Dawn found us all in a field some distance from the cafÉ—Paragot, Blanquette, Narcisse, the zither, the fiddle and I, and while the two musicians rehearsed the jingly waltzes and polkas that made up the old man's rÉpertoire, I tried to explain the situation to Narcisse who sat with his ears cocked wondering what the deuce all the noise was about.

"Ah, Monsieur," said Blanquette, during a pause, "you play like a great artist."

"Didn't I tell you so?" he cried triumphantly.

"You must have studied much."

"Prodigiously," said he.

"PÈre Paragot had played the violin for sixty years, but he could not make it sing like that."

"You would not compare PÈre Paragot with my master?" I exclaimed by way of rebuke.

Blanquette acquiesced humbly.

"When one hears Monsieur, one has the devil in one's body."

"Listen to this," said the delighted Paragot jumping on to his feet and tucking the fiddle beneath his chin.

And there in the pure dawn with nothing but God's sky and green fields around us, he played Gounod's "Ave Maria," putting into his execution all his imaginative fervour, and accentuating the tremolo passages in a vibrating ecstasy which to Blanquette's uncultured soul was the very passion of music. I have since learned that the greatest violinists do not overemphasise the tremolo.

"Ah Dieu! it is beautiful," she murmured.

"Isn't it?" cried Paragot. "And it touches your heart, my little Blanquette, eh? We are all artists together."

"I, Monsieur?"

She laughed and ran her hands over the zither strings.

"I ought to be at work in the fields. So PÈre Paragot used to say. I make no progress—I am as stupid as a goose."

Two hours afterwards we started for ChambÉry, as odd a procession as ever gave food for a high-road's gaiety. From the old grey valise carried the previous day by Blanquette she had produced much property finery. A black velveteen jacket resplendent with pearl-buttons, velveteen knee-breeches tied with ribbons at the knees, and a rakish Alpine hat with a feather adorned my master's person. His own disreputable heavy boots and a pair of grey worsted stockings may not have formed a fastidious finish to the costume; but in my eyes he looked magnificent. Towards the transfiguration of Blanquette a Pandora box could not have effected more. She was attired in a short skirt, a white fichu moderately fresh, a kind of Italian head-dress and scarlet stockings. Enormous gilt ear-rings swung from her ears; a cable of blue beads encircled her neck; her lips were dyed pomegranate, her eyes darkened and her cheeks touched with rouge. A pair of substantial gilt shoes slung over her shoulders clinked their heels together as she walked. Narcisse barked his ecstatic admiration around this beauteous creature, and had I been a dog I should have barked mine too. My dignity as a man only allowed me to cast sidelong glances at her and hope that she would soon put on the gilt shoes. As for my master, on beholding her, he doffed his hat and saluted her with a fantastic compliment, whereat the girl blushed brick-red and turned her head away.

"Motley's the only wear, my son," he cried gaily. "In this cap and bells, I see life under a different aspect. Never has it appeared to me sweeter and more irresponsible. Don't you feel it? But I forgot. You haven't any motley. I apologise for my want of tact. Blanquette," he added in French, "why haven't you found a costume for Asticot?"

Blanquette replied in her matter-of-fact way that she hadn't any. They walked on together, and I dropped behind suddenly realising my pariahdom. I wondered whether these magnificent beings would be ashamed of my company when we arrived at ChambÉry. I pictured myself sitting lonesome with Narcisse in the market-place while they revelled in their splendour, and the self-pity of the child overcame me.

"Master," said I dismally, "what shall Narcisse and I do while you are at the wedding?"

He wheeled round and regarded me, and I knew by the light in his eyes that an inspiration was taking shape behind them.

"I'll buy you a red shirt and pomade your hair, and you shall be one of us, my son, and go round with the hat."

I exulted obviously.

"Now the dog will feel out of it," said he, perplexed. "I will consult Blanquette. Do you think we could shave Narcisse and make him think he's a poodle?"

"That would be impossible, Monsieur," replied Blanquette gravely.

As Narcisse was enjoying himself to his heart's content, darting from side to side of the road and sniffing for the smells his soul delighted in, I did not concern myself about his feelings.

For Paragot's suggestion which I knew was ironically directed against myself, I did not care. So long as I was to be with my companions and of them, irony did not matter. I caught the twinkle in his eye and laughed. He was as joyous as Narcisse. The gladness of the July morning danced in his veins. He pulled the violin and bow out of the old baize bag and fiddled as we walked. It must have been an amazing procession.

