With the beginning of the European war the word ‘culture’ acquired a sense in popular English usage which had long prevailed in ethnological literature. Culture is, indeed, the sole and exclusive subject-matter of ethnology, as consciousness is the subject-matter of psychology, life of biology, electricity of a branch of physics. Culture shares with these other fundamental concepts the peculiarity that it can be properly understood only by an enlarged familiarity with the facts it summarizes. There is no royal shortcut to a comprehension of culture as a whole by definition any more than to a comprehension of consciousness; but as every analysis and explanation of particular conscious states adds to our knowledge of what consciousness is, so every explanation of particular cultural phenomena adds to our insight into the nature of culture. We must, however, start with some proximate notion of what we are to discuss, and for this purpose Tylor’s definition in the opening sentence of his Primitive Culture will do as well as any: “Culture ... is that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capabilities For purely practical reasons, connected with the minute division of labor that has become imperative with modern specialization, ethnology has in practice concerned itself with the cruder cultures of peoples without a knowledge of writing. But this division is an illogical and artificial one. As the biologist can study life as manifested in the human organism as well as in the amoeba, so the ethnologist might examine and describe the usages of modern America as well as those of the Hopi Indians. In these lectures I shall therefore not hesitate to draw upon illustrations from the higher civilizations where these seem most appropriate. Indeed, it may be best for pedagogical reasons to commence with an enumeration of instances of cultural activity in our own midst. And since there is a persistent tendency to associate with culture the more impressive phenomena of art, science, and technology, it is well to insist at the outset that these loftier phases are by no means necessary to the concept of culture. The fact that your boy plays ‘button, button, who has the button?’ is just as much an element of our culture as the fact that a room is lighted by electricity. So is the baseball enthusiasm of our These, then, represent the type of phenomena comprised under the caption of culture. They exist, and science, as a complete view of reality, cannot ignore them. But a question ominous for the worker who derives his bread and butter from ethnological investigation arises. All the phenomena mentioned and the rest of the same order relate to man, and they relate to man not as an animal but as an organism endowed with a higher mentality. Tylor’s definition expressly speaks of ‘capabilities and habits’. But there is a science that deals with capabilities and habits, to wit, psychology. Is it, then, necessary to have a distinct branch of knowledge, or can we not simply merge the cultural phenomena in those of the older science of psychology? It is this question that concerns us here. On the answer must depend our conception of culture and our attitude towards a science purporting to deal with cultural phenomena as something distinct from other data of reality. In seeking light on this subject we must understand what sort of problems arise from the contemplation of cultural facts and attempt to connect them with the established principles of psychology. A few concrete examples will illustrate the situation. One of the striking characteristics of our civilization, a trait of our material culture that is nevertheless an invaluable, nay indispensable, means for the propagation of knowledge under modern conditions, is the existence of paper, that is, of a cheap, readily manufactured material for writing and printing. The obvious problem that develops from this fact is, How did we get the art of paper-manufacture? Now we shall search in vain our psychological literature in quest of an explanation. HÖffding and James, Wundt and Titchener have no answer to offer. An answer, nevertheless, exists. Europe learnt the art of paper-making from the Arabs, who as early as 795 A. D. had established a paper factory in Bagdad. These in turn got their knowledge from the Chinese, who must be regarded as the originators of the technique. The answer is a perfectly satisfactory one, but it is obviously not couched in psychological terms: its nature is purely historical. Nevertheless, an objection may plausibly be raised here. Though an explanation has certainly been given, it does not account for all aspects of the phenomena we are considering. There is a psychological basis for each and every one of the events in our historical series. This series we may subdivide into three stages—the invention by the Chinese, the borrowing of this invention by the Arabs, and its transmission from Arab to European. Now the two last-named processes of transmission may not suggest the necessity of a special explanation at all. One may think that all that was required was for the Europeans to watch the Arabs and for the Arabs to watch the Chinese, and presto! the thing was done. This indeed, seems to be the view of an influential school of modern ethnologists. But the case is far from being so simple. We know of many instances, in the higher no less than in the lower cultures, corresponding to what the biologist calls symbiosis—a condition where distinct communities or countries persist in a division of labor