The term syndicalism sounds strange to an English reader. Its equivalent in English would be Unionism. A syndicat is a union of workingmen, on a trade or on an industrial basis, for the defense of economic interests. Revolutionary Syndicalism, however, has a broader connotation than the etymology of the term would suggest. A critical analysis of existing institutions, a socialist ideal, and a peculiar conception of revolutionary methods to be used for the realization of the ideal—are all contained in it. Revolutionary Syndicalism appears, therefore, as a phase of the general movement towards a reorganization of society on socialist principles.[1] Revolutionary Syndicalism cannot be treated, however, exclusively as a phase of the evolution of Socialism. As the term suggests, it is also a development of the French Labor Movement. The organization which represents Revolutionary Syndicalism in France is the General Confederation of Labor (La ConfÉdÉration GÉnÉrale du Travail, generally referred to as the C. G. T.)—the central organization of the labor unions or syndicats in France. The history of Revolutionary Syndicalism coincides almost entirely with the history of the General Confederation, and it may be said that its future is entirely bound up with the destinies of this organization. In fact, Revolutionary Syndicalism is an attempt to fuse revolutionary socialism and trade unionism into one coherent Revolutionary Syndicalism has attracted much attention outside of France. Its more or less rapid development, the turmoil into which it has thrown France several times, the extreme ideas which it expresses, the violent methods it advocates, and its attempts of proselytism outside of France have awakened an interest in it. A number of studies on the movement have appeared in German, Italian, Russian and other European periodicals and books. In English, however, the subject has not received the consideration it would seem to deserve from the theoretical as well as from the practical point of view. Revolutionary Syndicalism is an aggressive movement. Its aim is to do away with existing institutions and to reconstruct society along new lines. It must, therefore, necessarily call forth a definite attitude on the part of those who become acquainted with it. Those who speak about it are either its friends or its enemies, and even those who want to be impartial towards it are generally unable to resist the flood of sentiment which such a movement sets loose in them. Impartiality, however, has been the main effort of the writer of this study. It has appeared to him more important to describe the facts as they are and to understand the conditions back of the facts, than to pass sentence whether of approval or of condemnation. He has made the effort, therefore, to suppress his personality entirely in all that part of his work which is purely descriptive. The method adopted has been to describe ideas and facts The idea that has guided the writer is as follows: Let us imagine that social phenomena could be registered automatically. All social facts would then be recorded with all the sympathies and antipathies with which they are mixed in real life, because the latter are part of the facts. When social descriptions go wrong it is not because they are tinged with feeling, but because they are colored by those feelings which they arouse in the writer and not by those which accompany them in reality. The main task of the writer, therefore, is to try to enter into the feelings which go along with the facts which he is describing. This means that the writer must alternately feel and think as a different person. However difficult this may be, it is still possible by an effort of imagination prompted by a desire to get at the truth. This method seems more correct than an attempt to remain entirely indifferent and not to be swayed by any feeling. Indifference does not secure impartiality; it results mostly in colorlessness. For instance, were the writer to remain indifferent or critical while describing the syndicalist ideas, the latter could not be outlined with all the force and color with which they appear in the exposition of their representatives. This would not produce an impartial description, therefore, but a weak and consequently untrue one. On the contrary, by trying to feel and to think as a revolutionary syndicalist, while describing the syndicalist ideas, it is possible to come nearer to reality. The same method is used in the description of anti-syndicalist ideas and efforts. The result seems to the writer to be the creation of the necessary illusion and the reproduction of the atmosphere From the point of view taken in this essay, Revolutionary Syndicalism has to be described both as a theory and as a practice. The effort is made throughout, however, to consider the theory in close relation to the practice. The first chapter is introductory and serves merely to give the necessary historical perspective. This explains its brevity. Revolutionary Syndicalism is undoubtedly a peculiar product of French life and history. Still many of its ideas have a general character and may be of interest to men and women of other countries. After all, the problems that confront the whole civilized world to-day are the same, and the conditions in which their solution has to be tried are everywhere alike in many respects. It has been the writer's sincere hope throughout this work that the history of syndicalism may stimulate the readers of this essay to reflection and criticism that may be of help to them in their efforts to advance the cause of social progress in their own country. The author wishes to make grateful acknowledgments to Professor Vladimir G. Simkhovitch, Professor Henry Rogers Seager and other professors of Columbia University who have in one way or another aided him in the prosecution of his work; but especially is he indebted to Professor Franklin H. Giddings for invaluable criticisms and suggestions which have guided him throughout his work, and to Professor Edwin R. A. Seligman for encouragement and advice, and help in making it possible for the work to appear in its present form.
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