Four months. We find Madeline standing in the late Autumn sunset, "clothed and in her right mind," strong with the strength of youth, and beautiful with even more than her olden beauty.

Fair is the prospect as seen from the grounds of Mrs. Girard's suburban villa, and so, perhaps, Claire Keith is thinking.

She is looking down the level road, and at the trees on either hand, decked in all their October magnificence of scarlet and brown and gold, half concealing coquettish villas and more stately residences.

The eyes of Madeline were turned away from the vista of villas and trees, and were gazing toward the business thoroughfare leading into the bustle of the town; gazing after the receding figure of Doctor Clarence Vaughan as he cantered away from the villa; gazing until a turn of the road hid him from her view. Then—and what did she mean by it?—she turned her face toward Claire with a questioning look in her eyes—the question came almost to her lips. But the words were repressed.

Bonnie Clair was thinking of anything but Clarence Vaughan just then. Presently she turned a bright glance upon her companion, who was gathering clusters of the fallen maple leaves, with face half averted.

"A kiss for your thoughts, beautiful blonde Madeline. I certainly think it is ten minutes since Doctor Vaughan departed and silence fell upon us."

She bent down, and taking her companion's head between two dimpled hands, pulled it back, until she could look into the solemn brown eyes.

"Come, now," coaxingly, "what were you thinking?"

Madeline extricated herself from Claire's playful grasp, and replied with a half laugh: "It must be mutual confession then, you small highwayman; how do you like my terms?"

"Only so so," flushing and laughing. "I was meditating the propriety of telling you something some day, and was thinking of that something just now, but—"

"But," mimicked Madeline, with half-hearted playfulness; "what will you give me to relieve your embarrassment, and guess?"

"You can't," emphatically.

"Can't I? We will see. My dear, I fear you have left a little corner of your heart behind you in far-away Baltimore. You didn't come to pay your annual visit to your sister, quite heart free."

Anyone wishing to gain an insight into the character of Claire Keith might have taken a long step in that direction could he have witnessed her reception of this unexpected shot. She opened her dark eyes in comic amazement, and dropping into a garden chair, exclaimed, with a look of frank inquiry:

"Now, how ever could you guess that?"

"Because," said Madeline, in a constrained voice, and with all the laughter fading from her eyes; "Because, I know the symptoms."

"I see," dropping her voice suddenly. "Oh, Madeline, how I wish you could forget that."

"Why should I forget my love dream," scornfully, "any more than you yours?"

"Oh, Madeline; but you said you had ceased to care for him; that you should never mourn his loss."

"Mourn his loss!" turning upon Claire, fiercely. "Do you think it is for him I mourn my dead; my lost happiness, my shattered dreams, my life made a bitter, burdensome thing. Mourn him? I have for Lucian Davlin but one feeling—hate!"

Madeline, as she uttered these last words, had turned upon Claire a face whose fierce intensity of expression was startling. For a moment the two gazed into each other's eyes—the one with curling lip and somber, menacing glance, the other with a startled face as if she read something new and to be feared, in the eye of her friend.

Claire had been an inmate of her sister's house for four weeks. When first she arrived, she had heard Madeline's story, at Madeline's request, from the lips of her sister Olive, and now the girls were fast friends. Generous Claire had found much to wonder at, to pity and to love, in the story and the character of the unfortunate girl. Possessing a frank, sunshiny nature, and never having known an actual grief, she could lavish sweet sympathy to one afflicted. But she could not conceive what it would be like to live on when faith had perished and hope was a mockery. She had never known, therefore never missed, a father's love and care. Indeed, he who filled the place of father and guardian, her mother's second husband, was all that a real parent could be. Claire seldom remembered that Mr. James Keith was not her father, and very few, except the family of Keith, knew that "Miss Claire Keith, daughter of the rich James Keith, of Baltimore," was in truth only a step-daughter.

Mrs. Keith, whose first husband was Richard Keith, cashier in his wealthy cousin's banking house, had buried that husband when Olive was five years old, and baby Claire scarce able to lisp his name. In a little less than two years she had married James Keith, the banker-cousin, and shortly after the marriage, James Keith had transferred his business interests to Baltimore, and there remained.

So Claire's baby brothers had never been told that she was not their "very own" sister, for of Olive they knew little, her marriage having separated them at first, and subsequently her obdurate acceptance of the consequences of that marriage.

When the law pronounced her husband a criminal, Mr. Keith had commanded Olive to abandon both husband and home, and return to his protection. This, true-hearted Olive refused to do. Her step-father, enraged at her obstinacy in clinging to a man who had been forsaken by all the world beside, bade her choose between them. Either she must let the law finish its work of breaking Philip Girard's heart by setting her free, or she must accept the consequences of remaining the wife of a criminal.

