  The base text for this edition has been provided by Digital Dante, a project sponsored by Columbia University's Institute for Learning Technologies. Specific thanks goes to Jennifer Hogan (Project Editor/Director), Tanya Larkin (Assistant to Editor), Robert W. Cole (Proofreader/Assistant Editor), and Jennifer Cook (Proofreader). The Digital Dante Project is a digital 'study space' for Dante studies and scholarship. The project is multi-faceted and fluid by nature of the Web. Digital Dante attempts to organize the information most significant for students first engaging with Dante and scholars researching Dante. The digital of Digital Dante incurs a new challenge to the student, the scholar, and teacher, perusing the Web: to become proficient in the new tools, e.g., Search, the Discussion Group, well enough to look beyond the technology and delve into the content. For more information and access to the project, please visit its web site at: http://www.ilt.columbia.edu/projects/dante/ Dennis McCarthy, July 1997 imprimatur@juno.com CONTENTS WITHOUT HYPERLINKS Purgatorio I. The Shores of Purgatory. The Four Stars. Cato of Utica. The Rush. II. The Celestial Pilot. Casella. The Departure. III. Discourse on the Limits of Reason. The Foot of the Mountain. Those who died in Contumacy of Holy Church. Manfredi. IV. Farther Ascent. Nature of the Mountain. The Negligent, who postponed Repentance till the last Hour. Belacqua. V. Those who died by Violence, but repentant. Buonconte di Monfeltro. La Pia. VI. Dante's Inquiry on Prayers for the Dead. Sordello. Italy. VII. The Valley of Flowers. Negligent Princes. VIII. The Guardian Angels and the Serpent. Nino di Gallura. The Three Stars. Currado Malaspina. IX. Dante's Dream of the Eagle. The Gate of Purgatory and the Angel. Seven P's. The Keys. X. The Needle's Eye. The First Circle: The Proud. The Sculptures on the Wall. XI. The Humble Prayer. Omberto di Santafiore. Oderisi d' Agobbio. Provenzan Salvani. XII. The Sculptures on the Pavement. Ascent to the Second Circle. XIII. The Second Circle: The Envious. Sapia of Siena. XIV. Guido del Duca and Renier da Calboli. Cities of the Arno Valley. Denunciation of Stubbornness. XV. The Third Circle: The Irascible. Dante's Visions. The Smoke. XVI. Marco Lombardo. Lament over the State of the World. XVII. Dante's Dream of Anger. The Fourth Circle: The Slothful. Virgil's Discourse of Love. XVIII. Virgil further discourses of Love and Free Will. The Abbot of San Zeno. XIX. Dante's Dream of the Siren. The Fifth Circle: The Avaricious and Prodigal. Pope Adrian V. XX. Hugh Capet. Corruption of the French Crown. Prophecy of the Abduction of Pope Boniface VIII and the Sacrilege of Philip the Fair. The Earthquake. XXI. The Poet Statius. Praise of Virgil. XXII. Statius' Denunciation of Avarice. The Sixth Circle: The Gluttonous. The Mystic Tree. XXIII. Forese. Reproof of immodest Florentine Women. XXIV. Buonagiunta da Lucca. Pope Martin IV, and others. Inquiry into the State of Poetry. XXV. Discourse of Statius on Generation. The Seventh Circle: The Wanton. XXVI. Sodomites. Guido Guinicelli and Arnaldo Daniello. XXVII. The Wall of Fire and the Angel of God. Dante's Sleep upon the Stairway, and his Dream of Leah and Rachel. Arrival at the Terrestrial Paradise. XXVIII. The River Lethe. Matilda. The Nature of the Terrestrial Paradise. XXIX. The Triumph of the Church. XXX. Virgil's Departure. Beatrice. Dante's Shame. XXXI. Reproaches of Beatrice and Confession of Dante. The Passage of Lethe. The Seven Virtues. The Griffon. XXXII. The Tree of Knowledge. Allegory of the Chariot. XXXIII. Lament over the State of the Church. Final Reproaches of Beatrice. The River Eunoe.
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