It is a pity that when, by some train of ill-luck, a word of respectable parentage, and well brought up, is led astray, it cannot adopt Goldsmith's recipe and die. It has not even the more prosaic alternative of being made an honest word by marriage, and escaping the name under which it stooped to folly, and was betrayed. It drags on a dishonored life, with little or no chance of recovering its character, inflicting cruel disgrace upon the unlucky family of ideas, no matter what their own innocence and respectability, to which it happens to belong. Thus Casuistry, if not a very useful, was at least a perfectly harmless, member of society, and moved in the best circles, until in an evil hour she became too intimate with the unpopular Jesuits. A few years ago, when high feeding and sermonizing proved too much for the virtue of garotters, and, waxing fat, they not only kicked society, but danced hornpipes in hobnailed boots upon its head and stomach, even Philanthropy, at once the most fashionable and popular word of this century, was all but compromised by Sir Joshua Jebb and Sir George Grey. Baron Bramwell fortunately came to the We take an early opportunity of inviting their special attention to the much-injured word "Match-making." The practice which it describes is not only harmless, but, in the present state of society, highly useful and meritorious. Yet there can be no doubt, that there is a powerful prejudice against it. Although all women—or rather, perhaps, as Thackeray said, all good women—are at heart match-makers, there are very few who own the soft impeachment. Many repudiate it with indignation. It is on the whole about as safe to charge a lady with Fenianism as facetiously to point out a young couple in her But, whatever the gods think of it, men cannot forget that the practice, whether harmless or not, goes by the objectionable name of match-making. So the lady replies, not, perhaps, without the energy of conscious guilt, that "things of this sort are best left to themselves," and piously begs you to remember that marriages are made in Heaven, not in her drawing-room. The melancholy truth is that the gentle craft of match-making has been so vulgarized by course and clumsy professors, and its very name has in consequence been brought into such disrepute, that few respectable women have the courage openly to recognise it. They are haunted by visions of the typical match-maker who does work for fashionable novels and social satires, and who is a truly awful personage. To her alone of mortals is it given to inspire, like the Harpies, at once contempt and fear. Keen-eyed and hook-nosed, like a bird of prey, she glowers from the corner of crowded ball-rooms upon the unconscious heir, hunts him untiringly from It is scarcely necessary to say that this fearful being exists only in fiction. In real life she has not only to marry her daughters, but also, like other human beings, to eat, drink, sleep, and otherwise dispose of the twenty-four hours of the day. She cannot therefore very well devote herself, from morning to night, to the one occupation of heir-hunting, with the precision of a machine, or one of Bunyan's walking vices. But still there must be some truth even in a caricature, and a man sometimes finds a girl "thrown at his head," as the process is forcibly termed, with a coarse-mindedness quite worthy of the typical match-maker, though also with a clumsiness which she would heartily despise. He goes as a stranger to some place, and is astonished to find himself at once taken to the bosom and innermost confidence of people whose very name he never heard before, as if he were their oldest and most familiar friend. He is asked to dinner one day, to breakfast the next, and warmly assured that a place is always kept for him at lunch. Charmed and flattered to find his many merits so quickly discovered and thoroughly appreciated by strangers, he votes them the cleverest, most genial, most hospitable people he ever met; and everything goes on delightfully until he begins to think it odd that he should be constantly left alone with, and now and then delicately "Quere peregrinum, vicinia rauca reclamat;" and if the peregrinus happens to be young and verdant, and, having just been given a good appointment, feels, with the Vicar of Wakefield, that one of the three greatest characters on earth is the father of a family, he is possibly hooked securely before he discovers his danger. He discovers it to find himself tied for life to a woman with whom he has not a sympathy in common, and for whom every day increases his disgust. And the people who have ruined his life have not even the sorry excuse that they wished to better hers. Their one thought was to get rid of her as speedily as possible, no matter to whom; and they would rather have had Bluebeard at a two-months' engagement than any other man at one of six. There is something so coarse and revolting, so brutal, in the notion of bringing two people together The clumsy match-maker is a scarcely less dangerous, though a far more respectable, enemy to the gentle craft than the coarse one. She makes it ridiculous, while the latter makes it odious, and it is ridicule that kills. She is, perhaps, a well-meaning woman, who would be sorry to marry two people unless she thought them suited to each other; but the moment she has made up her mind that they ought to marry, she sets to work with a vigor which, unless she has a very young man to deal with, is almost sure to spoil her plans. This would not be surprising in a silly woman; but it is odd that the more energetic, and, in some respects, the more able a woman is, the more likely sometimes she is to fall into this error. A woman may be the life and soul of a dozen societies, write admirable letters, get half her male relatives into Government offices, and yet be the laughing-stock of the neighborhood for the absurd way in which she goes husband-hunting for her daughters. The very energy and ability which fit her for other pursuits disqualify her for match-making. She is too impatient and too fond of action to adopt the purely passive expectant attitude, the masterly inactivity, When one thinks of all that a man has to go through in the course of a love-affair—especially in a small society where everybody knows everybody—of all the chaffing and grinning, and significant interchange of glances when he picks up the daughter's fan, or hands the mother to her carriage, or laughs convulsively at the old jokes of the father, one is almost inclined to wonder how a Briton, of the average British stiffness and shyness, ever gets married at all. The explanation probably is, that he falls in love before he exactly knows what he is about, and, once in love, is of course gloriously blind and deaf to all obstacles between him and the adored one. But to subject a man to this trying ordeal, as the too eager match-maker does, before he is sufficiently in love to be proof against it, is like sending him into a snow-storm without a great-coat. The romantic match-maker is, in her way, as mischievous as the coarse or the clumsy one. She is usually a good sort of woman, but with decidedly more heart than head. She gets her notions of political economy from Mr. Dickens' novels, and holds And having, perhaps, been accustomed on this account to feel that he may flirt in moderation with impunity, as a man with whom marriage is altogether out of the question, he is quite unprepared for the new and startling unconventional view which the romantic match-maker takes of him. He is horrified to find that, ignoring the usual considerations as to the length of his purse, she has discovered that he and the pretty girl with whom he danced three consecutive dances last night must have been made It is rather hard, however, that these and other abuses, which we have not space to enumerate, of the great art of match-making should bring the art itself into odium and contempt. In all of them there is a violation of some one or more of what we take to be its three chief canons. First, the objects to be experimented upon should be pecuniarily in a position to marry. Secondly, care should be taken that they seem on the whole not unlikely to suit each other. Thirdly, the artist should be content, like a photographer, to bring the objects together, and leave the rest of the work mainly to nature. We confess that we feel painfully the unscientific vagueness of this last axiom, since so much turns upon the way in which the objects are brought together. But, as we only undertook to treat of the abuse of match-making, the reader must consider these maxims for its proper use to be thrown into the bargain gratis, and not therefore to be scrutinized severely. Some other |