Olive chose the latter, and thenceforth remained in her own lonely home, never even once visiting the place of her childhood.

"He called my husband a criminal," she said, "and I will never cross his threshold until he has had cause to withdraw those words."

Claire, however, announced her intention of visiting her sister whenever she chose, and she succeeded, in part, in carrying out her will, for every year she passed two months or more with Olive.

What a picture the two girls now made, standing face to face.

Madeline, with her lithe grace of form, her pure pale complexion lit up by those fathomless brown eyes, and rendering more noticeable and beautiful the tiny rosy mouth, with its satellite dimples; with such wee white, blue-veined hands, and such a clear ringing, yet marvelously sweet voice. Madeline was very beautiful, and Claire, as she looked at her, wondered how any man could bear to lose such loveliness, or have the heart to betray it; as if ever pure woman could fathom the depth of a bad man's wickedness.

Bonnie, bewitching Claire! Never was contrast more perfect. A scarf, like scarlet flame, flung about her shoulders, set off the richness of her clear brunette skin, through which the crimson blood flamed in cheek and lip. Eyes, now black, now gray, changing, flashing, witching eyes: gray in quiet moments, darkening with mirth or sadness, anger or pain; hair black and silky, rippling to the rounded, supple waist in glossy waves. Not so tall as Madeline, and rounded and dimpled as a Hebe.

Bringing her will into service, Madeline banished the gloom from her face and said, with an attempt at gayety:

"I must be a terrible wet blanket when my ghost rises, Claire. But come, you have excited my curiosity; let us sit down while you tell me more of this mighty man who has pitched his tent in the wilderness of your heart, to the exclusion of others who might aspire."

They seated themselves upon a rustic bench and Claire replied:

"Don't anticipate too much, inquisitor; I have no acknowledged lover, but—" blushing charmingly, "I have every reason to think that I am loved fondly and sincerely. He is very handsome, Madeline, and—but wait, I will show you his picture."

Madeline nodded, and Claire bounded away, to return quickly bearing in her hand a finely wrought cabinet photograph, encased in velvet and gilt, a la souvenaire. Placing it in her companion's hand, she sat down with a little triumphant sigh, and gazed over Madeline's shoulder with a proud, glad look in her eyes.

"Blonde?" suggested Madeline.

"Yes," eagerly; "such lovely hair and whiskers,—perfect gold color; and fair as a woman."

"So I should judge," and she continued to gaze.

Blonde he was, certainly; hair thrown carelessly back from a brow broad and white; eyes, light, but with an expression that puzzled the gazer.

"Eyes,—what color?" she said, without taking her own off the picture.

"Blue; pale blue, but capable of such varying expression."

"Just so," dryly; "they look mild and saintly here, but I think those eyes are capable of another expression. I could fancy the brain behind such eyes to be—"

"What?" eagerly.

"Cruel, crafty, treacherous."

"Oh, Madeline!"

"There, there; I didn't say that he,"—tapping the picture—"possessed these qualities. His eyes are unusual ones; did you ever see his mouth?"

"What a question—through all those whiskers? no; but he has beautiful teeth."

"So have tigers. There, dear, take the picture; I am no fit judge, perhaps. Remember, I once knew a man with the face of an angel, and the heart of a fiend. Your friend is certainly handsome; let us hope he is equally good."

"He is; I know it," asserted Claire.

Then she told her companion how she had met him at the house of a friend; how he was very learned and scientific; very grave and dignified; and very devoted to herself. And how, beyond these few facts, she knew little if anything of her blonde hero, Edward Percy.

Madeline received this information in a grave silence, whose chill affected Claire as well, and after a few moments, as if by mutual consent, they arose and entered the house.

Olive Girard had been absent a week; gone on a journey, sacred to her as any Meccan pilgrimage, a visit to the place of her husband's imprisonment. Every year she made this journey, returning home in some measure comforted; for she had seen her beloved.

She came back on this evening, as the two girls were mingling their voices in gay bravura duets—by mutual consent they avoided all songs of a pathetic order, for reasons which neither would have cared to acknowledge.

The evening having passed away, Claire found herself in her chamber gazing at her lover's pictured face and thinking how good, how noble, it was, and what a little goose she had been to allow anything Madeline had said to apply to him. A sudden thought occurred to her, and going to Madeline's door, she tapped gently. The door opened, and Claire, raising a warning finger, said:

"Madeline, I forgot to tell you that Olive knows nothing of Edward Percy, and—I don't want to tell her just yet. You will not mention it?"

"No."

"Then good-night, and pleasant dreams."

"Thank you," in a grave voice; "good-night."

Claire returned to her room and penned a long letter to Edward Percy, full of sweet confidence, gayety and trustfulness. She reperused his last letter, said her prayers, or rather read them, for Claire was a staunch little church-woman, and then slept and dreamed bright dreams.