It is not known whether the place of John AndrÉ's nativity was in London or elsewhere in England. His father was a Switzer, born in Geneva. He was a merchant in London, where he married a pretty French maiden named Girardot, a native of that city, who in the year 1751 became the mother of the famous British spy. Of AndrÉ's childhood and early youth very little is known, even of the scenes of his primary education. Later, we find him at the University in Geneva; and, when he was approaching young manhood, he was distinguished for many accomplishments and solid acquirements. He had mastered several European languages, and was an expert mathematician. He was versed in military science, and had a wide acquaintance with belles-lettres literature. He was an adept in music, dancing, and the arts of design, and was specially commended for his military drawings. AndrÉ had a taste and a desire for military life; but, before he was seventeen years of age, he was called home to take a place in his father's counting-room. At that time his family lived at the Manor House, Clapton, where his father died in the spring of 1769. The family then consisted of the widow, two sons, and three daughters. Of these John was the oldest and Anna was the youngest—the "tuneful John, though so young, was now a chief manager of his father's business and the head of his mother's household. The summer of 1769 was spent by the family at little villages in the interior of England, in the picturesque region of Lichfield, a famous cathedral town, in which Dr. Johnson was born, and at its grammar-school he and Addison and Garrick received their earlier education. In that delightful neighborhood young AndrÉ formed an acquaintance with Miss Anna Seward, the bright and charming daughter of Rev. Thomas Seward, canon-resident of Lichfield Cathedral, who lived in the bishop's palace. His daughter, then twenty-two years of age, was already distinguished as a poet. Her home was the gathering-place of the local literary celebrities of that day—Dr. Erasmus Darwin, author of "The Botanic Garden," and grandfather of the champion of the doctrine of evolution in our day; Thomas Hayley, author of "The Triumphs of Temper"; Sir Brooke Boothby, who wrote "Fables and Satires"; Richard Lovell Edgeworth, a "gay Lothario," with some literary pretensions; Thomas Day, an eccentric philosopher, who wrote the story of "Sandford and Merton," once as popular as "Robinson Crusoe"; the blind and ill-humored Miss Anna Williams, the biographer of the Emperor Julian; and other residents or occasional sojourners. Miss Seward was the central figure in this literary circle. Her personal beauty, vivacity, wit, and charming conversational powers, were very fascinating. Into that galaxy John AndrÉ was introduced and gave it additional luster. The young London merchant also became acquainted with another maiden near his own age. She is represented pic AndrÉ was then eighteen years of age; a handsome, slender, graceful, and vivacious youth, with features as deli Anna was delighted, and she fostered the passion. The lovers were betrothed before the summer was over; but "Love's young dream" was disturbed. The father of Miss Sneyd and the mother of AndrÉ decided that both were too young for wedlock then, and it was agreed that at least two years should intervene between betrothal and nuptials. It was also deemed proper that they should be kept apart as much as possible during that period, in order to test the strength and reality of their attachment, and for other prudential reasons. With this understanding AndrÉ returned to his desk in London, a hundred and twenty miles away. He had sketched two miniatures of Miss Sneyd. One he gave to Anna Seward, the other he placed in a locket and carried it in his bosom. He also arranged for a correspondence between Miss Seward and himself, of which Honora was to be the chief burden. Three of these letters have been preserved, and are printed in this volume. "His epistolary writings," says Dr. Sparks, "so far as specimens of them have been preserved, show a delicacy of sentiment, a play AndrÉ had an aversion to mercantile pursuits, and had told his Lichfield friends that he greatly preferred the military profession. Miss Seward urged him to stick to his desk, as the only sure promise of a competence which would enable him to marry Honora. Her persuasion prevailed, and he resolved to remain a merchant, for a time at least. In one of his letters to her he wrote: "I know you will interest yourself in my destiny. I have now completely subdued my aversion to the profession of a merchant, and hope, in time, to acquire an inclination for it.... When an impertinent consciousness whispers in my ear that I am not of the right stuff for a merchant, I draw my Honora's picture from my bosom, and the sight of that dear talisman so inspirits my industry that no toil seems oppressive." This correspondence was kept up several months, but AndrÉ's suit did not prosper. Distance, separation, and various circumstances cooled the ardor of Miss Sneyd's love for her young admirer, and correspondence between them ceased. She had other suitors; and, in 1773, she married Richard Lovell Edgeworth, a gay young widower of twenty-five, who possessed a handsome fortune in the form of a fine estate in Ireland. Honora became the mother of Maria Edgeworth, the novelist. She died of consumption a few years afterward. In compliance with her dying request, her husband married her sister Elizabeth for his third wife. AndrÉ remained faithful to his first love, and carried Honora's miniature in his bosom until he died. He aban Mr. Cunningham afterward related to Miss Seward a singular dream he had on the night before this visit. He was in a great forest. A horseman approached at full speed. As he drew near, three men suddenly sprang from their concealment in bushes, seized the rider, and took him away. The appearance of the captive's face was deeply impressed upon the dreamer's memory. He awoke, fell asleep again, and dreamed. He was now in a vast crowd of people, near a great city. The man whom he saw captured in the forest was now brought forth and hanged. This dream was related to the curate the next morning, and