for mutual benefit, each trading some of its intellectual or material products for equivalents secured from the other. In many parts of Africa there are fixed markets in which negroes from fairly remote localities congregate for the barter of wares, which are thus diffused Nor are we more fortunate when we turn to psychology for an account of how the original Chinese inventor came to conceive his epoch-making idea. This fact, of course, falls under the heading of ‘imagination’, and about imagination psychologists have much to tell us. But what, after all, does their interpretation amount to? We learn that imagination, as distinguished from the power of abstract thought, is the power of forming new concrete ideas. Since even the concrete individual idea is complex, being a product of association, its elements may be linked differently so as to produce new combinations. “The inventor of a new mechanism,” says HÖffding, “combines given elements, the laws of whose activity he knows, into a totality and a connection which has no complete parallel in experience.” The scientist tries all possible combinations among his elements of experiences, forming a succession of individual ideas, which are rejected until the one appears that adequately represents reality. We need hardly go farther to realize the impotence of psychological science for illuminating the psychology as well as the history of the paper-making art. The formulation of psychological science is admirable, but it is too general. It explains the invention of the steam-engine and the phonograph, the sewing-machine and the harvester no less than the origin of paper-making. We, however, do not want to know merely what ultimate psychological processes the invention of paper-making shares with all other inventions whatsoever, but also the differential conditions that produced this one and unique result under the given circumstances. It is as though we asked about a man’s character and were told that he was a vertebrate. The type of psychological explanation we want is by no means unknown; however, we shall find its illustrations not in text-books of psychology, but in histories of literature, science, and art. When Taine raises the question how such a bore as Dr. Samuel Johnson could conceivably have attained his position in English literature and answers that it is because of the English predilection for sermons, he is giving the type of solution—whether right or wrong—that we want to secure for our cultural problem; it explains why the average Englishman, as a member of English society, acquires To turn from the technique of paper manufacture to a very different cultural feature in order to test the possibility of merging the observed phenomena in the principles of psychology. In several parts of the globe, and most prominently in parts of South America, the aborigines practise a custom known as the ‘couvade’, which forces the father of a new-born child to subject himself to a period of inactive confinement and a series of rigorously observed dietary and other regulations. Let us, for the sake of bringing out the point in high relief, ignore all historical considerations and concentrate exclusively on the subjective Again, many aboriginal tribes of Australia are subdivided into two halves, membership in which is inherited through the father, in some cases, through the mother in others. These moieties are what is technically called ‘exogamous’, i.e., marriage with a fellow-member is strictly forbidden. The regulation is, indeed, so stringent, the feeling of horror evoked by a transgression so violent, that in former times offenders were promptly put to death. This sentiment is so strong that even when visiting a remote tribe, perhaps a hundred miles away, where there is no possibility of blood-kinship, an Australian will avoid marriage with a member of the moiety bearing the same name as his own. Here, surely, there is It is not necessary to multiply examples to establish the point. It is clear that cultural phenomena contain elements that cannot be reduced to psychological principles. The reason for the insufficiency is already embodied in Tylor’s definition of culture as embracing ‘capabilities and habits acquired by man as a member of society’. The science of psychology, even in its most modern ramifications of abnormal psychology and the study of individual variations, does not grapple with acquired mental traits nor with the influence of society on individual thought, feeling and will. It deals on principle exclusively with innate traits of the individual. Now, whether the sharp separation assumed here between the innate and the acquired, between individual activity as determined by uniquely individual potentialities and as determined by social environment, can be made in practice or not, one thing is clear: there are phenomena that are acquired and in no sense innate, that are socially and not individually determined. When a Christian reacts in a definite way to the perception of a cross, it is clearly not because of an individual psychic peculiarity, for other Christians react in the same way. On the other hand, we are not dealing with a general human trait since the reactions of a Mohammedan or a Buddhist will be Does it follow from the foregoing that there is no possible relation between psychology and culture, that psychological results are a matter of utter indifference to the ethnologist? In their desire to vindicate for their own branch of knowledge a place in the sun, some ethnologists have come