Much has been said and written about the monotony of unalloyed pleasure, and the necessity of shadows and dark places in life as well as in pictured landscape. And certainly there can be but few in this world of stern realities who would dispute the fact that pleasure is doubled by its contrast with preceding pain. Perhaps it was the vividness of this contrast that made Raeburn and Erica enjoy, with a perfect rapture of enjoyment, a beautiful view and a beautiful spring day in Italy. Behind them lay a very sombre past; they had escaped for a brief moment from the atmosphere of strife, from the world of controversy, from the scorching breath of slander, from the baleful influences of persecution and injustice. Before them lay the fairest of all the cities of Italy. They were sitting in the Boboli gardens, and from wooded heights looked down upon that loveliest of Italian valleys.

The silver Arno wound its way between the green encircling hills; then between the old houses of Florence, its waters spanned now by a light suspension bridge token of modern times now by old brown arches strengthened and restored, now by the most venerable looking of all the bridges, the Ponte Vecchio, with its double row of little shops. Into the cloudless blue sky rose the pinnacles of Santa Croce, the domes of San Spirito, of the Baptistery, of the Cathedral; sharply defined in the clear atmosphere were the airy, light Campanile of Giotto, the more slender brown tower of the Palazzo Vecchio, the spire of Santa Maria Novella. Northward beyond the city rose the heights of Fiesole, and to the east the green hills dotted all over with white houses, swept away into the unseen distance.

Raeburn had been selected as the English delegate to attend a certain political gathering held that year at Florence. He had at first hesitated to accept the post for his work at home had enormously increased; but the long months of wearing anxiety had so told upon him that his friends had at length persuaded him to go, fully aware that the only chance of inducing him to take any rest was to get him out of the region of work.

The “Miracles” trial was at length over, but Mr. Pogson had not obtained the desire of his heart, namely, the imprisonment and fining of Luke Raeburn. The only results of the trial were the extensive advertisement of the pamphlet in question, a great increase of bitterness on each side, and a great waste of money. Erica's sole consolation lay in the fact that a few of the more liberal thinkers were beginning to see the evil and to agitate for a repeal of the Blasphemy Laws. As for the action for libel, there was no chance of its coming on before June, and in the meantime Mr. Pogson's letter was obtaining a wider circulation, and perhaps, on the whole, Luke Raeburn was just at that time the best-abused man in all England.

There had been a long silence between the father and daughter who understood each other far too well to need many words at such a time; but at length a sudden ejaculation from Raeburn made Erica turn her eye from Fiesole to the shady walk in the garden down which he was looking.

“Does any Italian walk at such a pace?” he exclaimed. “That must surely be Brian Osmond or his double in the shape of an English tourist.”

“Oh, impossible!” said Erica, coloring a little and looking intently at the pedestrian who was still at some little distance.

“But it is,” said Raeburn “height, way of walking, everything! My dear Eric, don't tell me I can't recognize the man who saved my life. I should know him a mile off!”

“What can have brought him here?” said Erica, a certain joyous tumult in her heart checked by the dread of evil tidings a dread which was but natural to one who had lived her life.

“Come and meet him,” said Raeburn. “Ha, Brian, I recognized you ever so far off, and couldn't persuade this child of your identity.”

Brian, a little flushed with quick walking, looked into Erica's face searchingly, and was satisfied with what he read there satisfied with the soft glow of color that came to her cheeks, and with the bright look of happiness that came into her eyes which, as a rule, were grave, and when in repose even sad in expression.

“I owe this to a most considerate patient who thought fit to be taken ill at Genoa and to telegraph for me,” he said in explanation; “and being in Italy, I thought I might as well take my yearly outing now.”

“Capital idea!” said Raeburn. “You are the very man we wanted. What with the meetings and interviews, I don't get much peace even here, and Erica is much in need of an escort sometimes. How did you find us?”

“They told me at the hotel that I should probably find you here, though, if I had known what a wilderness of a place it is I should have been rather hopeless.”

Erica left most of the talking to her father; just then she felt no wish to put a single thought into words. She wanted only to enjoy the blissful dream-like happiness which was so new, and rare, and wonderful that it brought with it the feeling that any very definite thought or word must bring it to an end. Perfect harmony with your surroundings. Yes, that was indeed a very true definition of happiness; and of late the surroundings had been so grim and stormy. She seemed to tread upon air as they roamed about the lovely walks. The long, green vistas were to her a veritable paradise. Her father looked so happy, too, and had so entirely shaken off his cares, and Brian, who was usually rather silent, seemed today a perfect fountain of talk.

