Common Cheap Stay, Fastened. Common Cheap Stay, Open. The Glove-Fitting Corset (Thomson and Co.) It would be difficult to find a much more marked contrast to the style of bodice referred to in our last chapter than is to be found in the ordinary cheap front-fastening corset commonly sold by drapers. The accompanying illustrations accurately represent it, and those who have written on the subject have much reason on their side when they insist that it neither aids in the formation of a good figure nor helps to maintain the proportions of one when formed. Corsets such as these have neither beauty of contour nor compactness of construction. The two narrow busks through which the holes are drilled for the reception of the studs or catches are too often formed of steel so low in quality that fracture at these weak points is a common occurrence, when some danger of injury from the broken ends is to be apprehended. It will also be found that when these bars or plates are deficient in width and insufficient in stiffness the corset will no longer support the figure, or form a foundation for the dress to be neatly adjusted over. On the introduction of the front-fastening system it was at once seen that much saving of time and trouble was gained by the great facility with which corsets constructed according to it could be put on and off but the objections before referred to were soon manifest, and the ingenuity of inventors was called into action to remedy and overcome them, and it was during this transition stage in the history of the corset that the front-fastening principle met with much condemnation at the hands of those who made the formation of the figure a study. From Thomson and Co., of New York, we have received a pattern of their "glove-fitting corset," the subject of the accompanying illustration, in the formation of which the old evils have been most successfully dealt with. The steels are of the highest class of quality and of the requisite degree of substance to insure both safety and sustaining power. Accidental unfastening of the front, so common, and, to say the least of it, inconvenient, in the old form of attachment, is rendered impossible by the introduction of a very ingenious but simple spring latch, which is opened or closed in an instant at the pleasure of the wearer. This corset is decidedly the best form on the front-fastening plan we have seen. Its mode of construction is excellent; it is so cut as to admit of its adapting itself to every undulation of the figure with extraordinary facility. We have suggested to the firm the advisability of furnishing to the public corsets combining their excellent method of cutting, great strength of material, and admirable finish, with the single steel busk and hind-lacing arrangement of the ordinary stay. The requirements of all would be then met, for although numbers of ladies prefer the front-fastening corset, it will be observed that a great number of those who have written on the subject, and make the formation and maintenance of the figure a study, positively declare from experience that the waist never looks so small or neatly proportioned as when evenly and well laced in the hind-lacing and close-fronted form of corset. It has of late become the custom to remedy the want of firmness and stability found to exist in many of the common front-fastening corsets by sewing a kind of sheath or case on the inside of the front immediately behind the two steels on which the studs and slots are fixed; into this a rather wide steel busk is passed, so that the division or opening has the centre line of the extra busk immediately behind it. That this plan answers in some measure the desired end there is no doubt, but in such a corset as that of Thomson and Co. no such expedient is needed. Corset of Messrs. De La Garde, Paris (Front). Corset of Messrs. De La Garde, Paris (Back). The accompanying illustrations are from sketches made expressly for this work from a corset made by De La Garde and Co., of Paris, and our readers will form their own opinion as to the contour of the figure from which these drawings were made, which is that of a lady who has for many years worn corsets made by the above-mentioned firm. The waist-measure is eighteen inches. The remarks as to the advisability of having corsets made to measure are scarcely borne out by her experiences. She informs us that it has always been her custom to forward to Messrs. De La Garde and Co.'s agent the measure taken round the chest below the arms, from beneath the arm to the hip, the circumference of the hips, and the waist-measure, when the fit is a matter of certainty. By adopting this system ladies residing in the country can, she assures us, always provide themselves with corsets made by the first manufacturers in Europe without the trouble and inconvenience of being The "Redresseur" Corset of Vienna (Weiss). We have heard many complaints lately of the flimsy manner in which corsets of comparatively high price are turned out by their makers, the stitching being so weak that re-sewing is not unfrequently needed after a few days' wear. The edges of the whalebones, too, instead of being rounded off and rendered smooth, are often, we find, left as sharp as a knife, causing the coutil or other material to be cut through in a very few days. The eyelet-holes are also made so small and narrow at the flanges that no hold on the material is afforded, and even the most moderate kind of lacing causes them to break from their hold, fall out, and leave a hole in the material of which the corset is made, which if not immediately repaired by working round in the old-fashioned way rapidly enlarges, frays out, and runs into an unsightly hole. Corset-makers should see that the circle of metal beyond the orifice through which the lace passes is sufficiently wide to close down perfectly
Such a work as this would be incomplete without some remarks touching the best means to be applied for the achievement of the desired end, and hence a letter from a lady of great experience, who has paid much attention to the subject, contributed to the Englishwoman's Domestic Magazine, enables us to give the very best possible kind of information—viz., that gathered by personal observation. Thus she writes:—
