The philosophy of Karl Liebknecht as revealed in these pages leaves but a narrow ledge for heroes to stand on. To him the significant thing in history is, and has always been, the stirring of the masses of men at the bottom, their unconscious writhings, their awakenings, their conscious struggles and finally their gigantic, fearsome upthrust, which overturns all the little groups of clever men who have lived by holding these masses down. In these conflicts, kings, priests, leaders, heroes count for no more than flags or flying pennants. All great leaders, CÆsar, Mahomet, Luther, Napoleon, are instruments of popular movements, or at best manuscripts upon which the messages of their class and age have been written. To Liebknecht all that Carlyle has said about heroes is contrary to ideology and inversion of the truth. "As I take it," writes Carlyle, "Universal History, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked there. They were the leaders of men, these great ones; the modellers, patterns, and in a wide sense creators, of whatsoever the general mass of men contrived to do or to attain; all things that we see standing and accomplished in the world are properly the outward material result, the Look at what is happening in Germany to-day and test, as best we may, these two confronting theories concerning the influence of great men upon history. As I write Germany is in the throes of revolution. The immensely powerful Hohenzollern monarchy has fallen, the brave, stubborn, modern-witted, money-bolstered aristocracy is shattered, and a proscribed poor man, Karl Liebknecht, is loudly acclaimed. Was it one man, a Foch, a Wilson, a Lenin or a Liebknecht that overturned this mighty structure, or was it the movement of a hundred million men and women, armed and unarmed, on the battle-field and in the factory, in France and England and Russia and Germany? What could Liebknecht alone have done with all his ringing eloquence and all his superb, I almost said, sublime heroism? Clearly we must rule Carlyle out of the controversy and agree with Liebknecht, the Socialist, that Liebknecht, the hero, had little to do with this vast subversion. Yet, as Carlyle says, "One comfort is, that Great Men, taken up in any way, are profitable company. We cannot look, however imperfectly, upon any great man, without gaining something by him." At this safe distance no one could be more "profitable company" than Karl Liebknecht as he stands up boldly against all that is powerful, respectable and We have agreed with Liebknecht that great events are not the doings of great men but merely the large theater in which these great men play their little parts. And yet, does not the hero, subordinate as he is to the wider movement of the play, exert a somewhat stronger influence than many followers of Marx seem willing to admit? Masses of men are The course of events has vindicated Karl Liebknecht. But it might well have been otherwise. Had Germany won the war and established a clanging pax Germanica through the ruin of Europe, Liebknecht's heroism might never have been recognized. He might have rusted in prison and been released to obscurity and thereafter lived a futile life derided as a blind fanatic. The force of circumstances, the obscure action of the hundreds of millions, rescued Liebknecht and raised him to the highest pinnacle of heroism. It stamped upon our minds for all time the picture of this brave man standing alone surrounded by cruel, confidently smiling foes. I said "alone." Yet this is not fair to a very small group of German minority socialists, who stood by Liebknecht and by whom Liebknecht stood. Among them were Rosa Luxemburg, Franz Mehring, Hugo Haase, George Ledebour, and others, to whom, "And for all that mind you," concludes the French soldier Bertrand, in "Under Fire," "there is one figure that has risen above the war and will blaze with the beauty and strength of his courage." Barbusse continues: "I listened leaning on a stick towards him, drinking in the voice that came in the twilight silence from the lips that so rarely spoke. He cried with a clear voice, 'Liebknecht.'" Walter Weyl. |