Since that December day in Westminster Hall a great change had come over Erica. Not a soul besides Brian and herself knew anything about the scene with Sir Algernon Wyte. Not a word had passed between them since upon the subject; but perhaps because of the silence, that day was all the more in the thoughts of each. The revelation of Brian's love revealed also to Erica much in his character which had hitherto perplexed her simply because she had not seen it in the true light. There had always been about him a wistfulness bordering on sadness which had sometimes almost angered her. For so little do even intimate friends know each other, that lives, which seem all peaceful and full of everything calculated to bring happiness, are often the ones which are preyed upon by some grievous trouble or anxiety unknown to any outsider. If he had indeed loved her all those seven years he must have suffered fearfully. What the suffering had been Erica could, from her present position, understand well enough. The thought of it touched her inexpressibly, seemed to her, as indeed it was, the shadow of that Divine Love which had loved her eternally had waited for her through long years had served her and shielded her, though she never recognized its existence till at length, in one flash of light, the revelation had come to her, and she had learned the glory of Love, the murky gloom of those past misunderstandings.

Those were wonderful days that they spent together at Florence, the sort of days that come but once in a life time; for the joy of dawn is quite distinct from the bright noon day or the calm evening, distinct, too, from that second and grander dawn which awaits us in the Unseen when the night of life is over. Together they wandered through the long corridors of the Uffizzi; together they returned again and again to the Tribune, or traversed that interminable passage across the river which leads to the Pitti Gallery, or roamed about among the old squares and palaces which are haunted by so many memories. And every day Brian meant to speak, but could not because the peace, and restfulness, and glamour of the present was so perfect, and perhaps because, unconsciously, he felt that these were “halcyon days.”

On Sunday he made up his mind that he certainly would speak before the day was over. He went with Erica to see the old monastery of San Marco before morning service at the English church. But, though they were alone together, he could not bring himself to speak there. They wandered from cell to cell, looking at those wonderful frescoes of the Crucifixion in each of which Fra Angelico seemed to gain some fresh thought, some new view of his inexhaustible subject. And Brian, watching Erica, thought how that old master would have delighted in the pure face and perfect coloring, in the short auburn hair which was in itself a halo, but could not somehow just then draw her thoughts away from the frescoes. Together they stood in the little cells occupied once by Savonarola; looked at the strange, stern face which Bastianini chiseled so effectively; stood by the old wooden desk where Savonarola had written and read, saying very little to one another, but each conscious that the silence was one of perfect understanding and sympathy. Then came the service in a hideous church, which yet seemed beautiful to them, with indifferent singing, which was somehow sweeter to them than the singing of a trained choir elsewhere.

But, on returning to the hotel, Brian found that his chances for that day were over for all the afternoon Erica had to receive a constant succession of visitors who, as she said, turned her father for the time being into the “British lion.” In the evening, too, when they walked in the Cascine, they were no longer alone. Raeburn went with then, and as they paced along the broad avenue with the Arno gleaming through the fresh green of the trees, talking of the discussions of the past week, he inadvertently touched the note of pain in an otherwise cloudless day.

“The work is practically over now,” he said. “But I think I must take a day or two to see a little of Florence. I must be at Salsburg to meet Hasenbalg by Wednesday week. Can you be ready to leave here on Wednesday, Eric?”

“Oh, yes, father,” she said without hesitation or comment but with something in her voice which told Brian that she, too, felt a pang of regret at the thought that their days in that city of golden dreams were so soon to be ended.

The Monday morning, however, proved so perfect a day that it dispelled the shadow that had fallen on them. Raeburn wished to go to Fiesole, and early in the morning Brian, having secured a carriage and settled the terms with the crafty-looking Italian driver, they set off together. The sunny streets looked sunnier than ever; the Tornabuoni was as usual lively and bustling; the flower market at the base of the Palazza Strozzi was gay with pinks and carnations and early roses. They drove out of the city, passed innumerable villas, out into the open country where the only blot upon the fair landscape was a funeral train, the coffin borne by those gruesome beings, the Brothers of the Misericordia, with their black robes and black face cloths pierced only with holes for the eyes.

