A few weeks after Freddy's death a curious thing happened to Margaret, a thing which shook her nerves and disturbed the automatic calm into which she had drilled her thoughts.

She was still a hard-working pantry-maid, doing the same daily round of apparently unwarlike work. She was thankful that she had got it to do, and considered herself lucky, for the waiting lists of able and eager V.A.D.'s, whose names were down at hospitals and convalescent homes, ran into many figures, girls who were longing to be given any sort of occupation, however humble, which would place them amongst the women of England who were really in touch with the agony of the world. Margaret had still the promise before her of promotion, the hope that eventually she would reach the wards. Time would make its demands on the long lists of V.A.D.'s who were unemployed and eager for work. It would not be long before they would all be required. Someone else would step into her humble post when she was promoted. It was merely a case of patience and pluck; the voluntary hospitals were dependent on voluntary aid. She gave hers gladly.

It was a very lonely, self-contained Margaret who wandered about London during her "off-hours." Two hours gave her very little time for making expeditions or seeing the sights of London, which were all unknown to her, so she spent the greater part of her time in the secluded garden-square close to her lodgings. It always reminded her of a small public garden in Paris, in the old-fashioned quarter of the city, in which she had lived for a year with a French family while she was perfecting her French. The odd mixture of people who frequented it, and monopolized the seats in it for hours at a time, interested her. The work which they brought with them was as diverse as it was peculiar. Not a few of the regular habituÉs made a home of it, even on wet days, only returning to their shelter to sleep. Youth and elegance seldom entered it, except, it might be, when a pair of lovers, of non-British birth, drifted into it, seeking refuge from the madding crowd.

A London church, as black and white with smoke and the wearing winds of time as the marble churches of Lombardy, raised its belfry, of unnamable architecture, picturesquely above the square on one side, while a portion of its graveyard, which had been incorporated in the garden-square, and which seemed to Margaret in its shabby condition much older and more pathetically forlorn than the temple-tombs under the Theban hills, attracted the aged and the melancholy.

Margaret was the only lady who ever patronized the bench-seats in this secluded city oasis. Her V.A.D. uniform, and perhaps her air of unconscious dignity, defended her from any unpleasantness. She had never met with disrespect or lack of courtesy.

One of her chosen companions, an elderly, haggard woman, with a keen sense of humour and traces of lost beauty, who always brought a bundle of old rags and clothes to pick down, had made friends with her almost immediately. She proved a source of great amusement to Margaret. The woman's occupation had caused her much speculation.

She soon discovered, for the woman was not at all reticent, that she had been a low comedian and a dancer at Drury Lane Theatre, and like most comedians, high tragedy was her passion, and had been her ambition.

Margaret's off-hours flew on wings while she listened to the woman's accounts of her dramatic experiences. She had seen her days of prosperity and undoubtedly enjoyed much admiration. She was no grumbler and still retained an appetite for life. The sparrows and the fat pigeons which waited for the crumbs which fell from the pockets of the clothes she unpicked were her friends; her dreams of the past were her recreations.

When Margaret discovered that her desire for theatre-going was still unabated and unsatisfied, and that she considered that there was no pleasure on earth which wealth could bring her to be compared to the excitement of a "first night," as viewed from the gallery, she determined to give her a treat. She had not been to the theatre for many years; the necessary shilling for the gallery was never forthcoming; picking down old uniforms was not a lucrative occupation.

Margaret contrived to put the necessary shilling in her way by leaving it lying on the seat when she got up.

When she appeared in the garden-square the next day, the aged comedian told her about her "find," and asked her anxiously if she had lost a shilling. Margaret lied nobly; yet her lie was only half a lie, for she certainly had not lost it. She had vividly realized the finding of it.

Margaret never laid out a shilling to better account. It was returned to her fourfold as she listened to the glowing descriptions and the good criticisms of the first performance of one of the most popular war-plays which had been played in London.

And so the days passed and ran into each other, impersonal and unselfish days. The story of Margaret's individual life was marking time; but if her romance was arrested, her sympathies were expanding. It was impossible for her to be dull, and she did not allow herself to be sad. Freddy's example forbade self-pity or repining.

Of society in London she knew nothing and cared less. The war had put "society" out of fashion. If she could count amongst her friends many strange and questionable characters, they helped and cheered her as nothing else could have done. More than one poor home in which there was little food and much courage looked forward to the visits of the tall, dark girl, whom they called by no other name than "Our V.A.D."

It was her intimate acquaintance with the inner life of some of London's poor, and the example they unconsciously set her by their cheerful acceptance of their pitiful circumstances and hideous surroundings, which made Margaret see how contemptible it would be to indulge in self-pity or repining. They expected so little, while she wanted so much—perfect happiness as well as worldly prosperity. They contrived to get enjoyment out of life even when it seemed to her that they would be better dead. She had a thousand things in life which had been denied to them. How could she expect to be given everything? There she was face to face with crowds of human beings who exaggerated their joys and rose above their afflictions. The unconquerable courage of the poor—that was what life in London was teaching Margaret.

* * * * * *

It was one wet afternoon when she was seated in a Lyons' tea-shop, in a crowded part of a West End shopping district, waiting for a cup of coffee to be brought to her, that the strange incident happened. To make use of her time, she had taken out a small writing-tablet which she carried in a bag with her knitting, and was beginning to write a letter to her Aunt Anna. She had written the first words, "Dear Aunt Anna," and had paused before writing further. Her pencil was close to her tablet; her mind was thinking of what she was going to say. Suddenly her hand began writing very fast, automatically, something after the manner in which an actor writes on the stage. Margaret let it write swiftly and uninterruptedly, without either considering it strange that it should be doing so, or wondering, at the time, what she was writing. Her thoughts had, in a curious way, become subservient to her actions. Afterwards, when she tried to remember what she had felt, she could recollect no impression.

