got through his first page, threw down the pen, and looked full at Maltravers, with a good-humoured but penetrating stare, there was something so whimsical in the intruder’s expression of face, and indeed in the whole scene, that Maltravers bit his lip to restrain a smile, the first he had known for weeks.

“I see you read, Maltravers,” said Ferrers, carelessly turning over the volumes on the table. “All very right: we should begin life with books; they multiply the sources of employment; so does capital;—but capital is of no use, unless we live on the interest,—books are waste paper, unless we spend in action the wisdom we get from thought. Action, Maltravers, action; that is the life for us. At our age we have passion, fancy, sentiment; we can’t read them away, or scribble them away;—we must live upon them generously, but economically.”

Maltravers was struck; the intruder was not the empty bore he had chosen to fancy him. He roused himself languidly to reply. “Life, Mr. Ferrers—”

“Stop, mon cher, stop; don’t call me Mister; we are to be friends; I hate delaying that which must be, even by a superfluous dissyllable; you are Maltravers, I am Ferrers. But you were going to talk about life. Suppose we live a little while, instead of talking about it? It wants an hour to dinner; let us stroll into the grounds; I want to get an appetite;—besides, I like nature when there are no Swiss mountains to climb before one can arrive at a prospect. Allons!”

“Excuse—” again began Maltravers, half interested, half annoyed.

“I’ll be shot if I do. Come.”

Ferrers gave Maltravers his hat, wound his arm into that of his new acquaintance, and they were on the broad terrace by the lake before Ernest was aware of it.

How animated, how eccentric, how easy was Ferrers’ talk (for talk it was, rather than conversation, since he had the ball to himself); books, and men, and things; he tossed them about and played with them like shuttlecocks; and then his egotistical narrative of half a hundred adventures, in which he had been the hero, told so, that you laughed at him and laughed with him.