“Is it necessary to make death so repulsive?” said Raeburn. “Our own black hearses are bad enough, but upon my word, I should be sorry to be carried to my grave by such grim beings!”

He took off his hat, however, as they passed, and that not merely out of deference to the custom of the country but because of the deep reverence with which he invariably regarded the dead a reverence which in his own country was marked by the involuntary softening of his voice when he alluded to the death of others, the token of a nature which, though strangely twisted, was in truth deeply reverential.

Then began the long ascent, the road, as usual, being lined with beggars who importunately followed the carriage; while, no sooner had they reached the village itself than they were besieged by at least a dozen women selling the straw baskets which are the specialty of Fiesole.

“Ecco, signor! Ecco signorina! Vary sheep! Vary sheep!” resounded on all sides, each vendor thrusting her wares forward so that progress was impossible.

“What a plague this is!” said Raeburn. “They'll never leave you in peace, Erica; they are too well used to the soft hearted signorina Inglese.”

“Well, then, I shall leave you to settle them,” said Erica, laughing, “and see if I can't sketch a little in the amphitheatre. They can't torment us there because there is an entrance fee.”

“All right, and I will try this bird's eye view of Florence,” said Raeburn, establishing himself upon the seat which stands on the verge of the hill looking southward. He was very fond of making pen-and-ink sketches, and by his determined, though perfectly courteous manner, he at last succeeded in dismissing the basket women.

Erica and Brian, in the meantime, walked down the steep little path which leads back to the village, on their way encountering a second procession of Brothers bearing a coffin. In a few minutes they had found their way to a quiet garden at the remote end of which, far from the houses of Fiesole and sheltered on all sides by the green Apennines, was an old Roman amphitheatre. Grass and flowers had sprung up now on the arena where in olden times had been fearful struggles between men and beasts. Wild roses and honeysuckle drooped over the gray old building, and in between the great blocks of stone which formed the tiers of seats for the spectators sprung the yellow celandine and the white star of Bethlehem.

Erica sat down upon one of the stony seats and began to sketch the outline of the hills and roughly to draw in the foreground the further side of the amphitheatre and broken column which lay in the middle.

“Would you mind fetching me some water?” she said to Brian.

There was a little trickling stream close by, half hidden by bramble bushes. Brian filled her glass and watched her brush as she washed in the sky.

“Is that too blue, do you think?” she asked, glancing up at him with one of her bright looks.

“Nothing could be too deep for such a sky as this,” he replied, half absently. Then, with a sudden change of tone, “Erica, do you remember the first day you spoke to me?”

“Under murky London skies very unlike these,” she said, laughing a little, but nervously. “You mean the day when our umbrellas collided!”

“You mustn't abuse the murky skies,” said Brian, smiling. “If the sun had been shining, the collision would never have occurred. Oh, Erica! What a life time it seems since that day in Gower Street! I little thought then that I should have to wait more than seven years to tell you of my love, or that at last I should tell you in a Roman amphitheatre under these blue skies. Erica, I think you have known it of late. Have you, my darling? Have you known how I loved you?”

“Yes,” she said, looking down at her sketch book with glowing cheeks.

“Oh! If you knew what a paradise of hope you opened to me that day last December and how different life has been ever since! Those were gray years, Erica, when I dared not even hope to gain your love. But lately, darling, I have hoped. Was I wrong?”

“No,” she said with a little quiver in her voice.

“You will love me?”

She looked up at him for a moment in silence, a glorious light in her eyes, her whole face radiant with joy.

“I do love you,” she said softly.

He drew nearer to her, held both her hands in his, waiting only for the promise which would make her indeed his own.

“Will you be my wife, darling?”

But the words had scarcely passed his lips when a look of anguish swept over Erica's face; she snatched away her hands.

“Oh! God help me!” she cried. “What have I done? I've been living in a dream! It's impossible, Brian! Impossible!”

A gray look came over Brian's face.

“How impossible?” he asked in a choked voice.

“I can't leave home,” she said, clasping her hands tightly together. “I never can leave my father.”

“I will wait,” said Brian, recovering his voice. “I will wait any time for you only give me hope.”

“I can't,” she sobbed. “I daren't!”

“But you have given it me!” he exclaimed. “You have said you loved me!”