When the quick movement of her hand stopped and the automatic writing ceased, her powers of thought seemed suddenly to reassert themselves. Probably what she had been writing was mere unintelligible scribble.

Margaret had never heard of the writing of the "unseen hand." She was more nervous than she was aware of; there was a heavy beating at her heart, a wonder in her mind. She looked with apprehension at the sheet of paper on the tablet. Her hand had certainly written something, but the writing was not her own. It was untidy and broken. She tried to read it, but the first words made her so nervous that she could not go any further. They brought the colour flying to her face, but it quickly left it; she became wide-eyed; her hands trembled. It was horrible to think that some outside influence had taken possession of her actions. She fought for self-control, and managed to read the message.

"The rays of Aton, which encompass all lands, will protect him, the enemy will fear him because of them. The living Aton, beside Whom there is no other, this hath He ordained. The Light of Aton will scatter the enemy and turn his hand from victory. When the chicken crieth in the egg-shell, He giveth it life, delighting that it should chirp with all its might. The same Aton, Who liveth for ever, Who slumbers not, neither does He sleep, knows the wishes of your heart. The Lord of Peace will not tolerate the victory of those who delight in strife. His rays, bright, great, gleaming, high above all earth. . . ."

There the writing became almost indecipherable; many words were quite meaningless; only the end of the last line was distinct:

"To the mistress of his happiness, Aton, the Loving Father, giveth counsel."

When Margaret had finished reading the amazing thing that her hand had written, she was faint and frightened. What had come over her? How could she account for the mysterious thing which had happened?

The state of her nerves prevented her thinking connectedly or sensibly. The meaning of the message scarcely formed any part of her bewilderment; it was the automatic writing itself which disturbed her. It made her very unhappy. She had never heard of anything like it happening to anyone else. She wished that she had only dreamed it; but there the words were, lying on the tablet before her. If she was real, they were real.

It was so long since she had read anything about Akhnaton's Aton-worship that she could not have composed the sentences in exactly the manner of the Pharaoh's writing if she had set herself down in a retired place and tried very hard to remember his style and his language. Here, in this modern and vulgar tea-room, filled with men and youths in khaki and shop-girls in cheap and showy finery, she had suddenly and unconsciously written a thing which had absolutely nothing to do with her thoughts or surroundings.

The girl who brought her coffee and was standing waiting to make out her bill, looked at her sympathically and asked her if she felt ill.

At the sound of her voice, Margaret dragged her thoughts back to the fact that she had been waiting for a cup of coffee.

"No," she said, jerkily. "I am not ill, only a little tired, thank you."

"You're working hard, I suppose? One coffee, threepence," she jotted down. "Are you in a hospital? I wish I was nursing, instead of doing this."

Margaret looked at her blankly for a moment. She wished that she would not talk to her; she felt afraid of her own answers.

"No, I'm not nursing—I'm a pantry-maid in a private convalescent hospital."

"Well, I never!" the girl said; she was not ignorant of Margaret's good breeding. "Do you like the work?"

"It's very like your work, I suppose. I never stop to think about whether I like it or not. Someone has to do it, and I've been given it—every little helps."

"Isn't that splendid?" the girl said. "And I don't suppose you ever worked before?"

"Not in that way," Margaret said. She smiled a queer sort of smile, as her thoughts flew back to her work in the hut, the cleaning and sorting of delicate fragments and amulets which had been made and treasured by a people of whom the girl had probably never even heard, the mascots and art-treasures of a forgotten civilization, which had lasted for thousands of years.

Margaret paid for her coffee, and looked at the clock. She had only a few minutes in which to drink it. She poured in all the cream which she had ordered to cool it, but still it was too hot to drink. While she waited she wondered whether her hand would write anything else if she left it lying on her writing pad. Nervously she took up her pencil and while she tried to sip her coffee, she left her right hand lying on the pad just as it had been before.

Nothing happened. Her hand never moved; she was extremely conscious of her own feelings and expectations.

She looked at the writing on the tablet once more. Yes, it was totally and absolutely unlike her own. She tore off the sheet on which it was written and folded it up and put it safely in her note-case. If she was to drink her coffee, there was no more time for thought.

Hurriedly she left the crowded tea-rooms and started off in the direction of her hospital.

It was well for her that she had to hurry, and that her thoughts for the next few hours had to be given to the carrying-out of everyday things. With practised mind-control she put the incident of the "unseen hand" away from her as far as she could. When it came creeping back again, like leaking water, into the foreground of her thoughts, she fought it splendidly.

Freddy had so extremely disliked her dabbling, as he called it, in occult matters, that for his sake, for his memory, she must not allow herself to be mastered by it. She had scarcely ever allowed herself to think even about her vision in the Valley for this very reason, and had refused to be drawn into the wave of fortune-telling by palmistry and by crystal-gazing and psychic sciences which the war had given birth to in London. The nurses and the staff generally at the hospital spent a great deal of time and money on palmists.

Margaret could honestly say to herself that no one had sought those strange experiences less than she had, no one had been less interested in Spiritualism and black magic, as it used to be called, than she had been—and, indeed, still was. Michael had called her his practical mystic, yet she had never felt herself to be one.

For Freddy's sake she would not encourage this new phase of the super-mind which had suddenly come to her. He had considered spiritualism a dangerous and undesirable study. With only his memory to cling to, she would do nothing which would cause him any trouble. Here again was the Lampton ancestor-worship developing to its fullest.