very near, if they have not actually reached such a conclusion. To me the case appears in a somewhat different light. Whatever division of labor may be desirable for the economy of scientific work, knowledge as a whole knows nothing of watertight compartments. Further, the nominally distinct sciences are not subordinated to one another, but coexist in a condition of democratic equality and coÖperativeness. We cannot reduce cultural to psychological phenomena any more than we can reduce biology to mechanics or chemistry, because in either case Now very few would deny that services of the kind rendered by chemistry can also be rendered to the study of culture by psychology. Indeed, most people would at once admit that the relationship with psychology is a priori likely to be far more extensive and thorough-going. A few concrete examples will illustrate how this relationship may be conceived. Among the quaint conceits with which primitive cultures abound is that of attaching to particular numbers a peculiar character of sanctity. “Everything in the universe,” a Crow Indian once told me, “goes by fours.” As a matter of fact, most things in Crow religious life are adjusted to this conception. An important ceremonial act is thrice feigned so as to be actually performed at the fourth attempt; There are ethnologists who would not admit that such an explanation has anything to do with ethnology. They would contend that as soon as we cease to investigate the group as such we are passing from ethnology, the science of culture, to psychology, the science of individual minds. This seems an unnecessarily narrow doctrinaire view. Knowledge, as stated above, is not subdivided by hard-and-fast partitions. Interest certainly does not stop at an arbitrary point in the investigation but is centered on a comprehension of the whole phenomenon. Where that phenomenon is an Another field supplies an additional illustration. One of the important subjects for ethnographic study is artistic form. The ethnologist notes in a purely descriptive way the decorative patterns employed by various tribes, the fact that curvilinear motives are prominent among the Maori of New Zealand while the rawhide bags of Plains Indians are covered with angular paintings. Here, once more, it is clear that many of the problems that arise are purely cultural. There are, nevertheless, psychological elements involved that may be misunderstood without psychological knowledge. Let us assume, e.g., that a certain tribe is artistically characterized by a fondness for squares. What does this predilection signify? It is a psychological commonplace that through an optical illusion we exaggerate the height as compared with the width of a rectangle; accordingly, the geometrical square does not coincide with the psychological square. This simple piece of information enables us to understand what we are actually dealing with in the case of a square pattern. At Let us turn from mystic numbers and decorative designs to another aspect of primitive life. The Turkish tribes of western Siberia have a form of religion based on the belief that certain individuals enjoy the hereditary privilege of acting as intermediaries between their ancestral spirits and the people at large. With the aid of his sacred drum the shaman, as such an intermediary is technically called, is able to summon the supernatural beings, cure the sick, foretell the future, separate his own soul from his body and send it to the upper realms of light or the nether regions of darkness. Now, although a particular individual inherits the shaman’s office from his father, he receives no formal instruction nor does he make any active preparation for his mission. His call comes in the form of a sudden paroxysm. He is seized with a feeling of languor and a fit of violent convulsions, with abnormal yawning, and a powerful pressure on the chest, The naÏve reaction to this narrative on the part of common sense in the familiar form of common ignorance will probably be that the European traveler who is our authority is a very gullible individual if he believed his native informant’s statements. How can an individual be seized with such a spasm as that described? How is it possible for him to become devoid of sensation? Nevertheless, nothing is more certain than that the account given is substantially correct. It is simply a particular form of nervous affliction very common throughout Siberia and attested by dozens of trustworthy eyewitnesses. Abnormal psychology here steps in and teaches us that such trances are involuntary and not the result of fraud, that they occur in our own civilization and are accompanied with extraordinary lack of sensibility to pain, in short, psychiatry classifies the observed phenomena and tells us what we are really dealing with. It prevents a misconception alike of the shaman’s activities and of the attitude of his people towards him. When, however, abnormal psychology has so far enlightened us, it has by no means exhausted My conclusions as to the relation of psychology to culture are, accordingly, the following: The cultural facts, even in their subjective aspect, are not merged in psychological facts. They must not, indeed, contravene psychological principles, but the same applies to all other principles of the universe; culture cannot construct houses contrary to the laws of gravitation nor produce bread out of stones. But the principles of psychology are as incapable of accounting for the phenomena of culture as is gravitation to account |