“I do! I do!” she cried passionately. “But, oh, Brian! Have pity on me don't make me say it again I must not think of it I can never be your wife.”

Her words were broken with sobs which she could not restrain.

“My darling,” he said growing calm and strong again at the sight of her agitation, and once more possessing himself of her hand, “you have had a great many troubles lately, and I can quite understand that just now you could not leave your father. But I will wait till less troubled times; then surely you will come to me?”

“No,” she said quickly as if not daring to pause, “It will always be the same; there never will be quiet times for us. I can't leave my father. It isn't as if he had other children I am the only one, and must stay.”

“Is this then to be the end of it all?” cried Brian. “My darling, you can not be so cruel to me. It can not be the end there is no end to love and we know that we love each other. Erica, give me some future to look to some hope.”

The terrible pain expressed in every line of his face wrung her heart.

“Oh, wait,” she exclaimed. “Give me one moment to think.”

She buried her face in her hands, shutting out the sunny Italian landscape, the very beauty of which seemed to weaken her powers of endurance. Truly she had been living lately in a golden dream, and the waking was anguish. Oh, if she had but realized before the meaning of it all, then she would have hidden her love so that he never would have guessed it. She would have been to him the Erica of a year ago, just a friend and nothing more. But now she must give him the worst of pain, perhaps ruin his whole life. If she might but give him some promise. What was the right? How were love and duty to be reconciled?

As she sat crouched up in her misery, fighting the hardest battle of her life, the bell in the campanile of the village church began to ring. It was twelve o'clock. All through the land, in remembrance of the hour when the true meaning of love and sacrifice was revealed to the human race, there swept now the music of church bells, bidding the people to pause in their work and pray. Many a peasant raised his thoughts for a moment from sordid cares or hard labor, and realized that there was an unseen world. And here in the Roman amphitheatre, where a conflict more painful than those physical conflicts of old time was going on, a soul prayed in agony for the wisdom to see the right and the strength to do it.

When at length Erica lifted her face she found that Brian was no longer beside her, he was pacing to and fro in the arena; waiting had grown unbearable to him. She went down to him, moving neither quickly nor hurriedly, but at the steady “right onward” pace which suited her whole aspect.

“Brian,” she said in a low voice, “do you remember telling me that day that I must try to show them what the Father is? You must help me now, not hinder. You will help me just because you do indeed love me?”

“You will give me no promise even for the most distant future?”

“I can't,” she replied, faltering a little as she saw him turn deadly white. “If there were any engagement between us, I should have to tell my father of it; and that would only make our trouble his and defeat my whole object. Oh, Brian, forgive me, and just leave me. I can have given you nothing but pain all these years. Don't let me spoil your whole life!”

His face caught something of the noble purpose which made hers shine in spite of the sadness.

“Darling,” he said quickly, “I can thank God for you though you are never to be mine. God bless you, Erica.”

There was a moment's pause; he still kept her hands in his.

“Tell your father I've gone for a walk over to those hills that I shall not be home till evening.” He felt her hands tremble, and knew that he only tortured her by staying. “Will you kiss me once, Erica?” he said.

She lifted a pale steadfast face and quivering lips to his, and after that one long embrace they parted. When he turned away Erica stood quite still for a minute in the arena listening to his retreating footsteps. Her heart, which had throbbed painfully, seemed now only to echo his steps, to beat more faintly as they grew less audible. At last came silence, and then she crept up to the place where she had left her sketch book and paint box.

The whole world seemed sliding away aching desolation overwhelmed her. Brian's face with its passion and pain rose before her dry, burning eyes. Then darkness came, blotting out the sunshine; the little stream trickling into its stony basin seemed to grow into a roaring cataract, the waters to rush into her ears with a horrid gurgling; while the stones of the amphitheatre seemed to change into blocks of ice and to freeze her as she lay.

A few minutes later she gasped her way painfully back to life. All was very peaceful now; the water fell with its soft tinkling sound, there was a low hum of insects; beside her stony pillow grew some stars of Bethlehem, and in between their delicate white and green she could see the arena and the tiers of seats opposite, and out beyond the green encircling hills. Golden sunshine lighted up the dark pines and spirelike cypresses; in the distance there was an olive garden, its soft, gray-green foliage touched into silvery brightness.