And the old man whose clothes and functions we had assumed lay cold and stiff in the little lonely room with candles at his head and his feet. During our railway journey to ChambÉry Blanquette told us in her artless way what she knew of his history. In the flesh he had been a crabbed and crotchety ancient addicted to drink. He had passed some years of his middle life in prison for petty thefts. In his youth—Blanquette's mind could not grasp the idea of PÈre Paragot having once been young—he must have been an astonishing blackguard. He had been wont to beat Blanquette, until one day realising her young strength she held him firm in her grip and threatened to throw him into a pond if he persisted in his attempted chastisement. Since then he had respected her person, but to the day of his death he had cursed her for anserine stupidity. An unlovely, loveless and unloved old man. Why should Blanquette have wept over him? She had not the Parisian's highly strung temperament and capacity for facile emotion. She was peasant to the core, slow to rejoice, and slow to grieve, and she had the peasant's remorseless logic in envisaging the elemental facts of existence. PÈre Paragot was wicked. He was dead. Tant mieux.

Blanquette had not the divine sense of humour which rainbows the tears of the world. That was my dear master's possession. But at the obvious she could laugh like any child of unsophistication. In the long shaded avenue of ChambÉry, with its crowded market-stalls on either side—stalls where you saw displayed for sale rolls of calico and boots and gauffrettes and rusty locks and melons and rosaries and flyblown books—Paragot bought me my red shirt (which—mirabile dictu!—had tasselled cords to tie the collar) and pomade for my hair. He also purchased a yard of blue chiffon which he tied in an artistic bow round Narcisse's neck, whereat Blanquette laughed heartily; and when Narcisse bolted beneath a flower-stall and growling dispossessed himself of the adornment, and set to with tooth and claw to rend it into fragments, she threw herself on a bench convulsed with mirth. As Paragot had spent fifty centimes on the chiffon I thought this hilarity exceedingly ill-natured; but when another and a larger dog came up to see what Narcisse was doing and in half a minute was whirling about with Narcisse in a death grapple, and Blanquette sprang forward, separated the two dogs at some risk and took our bleeding mongrel to her bosom, consoling him with womanly words of pity, I saw there was something tender in Blanquette which mitigated my resentment.

The Restaurant du Soleil, where the marriage feast was held, was an earwiggy hostelry on the outskirts of the town, sheltered from the prying roadway by a screen of green lattice and a series of tonnelles, the dusty arbours, each furnished with table and chairs, beloved of French revellers. Above the entrance gate stretched the semi-circular sign-board bearing in addition to the name, the legend "Jardin. Noces. FÊtes." Within, a few lime-trees closely planted threw deep shadow over the grassless garden; shrubs and flowers wilted in a neglected bed.

Usually the forlorn demesne was supervised by a mangy waiter brooding over mangy tables and by a mangier cat who kept a furtive eye on the placarded list of each day's plat du jour and wondered when her turn would come for Thursday's SautÉ de lapin. But tables, cat and waiter cast manginess aside when we(the pride of that day still remains and makes me italicise the word) came down to play at the wedding of Adolphe Querlat and LÉontine Bringuet.

"Tiens! where is PÈre Paragot?" asked fat Madame Bringuet—perspiring in unaccustomed corset and black bombazine.

"Alas! he is no longer, Madame," explained Blanquette. "He had a seizure yesterday. He fell off his chair, and we picked him up stone dead."

"Tiens, tiens, but it is sad."

"But no. It does not matter. This gentleman will make you dance much better than PÈre Paragot," and she whispered encomiums into Madame's ear.

"Enchanted, Monsieur. And your name?"

My master swept a courtly bow with his feathered hat—no one ever bowed so magnificently as he.

"BerzÉlius Nibbidard Paragot, cadet, at your service."

"You must be hungry, Monsieur Paragot—and Mademoiselle and this little monsieur," said Madame Bringuet hospitably. "We are at table in the salle À manger. You will join us."

We entered the long narrow room and sat down to the banquet. Heavens! what a feast! There were omelettes and geese and eels and duck and tripe and onion soup and sausages and succulences inconceivable. Accustomed to the Spartan fare of vagabondage I plunged into the dishes head foremost like a hungry puppy. Should I eat such a meal as that to-day it would be my death. Hey for the light heart and elastic stomach of youth! Some fifty persons, the ban and arriÈre ban of the relations of the young couple, guzzled in a wedged and weltering mass. Wizened grandfathers and stolid large-eyed children ate and panted in the suffocating heat, and gorged again. Not till half way through the repast did tongues begin to wag freely. At last the tisane of champagne—syrupy paradise to my uncultivated palate—was handed round and the toasts were drunk. The bride's garter was secured amid boisterous shouts and innuendos, and then we left the stifling room and entered the garden, the elders to smoke and drink and gossip at the little tables beneath the verandah, the younger folk to dance on the uneven gravel. Young as I was, I felt grateful that no physical exercise was required of me for some hours to come. Even Narcisse and the cat (which followed him) waddled heavily to the verandah where we were to play.