As we have before stated, the remarks and observations contained in the above letter are the result of careful study and a thorough acquaint We have seen how Mrs. Selby's invention influenced the world of fashion in her day, and a glance at the illustration at page 114 will be sufficient to prove how inferior, in point of grace and elegance, the costume of that period was to that of our own time. Some idea may be formed of the wide-spread and almost universal attention which Mrs. Selby's wondrous "crinoline conception" met at the hands of the fashionable world by a perusal of the following lines, which were written at Bath concerning it in the year 1711, and are entitled, The Farthingale Reviewed; or, More Work for the Cooper. A paneygerick on the late but most admirable invention of the hooped petticoat. "There's scarce a bard that writ in former time Had e'er so great, so bright a theme for rhyme; The Mantua swain, if living, would confess Ours more surprising than his Tyrian dress, And Ovid's mistress, in her loose attire, Would cease to charm his eyes or fan Love's fire. Were he at Bath, and had these coats in view, He'd write his Metamorphosis anew, To leave Corinna and her tawdry veil. Hear, great Apollo! and my genius guide, To sing this glorious miracle of pride, Nor yet disdain the subject for its name, Since meaner things have oft been sung to Fame; Even boots and spurs have graced heroic verse, Butler his knight's whole suit did well rehearse; King Harry's costume stands upon record, And every age will precedents afford. Then on, my Muse, and sing in epic strain The petticoat—thou shalt not sing in vain, The petticoat will sure reward thy pain; With all thy skill its secret virtues tell— A petticoat should still be handled well. "Oh garment heavenly wide! thy spacious round Do's my astonished thoughts almost confound; My fancy cannot grasp thee at a view, None at first sight e'er such a picture drew. The daring artist that describes thee true, Must change his sides as modern statesmen do, Or like the painter, when some church he draws, Following his own, and not the builder's laws, At once shows but the prospect to the sight, For north and south together can't be right. "Hence, ye profane! nor think I shall reveal The happy wonders which these vests conceal; Hence your unhallow'd eyes and ears remove, 'Tis Cupid's circle, 'tis the orb of Love. Let it suffice you see th' unwieldy fair Sail through the streets with gales of swelling air; Nor think (like fools) the ladies, would they try, Arm'd with their furbelows and these, could fly. That's all romantick, for these garments show Their thoughts are with their petticoats below. In rich adornment and being wondrous smart; For that, perhaps, may stand 'em more in stead Than loads of ribbons fluttering on the head. And, let philosophers say what they will, There's something surer than their eyes do's kill; We tell the nymph that we her face adore, But plain she sees we glance at something more. "In vain the ladies spend their morning hours Erecting on their heads stupendous towers; A battery from thence might scare the foe, But certain victory is gained below. Let Damon then the adverse champion be— Topknots for him, and petticoats for me; Nor must he urge it spoils the ladies' shape, Tho' (as the multitude at monsters gape) The world appears all lost in wild amaze, As on these new, these strange machines they gaze; For if the Queen the poets tell us of, from Paphos came, Attired as we are told by antique fame, Thus would they wonder at the heavenly dame. "I own the female world is much estranged From what it was, and top and bottom changed. The head was once their darling constant care, But women's heads can't heavy burdens bear— As much, I mean, as they can do elsewhere; So wisely they transferred the mode of dress, And furnished t'other end with the excess. What tho' like spires or pyramids they show, Sharp at the top, and vast of bulk below? It is a sign they stand the more secure: A maypole will not like a church endure, And ships at sea, when stormy winds prevail, Are safer in their ballast than their sail. "Hail, happy coat! for modern damsels fit, Product of ladies' and of taylors' wit; What wonders dost thou show, what wonders hide! Within the shelter of thy useful shade, Thin Galatea's shrivelled limbs appear As plump and charming as they did last year; Whilst tall Miranda her lank shape improves, And, graced by thee, in some proportion moves. Ev'n those who are diminutively short May please themselves and make their neighbours sport, When, to their armpits harnessed up in thee, Nothing but head and petticoats we see. But, oh! what a figure fat Sempronia makes! At her gigantick form the pavement quakes; By thy addition she's so much enlarged, Where'er she comes, the sextons now are charged That all church doors and pews be wider made— A vast advantage to a joiner's trade. "Ye airy nymphs, that do these garments wear, Forgive my want of skill, not want of care; Forgive me if I have not well displayed A coat for such important uses made. If aught I have forgot, it was to prove How fit they are, how apropos for love, How in their circles cooling zephyrs play, Just as a tall ship's sails are filled on some bright summer day. But there my Muse must halt—she dares no more Than hope the pardon which she ask'd before." The Fashion of 1868. Fashions have altered, times have changed, hooped petticoats have been in turn honoured and banished, just as the fickle goddess of the mirror has decreed. Still, as an arrow shot in the air returns in time to earth, so surely does the hooped jupon return to power after a temporary estrangement from the world of gaiety. The illustration on page 223 represents the last new form of crinoline, and there can be no doubt that its open form of front is a most important and note The Zephyrina Jupon. It is the custom with some authors to uphold the claims of nature in matters relating to human elegance, and we admit that nature in her own way is particularly charming, so long as the accessories and surroundings are in unison. But in the human heart everywhere dwells an innate love of adornment, and untaught savages, in their toilet appliances and tastes, closely resemble the belles of highly-civilised communities. We have already referred to the crinoline petticoats worn by the Tahitian girls when they were first seen by the early navigators. The frilled ruff Tahitian Dancing Girl. Venetian Lady. |