when, a while afterward, Miss Seward with her friend arrived, Mr. Cunningham recognized in AndrÉ the person he saw captured and hanged. Other presaging visions concerning AndrÉ's fate have been related, some of them being undoubtedly pure fiction. For example: Soon after the evacuation of Philadelphia by the British in 1778, and the Americans had taken possession of the city, some of the Continental officers gave a dinner-party to Washington at a spacious mansion in the suburbs, once belonging to one of the Penn family. At that banquet were two ladies who had known Major AndrÉ during the British occupation, and had dined with him at this The following account appears to be well authenticated: A feminine friend of Miss Mary Hannah, a sister of AndrÉ, shared a bed with her one night at about the time of her brother's execution. The friend was awakened by the loud sobs of Miss AndrÉ, who said she had seen her brother made a prisoner. Her friend soothed her into quiet, and both fell asleep. Soon Miss AndrÉ again awoke her friend, and said she had again seen her brother on trial as a spy. She described the scene with great particularity. Again she was quieted, and both fell asleep. Again she aroused her friend by screaming, "They are hanging him!" They both made a memorandum of the affair. The next mail brought the sad news of AndrÉ's execution at about the time when his sister, Mary Hannah, saw him in her vision. Lieutenant AndrÉ journeyed from England to Quebec, by way of Philadelphia. Why did he take this roundabout course? He arrived at Philadelphia in September (1774), just after the first Continental Congress began its session there. His abilities as a keen observer of men and things were well known to General Carleton, the Governor of Canada, who arrived at Quebec from England while AndrÉ was in Philadelphia. May not that astute officer have directed AndrÉ, before he left England, to go to Philadelphia A year later Lieutenant AndrÉ was made a prisoner of war when Montgomery captured the fort at St. Johns, on the Sorel. "I have been taken a prisoner by the Americans," AndrÉ wrote to Miss Seward, "and stripped of everything except the picture of Honora, which I concealed in my mouth. Preserving this, I yet think myself fortunate." He and his fellow-prisoners were taken first to Connecticut, and then to Lancaster and Carlisle in Pennsylvania. There he made many friends by his urbanity, his refined tastes, and his accomplishments. He taught the children of citizens the art of drawing in a free and easy style; and he was a welcome guest in the higher social circles, was made a participant in all their pleasure-parties, and so added to their own enjoyments. Toward the close of 1776 AndrÉ was exchanged and joined the British army in New York, then commanded by General Howe. To that officer he presented a memoir on the existing war, which was very favorably received. He had kept a journal ever since he came to America, in which both pen and pencil were jointly employed in the delineation and description of everything of interest which came under his observation, and this furnished him with much material for his memoir. Howe was delighted with his young soldier, AndrÉ served with distinction as a staff-officer. He was the soul of the military social circle during the occupation of Philadelphia by the British army in the winter and spring of 1778. His pen, his pencil, and his brush, were continually busy in satirizing and caricaturing the "rebel" officers, or in dramatic exhibitions. He was a leader in all the social amusements of the army, the chief of which were theatrical performances. In these AndrÉ was dramatist, actor, song-writer, and manager. He wrote prologues and localized plays, and was the chief manager of weekly balls. In a word, he was leader in setting on foot scenes of gayety and extravagance that were long remembered and lamented. AndrÉ occupied the house of Dr. Franklin for several months. He carried away some valuable books. Many of the young officers were scions of the British nobility, and possessed ample means for the gratification of any desire. The infection of demoralization that spread through the army and society was fearful. The army suffered much. Dr. Franklin said, "Howe did not take Philadelphia—Philadelphia took Howe." Cupid scattered his darts so widely and with such effect among the soldiers, that in the flight of the British army across New Jersey, on the evacuation of Philadelphia, fully six hundred soldiers deserted and returned to their sweethearts and lately married wives. Many of the fair daughters of the Philadelphia loyalists were captivated by the young British officers. Among the latter was not one more fascinating than Major AndrÉ, and Late in May, 1778, General Howe surrendered the command of the army into the hands of Sir Henry Clinton, and prepared to return to England. The officers of the army, who were very much attached to him, resolved to give him a spectacular parting entertainment which should eclipse in novelty and splendor anything ever seen in America. In the conception and preparation of the entertainment the genius of AndrÉ, in all its phases, was brought into requisition. He designed the decorations, the costumes to be worn, even the ticket of admission to the show. The entertainment was called Mischianza—a medley. It was given at the country-seat of Thomas Wharton, a Philadelphia Quaker—a fine, stately mansion, with spacious grounds around it, standing near the present navy-yard. FOOTNOTES:[12] In a letter to the Right Honorable Lady Butler, dated Lichfield, June 4, 1798, Miss Seward speaks of the picture as follows: "Honora Sneyd, after she became Mrs. Edgeworth, sat to Smart, at that time a celebrated miniature-painter. He totally missed the likeness which Major AndrÉ had, from his then inexperience in the art, so faintly and with so little justice to her beauty, caught. Romney accidentally, and without ever having beheld her, produced it completely. Yes, he drew, to represent the Serena of the 'Triumph of Temper,' his own abstract idea of perfect loveliness, and the form of the face of Honora Sneyd rose beneath his pencil." Serena is represented reading by candle-light. |