The signal to start was soon given. Paragot tucked his violin under his chin, tuned up, waved one, two, three with his bow; Blanquette struck a cord on her zither and the dance began. At first all was desperately correct. The men in their ill-fitting broadcloth and white ties and enormous wedding favours, the women in their tight and decent finery, gyrated with solemn circumspection. But by degrees the music and the good Savoy wines and the abominable cognac flushed faces and set heads a-swimming. The sweltering heat caused a gradual discarding of garments. Arms took a closer grip of waists. Loud laughter and free jests replaced formal conversation; steps were performed of Southern fantasy; the dust rose in clouds; throats were choked though countenances streamed; the consumption of wine was Rabelaisian. And all through the orgy Paragot fiddled with strenuous light-heartedness, and Blanquette thrummed her zither with the awful earnestness of a woman on whose efforts ten francs and perhaps half a goose depended. But it was Paragot who made the people dance. To me, sitting in red shirt and pomaded hair at his feet, it seemed as if he were a magician. He threw his bow across the strings and compelled them to do his bidding. He was the great, the omnipotent personage of the feast. I sunned myself in his glory.

Indeed, he had the incommunicable gift of setting his soul a-dancing as he played, of putting the devil into the feet of those who danced. The wedding party were enraptured. If he had consumed all the bumpers he was offered, he would have been as drunk as a fiddler at an Irish wake. During a much needed interval in the dancing he advanced to the edge of the verandah and as a solo played Stephen Heller's "Tarantella," which crowned his triumph. With his unkempt beard and swarthy face and ridiculous pearl-buttoned velveteens, there was an air of rakish picturesqueness about Paragot, and he retained, what indeed he never quite lost, a certain aristocracy of demeanour. Wild cries of "Bis!" saluted him when he stopped. Men clapped each other on the shoulder uttering clumsy oaths, women smiled at him largely. Madame Bringuet, reeking in her tight gown, held up to him a brimming glass of champagne; the bride threw him a rose. He kissed the flower, put it in his button-hole and after bowing low drank to her health. I recalled my childish ambition to keep a fried fish shop and despised it heartily. If I only could play the violin like Paragot, thought I, and win the plaudits of the multitude, what greater glory could the earth hold? The practical Blanquette woke me from my dreams. Now was the moment, said she, to go round with the hat. I swung myself down from the verandah, the traditional shell (in lieu of a hat) in my hand, and went my round. Money was poured into it. Time after time I emptied it into my bulging pockets. When I returned to the verandah, Blanquette's eyes distended strangely. She glanced at Paragot, who smiled at her in an absent manner. For the moment the artist in him was predominant. He was the centre of his little world, and its adulation was as breath to his nostrils.

This is what I, the mature man, know to be the case. To me, then, he was but the King receiving tribute from his subjects. When Paragot with a flourish of his bow responded to the encore, I found my hand slip into Blanquette's and there it remained in a tight grip till flushed and triumphant he again acknowledged the applause. Nothing was said between Blanquette and myself, but she became my sworn sister from that moment. And Narcisse sat at our feet looking down on the crowd, his tongue lolling out mockingly and a satiric leer on his face.

"My children," said Paragot, on our return journey in the close, ill-lighted, wooden-seated third-class compartment, "we have had a glorious day. One of those sun-kissed, snow-capped peaks that rise here and there in the monotonous range of life. It fills the soul with poetry and makes one talk in metaphor. In such moments as these we are all metaphors, my son. We are illuminated expressions of the divine standing for the commonplace things of yesterday and tomorrow. We have accomplished what millions and millions are striving and struggling and failing to do at this very hour. We have achieved success! We have left on human souls the impress of our mastery! We are also all of us dog-tired and, I perceive, disinclined to listen to transcendental conversation."

"I'm not tired, master," I declared as stoutly as the effort of keeping open two leaden eyelids would allow.

"And you?" he asked turning to Blanquette by his side—I occupied the opposite corner.

She confessed. A very little. But she had listened to all Monsieur had said, and if he continued to talk she would not think of going to sleep. Whereupon she closed her eyes, and when I opened mine I saw that her head had slipped along the smooth wooden back of the carriage and rested on Paragot's shoulder. Through sheer kindliness and pity he had put his arm around her so as to settle her comfortably as she slept. I envied her.