The beauty of the scene, which in her struggle had seemed to weaken and unnerve her, stole now into her heart and comforted her; and all the time there rang in her ears the message that the bells had brought her “Who for the joy that was set before Him endured the cross.”

“Taking a siesta?” said a voice above her. She looked up and saw her father.

“I've rather a headache,” she replied.

“Enough to give you one, my child, to lie there in the sun without an umbrella,” he said, putting up his own to shelter her. “Such a May noonday in Italy might give you a sunstroke. What was your doctor thinking of to allow it?”

“Brian? Oh, he has gone over to those hills; we are not to wait for him, he wanted a walk.”

“Quite right,” said Raeburn. “I don't think he ought to waste his holiday in Italian cities, he wants fresh air and exercise after his London life. Where's your handkerchief?”

He took it to the little stream, put aside the overhanging bushes, dipped it in the water, and bringing it back laid it on her burning forehead.

“How you spoil me, PADRE MIO,” she said with a little laugh that was sadder than tears; and as she spoke she slipped down to a lower step and rested her head on his knee, drawing down one of his strong hands to shade her eyes. He talked of his sketch, of his word-skirmish with the basket women, of the view from the amphitheatre; but she did not much hear what he said, she was looking at the hand that shaded her eyes. That strong hand which had toiled for her when she was a helpless baby, the hand to which she had clung when every out her support had been wrenched away by death, the hand which she had held in hers when she thought he was dying, and the children had sung of “Life's long day and death's dark night.”

All at once she drew it down and pressed it to her lips with a child's loving reverence. Then she sat up with a sudden return of energy.

“There, now, let us go home,” she exclaimed. “My head aches a little still, but we won't let it spoil our last day but one in Florence. Didn't we talk of San Miniato for this afternoon?”

It was something of a relief to find, on returning, an invitation to dinner for that evening which Raeburn could not well refuse. Erica kept up bravely through the afternoon, but when she was once more alone her physical powers gave way. She was lying on her bed sick and faint and weary, and with the peculiarly desolate feeling which comes to most people when they are ill in a hotel with all the unheeding bustle going on around them. Then came a knock at her door.

“Entrate,” she said quickly, welcoming any fresh voice which would divert her mind from the weary longing for her mother. A sort of wild hope sprung up within her that some woman friend would be sent to her, that Gladys Farrant, or old Mrs. Osmond, or her secularist friend Mrs. MacNaughton, whom she loved best of all, would suddenly find themselves in Florence and come to her in her need.

There entered a tall, overworked waiter. He looked first at her, then at the note in his hand, spelling out the direction with a puzzled face.

“Mess Rabi Rabi Rabi Rabi an?” he asked hesitatingly.

“Grazie,” she replied, almost snatching it from him. The color rushed to her cheeks as she saw the writing was Brian's, and the instant the waiter had closed the door she tore open the envelope with trembling hands.

It was a last appeal, written after he had returned from wandering among the Apennines, worn out in body and shaken from the noble fortitude of the morning. The strong passionate words woke an answering thrill in Erica's heart. He asked her to think it all over once more, he had gone away too hastily. If she could change her mind, could see any possible hope for the future, would she write to him? If he heard nothing from her, he would understand what the silence meant. This was in brief the substance of the letter, but the words had a passionate, unrestrained intensity which showed they had been written by a man of strong nature overwrought by suffering and excitement.

He was here, in the very hotel. Might she not write to him? Might she not send him some sort of message write just a word of indefinite hope which would comfort and relieve herself as well as him? “If I do not hear from you, I shall understand what your silence means.” Ah! But would he understand? What had she said this morning to him? Scarcely anything the merest broken bits of sentences, the poorest, coldest confession of love.

Her writing case lay open on the table beside the bed with an unfinished letter to Aunt Jean, begun before they had started for Fiesole. She snatched up paper and pen, and trembling so much that she could scarcely support herself she wrote two brief lines.

“Darling, I love you, and always must love you, first and best.”

Then she lay back again exhausted, looking at the poor little weak words which would not contain a thousandth part of the love in heart. Yet, though the words were true, would they perhaps convey a wrong meaning to him? Ought she to send them? On the other hand would he indeed understand the silence the silence which seemed now intolerable to her? She folded the note and directed it, the tumult in her heart growing wilder as she did so. Once more there raged the battle which she had fought in the amphitheatre that morning, and she was not so strong now; she was weakened by physical pain, and to endure was far harder. It seemed to her that her whole life would be unbearable if she did not send him that message. And to send it was so fatally easy; she had merely to ring, and then in a few minutes the note would be in his hands.

