A SUMMER’S evening in a retired country town has something melancholy in it. You have the streets of a metropolis without their animated bustle—you have the stillness of the country without its birds and flowers. The reader will please to bring before him a quiet street in the quiet country town of C———, in a quiet evening in quiet June; the picture is not mirthful—two young dogs are playing in the street, one old dog is watching by a newly-painted door. A few ladies of middle age move noiselessly along the pavement, returning home to tea: they wear white muslin dresses, green spencers a little faded, straw poke bonnets with green or coffee-coloured gauze veils. By twos and threes they have disappeared within the thresholds of small neat houses, with little railings, inclosing little green plots. Threshold, house, railing, and plot, each as like to the other as are those small commodities called “nest-tables,” which, “even as a broken mirror multiplies,” summon to the bewildered eye countless iterations of one four-legged individual. Paradise Place was a set of nest houses.

A cow had passed through the streets with a milkwoman behind; two young and gay shopmen “looking after the gals,” had reconnoitred the street, and vanished in despair. The twilight advanced—but gently; and though a star or two were up, the air was still clear. At the open window of one of the tenements in this street sat Alice Darvil. She had been working (that pretty excuse to women for thinking), and as the thoughts grew upon her, and the evening waned, the work had fallen upon her knee, and her hands dropped mechanically on her lap. Her profile was turned towards the street; but without moving her head or changing her attitude, her eyes glanced from time to time to her little girl, who nestled on the ground beside her, tired with play; and wondering, perhaps, why she was not already in bed, seemed as tranquil as the young mother herself. And sometimes Alice’s eyes filled with tears—and then she sighed, as if to sigh the tears away. But poor Alice, if she grieved, hers was now a silent and a patient grief.

The street was deserted of all other passengers, when a man passed along the pavement on the side opposite to Alice’s house. His garb was rude and homely, between that of a labourer and a farmer; but still there was an affectation of tawdry show about the bright scarlet handkerchief, tied, in a sailor or smuggler fashion, round the sinewy throat; the hat was set jauntily on one side, and, dangling many an inch from the gaily-striped waistcoat, glittered a watch-chain and seals, which appeared suspiciously out of character with the rest of his attire. The passenger was covered with dust; and as the street was in a suburb communicating with the high-road, and formed one of the entrances into the town, he had probably, after long day’s journey, reached his evening’s destination. The looks of this stranger wore anxious, restless, and perturbed. In his gait and swagger there was the recklessness of the professional blackguard; but in his vigilant, prying, suspicious eyes there was a hang-dog expression of apprehension and fear. He seemed a man upon whom Crime had set its significant mark—and who saw a purse with one eye and a gibbet with the other. Alice did not note the stranger, until she herself had attracted and centred all his attention. He halted abruptly as he caught a view of her face—shaded his eyes with his hands as if to gaze more intently—and at length burst into an exclamation of surprise and pleasure. At that instant Alice turned, and her gaze met that of the stranger. The fascination of the basilisk can scarcely more stun and paralyse its victim than the look of this stranger charmed, with the appalling glamoury of horror, the eye and soul of Alice Darvil. Her face became suddenly locked and rigid, her lips as white as marble, her eyes almost started from their sockets—she pressed her hands convulsively together, and shuddered—but still she did not move. The man nodded, and grinned, and then, deliberately crossing the street, gained the door, and knocked loudly. Still Alice did not stir—her senses seemed to have forsaken her. Presently the stranger’s loud, rough voice was heard below, in answer to the accents of the solitary woman-servant whom Alice kept in her employ; and his strong, heavy tread made the slight staircase creak and tremble. Then Alice rose as by an instinct, caught her child in her arms, and stood erect and motionless facing the door. It opened—and the FATHER and DAUGHTER were once more face to face within the same walls.

“Well, Alley, how are you, my blowen?—glad to see your old dad again, I’ll be sworn. No ceremony, sit down. Ha, ha! snug here—very snug—we shall live together charmingly. Trade on your own account—eh? sly!—well, can’t desert your poor old father. Let’s have something to eat and drink.”

So saying, Darvil threw himself at length upon the neat, prim little chintz sofa, with the air of a man resolved to make himself perfectly at home.

Alice gazed, and trembled violently, but still said nothing—the power of voice had indeed left her.

“Come, why don’t you stir your stumps? I suppose I must wait on myself—fine manners!—But, ho, ho—a bell, by gosh—mighty grand—never mind—I am used to call for my own wants.”

A hearty tug at the frail bell-rope sent a shrill alarum half-way through the long lath-and-plaster row of Paradise Place, and left the instrument of the sound in the hand of its creator.

Up came the maid-servant, a formal old woman, most respectable.

“Hark ye, old girl!” said Darvil; “bring up the best you have to eat—not particular—let there be plenty. And I say—a bottle of brandy. Come, don’t stand there staring like a stuck pig. Budge! Hell and furies! don’t you hear me?”

The servant retreated, as if a pistol had been put to her head, and Darvil, laughing loud, threw himself again upon the sofa. Alice looked at him, and, still without saying a word, glided from the room—her child in her arms. She hurried down-stairs, and in the hall met her servant. The latter, who was much attached to her mistress, was alarmed to see her about to leave the house.

“Why, marm, where be you going? Dear heart, you have no bonnet on! What is the matter? Who is this?”

“Oh!” cried Alice, in agony; “what shall I do?—where shall I fly?” The door above opened. Alice heard, started, and the next moment was in the street. She ran on breathlessly, and like one insane. Her mind was, indeed, for the time, gone; and had a river flowed before her way, she would have plunged into an escape from a world that seemed too narrow to hold a father and his child.

But just as she turned the corner of a street that led into the more public thoroughfares, she felt her arm grasped, and a voice called out her name in surprised and startled accents.

“Heavens, Mrs. Butler! Alice! What do I see? What is the matter?”

“Oh, sir, save me!—you are a good man—a great man—save me—he is returned!”

“He! who? Mr. Butler?” said the banker (for that gentleman it was) in a changed and trembling voice.

“No, no—ah, not he!—I did not say he—I said my father—my, my—ah—look behind—look behind—is he coming?”

“Calm yourself, my dear young friend—no one is near. I will go and reason with your father. No one shall harm you—I will protect you. Go back—go back, I will follow—we must not be seen together.” And the tall banker seemed trying to shrink into a nutshell.

“No, no,” said Alice, growing yet paler, “I cannot go back.”

“Well, then, just follow me to the door—your servant shall get you your bonnet, and accompany you to my house, where you can wait till I return. Meanwhile I will see your father, and rid you, I trust, of his presence.”

The banker, who spoke in a very hurried and even impatient voice, waited for no reply, but took his way to Alice’s house. Alice herself did not follow, but remained in the very place where she was left, till joined by her servant, who then conducted her to the rich man’s residence... But Alice’s mind had not recovered its shock, and her thoughts wandered alarmingly.