When she awoke at the first stoppage of the train, she started away from him with a little gasp.

"O Monsieur! I did not know. You should have told me."

"I am only PÈre Paragot," said he. "You must often have had your head against this mountebank jacket of mine."

She misunderstood him. Her eyes flashed.

"It is the first time in my life—I swear it." She held up her two forefingers crossed and kissed them. "PÈre Paragot! ah non! neither he nor another. I am an honest girl, though you may not think so."

"My good Blanquette," said he kindly, taking her scarred coarse hand in his, "you are as honest a girl as ever breathed, and if PÈre Paragot didn't let you put your sleepy little head on his shoulder he must have been a stonier hearted old curmudgeon than you have given one to believe."

So he soothed her and explained, while our two fellow passengers, a wizened old peasant and his wife, regarded them stolidly.

"Mon Dieu, it is hot," said Blanquette. "Don't you think so, Asticot? I wish I had a fan."

"I will make you one out of the paper the fowl is wrapped in," said Paragot.

Not half a goose, but a cold fowl minus half a wing had been our supplementary guerdon. Decently enveloped in a sheet of newspaper it lay on her lap. When he had divested it of its covering, which he proceeded to twist into a fan, it still lay on her lap, looking astonishingly naked.

At the next station the old peasant and his wife got out and we had the compartment to ourselves. Blanquette produced from her pocket a handkerchief knotted over an enormous lump.

"These are the takings, Monsieur. It looks small; but they changed the coppers into silver at the restaurant for me."

"It's a fortune," laughed my master.

"It is much," she replied gravely, and undoing the knot she offered him with both hands the glittering treasure. "I hope you will be a little generous, Monsieur—I know it was you who gained the quÊte."

"My good child!" cried he, interrupting her and pushing back her hands, "what lunacy are you uttering? Do you imagine that I go about fiddling for pence at village weddings?"

"But Monsieur—"

"But little imbecile, I did it to help you, to enable you to get your ten francs and half a goose. Asticot too. Haven't you been enchanted all day to be of service to Mademoiselle? Do you want to be paid for wearing a red shirt with a tasselled collar and pommade in your hair? Aren't we going about the world like Don Quixote and Sancho Panza rescuing damsels in distress? Isn't that the lodestar of our wanderings?"

"Yes, master," said I.

Blanquette looked open-mouthed from him to me, from me to him, scarce able to grasp such magnanimity. To the peasant, money is a commodity to be struggled for, fought for, grasped, prized; to be doled out like the drops of a priceless Elixir VitÆ. Paragot had the aristocratic, artistic scorn of it; and I, as I have said before, was the pale reflexion of Paragot.

"It is yours," I explained, as might a great prince's chamberlain, "the master gained it for you."

The tears came into her eyes. The corners of her lips went down. Paragot turned half round in his seat and put his hands on her shoulders.

"If you spill tears on the fowl you will make it too salt, and I shall throw it out of the window."

Paragot paid the modest funeral expenses of the worn-out fiddler. Asked why he did not leave the matter in the hands of the communal authorities he replied that he could not take a man's name without paying for it. Such an appellation as BerzÉlius Nibbidard Paragot was worth a deal coffin and a mass or two. This fine sense of integrity was above Blanquette's comprehension. She thought the funeral was a waste of money.

"It should go to benefit the living and not the dead," she argued.

"Wait till you are dead yourself," he replied, "and see how you would like to be robbed of your name. There are many things for you to learn, my child."

"Il n'y a pas beaucoup—not many," she said with a sigh. "We who are poor and live on the high-roads learn very quickly. If you are hungry and have two sous you can buy bread. If you only have two sous and you throw them to a dog who doesn't need them, you have nothing to buy bread with, and you starve. And it is not so easy to gain two sous."

Paragot sucked reflectively at his porcelain pipe.

"Asticot," said he, "the argumentum ad ventrem is irrefutable."

"Now I must go and make my malle" she said. "I return to ChambÉry to try to earn my two sous."

"Won't you stay here over the night? You must be very tired."

"One must work for one's living, Monsieur," she said moving away.

It was afternoon. We had trudged the three dusty miles back from the tiny churchyard where we had left the old man's unlamented grave, and Paragot, as usual, was washing his throat with beer. It must be noted, not to his glorification, that about this time a chronic dryness began to be the main characteristic of Paragot's throat, and the only humectant that seemed to be of no avail was water.

The sun still blazed and the hush of the July afternoon lay over the valley. Paragot watched the thickset form of Blanquette disappear into the cafÉ; he poured out another bottle of beer and addressed Narcisse who was blinking idly up at him.