It was a little narrow slip of a room; all her life long she could vividly recall it. The single bed pushed close to the wall, the writing table with its gay-patterned cloth, the hanging wardrobe with glass doors, the walls trellised with roses, and on the ceiling a painting of some white swans eternally swimming in an ultra-marine lake. The window, unshuttered, but veiled by muslin curtains, looked out upon the Arno; from her bed she could see the lights on the further bank. On the wall close beside her was a little round wooden projection. If it had been a rattlesnake she could not have gazed at it more fixedly. Then she looked at the printed card above, and the words written in French and English, German, and Italian, seemed to fall mechanically on her brain, though burning thoughts seethed there, too.

“Ring once for hot water, twice for the chamber maid, three times for the waiter.”

Merely to touch that ivory knob, and then by the lightest pressure of the finger tips a whole world of love and happiness and rest might open for her, and life would be changed forever.

Again and again she was on the point of yielding, but each time she resisted, and each resistance made her stronger. At length, with a fearful effort, she turned her face away and buried it in the pillow, clinging with all her might to the ironwork of the bed.

For at least an hour the most frightful hour of her life she did not dare to stir. At last when her hands were stiff and sore with that rigid grasping, when it seemed as if her heart had been wrenched out of her and had left nothing but an aching void, she sat up and tore both Brian's note and her reply into a thousand pieces; then, in a weary, lifeless way, made her preparations for the night.

But sleep was impossible. The struggle was over forever, but the pain was but just begun, and she was still a young girl with the best part of her life stretching out before her. She did not toss about restlessly, but lay very still, just enduring her misery, while all the every-day sounds came to her from without laughter in the next room from two talkative American girls, doors opening and shutting, boots thrown down, electric bells rung, presently her father's step and voice.

“Has Miss Raeburn been up long?”

“Sairtenlee, sair, yes,” replied the English-speaking waiter. “The signorina sleeps, doubtless.”

Then came a pause, and in another minute her father's door was closed and locked.

Noisy parties of men shouting out some chorus sung at one of the theatres passed along the Lung' Arno, and twanging mandolins wandered up and down in the moonlight. The sound of that harshest and most jarring of all musical instruments was every after hateful to her. She could not hear one played without a shudder.

Slowly and wearily the night wore on. Sometimes she stole to the window, and looked out on the sleeping city, on the peaceful Arno which was bathed in silvery moonlight, and on the old, irregular houses, thinking what struggles and agonies this place had witnessed in past times, and realizing what an infinitesimal bit of the world's sufferings she was called to bear. Sometimes she lighted a candle and read, sometimes prayed, but for the most part just lay still, silently enduring, learning, though she did not think it, the true meaning of pain.

Somewhat later than usual she joined her father the next morning in the coffee room.

“Brian tells me he is off today,” was Raeburn's greeting. “It seems that he must see that patient at Genoa again, and he wants to get a clear fortnight in Switzerland.”

“Is it nor rather early for Switzerland?”

“I should have thought so, but he knows more about it than I do. He has written to try to persuade your friend, Mr. Farrant, to join him in the Whitsuntide recess.”

“Oh, I am glad of that,” said Erica, greatly relieved.

Directly after breakfast she went out with her father, going first of all to French's bank, where Raeburn had to change a circular note.

“It is upstairs,” he said as they reached the house. “Don't you trouble to come up; you'll have stairs enough presently at the Uffizzi.”

“Very well,” she replied, “I will wait for you here.”

She stood in the doorway looking out thoughtfully at the busy Tornabuoni and its gay shops; but in a minute a step she knew sounded on the staircase, and the color rushed to her cheeks.

“I have just said goodbye to your father,” said Brian. “I am leaving Florence this morning. You must forgive me for having written last night. I ought not to have done it, and I understood your silence.”

He spoke calmly, in the repressed voice of a man who holds “passion in a leash.” Erica was thankful to have the last sight of him thus calm and strong and self-restrained. It was a nobler side of love than that which had inspired his letter nobler because freer from thought of self.

“I am so glad you will have Donovan,” she said. “Goodbye.”

He took her hand in his, pressed it, and turned away without a word.