"If she had a pair of decent stays, my dog, or no stays at all, she might have something of a figure. What do you think? On the whole—no."

Narcisse stood on his hind legs, his forepaws on his master's arm, and uttered little plaintive whines. Paragot patted him on the head.

As I was engaged a yard or two away, elbows on knees, in what Paragot was pleased to call my studies—Thierry's "RÉcits des Temps MÉrovingiens," a tattered, flyblown copy of which he had bought at ChambÉry—he was careful not to interrupt me; he talked to the dog. Paragot had to talk to something. If he were alone he would have talked to his shadow; in his coffin he would have apostrophised the worms.

"Yes, my dog," said he, after a draught of beer. "We have passed through more than we wotted of these two days. We have held a human being by the hand and have faced with her the eternal verities. Now she is going to earn her two sous in the whirlpool, and the whirlpool will suck her down, and as she has not claims to beauty, Narcisse, of any kind whatsoever, either of face or figure, hers will be a shuddersome career and end. Say you are sorry for poor Blanquette de Veau."

Narcisse sniffed at the table, but finding it bare of everything but beer, in which he took no interest, dropped on his four legs and curled himself up in dudgeon.

"You damned cynical sensualist," cried my master. "I have wasted the breath of my sentiment upon you." And he called out for the landlady and more beer.

Presently Blanquette emerged laden with zither case and fiddle and little grey valise and the pearl-buttoned suit which was slung over one arm.

"Monsieur," she said, putting down her impedimenta, "the patronne has told me that you have paid for my lodging and my nourishment. I am very grateful, Monsieur. And if you will accept this costume it will be a way of repaying your kindness."

Paragot rose, took the suit and laid it on his chair.

"I accept it loyally," said he, with a bow, as if Blanquette had been a duchess.

"Adieu, Monsieur, et merci," she said holding out her hand.

Paragot stuck both his hands in his trousers pockets.

"My good child," said he, "you are bound straight for the most cheerless hell that was ever inhabited by unamusing devils."

Blanquette shrugged her shoulders and spoke in her dull fatalistic way.

"Que voulez-vous? I know it is not gay. But it is in the mÉtier. When PÈre Paragot was alive it was different. He had his good qualities, PÈre Paragot. He was like a watch-dog. If any man came near me he was fierce. I did not amuse myself, it is true, but I remained an honest girl. Now it is changed. I am alone. I go into a brasserie to play and dance. I can get an engagement at the CafÉ Brasserie Tissot," and then after a pause, turning her head away, she added the fatalistic words she had used before: "If faut passer par lÀ, comme les autres."

"I forbid you!" cried my master, striding up and down in front of her and ejaculating horrible oaths. He invoked the sacred name of pigs and of all kinds of other things. My attention had long since been diverted from the learned Monsieur Thierry, and I wondered what she had to pass through like the others. It must be something dreadful, or my master would not be raving so profanely. I learned in after years. Of all mutilated lives there are few more ghastly than those of the fille de brasserie in a small French provincial town. And here was Blanquette about to abandon herself to it with stolid, hopeless resignation. There was no question of vicious instinct. What semblance of glamour the life presented did not attract her in the least. A sweated alien faces rabbit-pulling in the East End with more pleasurable anticipation.

"I am not going to allow you to take an engagement in a brasserie!" shouted my master. "Do you hear? I forbid you!"

"But Monsieur——" began Blanquette piteously.

Then Paragot had one of his sudden inspirations. He crashed his fist on the little table so that the glass and bottles leaped and Narcisse darted for shelter into the cafÉ.

"Tron de l'air!" he cried. "I have it. It is an illumination. Asticot—here! Leave your book. I shall be Paragot in character as well as name. We shall fiddle with Blanquette as we fiddled yesterday—and I shall be a watch-dog like PÈre Paragot and keep her an honest girl. We'll make it a firm, Paragot and Company, and there will always be two sous for bread and two to throw to a dog. I like throwing sous to dogs. It is my nature. Now I know why I was sent into the world. It was to play the fiddle up and down the sunny land of France. My little Asticot, why haven't we thought of it before? You shall learn to play the trumpet, Asticot, and Narcisse shall walk on his hind legs and collect the money. It will be magnificent!"

"Are you serious, Monsieur?" asked Blanquette, trembling.

"Serious? Over an inspiration that came straight from the bon Dieu? But yes, I am serious. Et toi?" he added sharply using for the first time the familiar pronoun, "are you afraid I will beat you like PÈre Paragot?"

"You can if you like," she said huskily; and I wondered why on earth she should have turned the colour of cream cheese.